1974-05-21 | Grateful Dead

Bands

Featured

Playback	Listens	Hours
48h	88.7k	11.1k
7d	232.9k	29.4k
30d	1.3M	170.2k

2,080 shows

18,080 tapes

Phish

281.5k

Playback	Listens	Hours
48h	18.3k	2.8k
7d	45.2k	7k
30d	281.5k	43.6k

Bands

Playback	Listens	Hours
48h	29	2
7d	166	11
30d	945	60

Playback	Listens	Hours
48h	0	0m
7d	11	1
30d	154	24

69 shows

106 tapes

Ace Bandage

Playback	Listens	Hours
48h	15	1
7d	1	8m
30d	7	48m

Playback	Listens	Hours
48h	1	12m
7d	10	2
30d	220	31

83 shows

116 tapes

Akron/Family

Playback	Listens	Hours
48h	1	9m
7d	0	0m
30d	9	1

40 shows

43 tapes

American Babies

Playback	Listens	Hours
48h	0	0m
7d	7	42m
30d	39	4

Playback	Listens	Hours
48h	3	14m
7d	1	2m
30d	137	11

Playback	Listens	Hours
48h	18	2
7d	128	11
30d	402	34

Playback	Listens	Hours
48h	9	1
7d	40	5
30d	308	36

123 shows

134 tapes

Animal Liberation Orchestra

1.4k

Playback	Listens	Hours
48h	101	13
7d	288	36
30d	1.4k	171

Playback	Listens	Hours
48h	10	1
7d	53	12
30d	144	29

Playback	Listens	Hours
48h	75	8
7d	213	19
30d	1.1k	105

Playback	Listens	Hours
48h	25	3
7d	1	17m
30d	178	37

Playback	Listens	Hours
48h	59	7
7d	89	12
30d	658	84

Playback	Listens	Hours
48h	0	0m
7d	9	51m
30d	105	10

102 shows

107 tapes

Bela Fleck and the Flecktones

1.5k

Playback	Listens	Hours
48h	140	20
7d	294	40
30d	1.5k	189

488 shows

613 tapes

Ben Kweller

Playback	Listens	Hours
48h	0	0m
7d	2	9m
30d	40	3

Playback	Listens	Hours
48h	1	2m
7d	12	2
30d	188	25

278 shows

383 tapes

Bernie Worrell

Playback	Listens	Hours
48h	23	3
7d	21	4
30d	37	7

7 shows

7 tapes

Bernie Worrell and the WOO Warriors

Playback	Listens	Hours
48h	0	0m
7d	3	34m
30d	27	4

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	1	6m
7d	8	1
30d	50	8

Playback	Listens	Hours
48h	23	4
7d	114	17
30d	549	78

Playback	Listens	Hours
48h	144	19
7d	413	54
30d	2.2k	293

Playback	Listens	Hours
48h	5.1k	526
7d	14.8k	1.5k
30d	87.1k	8.7k

Playback	Listens	Hours
48h	89	7
7d	213	15
30d	1.5k	108

62 shows

76 tapes

Blueground Undergrass

110

Playback	Listens	Hours
48h	13	1
7d	17	1
30d	110	9

Playback	Listens	Hours
48h	209	25
7d	371	40
30d	2.2k	251

Playback	Listens	Hours
48h	335	42
7d	869	118
30d	5.2k	684

308 shows

512 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

22 shows

28 tapes

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	48m

Playback	Listens	Hours
48h	80	15
7d	56	9
30d	932	158

451 shows

563 tapes

Buffalo Galaxy

Playback	Listens	Hours
48h	0	0m
7d	9	1
30d	66	8

Playback	Listens	Hours
48h	69	7
7d	264	25
30d	1.1k	112

Playback	Listens	Hours
48h	164	16
7d	372	39
30d	1.5k	151

Playback	Listens	Hours
48h	1	5m
7d	172	9
30d	349	19

Playback	Listens	Hours
48h	5	32m
7d	33	4
30d	224	30

Playback	Listens	Hours
48h	38	3
7d	66	5
30d	262	18

243 shows

272 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	1	17m
30d	4	1

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	1	37m
7d	0	0m
30d	4	41m

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	6	35m
7d	4	53m
30d	73	10

79 shows

93 tapes

Circles Around The Sun

1.7k

Playback	Listens	Hours
48h	114	24
7d	387	85
30d	1.7k	367

Playback	Listens	Hours
48h	14	3
7d	30	4
30d	200	38

Playback	Listens	Hours
48h	2	13m
7d	136	11
30d	853	72

Playback	Listens	Hours
48h	22	3
7d	188	29
30d	614	92

Playback	Listens	Hours
48h	425	62
7d	978	133
30d	4.4k	599

Playback	Listens	Hours
48h	427	59
7d	1.1k	141
30d	6.3k	871

799 shows

1,061 tapes

Dave Harrington

Playback	Listens	Hours
48h	0	0m
7d	1	17m
30d	20	5

Playback	Listens	Hours
48h	42	5
7d	5	27m
30d	189	17

Playback	Listens	Hours
48h	3.2k	501
7d	7k	1.1k
30d	39.8k	6.4k

Playback	Listens	Hours
48h	20	2
7d	79	8
30d	345	38

Playback	Listens	Hours
48h	153	9
7d	147	9
30d	1.2k	76

Playback	Listens	Hours
48h	127	14
7d	172	22
30d	1.4k	174

Playback	Listens	Hours
48h	981	182
7d	2.2k	447
30d	13.1k	2.7k

Playback	Listens	Hours
48h	4	27m
7d	31	3
30d	261	27

Playback	Listens	Hours
48h	196	29
7d	622	99
30d	3.4k	516

156 shows

211 tapes

Domocile

Playback	Listens	Hours
48h	0	0m
7d	1	43m
30d	93	21

Playback	Listens	Hours
48h	157	17
7d	292	33
30d	1.6k	172

Playback	Listens	Hours
48h	30	5
7d	45	8
30d	262	42

Playback	Listens	Hours
48h	251	22
7d	297	26
30d	2.9k	257

Playback	Listens	Hours
48h	6	1
7d	98	17
30d	420	71

Playback	Listens	Hours
48h	3	36m
7d	44	6
30d	186	26

Playback	Listens	Hours
48h	92	16
7d	171	30
30d	1.8k	299

152 shows

293 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	8m

Playback	Listens	Hours
48h	183	27
7d	251	33
30d	1.7k	235

831 shows

1,050 tapes

Electric Beethoven

Playback	Listens	Hours
48h	2	1
7d	1	38m
30d	13	5

Playback	Listens	Hours
48h	66	4
7d	256	13
30d	865	46

156 shows

174 tapes

Eric Krasno

Playback	Listens	Hours
48h	0	0m
7d	23	3
30d	99	14

123 shows

182 tapes

Everyone Orchestra

Playback	Listens	Hours
48h	5	43m
7d	2	25m
30d	25	6

182 shows

286 tapes

Forgotten Space

Playback	Listens	Hours
48h	0	0m
7d	1	8m
30d	68	8

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	7	2

Playback	Listens	Hours
48h	0	0m
7d	116	8
30d	321	31

Playback	Listens	Hours
48h	4	11m
7d	14	1
30d	122	8

Playback	Listens	Hours
48h	24	2
7d	11	40m
30d	182	14

Playback	Listens	Hours
48h	5	22m
7d	26	1
30d	111	7

Playback	Listens	Hours
48h	641	101
7d	1.8k	274
30d	9.8k	1.5k

246 shows

1,223 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

14 shows

15 tapes

G. Love and Special Sauce

695

Playback	Listens	Hours
48h	32	3
7d	148	12
30d	695	61

Playback	Listens	Hours
48h	70	8
7d	210	23
30d	1.1k	122

Playback	Listens	Hours
48h	2	42m
7d	36	4
30d	158	20

Playback	Listens	Hours
48h	15	3
7d	49	8
30d	253	52

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	0	0m
7d	1	7m
30d	17	2

51 shows

65 tapes

Ghost Light

Playback	Listens	Hours
48h	2	2
7d	8	1
30d	54	13

Playback	Listens	Hours
48h	112	13
7d	195	24
30d	1.1k	135

374 shows

509 tapes

Godspeed You Black Emperor!

419

Playback	Listens	Hours
48h	19	6
7d	44	14
30d	419	120

Playback	Listens	Hours
48h	0	0m
7d	8	59m
30d	109	13

Playback	Listens	Hours
48h	4.8k	1.1k
7d	12.2k	2.7k
30d	49.8k	10.5k

Playback	Listens	Hours
48h	1	4m
7d	103	10
30d	326	29

363 shows

589 tapes

Grahame Lesh and Friends

1.8k

Playback	Listens	Hours
48h	124	17
7d	306	48
30d	1.8k	260

Playback	Listens	Hours
48h	0	0m
7d	11	2
30d	126	17

Playback	Listens	Hours
48h	368	46
7d	1k	125
30d	6.2k	730

Playback	Listens	Hours
48h	26	4
7d	160	19
30d	978	111

226 shows

313 tapes

GrooveSession

Playback	Listens	Hours
48h	0	0m
7d	13	2
30d	31	6

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	0	0m
7d	1	3m
30d	53	3

53 shows

57 tapes

Guitarmageddon

Playback	Listens	Hours
48h	1	10m
7d	7	1
30d	18	3

Playback	Listens	Hours
48h	30	2
7d	81	6
30d	367	25

755 shows

1,036 tapes

Hard Working Americans

133

Playback	Listens	Hours
48h	1	6m
7d	19	2
30d	133	15

Playback	Listens	Hours
48h	18	2
7d	29	5
30d	379	64

187 shows

226 tapes

Horseshoes and Hand Grenades

Playback	Listens	Hours
48h	3	25m
7d	22	2
30d	57	5

Playback	Listens	Hours
48h	0	0m
7d	58	5
30d	251	24

674 shows

846 tapes

Infamous Stringdusters

1.5k

Playback	Listens	Hours
48h	61	5
7d	262	23
30d	1.5k	135

629 shows

1,016 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	11	2

Playback	Listens	Hours
48h	221	16
7d	754	53
30d	4.8k	318

Playback	Listens	Hours
48h	37	3
7d	55	5
30d	292	30

365 shows

492 tapes

Jazz Mandolin Project

105

Playback	Listens	Hours
48h	2	17m
7d	31	4
30d	105	17

222 shows

280 tapes

Jeff Austin and Chris Castino

Playback	Listens	Hours
48h	0	0m
7d	5	29m
30d	95	9

12 shows

14 tapes

Jeff Austin And Friends

155

Playback	Listens	Hours
48h	14	1
7d	15	1
30d	155	16

Playback	Listens	Hours
48h	118	12
7d	157	21
30d	1.3k	181

112 shows

162 tapes

Jerry Joseph and the Jackmormons

2.5k

Playback	Listens	Hours
48h	211	36
7d	252	49
30d	2.5k	413

1,124 shows

1,519 tapes

Jerry's Middle Finger

3.7k

Playback	Listens	Hours
48h	305	39
7d	710	95
30d	3.7k	514

259 shows

310 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	11	2
7d	3	23m
30d	15	2

2 shows

5 tapes

Joe Russo's Almost Dead

40.9k

Playback	Listens	Hours
48h	2.4k	432
7d	5.4k	1k
30d	40.9k	7.7k

Playback	Listens	Hours
48h	9	1
7d	141	15
30d	693	77

Playback	Listens	Hours
48h	192	16
7d	510	44
30d	2.6k	232

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	20	2
7d	4	48m
30d	33	4

Playback	Listens	Hours
48h	21	1
7d	2	13m
30d	113	8

Playback	Listens	Hours
48h	6	35m
7d	13	59m
30d	108	10

73 shows

109 tapes

Karl Denson's Tiny Universe

185

Playback	Listens	Hours
48h	14	2
7d	16	3
30d	185	27

Playback	Listens	Hours
48h	287	32
7d	734	75
30d	4.5k	428

1,056 shows

1,396 tapes

Kikagaku Moyo

Playback	Listens	Hours
48h	5	1
7d	15	2
30d	69	11

43 shows

54 tapes

King Gizzard & the Lizard Wizard

16.2k

Playback	Listens	Hours
48h	1.2k	151
7d	2.9k	399
30d	16.2k	2.2k

Playback	Listens	Hours
48h	181	25
7d	391	54
30d	1.9k	262

315 shows

400 tapes

Kung Fu

Playback	Listens	Hours
48h	0	0m
7d	2	11m
30d	59	9

Playback	Listens	Hours
48h	43	7
7d	116	23
30d	672	131

Playback	Listens	Hours
48h	13	2
7d	129	16
30d	855	101

71 shows

140 tapes

Leftover Salmon

Playback	Listens	Hours
48h	211	21
7d	713	64
30d	4k	366

Playback	Listens	Hours
48h	136	19
7d	591	91
30d	3.1k	524

Playback	Listens	Hours
48h	405	37
7d	927	81
30d	5.5k	504

Playback	Listens	Hours
48h	72	6
7d	342	26
30d	1.4k	113

Playback	Listens	Hours
48h	168	32
7d	248	48
30d	1.5k	285

437 shows

622 tapes

Marco Benevento

Playback	Listens	Hours
48h	0	0m
7d	14	55m
30d	82	7

Playback	Listens	Hours
48h	116	12
7d	263	24
30d	2.2k	204

Playback	Listens	Hours
48h	10	1
7d	32	3
30d	246	25

349 shows

446 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	227	41
7d	638	103
30d	3.9k	617

Playback	Listens	Hours
48h	2	8m
7d	61	4
30d	388	25

Playback	Listens	Hours
48h	21	2
7d	63	6
30d	219	22

157 shows

172 tapes

Minutemen

Playback	Listens	Hours
48h	7	16m
7d	7	13m
30d	77	2

Playback	Listens	Hours
48h	47	3
7d	133	9
30d	903	62

Playback	Listens	Hours
48h	672	117
7d	1.8k	295
30d	10.3k	1.7k

1,989 shows

4,490 tapes

Mogwai

Playback	Listens	Hours
48h	14	2
7d	5	28m
30d	24	2

Playback	Listens	Hours
48h	2	12m
7d	0	0m
30d	113	10

Playback	Listens	Hours
48h	304	31
7d	615	65
30d	4.6k	475

412 shows

599 tapes

Nathan Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	10	1

46 shows

51 tapes

Neal Francis

Playback	Listens	Hours
48h	2	10m
7d	5	28m
30d	57	5

Playback	Listens	Hours
48h	53	6
7d	118	16
30d	542	76

138 shows

251 tapes

Nels Cline

Playback	Listens	Hours
48h	0	0m
7d	11	2
30d	36	7

62 shows

73 tapes

New Riders of the Purple Sage

1.7k

Playback	Listens	Hours
48h	130	11
7d	270	24
30d	1.7k	147

410 shows

598 tapes

North Mississippi Allstars

1.4k

Playback	Listens	Hours
48h	45	5
7d	319	30
30d	1.4k	140

Playback	Listens	Hours
48h	115	12
7d	220	23
30d	965	101

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	15m

Playback	Listens	Hours
48h	25	4
7d	32	6
30d	144	27

130 shows

260 tapes

Percy Hill

Playback	Listens	Hours
48h	0	0m
7d	5	42m
30d	82	11

Playback	Listens	Hours
48h	56	12
7d	221	40
30d	1.4k	270

689 shows

920 tapes

Phil Lesh and Friends

15.1k

Playback	Listens	Hours
48h	1.2k	201
7d	3k	512
30d	15.1k	2.6k

788 shows

2,861 tapes

Pigeons Playing Ping Pong

2.2k

Playback	Listens	Hours
48h	141	23
7d	352	56
30d	2.2k	338

Playback	Listens	Hours
48h	237	31
7d	952	115
30d	4.4k	561

293 shows

435 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	284	36
7d	733	100
30d	4.2k	547

1,236 shows

2,197 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	46	4
30d	49	4

Playback	Listens	Hours
48h	31	4
7d	73	12
30d	505	68

Playback	Listens	Hours
48h	523	70
7d	1.3k	160
30d	7.2k	949

Playback	Listens	Hours
48h	97	10
7d	454	37
30d	1.6k	134

259 shows

390 tapes

Rumpke Mountain Boys

Playback	Listens	Hours
48h	92	7
7d	292	23
30d	2k	164

Playback	Listens	Hours
48h	130	11
7d	546	46
30d	2.4k	209

581 shows

729 tapes

Ryan Jewell

Playback	Listens	Hours
48h	1	26m
7d	0	0m
30d	2	29m

10 shows

11 tapes

Ryley Walker

Playback	Listens	Hours
48h	0	0m
7d	4	41m
30d	11	2

Playback	Listens	Hours
48h	145	15
7d	542	53
30d	3.8k	362

128 shows

193 tapes

Scott Metzger

Playback	Listens	Hours
48h	6	47m
7d	33	4
30d	44	5

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	1	0m
7d	1	9m
30d	80	11

Playback	Listens	Hours
48h	0	0m
7d	16	2
30d	110	13

Playback	Listens	Hours
48h	117	10
7d	86	8
30d	1.1k	91

921 shows

1,619 tapes

Sound Tribe Sector 9

Playback	Listens	Hours
48h	123	19
7d	559	80
30d	3k	457

Playback	Listens	Hours
48h	41	10
7d	232	56
30d	1.4k	329

Playback	Listens	Hours
48h	58	4
7d	27	2
30d	273	15

87 shows

96 tapes

Stanton Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	17	3

Playback	Listens	Hours
48h	53	9
7d	190	24
30d	757	122

Playback	Listens	Hours
48h	129	28
7d	347	74
30d	1.9k	416

Playback	Listens	Hours
48h	96	11
7d	237	33
30d	1.5k	204

667 shows

1,139 tapes

String Cheese Incident

20.8k

Playback	Listens	Hours
48h	1k	164
7d	3.4k	552
30d	20.8k	3.4k

1,285 shows

2,081 tapes

Surprise Me Mr. Davis

Playback	Listens	Hours
48h	16	2
7d	9	59m
30d	78	9

Playback	Listens	Hours
48h	2	42m
7d	10	2
30d	201	37

Playback	Listens	Hours
48h	20	2
7d	19	3
30d	152	20

Playback	Listens	Hours
48h	47	5
7d	92	10
30d	711	78

729 shows

1,116 tapes

Ted Leo and the Pharmacists

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	12	58m

Playback	Listens	Hours
48h	948	110
7d	2.3k	251
30d	12.7k	1.5k

Playback	Listens	Hours
48h	17	1
7d	30	1
30d	174	9

Playback	Listens	Hours
48h	135	16
7d	292	36
30d	1.6k	199

Playback	Listens	Hours
48h	22	3
7d	59	8
30d	360	54

473 shows

627 tapes

The California Honeydrops

357

Playback	Listens	Hours
48h	55	6
7d	55	7
30d	357	45

77 shows

84 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	1	7m
30d	1	7m

Playback	Listens	Hours
48h	317	43
7d	738	109
30d	2.9k	420

Playback	Listens	Hours
48h	11	45m
7d	65	6
30d	242	21

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	0	0m
7d	4	34m
30d	15	2

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	4	41m
7d	5	30m
30d	18	2

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	0	0m
7d	7	44m
30d	10	58m

Playback	Listens	Hours
48h	0	0m
7d	75	13
30d	399	66

Playback	Listens	Hours
48h	18	2
7d	9	1
30d	117	14

Playback	Listens	Hours
48h	304	16
7d	682	35
30d	3.6k	195

Playback	Listens	Hours
48h	33	3
7d	126	9
30d	819	58

Playback	Listens	Hours
48h	21	3
7d	17	4
30d	214	43

Playback	Listens	Hours
48h	60	7
7d	263	27
30d	1.1k	111

293 shows

454 tapes

The Other Ones

Playback	Listens	Hours
48h	211	29
7d	719	104
30d	2k	287

Playback	Listens	Hours
48h	567	56
7d	1.6k	154
30d	7.4k	721

Playback	Listens	Hours
48h	24	2
7d	102	7
30d	146	11

Playback	Listens	Hours
48h	61	8
7d	138	16
30d	878	92

71 shows

91 tapes

The Werks

Playback	Listens	Hours
48h	3	30m
7d	20	4
30d	38	8

Playback	Listens	Hours
48h	22	3
7d	266	26
30d	1.3k	138

223 shows

285 tapes

Trampled by Turtles

Playback	Listens	Hours
48h	12	45m
7d	185	13
30d	1k	69

175 shows

210 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	15	2

Playback	Listens	Hours
48h	400	57
7d	770	124
30d	6.8k	992

Playback	Listens	Hours
48h	0	0m
7d	23	2
30d	120	11

Playback	Listens	Hours
48h	75	12
7d	313	50
30d	1.7k	272

Playback	Listens	Hours
48h	309	46
7d	983	141
30d	5.3k	778

Playback	Listens	Hours
48h	39	3
7d	14	2
30d	223	20

Playback	Listens	Hours
48h	78	6
7d	170	13
30d	1.4k	106

Playback	Listens	Hours
48h	1.1k	84
7d	2.6k	209
30d	13.4k	1.1k

623 shows

1,140 tapes

White Denim

Playback	Listens	Hours
48h	0	0m
7d	2	9m
30d	61	5

Playback	Listens	Hours
48h	15.6k	1.9k
7d	40.9k	4.8k
30d	160.2k	19k

Playback	Listens	Hours
48h	123	16
7d	174	31
30d	857	128

1,416 shows

2,242 tapes

Yonder Mountain String Band

11.8k

Playback	Listens	Hours
48h	764	74
7d	2.1k	197
30d	11.8k	1.1k

Playback	Listens	Hours
48h	86	14
7d	377	60
30d	1.7k	258

21 shows

29 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	96	16
7d	135	24
30d	1.6k	279

461 shows

665 tapes

Zoofunkyou

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	12	1

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	1.7k	215
7d	4.5k	576
30d	21.7k	2.9k

Playback	Listens	Hours
48h	2.5k	346
7d	3.1k	426
30d	19.2k	2.7k

Playback	Listens	Hours
48h	850	112
7d	2.9k	387
30d	37.3k	4.9k

Playback	Listens	Hours
48h	1.2k	148
7d	7.7k	955
30d	35.7k	4.5k

Playback	Listens	Hours
48h	1.3k	186
7d	4.6k	604
30d	54.1k	7.2k

Playback	Listens	Hours
48h	2.5k	328
7d	7.8k	1k
30d	67.4k	8.8k

Playback	Listens	Hours
48h	8.1k	1k
7d	7k	884
30d	48.7k	6.1k

Playback	Listens	Hours
48h	7k	876
7d	9.3k	1.1k
30d	35.7k	4.1k

Playback	Listens	Hours
48h	3.6k	368
7d	12.9k	1.5k
30d	54.7k	6.3k

Playback	Listens	Hours
48h	1.9k	200
7d	6.1k	673
30d	18.8k	2.1k

Playback	Listens	Hours
48h	6.2k	770
7d	19.1k	2.2k
30d	60.2k	6.9k

Playback	Listens	Hours
48h	3.7k	453
7d	10.9k	1.4k
30d	40.8k	5k

Playback	Listens	Hours
48h	1.3k	164
7d	7.2k	932
30d	33.4k	4.4k

Playback	Listens	Hours
48h	1.1k	136
7d	3.3k	404
30d	19.8k	2.5k

Playback	Listens	Hours
48h	3.2k	380
7d	3.7k	467
30d	25.1k	3.2k

Playback	Listens	Hours
48h	2k	238
7d	9k	1.1k
30d	65.8k	7.6k

Playback	Listens	Hours
48h	2.9k	394
7d	7.1k	959
30d	24.7k	3.4k

Playback	Listens	Hours
48h	3.6k	478
7d	5.3k	710
30d	40.1k	5.3k

Playback	Listens	Hours
48h	6.6k	931
7d	17.5k	2.4k
30d	145.9k	20.2k

Playback	Listens	Hours
48h	4.1k	554
7d	22.8k	3k
30d	147.9k	20k

Playback	Listens	Hours
48h	130	13
7d	837	85
30d	7.2k	732

Playback	Listens	Hours
48h	3.9k	511
7d	21.5k	2.9k
30d	101.4k	13.2k

Playback	Listens	Hours
48h	6.5k	838
7d	17.7k	2.3k
30d	84.8k	11.1k

Playback	Listens	Hours
48h	2.3k	290
7d	6.2k	778
30d	39.6k	5k

Playback	Listens	Hours
48h	6.4k	719
7d	4.1k	461
30d	27.7k	3.1k

Playback	Listens	Hours
48h	1.1k	127
7d	4.1k	458
30d	38.4k	4.1k

Playback	Listens	Hours
48h	1.3k	168
7d	4.4k	566
30d	23k	3.4k

112 shows

326 tapes

1968

Playback	Listens	Hours
48h	294	38
7d	815	105
30d	7k	893

Playback	Listens	Hours
48h	154	20
7d	336	48
30d	2.1k	290

Playback	Listens	Hours
48h	902	70
7d	980	71
30d	4.8k	338

Playback	Listens	Hours
48h	35	2
7d	90	5
30d	503	30

1974

Playback	Listens	Hours
48h	0	0m
7d	2	9m
30d	20	2

San Francisco, CA, USA

1.1k

Playback	Listens	Hours
48h	46	5
7d	101	12
30d	1.1k	137

San Francisco, CA, USA

1.4k

Playback	Listens	Hours
48h	90	12
7d	164	18
30d	1.4k	162

San Francisco, CA, USA

1.3k

Playback	Listens	Hours
48h	47	7
7d	200	32
30d	1.3k	197

San Francisco, CA, USA

880

Playback	Listens	Hours
48h	5	36m
7d	136	15
30d	880	99

San Francisco, CA, USA

449

Playback	Listens	Hours
48h	53	11
7d	66	14
30d	449	81

Playback	Listens	Hours
48h	0	0m
7d	12	1
30d	140	20

Playback	Listens	Hours
48h	22	3
7d	58	8
30d	203	28

Playback	Listens	Hours
48h	37	6
7d	121	17
30d	574	79

Playback	Listens	Hours
48h	2	10m
7d	55	8
30d	136	20

Playback	Listens	Hours
48h	43	8
7d	203	37
30d	960	190

Playback	Listens	Hours
48h	12	3
7d	34	9
30d	310	56

Playback	Listens	Hours
48h	0	0m
7d	1	23m
30d	84	10

Playback	Listens	Hours
48h	94	14
7d	263	34
30d	1.3k	165

4:05:41

9 tapes

8/05SBD

Philadelphia Civic Arena

Philadelphia, PA, USA

617

Playback	Listens	Hours
48h	3	30m
7d	86	12
30d	617	80

3:48:28

6 tapes

8/04SBD

Philadelphia Civic Arena

Philadelphia, PA, USA

644

Playback	Listens	Hours
48h	10	2
7d	60	8
30d	644	91

Playback	Listens	Hours
48h	102	12
7d	68	10
30d	826	102

Playback	Listens	Hours
48h	72	9
7d	94	11
30d	410	52

Playback	Listens	Hours
48h	47	6
7d	70	10
30d	654	82

2:46:46

6 tapes

7/25SBD

International Amphitheatre

Chicago, IL, USA

634

Playback	Listens	Hours
48h	44	5
7d	39	4
30d	634	73

Playback	Listens	Hours
48h	10	2
7d	66	9
30d	319	40

Playback	Listens	Hours
48h	65	8
7d	140	22
30d	612	91

3:26:33

7 tapes

6/30SBD

Springfield Civic Center

Springfield, MA, USA

5.6k

Playback	Listens	Hours
48h	412	61
7d	5k	701
30d	5.6k	791

Playback	Listens	Hours
48h	246	38
7d	6k	826
30d	7.1k	985

3:52:49

7 tapes

6/26SBD

Providence Civic Center

Providence, RI, USA

Playback	Listens	Hours
48h	313	42
7d	3.3k	463
30d	9k	1.2k

Playback	Listens	Hours
48h	247	28
7d	769	86
30d	8.7k	995

Playback	Listens	Hours
48h	58	8
7d	332	39
30d	5.2k	575

Playback	Listens	Hours
48h	70	8
7d	91	10
30d	5.7k	657

Playback	Listens	Hours
48h	323	47
7d	613	90
30d	10k	1.4k

2:56:36

4 tapes

6/16SBD

Des Moines State Fair Grandstand

Des Moines, IA, USA

8.4k

Playback	Listens	Hours
48h	162	23
7d	208	30
30d	8.4k	1.2k

3:53:11

10 tapes

6/08SBD

Oakland-Alameda County Coliseum

Oakland, CA, USA

5.9k

Playback	Listens	Hours
48h	68	9
7d	158	22
30d	5.9k	799

3:04:18

8 tapes

5/25SBD

Campus Stadium, UC Santa Barbara

Goleta, CA, USA

1.3k

Playback	Listens	Hours
48h	11	1
7d	158	15
30d	1.3k	136

5:16:21

5 tapes

5/21SBD

Edmundson Pavilion, U. of Washington

Seattle, WA, USA

1.6k

Playback	Listens	Hours
48h	52	6
7d	131	16
30d	1.6k	234

6:06:27

13 tapes

5/19SBD

Portland Memorial Coliseum

Portland, OR, USA

8.4k

Playback	Listens	Hours
48h	380	42
7d	1.2k	130
30d	8.4k	929

Vancouver, British Columbia, Canada

903

Playback	Listens	Hours
48h	15	2
7d	111	12
30d	903	101

2:53:50

3 tapes

5/14SBD

Adams Field House, U. of Montana

Missoula, MT, USA

2.4k

Playback	Listens	Hours
48h	254	33
7d	252	33
30d	2.4k	316

Playback	Listens	Hours
48h	24	3
7d	47	6
30d	722	87

Playback	Listens	Hours
48h	64	7
7d	367	41
30d	2k	225

Playback	Listens	Hours
48h	9	43m
7d	15	1
30d	97	8

San Francisco, CA, USA

2.3k

Playback	Listens	Hours
48h	115	15
7d	244	40
30d	2.3k	325

San Francisco, CA, USA

1.1k

Playback	Listens	Hours
48h	108	12
7d	123	13
30d	1.1k	135

San Francisco, CA, USA

1.5k

Playback	Listens	Hours
48h	150	15
7d	327	34
30d	1.5k	159

4:11:15

10 tapes

Sources

Transferrer: Matrix by Kevin Tobin

Matrix by Kevin Tobin

SHNID:

gd1974-05-21.sbd.matrix.tobin.87114.sbeok.flac16

Source:

SBD + AUD Matrix 2 Source Mix (65%-SBD/35%-AUD)

Taper Notes:

View NotesAudio Source Information
SBD (shnid=2597)
MSR>C>Dats>CD>EAC>SHN>.WAV>
Samplitude2496: retracked, normalized (added +1.8 dB) > SHN, CD.
Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip.

AUD(shnid=10150)
from Audience Devotional Tree
Round 10 - June, 2002
AudMC > WAV > SHN

Sony ECM18N mics > Sony 152SD deck
recorded by Pat Lee, hand held mics in right balcony

note: most songs have the first few notes cut on the master tape.
A>D conversion by David Minches (dminches@comcast.net) playback
on Nakamichi Dragon through ART DI/O sound card.  Final track
breaks and editing by Noah Weiner (noahbw@attbi.com) May, 2002
---------------------------------------------------------
Tech Notes

SHNs were decoded to wave and Audition 2.0 was used to reassemble
the tracks back to 1 long wave.  Audition 2.0 was used to align &
synch the SBD & AUD sources.  Audition 2.0 used to adjust the
volume for both AUDs, matrix/CTR and LFE channels.  Surcode
CD Pro DTS was used to encode to DTS.
- Mixed by kevtobin@yahoo.com
- FLAC conversion 07-AUG-2007  
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -0
AUD -2

SET TWO

Stereo Matrix
SBD -0
AUD -2
---------------------------------------------------------
Audio Patching:
1) Between Me and My Uncle and Brown Eyed Women, 16.520 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Brown Eyed Women on the Audience.
 
2) Between Brown Eyed Women and Beat It On Down The Line, 1 minute and 06.239 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Beat It On Down The Line on the Audience.

3) Between Brown Eyed Women and Deal, 59.037 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Deal on the Audience.

4) Between Deal and Mexicali Blues, 20.096 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 

5) Between Mexicali Blues and It Must've Been The Roses, 1 minute and 17.410 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of It Must've Been The Roses on the Audience.

6) Between It Must've Been The Roses and The Race Is On, 55.319 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of The Race Is On on the Audience.

7) Between The Race Is On and Scarlet Begonias, 28.298 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

8) Between Scarlet Begonias and El Paso, 1 minute and 06.737 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of El Paso on the Audience.

9) Between El Paso and Row Jimmy, 1 minute and 31.657 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Row Jimmy on the Audience.

10) Between Row Jimmy and Money Money, 28.081 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Money Money on the Audience.

11) After the splice at the start of Money Money, 28.183 seconds of the Audience left channel was fixed using a mono copy of soundboard recording (SBD) which was normalized to blend in better.

12) Between Money Money and Ship Of Fools, 19.314 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 

13) At the start of Ship Of Fools, 14.631 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. The first notes of Ship Of Fools were missing on both sources.

14) At the end of Ship Of Fools, 06.597 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This is at the end of disk 1.

15) At the start of WRS Prelude, 13.685 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. The first notes of WRS Prelude were missing on both sources.

16) Between U.S. Blues and Big River, 1 minute and 13.819 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Big River on the Audience.

17) Between Big River and Eyes of the World, 13 minutes and 32.455 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. This includes all of Stella Blue and Around and Around.

18) Between Around and Around and Eyes Of The World, 02.989 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 

18) Between Sugar Magnolia and Johnny B. Goode, 08.814 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. 

19) Between Sugar Magnolia and Johnny B. Goode, 04.661 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes some of the first notes of Johnny B. Goode on the Audience. The first notes are missing from both sources.
----------------------------------------------------------------
The Audience recording was used as the timing reference and for the most part the soundboard recording ran slightly fast (.5 seconds per minute). However, Playin In The Band which "has no Cassette gen" more closely matched the audience recording and is unfortunate that more of it doesn't circulate. A patched version of the sbd already circulates (shnid=22801) but as there were multiple fixes to the audience recording, a fixed version of it will be available soon along with a dts and dvd-va.

Brokedown House Production

Transferrer: Charles Wier

gd74-05-21.sbd-patched.wier.22801.sbeok.shnf

Source:

Soundboard

Taper Notes:

View Notes<a href="/shninfo_detail.php?shnid=2597" rel="ugc nofollow">Previous</a> remastered SBD patched with <a href="/shninfo_detail.php?shnid=10150" rel="ugc nofollow">AudMC</a>  via Charles Wier

Source 3 of 13

gd74-05-21.sbd.belkin.2597.sbefail.shnf

Source:

Soundboard

Lineage:

MSR> C> Dats> CD> EAC> SHN> WAV> Samplitude2496: retracked, normalized (added +1.8 dB) > SHN

Taper Notes:

View NotesMSR> C> Dats> CD> EAC> SHN> WAV> Samplitude2496: retracked, normalized (added +1.8 dB) > SHN; Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip; remastered version of <a href="http://db.etree.org/shninfo_detail.php?shnid=1347" rel="ugc nofollow">previous</a> shn set, courtesy Josh Belkin

Transferrer: Seth Kaplan

gd1974-05-21.sbd.kaplan.1347.shnf

Source:

S:MR > cassette > DAT > CD > EAC > SHN, except Playing In The Band, which is S:MR > DAT > CD > EAC > SHN, with 26 seconds of aud patched in.

Taper Notes:

View NotesD1t01 (Me And My Uncle): Sound system problems in beginning
D1t12 (Ship Of Fools): Fades in
D2t05 (Playing): 1-2 seconds are clipped from the beginning. 
      Master Reel splice due to a reel flip is covered by an 
      excellent quality AUD patch.
D3t06 (Johnny B. Goode): beginning cut.

  
Stella Blue and Around And Around are missing.

Taper: Pat Lee

Matt Smith, Charlie Miller, Scott Clugston

SHNID:

gd1974-05-21.150951.sony.ecm18n.lee.smith.miller.clugston.flac2496

Source:

Pat Lee's Master Audience Cassettes; Sony ECM18N mics (hand held, right balcony) > Sony 152SD

Lineage:

Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Pat Lee for the master cassettes
- Thanks to Matt Smith for the transfer
- Thanks to Charlie Miller for coordinating this effort
- Pitch corrected

Mastered by Scott Clugston
April 2020

Taper: Patt Lee

Matt Smith, Charlie Miller, Scott Clugston

SHNID:

gd1974-05-21.150950.sony.ecm18n.lee.smith.miller.clugston.flac1648

Source:

Pat Lee's Master Audience Cassettes; Sony ECM18N mics (hand held, right balcony) > Sony 152SD

Lineage:

Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Pat Lee for the master cassettes
- Thanks to Matt Smith for the transfer
- Thanks to Charlie Miller for coordinating this effort
- Pitch corrected

Mastered by Scott Clugston
April 2020

Taper: Pat Lee

gd1974-05-21.sonyecm18n.lee.miller.98901.flac24

Source:

Sony ECM18N -> Cassette Master (Sony 152SD)

Lineage:

Cassette Master (Nakamichi DR-1) -> Sound Devices 744T -> Samplitude Professional v10.2.1 -> FLAC/24

Taper Notes:

View NotesNotes:
-- Thanks to Pat Lee for lending me his masters

Taper: Pat Lee

gd1974-05-21.sonyecm18n.lee.miller.98822.sbeok.flac16

Source:

Sony ECM18N -> Cassette Master (Sony 152SD)

Lineage:

Cassette Master (Nakamichi DR-1) -> Sound Devices 744T -> Samplitude Professional v10.2.1 -> FLAC/16

Taper Notes:

View NotesNotes:
-- Thanks to Pat Lee for lending me his masters

Taper: Donn Amick

George M. Prescott Jr.

SHNID:

gd1974-05-21.amick.prescott.sbeok.114321.flac16

Taper Notes:

View Notes*Can be overburned with EAC on a 700MB/80-min. CD-R following capacity test.

Technical Notes:

The dub was recorded on Nakamichi MR-2’s by the person who provided the source cassettes.  Unfortunately, the recording levels are less than optimal:  the left channel averages at -5 dB, while the right channel averages at 0 dB.  This imbalance could not be compensatorily corrected, as the Edirol’s input-level control is unitary across both channels for unbalanced analog inputs, precluding individuated left-channel and right-channel gain adjustments.  Still, the amplitude differential is slight, and creates no phase problems.  The underrecording yielded prominent tape hiss; this was greatly reduced by using an analog EQ with a sharp roll-off at 9kHz and no output at 16kHz.  Careful comparative listening revealed no phase-shift or artifacts due to EQ.
  
The binaural source has real presence; both the Wall and the hall ring true.  This recording features fuller vocals, deeper bass response, and less reverb than does the circulating stereo audience recording made by Pat Lee (which is excellent).  This recording is free from the constant crowd chatter that mars that recording; those songs on that master that are missing their opening notes are intact here.  (The occasional handclapping is mildly distracting; the lusty screams from the crowd are welcome.)  Tonal range and timbral accuracy are quite good; Keith’s piano, Billy’s cymbals, and Jerry’s leads cut through nicely.  Still, at times, the sound here verges on distortion.  

Occasionally, there are instances when it sounds like the taper inadvertently depressed the pause button, causing momentary pitch-slippage.  There are also intermittent crackles and static, several recording-equipment glitches and tape dropouts, and some hotspots.  None of these anomalies lasts very long.  

Two songs, “Playin’ in the Band” and “Sugar Magnolia,” are each missing three seconds of music due to possible tape-flip gaps.  These gaps were removed (and the remaining ends were spliced); they have not been patched.  

Two songs were pretermitted:  “Playin’ in the Band” and “Johnny B. Goode.”  (This was not due to tape run-out on the dubs; there is blank tape after these songs.)  The final fourteen seconds of “Playin’” have been inartfully tacked on from Charlie Miller’s masterly transcription of Pat Lee’s masters, ShnID-98822.  The encore cuts during the final note and was not patched. 

No digital pitch-correction, noise-reduction, or sound-adjustment algorithms were used in this transcription.

Known Flaws (flawless tracks not listed):

Disc One

01	“Me and My Uncle”:  		01:19 minor glitch; 01:39 volume drops, tone darkens

03	“Beat It On Down the Line”:  	00:37 minor glitch

04	“Deal”:  			00:42 minor glitch; 02:58-02:59 vocal hotspot

05	“Mexicali Blues”:  		Jerry flubs chord 00:51; 01:50 static

06	“It Must Have Been the Roses”:  01:30, 01:43, 04:22 vocal hotspots

07	“The Race Is On”:  		Jerry flubs chord 00:13

08	“Scarlet Begonias”:  		01:45, 03:29 minor glitches; 03:43 vocal hotspot

09	“El Paso”:  			01:30 minor glitch; 03:17-03:18 pause w/pitch-slippage; 03:44 static

10	“Row Jimmy”:  			Jerry flubs chord 06:34; 03:38 dropout; 
		      			05:30 vocal hotspot; 07:10 pause w/pitch-slippage;
		      			07:39 minor glitch ; 08:05-08:06 pause w/music missing;
		      			08:25-08:44 channel-chop at run-out

11	“Money Money”:  		00:20 volume drops; 01:12, 01:28 minor glitches;
                        		02:12, 03:07 hotspots; 03:13, 03:44 minor glitches

12	“Ship of Fools”:  		Jerry flubs chord 00:45; 00:32, 02:15 vocal hotspots; 
					04:42, 05:40 minor glitches

13	“Weather Report Suite”:  	07:10 minor glitch; 12:11 dropout; 12:55 tone darkens

14	“China Doll”:  			02:28 minor glitch

Disc Two

01	“Playin’ in the Band”:  	02:49 tone darkens 
					(possible pre-dubbing engagement of Dolby B or change in bias or EQ);
             				02:52 minor glitch; 10:09, 16:04 static;
	     				16:55 minor glitch; 19:53-19:55 pitch-slippage;
             				21:01 possible tape-flip gap w/music missing;
       	     				28:34-28:37 dropouts; 
       	     				30:54, 30:58 pauses w/pitch-slippage;
       	     				31:12, 31:16 pauses w/pitch-slippage;
       	     				34:26 equipment glitch;
       	    				37:26 pause w/pitch-slippage;
       	     				37:31-37:33 pause w/music missing;
       	     				42:38, 42:57 minor glitches;
       	     				46:11, 46:30 minor glitches;
       	     				46:47-47:01 patched w/ShnID-98822 (Lee/Miller)

02	“U.S. Blues”:  			00:54 minor glitch; 00:57 static; 05:24 minor glitch

04	“Stella Blue”:  		01:12 minor glitch; 02:13 pause w/pitch-slippage

Disc Three

01	“Eyes of the World”:  		Jerry flubs chord 01:16; 07:47 minor glitch;
			      		12:33-12:34 pitch-slippage; 13:52, 13:57 static

02	“Wharf Rat”:  			03:35 minor glitch; 03:57 equipment glitch;
                      			04:30 vocal hotspot; 05:15, 07:55-07:58 minor glitches;
                      			09:40 pitch-slippage

03	“Sugar Magnolia”:  		01:53 possible tape-flip gap w/music missing;
                           		02:25 minor glitch; 03:05-03:10 pitch-slippage;
                           		03:32, 05:42, 07:44-07:45 minor glitches;
                           		08:10 distortion (not from dubbing or transcription)

04	“Johnny B. Goode”:  		00:45-00:50 vocal hotspots; 01:00 static;
                            		01:20-01:33 vocal hotspots; 02:31 minor glitch;
                            		03:27, 03:32, 03:36 minor glitches;
			    		03:50 final note cuts out 

Post-Transcription Tools:

Rounded track timings courtesy of Exact Audio Copy CD Layout Editor V0.99.

Sector boundary errors were detected in "Playin’ in the Band,” and were repaired by post-padding with Trader's Little Helper v.2.6.0.168.

SBE-free .wav verification and .st5 .wav checksums courtesy of TLH.

Lossless FLAC encoding with tags and verification by FLAC frontend v.1.7.1.

FLAC .ffp and .md5 post-encoding checksums courtesy of TLH.

File-integrity check and problem-free verification courtesy of shntool 3.0.4.
  
Enjoy!

Transferrer: Hunter Seamons

gd1974-05-21.mtx.seamons.109887.flac16

Source:

Matrix by Hunter Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)

Transferrer: Kevin Tobin

gd1974-05-21.aud-fixed.tobin.87143.sbeok.flac16

Source:

Sony ECM18N mics > Sony 152SD deck recorded by Pat Lee, hand held mics in right balcony (patched version of shn id 10150 see info file for details)

Taper Notes:

View NotesAudio Source Information
AUD(shnid=10150)
from Audience Devotional Tree
Round 10 - June, 2002
AudMC > WAV > SHN

Sony ECM18N mics > Sony 152SD deck
recorded by Pat Lee, hand held mics in right balcony

note: most songs have the first few notes cut on the master tape.
A>D conversion by David Minches (dminches@comcast.net) playback
on Nakamichi Dragon through ART DI/O sound card.  Final track
breaks and editing by Noah Weiner (noahbw@attbi.com) May, 2002

Patch with:
SBD (shnid=2597)
MSR>C>Dats>CD>EAC>SHN>.WAV>
Samplitude2496: retracked, normalized (added +1.8 dB) > SHN, CD.
Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip.
---------------------------------------------------------
Tech Notes

SHNs were decoded to wave and Audition 2.0 was used to reassemble
the tracks back to 1 long wave.  Audition 2.0 was used to align &
synch the SBD & AUD sources.  Audition 2.0 used to adjust the
volume for both AUDs, matrix/CTR and LFE channels.  Surcode
CD Pro DTS was used to encode to DTS.
- Mixed by kevtobin@yahoo.com
- FLAC conversion 07-AUG-2007  
---------------------------------------------------------
Audio Patching:
1) Between Me and My Uncle and Brown Eyed Women, 16.520 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Brown Eyed Women on the Audience.

2) Between Brown Eyed Women and Beat It On Down The Line, 1 minute and 06.239 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Beat It On Down The Line on the Audience.

3) Between Brown Eyed Women and Deal, 59.037 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Deal on the Audience.

4) Between Deal and Mexicali Blues, 20.096 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

5) Between Mexicali Blues and It Must've Been The Roses, 1 minute and 17.410 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of It Must've Been The Roses on the Audience.

6) Between It Must've Been The Roses and The Race Is On, 55.319 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of The Race Is On on the Audience.

7) Between The Race Is On and Scarlet Begonias, 28.298 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

8) Between Scarlet Begonias and El Paso, 1 minute and 06.737 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of El Paso on the Audience.

9) Between El Paso and Row Jimmy, 1 minute and 31.657 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Row Jimmy on the Audience.

10) Between Row Jimmy and Money Money, 28.081 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Money Money on the Audience.

11) After the splice at the start of Money Money, 28.183 seconds of the Audience left channel was fixed using a mono copy of soundboard recording (SBD) which was normalized to blend in better.

12) Between Money Money and Ship Of Fools, 19.314 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

13) At the end of Ship Of Fools, 06.597 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This is at the end of disk 1.

15) Between U.S. Blues and Big River, 1 minute and 13.819 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Big River on the Audience.

16) Between Around and Around and Eyes Of The World, 02.989 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

17) Between Sugar Magnolia and Johnny B. Goode, 08.814 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

18) Between Sugar Magnolia and Johnny B. Goode, 04.661 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes some of the first notes of Johnny B. Goode on the Audience. The first notes are missing from both sources.

Brokedown House Production

Taper: See info file

gd1974-05-21.dts.tobin.87124.sbeok.flac16

Source:

DTS-Audio-CD 5.1 Mix Soundboard/Aud Matrix

Lineage:

See info file

Taper Notes:

View NotesAudio Source Information
SBD (shnid=2597)
MSR>C>Dats>CD>EAC>SHN>.WAV>
Samplitude2496: retracked, normalized (added +1.8 dB) > SHN, CD.
Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip.

AUD(shnid=10150)
from Audience Devotional Tree
Round 10 - June, 2002
AudMC > WAV > SHN

Sony ECM18N mics > Sony 152SD deck
recorded by Pat Lee, hand held mics in right balcony

note: most songs have the first few notes cut on the master tape.
A>D conversion by David Minches (dminches@comcast.net) playback
on Nakamichi Dragon through ART DI/O sound card.  Final track
breaks and editing by Noah Weiner (noahbw@attbi.com) May, 2002
---------------------------------------------------------
Tech Notes

SHNs were decoded to wave and Audition 2.0 was used to reassemble
the tracks back to 1 long wave.  Audition 2.0 was used to align &
synch the SBD & AUD sources.  Audition 2.0 used to adjust the
volume for both AUDs, matrix/CTR and LFE channels.  Surcode
CD Pro DTS was used to encode to DTS.
- Mixed by kevtobin@yahoo.com
- FLAC conversion 07-AUG-2007  
---------------------------------------------------------
Audio Patching:
1) Between Me and My Uncle and Brown Eyed Women, 16.520 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Brown Eyed Women on the Audience.

2) Between Brown Eyed Women and Beat It On Down The Line, 1 minute and 06.239 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Beat It On Down The Line on the Audience.

3) Between Brown Eyed Women and Deal, 59.037 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Deal on the Audience.

4) Between Deal and Mexicali Blues, 20.096 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

5) Between Mexicali Blues and It Must've Been The Roses, 1 minute and 17.410 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of It Must've Been The Roses on the Audience.

6) Between It Must've Been The Roses and The Race Is On, 55.319 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of The Race Is On on the Audience.

7) Between The Race Is On and Scarlet Begonias, 28.298 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

8) Between Scarlet Begonias and El Paso, 1 minute and 06.737 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of El Paso on the Audience.

9) Between El Paso and Row Jimmy, 1 minute and 31.657 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Row Jimmy on the Audience.

10) Between Row Jimmy and Money Money, 28.081 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Money Money on the Audience.

11) After the splice at the start of Money Money, 28.183 seconds of the Audience left channel was fixed using a mono copy of soundboard recording (SBD) which was normalized to blend in better.

12) Between Money Money and Ship Of Fools, 19.314 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

13) At the start of Ship Of Fools, 14.631 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. The first notes of Ship Of Fools were missing on both sources.

14) At the end of Ship Of Fools, 06.597 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This is at the end of disk 1.

15) At the start of WRS Prelude, 13.685 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. The first notes of WRS Prelude were missing on both sources.

16) Between U.S. Blues and Big River, 1 minute and 13.819 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes the first notes of Big River on the Audience.

17) Between Big River and Eyes of the World, 13 minutes and 32.455 seconds were missing from the soundboard source (SBD) and was filled in with audio from the audience recording (AUD). This portion of the audio was normalized to blend in better. This includes all of Stella Blue and Around and Around.

18) Between Around and Around and Eyes Of The World, 02.989 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

18) Between Sugar Magnolia and Johnny B. Goode, 08.814 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better.

19) Between Sugar Magnolia and Johnny B. Goode, 04.661 seconds were missing from the audience source (AUD) and was filled in with audio from the soundboard recording (SBD). This portion of the audio was normalized to blend in better. This includes some of the first notes of Johnny B. Goode on the Audience. The first notes are missing from both sources.
----------------------------------------------------------------
The Audience recording was used as the timing reference and for the most part the soundboard recording ran slightly fast (.5 seconds per minute). However, Playin In The Band which "has no Cassette gen" more closely matched the audience recording and is unfortunate that more of it doesn't circulate. A patched version of the sbd already circulates (shnid=22801) but as there were multiple fixes to the audience recording, a fixed version of it will be available soon along with a dts and dvd-va.
---------------------------------------------------------------------------
DTS-Audio-CD Info

Front  
Left Channel SBD  -0db
Right Channel SBD -0db

Center
Mixed to mono -2db SBD

Surround
Left Channel -2db AUD
Right Channel -2db AUD

Sub/LFE
Mixed to mono -2db SBD Reel
--------------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Productions

Taper: Pat Lee

gd74-05-21.lee.weiner.gdADT.10150.sbeok.shnf

Source:

Audience Recording: Sony ECM18N

Lineage:

AudMC > WAV > SHN; Sony ECM18N mics > Sony 152SD deck, hand held mics in right balcony

Taper Notes:

View NotesAudMC > WAV > SHN
Sony ECM18N mics > Sony 152SD deck
recorded by Pat Lee, hand held mics in right balcony; via David Minches; Seeded to etree by Noah Weiner