1977-05-08 | Grateful Dead

Bernie Worrell and the WOO Warriors

Playback	Listens	Hours
48h	1	20m
7d	13	60m
30d	26	3

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	0	0m
7d	8	1
30d	50	8

Playback	Listens	Hours
48h	49	7
7d	104	16
30d	527	75

Playback	Listens	Hours
48h	128	16
7d	335	45
30d	2.1k	276

Playback	Listens	Hours
48h	5.8k	582
7d	12.2k	1.2k
30d	85.3k	8.5k

Playback	Listens	Hours
48h	73	5
7d	233	16
30d	1.5k	107

62 shows

76 tapes

Blueground Undergrass

Playback	Listens	Hours
48h	0	0m
7d	47	3
30d	93	8

Playback	Listens	Hours
48h	93	10
7d	390	45
30d	2.3k	264

Playback	Listens	Hours
48h	284	38
7d	764	102
30d	5.1k	666

308 shows

512 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

22 shows

28 tapes

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	48m

3 shows

G. Love and Special Sauce

Brothers Past

Playback	Listens	Hours
48h	26	4
7d	114	18
30d	1k	176

451 shows

563 tapes

Buffalo Galaxy

Playback	Listens	Hours
48h	5	30m
7d	4	40m
30d	61	7

Playback	Listens	Hours
48h	158	14
7d	144	14
30d	1.1k	111

Playback	Listens	Hours
48h	172	19
7d	227	24
30d	1.2k	124

Playback	Listens	Hours
48h	18	54m
7d	151	8
30d	313	17

Playback	Listens	Hours
48h	31	3
7d	19	3
30d	229	32

Playback	Listens	Hours
48h	23	2
7d	41	3
30d	259	17

243 shows

272 tapes

Choice And Company

Playback	Listens	Hours
48h	1	17m
7d	0	0m
30d	3	47m

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	18	3

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	0	0m
7d	4	53m
30d	73	10

79 shows

93 tapes

Circles Around The Sun

1.6k

Playback	Listens	Hours
48h	137	30
7d	311	67
30d	1.6k	337

Playback	Listens	Hours
48h	4	43m
7d	31	4
30d	249	47

Playback	Listens	Hours
48h	38	3
7d	173	15
30d	777	66

Playback	Listens	Hours
48h	103	15
7d	45	6
30d	535	80

Playback	Listens	Hours
48h	442	62
7d	706	95
30d	4.1k	559

Playback	Listens	Hours
48h	459	58
7d	1.1k	144
30d	6.3k	874

799 shows

1,061 tapes

Dave Harrington

Playback	Listens	Hours
48h	0	0m
7d	1	17m
30d	23	6

Playback	Listens	Hours
48h	1	5m
7d	24	3
30d	185	17

Playback	Listens	Hours
48h	2.5k	394
7d	5.7k	939
30d	38.5k	6.2k

Playback	Listens	Hours
48h	40	4
7d	65	6
30d	322	36

Playback	Listens	Hours
48h	72	5
7d	239	15
30d	1.2k	74

Playback	Listens	Hours
48h	40	5
7d	209	25
30d	1.5k	177

Playback	Listens	Hours
48h	862	171
7d	1.9k	388
30d	12.8k	2.7k

Playback	Listens	Hours
48h	17	2
7d	86	8
30d	259	27

Playback	Listens	Hours
48h	202	31
7d	534	85
30d	3.2k	499

156 shows

210 tapes

Domocile

Playback	Listens	Hours
48h	1	43m
7d	4	34m
30d	96	23

Playback	Listens	Hours
48h	91	9
7d	268	29
30d	1.7k	175

Playback	Listens	Hours
48h	10	2
7d	33	5
30d	262	42

Playback	Listens	Hours
48h	135	11
7d	245	23
30d	2.9k	261

Playback	Listens	Hours
48h	30	5
7d	117	19
30d	436	74

Playback	Listens	Hours
48h	26	4
7d	30	4
30d	160	22

Playback	Listens	Hours
48h	73	12
7d	206	35
30d	1.7k	292

151 shows

291 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	8m

Playback	Listens	Hours
48h	104	14
7d	225	32
30d	1.6k	226

831 shows

1,050 tapes

Electric Beethoven

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	12	5

Playback	Listens	Hours
48h	78	4
7d	146	7
30d	755	41

156 shows

174 tapes

Eric Krasno

Playback	Listens	Hours
48h	2	27m
7d	11	1
30d	84	12

123 shows

182 tapes

Everyone Orchestra

Playback	Listens	Hours
48h	2	25m
7d	1	17m
30d	40	10

182 shows

286 tapes

Forgotten Space

Playback	Listens	Hours
48h	1	8m
7d	0	0m
30d	98	12

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	7	2

Playback	Listens	Hours
48h	88	6
7d	39	3
30d	259	28

Playback	Listens	Hours
48h	0	0m
7d	45	3
30d	108	7

Playback	Listens	Hours
48h	2	8m
7d	23	2
30d	191	15

497 shows

753 tapes

Fugazi

Playback	Listens	Hours
48h	22	1
7d	2	5m
30d	91	6

Playback	Listens	Hours
48h	578	91
7d	1.8k	279
30d	9.6k	1.5k

246 shows

1,221 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

14 shows

15 tapes

638

Playback	Listens	Hours
48h	52	4
7d	72	6
30d	638	56

Playback	Listens	Hours
48h	42	5
7d	191	20
30d	1.1k	126

Playback	Listens	Hours
48h	3	24m
7d	18	2
30d	141	18

Playback	Listens	Hours
48h	15	3
7d	51	9
30d	270	57

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	1	7m
7d	3	31m
30d	16	2

51 shows

65 tapes

Ghost Light

Playback	Listens	Hours
48h	7	1
7d	3	1
30d	54	13

Playback	Listens	Hours
48h	70	8
7d	206	24
30d	1.1k	136

374 shows

508 tapes

Godspeed You Black Emperor!

423

Playback	Listens	Hours
48h	11	4
7d	41	12
30d	423	119

Playback	Listens	Hours
48h	3	18m
7d	7	1
30d	109	14

Playback	Listens	Hours
48h	4.8k	1.1k
7d	9.6k	2k
30d	45.2k	9.5k

Playback	Listens	Hours
48h	30	3
7d	84	8
30d	318	28

363 shows

589 tapes

Grahame Lesh and Friends

1.8k

Playback	Listens	Hours
48h	46	7
7d	354	55
30d	1.8k	263

Playback	Listens	Hours
48h	0	0m
7d	29	4
30d	124	17

58 shows

69 tapes

Greensky Bluegrass

Playback	Listens	Hours
48h	451	56
7d	773	90
30d	6k	705

875 shows

1,454 tapes

Greyboy Allstars

Playback	Listens	Hours
48h	44	5
7d	177	22
30d	1k	114

226 shows

313 tapes

GrooveSession

Playback	Listens	Hours
48h	0	0m
7d	20	3
30d	31	6

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	0	0m
7d	1	3m
30d	53	3

53 shows

57 tapes

Guitarmageddon

Playback	Listens	Hours
48h	3	40m
7d	4	31m
30d	21	3

Playback	Listens	Hours
48h	67	5
7d	37	2
30d	328	22

755 shows

1,036 tapes

Hard Working Americans

135

Playback	Listens	Hours
48h	16	2
7d	4	14m
30d	135	15

Playback	Listens	Hours
48h	10	60m
7d	44	7
30d	386	66

187 shows

226 tapes

Horseshoes and Hand Grenades

Playback	Listens	Hours
48h	1	5m
7d	24	2
30d	47	4

Playback	Listens	Hours
48h	44	3
7d	7	58m
30d	229	23

674 shows

846 tapes

Infamous Stringdusters

1.4k

Playback	Listens	Hours
48h	127	11
7d	139	13
30d	1.4k	129

629 shows

1,016 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	4	41m
30d	11	2

Playback	Listens	Hours
48h	317	21
7d	626	41
30d	4.8k	316

Playback	Listens	Hours
48h	1	6m
7d	64	7
30d	281	29

364 shows

491 tapes

Jazz Mandolin Project

101

Playback	Listens	Hours
48h	25	3
7d	9	2
30d	101	17

222 shows

280 tapes

Jeff Austin and Chris Castino

Playback	Listens	Hours
48h	0	0m
7d	17	2
30d	96	9

12 shows

14 tapes

Jeff Austin And Friends

149

Playback	Listens	Hours
48h	8	48m
7d	24	2
30d	149	15

Playback	Listens	Hours
48h	40	5
7d	215	33
30d	1.4k	184

112 shows

162 tapes

Jerry Joseph and the Jackmormons

2.5k

Playback	Listens	Hours
48h	93	18
7d	272	48
30d	2.5k	419

1,124 shows

1,519 tapes

Jerry's Middle Finger

3.7k

Playback	Listens	Hours
48h	262	36
7d	575	81
30d	3.7k	520

259 shows

310 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	3	23m
7d	3	28m
30d	15	2

2 shows

Karl Denson's Tiny Universe

Joe Russo's Almost Dead

41.2k

Playback	Listens	Hours
48h	1.9k	355
7d	5k	946
30d	41.2k	7.8k

Playback	Listens	Hours
48h	47	6
7d	127	15
30d	654	74

Playback	Listens	Hours
48h	260	22
7d	225	21
30d	2.4k	210

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	3	42m
7d	0	0m
30d	31	3

Playback	Listens	Hours
48h	0	0m
7d	7	29m
30d	112	8

Playback	Listens	Hours
48h	3	12m
7d	21	3
30d	100	10

73 shows

109 tapes

172

Playback	Listens	Hours
48h	1	10m
7d	5	55m
30d	172	24

Playback	Listens	Hours
48h	172	18
7d	677	69
30d	4.5k	431

1,056 shows

1,396 tapes

Kikagaku Moyo

Playback	Listens	Hours
48h	6	55m
7d	15	2
30d	76	11

43 shows

54 tapes

King Gizzard & the Lizard Wizard

15.5k

Playback	Listens	Hours
48h	1.2k	161
7d	2.2k	304
30d	15.5k	2.1k

Playback	Listens	Hours
48h	120	16
7d	320	46
30d	1.8k	246

315 shows

400 tapes

Kung Fu

Playback	Listens	Hours
48h	1	1m
7d	13	2
30d	58	9

Playback	Listens	Hours
48h	33	6
7d	152	30
30d	655	127

Playback	Listens	Hours
48h	40	5
7d	121	15
30d	862	102

Playback	Listens	Hours
48h	229	20
7d	530	50
30d	3.8k	349

Playback	Listens	Hours
48h	168	23
7d	533	84
30d	3.1k	517

Playback	Listens	Hours
48h	299	26
7d	729	66
30d	5.5k	511

Playback	Listens	Hours
48h	131	10
7d	285	23
30d	1.3k	104

Playback	Listens	Hours
48h	74	14
7d	276	53
30d	1.5k	270

437 shows

622 tapes

Marco Benevento

Playback	Listens	Hours
48h	10	38m
7d	0	0m
30d	70	6

Playback	Listens	Hours
48h	60	5
7d	333	31
30d	2.3k	213

Playback	Listens	Hours
48h	11	1
7d	33	3
30d	236	25

349 shows

446 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	181	30
7d	536	83
30d	3.9k	613

Playback	Listens	Hours
48h	6	27m
7d	20	1
30d	358	22

Playback	Listens	Hours
48h	0	0m
7d	71	7
30d	208	21

157 shows

172 tapes

Minutemen

Playback	Listens	Hours
48h	1	2m
7d	8	15m
30d	78	2

Playback	Listens	Hours
48h	68	4
7d	98	7
30d	928	64

Playback	Listens	Hours
48h	591	101
7d	1.6k	252
30d	10.1k	1.6k

1,988 shows

4,488 tapes

Mogwai

Playback	Listens	Hours
48h	5	28m
7d	7	34m
30d	39	4

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	114	10

Playback	Listens	Hours
48h	256	28
7d	551	57
30d	4.5k	466

412 shows

599 tapes

Nathan Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	10	1

46 shows

51 tapes

Neal Francis

Playback	Listens	Hours
48h	2	12m
7d	1	5m
30d	54	5

Playback	Listens	Hours
48h	40	5
7d	84	12
30d	538	76

138 shows

250 tapes

Nels Cline

Playback	Listens	Hours
48h	4	1
7d	2	9m
30d	27	5

62 shows

73 tapes

New Riders of the Purple Sage

1.8k

Playback	Listens	Hours
48h	82	7
7d	286	25
30d	1.8k	147

410 shows

597 tapes

North Mississippi Allstars

1.3k

Playback	Listens	Hours
48h	151	14
7d	275	27
30d	1.3k	125

Playback	Listens	Hours
48h	87	8
7d	131	14
30d	853	90

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	15m

Playback	Listens	Hours
48h	0	0m
7d	32	6
30d	147	26

130 shows

260 tapes

Percy Hill

Playback	Listens	Hours
48h	5	42m
7d	8	58m
30d	98	14

Playback	Listens	Hours
48h	86	16
7d	205	38
30d	1.4k	268

689 shows

920 tapes

Phil Lesh and Friends

14.5k

Playback	Listens	Hours
48h	1.1k	199
7d	2k	350
30d	14.5k	2.5k

788 shows

2,861 tapes

Pigeons Playing Ping Pong

Playback	Listens	Hours
48h	143	23
7d	312	51
30d	2k	315

Playback	Listens	Hours
48h	396	44
7d	647	84
30d	4.2k	543

292 shows

433 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

16 shows

16 tapes

Railroad Earth

Playback	Listens	Hours
48h	326	46
7d	447	59
30d	4k	527

1,236 shows

2,197 tapes

RANA

Playback	Listens	Hours
48h	8	29m
7d	0	0m
30d	3	13m

Playback	Listens	Hours
48h	46	7
7d	43	5
30d	474	61

279 shows

398 tapes

Ratdog

Playback	Listens	Hours
48h	501	61
7d	1.1k	136
30d	7k	922

Playback	Listens	Hours
48h	133	11
7d	332	28
30d	1.4k	117

Playback	Listens	Hours
48h	139	11
7d	293	24
30d	1.8k	150

Playback	Listens	Hours
48h	156	13
7d	375	32
30d	2.2k	190

581 shows

729 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	2	29m

10 shows

Ted Leo and the Pharmacists

Ryley Walker

Playback	Listens	Hours
48h	0	0m
7d	8	1
30d	10	2

Playback	Listens	Hours
48h	164	15
7d	679	64
30d	3.8k	361

128 shows

193 tapes

Scott Metzger

Playback	Listens	Hours
48h	9	1
7d	11	1
30d	23	2

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	0	0m
7d	27	5
30d	80	11

Playback	Listens	Hours
48h	10	1
7d	6	53m
30d	121	14

Playback	Listens	Hours
48h	50	4
7d	74	7
30d	1.1k	95

Playback	Listens	Hours
48h	211	29
7d	519	83
30d	2.9k	452

Playback	Listens	Hours
48h	83	20
7d	206	48
30d	1.4k	321

Playback	Listens	Hours
48h	13	47m
7d	21	1
30d	285	16

87 shows

95 tapes

Stanton Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	26	4

Playback	Listens	Hours
48h	76	10
7d	119	14
30d	691	113

Playback	Listens	Hours
48h	147	32
7d	250	57
30d	1.8k	401

Playback	Listens	Hours
48h	50	7
7d	238	33
30d	1.6k	217

667 shows

1,139 tapes

String Cheese Incident

20.2k

Playback	Listens	Hours
48h	1.2k	196
7d	3.4k	569
30d	20.2k	3.3k

1,285 shows

2,081 tapes

Surprise Me Mr. Davis

103

Playback	Listens	Hours
48h	0	0m
7d	36	3
30d	103	11

Playback	Listens	Hours
48h	0	0m
7d	14	3
30d	247	45

Playback	Listens	Hours
48h	2	20m
7d	11	1
30d	147	19

Playback	Listens	Hours
48h	38	4
7d	76	9
30d	738	79

729 shows

1,116 tapes

Playback	Listens	Hours
48h	0	0m
7d	3	12m
30d	13	1

Playback	Listens	Hours
48h	725	80
7d	2k	224
30d	12.5k	1.5k

Playback	Listens	Hours
48h	28	1
7d	65	3
30d	152	8

Playback	Listens	Hours
48h	151	18
7d	232	29
30d	1.6k	195

Playback	Listens	Hours
48h	9	1
7d	47	6
30d	343	52

473 shows

627 tapes

The California Honeydrops

392

Playback	Listens	Hours
48h	23	3
7d	53	8
30d	392	50

77 shows

84 tapes

The Clock Reads

Playback	Listens	Hours
48h	1	7m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	204	30
7d	631	89
30d	2.8k	402

Playback	Listens	Hours
48h	19	2
7d	65	5
30d	282	26

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	0	0m
7d	4	34m
30d	24	3

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	0	0m
7d	5	30m
30d	24	2

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	0	0m
7d	7	44m
30d	10	58m

Playback	Listens	Hours
48h	38	6
7d	55	9
30d	359	59

Playback	Listens	Hours
48h	9	1
7d	7	40m
30d	126	15

Playback	Listens	Hours
48h	397	21
7d	600	31
30d	3.1k	167

Playback	Listens	Hours
48h	25	2
7d	219	15
30d	888	63

Playback	Listens	Hours
48h	6	1
7d	11	3
30d	215	44

247 shows

328 tapes

The New Mastersounds

Playback	Listens	Hours
48h	117	12
7d	242	25
30d	1k	109

Playback	Listens	Hours
48h	370	54
7d	292	44
30d	1.7k	249

Playback	Listens	Hours
48h	493	47
7d	1.5k	144
30d	7.1k	693

1,453 shows

1,652 tapes

The Walkmen

Playback	Listens	Hours
48h	40	3
7d	40	3
30d	90	6

Playback	Listens	Hours
48h	72	8
7d	103	12
30d	812	83

71 shows

91 tapes

The Werks

Playback	Listens	Hours
48h	3	23m
7d	14	3
30d	30	6

Playback	Listens	Hours
48h	99	10
7d	164	19
30d	1.4k	148

Playback	Listens	Hours
48h	37	3
7d	208	14
30d	984	65

175 shows

210 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	15	2

Playback	Listens	Hours
48h	298	48
7d	693	111
30d	6.9k	1k

Playback	Listens	Hours
48h	0	0m
7d	75	7
30d	122	11

Playback	Listens	Hours
48h	121	22
7d	279	43
30d	1.7k	268

438 shows

727 tapes

Umphrey's McGee

Playback	Listens	Hours
48h	313	43
7d	922	138
30d	5k	742

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	237	21

Playback	Listens	Hours
48h	25	2
7d	203	15
30d	1.4k	106

Playback	Listens	Hours
48h	1.1k	88
7d	2k	158
30d	12.7k	1.1k

623 shows

1,140 tapes

White Denim

Playback	Listens	Hours
48h	0	0m
7d	5	22m
30d	72	7

Playback	Listens	Hours
48h	17.1k	2k
7d	28.4k	3.4k
30d	144.3k	17.1k

Playback	Listens	Hours
48h	51	8
7d	124	22
30d	821	124

1,416 shows

2,242 tapes

Yonder Mountain String Band

11.6k

Playback	Listens	Hours
48h	765	71
7d	2.1k	205
30d	11.6k	1.1k

Playback	Listens	Hours
48h	140	22
7d	290	48
30d	1.5k	227

21 shows

29 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	47	9
7d	149	26
30d	1.6k	286

461 shows

665 tapes

Zoofunkyou

Playback	Listens	Hours
48h	0	0m
7d	3	17m
30d	13	2

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	1.8k	237
7d	4.4k	582
30d	26.8k	3.6k

Playback	Listens	Hours
48h	774	116
7d	3.2k	464
30d	17.8k	2.5k

Playback	Listens	Hours
48h	897	117
7d	4.4k	603
30d	37k	4.9k

Playback	Listens	Hours
48h	3.5k	453
7d	4.8k	587
30d	31.6k	4k

Playback	Listens	Hours
48h	1.3k	170
7d	6.2k	856
30d	54.8k	7.3k

Playback	Listens	Hours
48h	2.4k	315
7d	8k	1k
30d	66.2k	8.7k

Playback	Listens	Hours
48h	2.4k	300
7d	6.4k	797
30d	47.8k	6k

Playback	Listens	Hours
48h	4.5k	510
7d	7.8k	910
30d	31.2k	3.6k

Playback	Listens	Hours
48h	3.3k	372
7d	11.6k	1.3k
30d	53.2k	6.1k

Playback	Listens	Hours
48h	3.8k	406
7d	2.4k	271
30d	15.1k	1.7k

Playback	Listens	Hours
48h	5.3k	609
7d	14.7k	1.6k
30d	50.3k	5.7k

Playback	Listens	Hours
48h	3.9k	481
7d	7.9k	1k
30d	35.7k	4.4k

Playback	Listens	Hours
48h	1.4k	185
7d	7.3k	929
30d	32.6k	4.3k

Playback	Listens	Hours
48h	1.1k	127
7d	2.6k	321
30d	19.6k	2.4k

Playback	Listens	Hours
48h	1.2k	145
7d	3.1k	394
30d	25.2k	3.2k

Playback	Listens	Hours
48h	3.1k	378
7d	5.4k	633
30d	63.3k	7.3k

Playback	Listens	Hours
48h	1.9k	253
7d	3.5k	501
30d	20.8k	2.9k

Playback	Listens	Hours
48h	1.4k	187
7d	8.9k	1.1k
30d	39.4k	5.2k

Playback	Listens	Hours
48h	5.5k	770
7d	15.4k	2.1k
30d	148.9k	20.6k

Playback	Listens	Hours
48h	11.2k	1.4k
7d	16.1k	2.2k
30d	148.3k	20.2k

45 shows

298 tapes

1975

Playback	Listens	Hours
48h	352	35
7d	663	70
30d	7k	715

Playback	Listens	Hours
48h	8.2k	1.1k
7d	18.7k	2.5k
30d	95.3k	12.3k

Playback	Listens	Hours
48h	6.8k	893
7d	11.7k	1.5k
30d	76.3k	10k

Playback	Listens	Hours
48h	2.1k	266
7d	5.7k	712
30d	39.8k	5k

Playback	Listens	Hours
48h	1.5k	167
7d	3.7k	409
30d	28.1k	3.1k

Playback	Listens	Hours
48h	1.2k	141
7d	4k	436
30d	38.4k	4.1k

Playback	Listens	Hours
48h	1.1k	148
7d	3.8k	499
30d	22.7k	3.4k

Playback	Listens	Hours
48h	312	42
7d	769	94
30d	7.2k	911

Playback	Listens	Hours
48h	160	19
7d	226	35
30d	1.9k	274

Playback	Listens	Hours
48h	260	19
7d	614	41
30d	4.6k	311

Playback	Listens	Hours
48h	19	1
7d	71	4
30d	505	30

1977

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	6	9

351

Playback	Listens	Hours
48h	14	2
7d	47	7
30d	351	54

355

Playback	Listens	Hours
48h	14	2
7d	37	6
30d	355	54

657

Playback	Listens	Hours
48h	53	7
7d	88	10
30d	657	81

388

Playback	Listens	Hours
48h	40	4
7d	74	9
30d	388	47

Playback	Listens	Hours
48h	77	9
7d	82	10
30d	728	87

2:52:12

Community War Memorial Auditorium

11/05SBD

Rochester, NY, USA

501

Playback	Listens	Hours
48h	52	7
7d	76	9
30d	501	60

2:57:39

6 tapes

11/04SBD

Cotterrell Gym, Colgate U.

Hamilton, NY, USA

713

Playback	Listens	Hours
48h	93	12
7d	83	10
30d	713	89

3:03:06

Field House, Seneca College

11/02SBD

Toronto, Ontario, Canada

313

Playback	Listens	Hours
48h	1	10m
7d	59	9
30d	313	42

Playback	Listens	Hours
48h	46	6
7d	50	7
30d	189	26

2:29:26

2 tapes

10/30SBD

Assembly Hall, Indiana U

Bloomington, IN, USA

294

Playback	Listens	Hours
48h	18	3
7d	20	3
30d	294	38

2:37:00

Field House, Northern Illinois U.

10/29SBD

De Kalb, IL, USA

809

Playback	Listens	Hours
48h	59	8
7d	59	8
30d	809	111

3:20:06

Soldiers' and Sailors' Memorial Hall

10/28SBD

Kansas City, KS, USA

227

Playback	Listens	Hours
48h	8	1
7d	53	7
30d	227	31

3:00:28

6 tapes

10/16SBD

Assembly Center, Lousiana State U

Baton Rouge, LA, USA

466

Playback	Listens	Hours
48h	30	4
7d	45	7
30d	466	69

2:39:05

Lloyd Noble Center, U. of Oklahoma

10/15SBD

Moody Coliseum, S.M.U

Dallas, TX, USA

162

Playback	Listens	Hours
48h	5	32m
7d	36	5
30d	162	22

Playback	Listens	Hours
48h	5	35m
7d	40	5
30d	472	67

Playback	Listens	Hours
48h	3	20m
7d	17	2
30d	143	17

2:34:16

4 tapes

10/11SBD

Norman, OK, USA

354

Playback	Listens	Hours
48h	36	6
7d	48	7
30d	354	51

2:37:06

Activity Center. Arizona State U

10/09SBD

McNichols Sports Arena

Denver, CO, USA

396

Playback	Listens	Hours
48h	52	7
7d	51	7
30d	396	51

Playback	Listens	Hours
48h	2	24m
7d	18	3
30d	126	20

1:26:51

4 tapes

10/06SBD

Tempe, AZ, USA

697

Playback	Listens	Hours
48h	36	5
7d	91	13
30d	697	100

Playback	Listens	Hours
48h	67	9
7d	137	19
30d	1.1k	146

Playback	Listens	Hours
48h	14	2
7d	48	6
30d	510	62

2:43:45

Paramount Northwest Theater

9/29SBD

Seattle, WA, USA

408

Playback	Listens	Hours
48h	8	1
7d	31	5
30d	408	65

2:53:08

Paramount Northwest Theater

9/28SBD

Seattle, WA, USA

162

Playback	Listens	Hours
48h	22	3
7d	36	5
30d	162	22

Playback	Listens	Hours
48h	246	34
7d	441	59
30d	2.3k	301

18.1k

Playback	Listens	Hours
48h	472	60
7d	1.2k	157
30d	18.1k	2.3k

8.4k

Playback	Listens	Hours
48h	71	12
7d	345	56
30d	8.4k	1.3k

17.3k

Playback	Listens	Hours
48h	301	40
7d	981	135
30d	17.3k	2.4k

Playback	Listens	Hours
48h	10	1
7d	108	13
30d	8.9k	1.1k

3:05:07

3 tapes

5/28SBD

Hartford Civic Center

Hartford, CT, USA

3.9k

Playback	Listens	Hours
48h	38	6
7d	451	69
30d	3.9k	582

3:19:35

5/26SBD

Baltimore Civic Center

Baltimore, MD, USA

2.3k

Playback	Listens	Hours
48h	72	10
7d	328	44
30d	2.3k	312

Playback	Listens	Hours
48h	157	20
7d	404	53
30d	3.9k	515

Pembroke Pines, FL, USA

8.5k

Playback	Listens	Hours
48h	322	45
7d	992	135
30d	8.5k	1.2k

3:17:29

4nuyKoY91WKwR6HLq7Gzkl Lakeland, FL, USA

5/21SBD

Lakeland Civic Center

1.7k

Playback	Listens	Hours
48h	105	13
7d	190	24
30d	1.7k	220

Playback	Listens	Hours
48h	210	30
7d	277	38
30d	1.9k	272

Playback	Listens	Hours
48h	143	21
7d	212	30
30d	1.3k	194

2:56:45

3 tapes

5/17SBD

Memorial Coliseum, U. of Alabama

Tuscaloosa, AL, USA

4.9k

Playback	Listens	Hours
48h	178	23
7d	580	74
30d	4.9k	642

Playback	Listens	Hours
48h	37	5
7d	206	26
30d	935	123

Playback	Listens	Hours
48h	18	3
7d	138	16
30d	938	115

Playback	Listens	Hours
48h	13	2
7d	22	3
30d	144	18

2:29:28

2 tapes

5/11SBD

St. Paul Civic Center

St. Paul, MN, USA

3.9k

Playback	Listens	Hours
48h	233	31
7d	688	91
30d	3.9k	524

5:53:21

5/09SBD

War Memorial Auditorium

Buffalo, NY, USA

11k

Playback	Listens	Hours
48h	466	68
7d	1.5k	219
30d	11k	1.6k

5:15:24

Barton Hall, Cornell University

5/08SBD

Ithaca, NY, USA

8.9k

Playback	Listens	Hours
48h	488	82
7d	1.1k	165
30d	8.9k	1.4k

Playback	Listens	Hours
48h	263	40
7d	855	125
30d	6.9k	1k

3:15:28

9 tapes

5/05SBD

Veterans Memorial Coliseum

New Haven, CT, USA

2.8k

Playback	Listens	Hours
48h	115	18
7d	397	60
30d	2.8k	399

Playback	Listens	Hours
48h	128	21
7d	271	45
30d	2.3k	378

Playback	Listens	Hours
48h	54	7
7d	140	18
30d	589	72

Playback	Listens	Hours
48h	9	1
7d	17	2
30d	498	65

Playback	Listens	Hours
48h	11	1
7d	90	11
30d	382	45

Playback	Listens	Hours
48h	10	1
7d	127	18
30d	636	93

Playback	Listens	Hours
48h	25	4
7d	104	16
30d	904	140

Playback	Listens	Hours
48h	0	0m
7d	12	2
30d	170	22

Playback	Listens	Hours
48h	4	29m
7d	76	9
30d	608	68

2:38:35

4/23SBD

Springfield Civic Center

Springfield, MA, USA

3.2k

Playback	Listens	Hours
48h	132	19
7d	413	56
30d	3.2k	455

Philadelphia, PA, USA

850

Playback	Listens	Hours
48h	28	5
7d	67	10
30d	850	136

975

Playback	Listens	Hours
48h	16	3
7d	93	13
30d	975	135

952

Playback	Listens	Hours
48h	41	6
7d	103	15
30d	952	147

Robertson Gym, UC Santa Barbara

1.6k

Playback	Listens	Hours
48h	97	14
7d	373	51
30d	1.6k	223

Playback	Listens	Hours
48h	0	0m
7d	10	1
30d	76	16

3:10:50

1 tape

2/27SBD

Goleta, CA, USA

440

Playback	Listens	Hours
48h	33	4
7d	80	10
30d	440	54

San Bernardino, CA, USA

4.6k

Playback	Listens	Hours
48h	250	34
7d	641	89
30d	4.6k	620

5:39:22

Studio (Terrapin Station Outtakes)

2/20SBD

Novato, CA

132

Playback	Listens	Hours
48h	1	17m
7d	11	1
30d	132	17

Playback	Listens	Hours
48h	15	2
7d	47	5
30d	309	36

5/8/77

FIN

Sources

Taper: Betty Cantor

Source & Transfer by Anonymous;Edited & Mastered using Adobe Audition by Joe Noel

gd1977-05-08.148737.SBD.Betty.Anon.Noel.t-flac2448

Source: Betty Cantor's SBD Reel Master > PCM (undecoded) > DAT via spdif/Sony PCM601esd > wav file via spdif/RME multiface > Wave 24/48 (decoded) > Myteck Stereo DAC96 > DBX150X > Korg MR2000 > WAV 24/48

gd1977-05-08.mtx.seamons.97274.sbeok.flac16

View Notespatch info:
- shnid 137569 supplies
- s1t01; start - 01:00
- s1t08; 03:18 - end
- s1t09; start - 00:25
- s2t10; 04:36 - end

Notes:
- Thanks to anonymous, for sharing this source while hiding out away from the Bay Area
- Thanks to dusborne for his work on the matrix

Transferrer: Hunter Seamons

Matrix mix (SBD/AUD)

View Notes----------------------------------------------------
SBD (shnid=4982):

Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

----------------------------------------------------
AUD (shnid=29303):

Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC
MC>CDR>EAC>WAV>FLAC

Notes: 10 Feet From Stage = Great Instrument Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many, Tape Filp After Supplication,
Flip During NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's,
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
If Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!

Recording And Transfer: Jeff Stevenson

---------------------------------------------------
Thank you to Rob Eaton for the SBD transfer,
and to Jeff Stevenson for recording this all-time great show.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)

Source 3 of 23

1:03:29

SBD

gd1977-05-08.sbd.cube.87486.flac16

Transferrer: Dan Haugh

gd1977-05-08.mtx.dan.35086.flac24

DVD-A 24/96 SBD+AUD1+AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)

gd77-05-08.sbd.hicks.4982.sbeok.shnf

View Notes---------------------------------------------------------

Source Info

SBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 
7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital 
Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on 
Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 
Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > 
DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam 
CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) 

AUD1 
Jerry Moore's MAC > Reel > CD
Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, 
copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch 
Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob 
Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit 
mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > 
First Gen Reel > Played directly to hard drive > CDR > SHN 

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & both AUD sources.   CEP2.0 used to adjust 
the volume for the SBD & both AUDs. CEP was used to do the 
multitrack mixdown to 24/96.  This is a 60% SBD, 20% AUD1,
20% AUD2 mix.  DiscWelder was used to author and create the 
DVD-Audio in 24/96.  DVD Decryptor read and created the ISO 
image file.  This incorporates 2 channels of 24/96 wave files.     
- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double DVD case.

---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

This represents the 24 bit files that are the result of all 
my editing and the multitrack mixdown. It is unclear exactly 
what we have in the way of high resolution. However it seems 
there is agreement that what we have cannot be represented 
accurately in 16/44. What you are getting is the full result 
of the matrix mix process. How much different does this sound? 
is this better? A little and yes. This is more accurate and 
has more dynamic range.  24/96 resolution versus a 16/44 of 
the same material will usually result in very subtle but 
important differences.  Most of it relying on the quality of
the DVD-A player and the D to A conversion.  With that in 
mind, this 24 bit copy is no different.  Small but important 
gains over the same material in 16/44.  This is just one 
man's take.  Take it or leave it.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a 
fake AUD recording by mixing crowd cheer with the SBD. This 
was effective at creating patches for the rear channels in 
the 5.1 presentation but also maintained a smooth quality in 
the stereo matrix mix as well.  These patches are numerous 
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just 
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources 
to pull up the vocals and give the center channel a unique 
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single 
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo 
field moves.  The result, although not perfect, I think 
provides the listener with a more enjoyable and natural 
listening experience.  Maybe you disagree.  For those of you 
who would rather have a patch using a matrix mix of the 2 AUD 
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 
43:16.362.  This was patched using a matrix mix of the 2 AUD 
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is 
still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth 
and most likely undetectable.

---------------------------------------------------------

Burning Instructions A & B

A. Use DVD Decryptor or similar program to burn as an image 
file (ISO) onto a DVDR.  Enjoy.

B. This may also circulate as 2 channel FLAC files and will
require assembly.  Included is the discwelder file. If you 
use that program, decode all the FLAC file and stick them in 
a folder. Click on the DiscWelder file (which will open 
DiscWelder) and point it towards that folder with the wave 
files and VIOLA! DVD-A pre-assembled and ready to author.

---------------------------------------------------------

Taper: Steve Maizner

Matrix (see notes)

gd1977-05-08.sbd.cantor.sacks.266.shnf

View Notesfreshly remastered Betty Board with AUD splices, by Rob Eaton;

Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

Audience Portion -- Steve Maizner's Sony ECM-990>Sony TC-152 aud master>First Gen Reel>played directly to hard drive.  The excellent aud splices were normalized and patched using ProTools by Karen Hicks 

Taper: Betty Cantor

WBOTB Source -- 7" two track BBD reel encoded w/ DBX-1 noise reduction @ 7 1/2 ips > Sony PCM501ES @ 44.055 kHz. Sony PCM501ES analog out > DBX-1 decoder > analog in PCM501ES. PCM501ES analog out > Fostex D5 @ 48 kHz>DATs>ZA2>CDRs>EAC>SHN

Charlie Miller;Rob Berger

View NotesAudience Splices -- Teddy Goodbear's Panasonic AM/FM Stereo 'boom box' (w/condenser mics) > CM (Cassette Master) > various equalizers & editors > CD

Taper: Jerry Moore

gd1977-05-08.ecm33p.moore.berger.miller.117027.flac24

source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above); 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

Taper: Jerry Moore

Charlie Miller, Rob Berger

gd1977-05-08.ecm33p.moore.berger.miller.117026.flac16

source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac; encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

Taper: Recording by Rich Petrunis.

Recording by Rich Petrunis.

Transferrer:

Transferred by Andrew F. 04/2021

gd1977-05-08.152379.aud.petrunis.flac2448

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.

View NotesNote: Most of the stand-alone tracks clip-in abruptly with small
amounts missing. Noted flaws: The tape broke, causing drop-outs
at Lazy Lightning 4:01 and Brown Eyed Women 3:33. Supplication
cuts-out near the end. Taper got disrupted or lowered the mic in
Row Jimmy 8:41 > 9:01. Small gaps in Dancing in the Street mended
together at 0:18 & 14:32. Tape-flip start of Not Fade Away 0:33.
With thanks to John and Rich Petrunis for sharing their tapes!

Transferrer: Matrix by Dave Usborne

2:56:25

Transferrer:

gd1977-05-08.137572.mtx-2aud.dusborne.flac16

2 Source Matrix by Dusborne; Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011, mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

Transferrer: Matrix by Dave Usborne

gd1977-05-08.137571.mtx-2aud.dusborne.flac24

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC; MC>CDR>EAC>WAV>FLAC,Recording And Transfer: Jeff Stevenson

Transferrer: Matrix by Dave Usborne

gd1977-05-08.137570.mtx.dusborne.flac16

3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster);Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC, Recording And Transfer:Jeff Stevenson

Transferrer: Matrix by Dave Usborne

3:02:47

REMASTER

Transferrer:

gd1977-05-08.137569.mtx.dusborne.flac24

3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster); Audience 1 (shnid:117027)source: aud taped by Jerry Moore a) cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b) Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b) The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303)Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

Taper: Jim Cooper

gd1977-05-08.134093.aud.cooper.berger.flac24

source: aud cassette master; taped by Jim Cooper; sony ecm22p > hitachi trq232; nakamichi dragon > benchmark ADC1 24/96 > tascam hd-p2, compact flash > mac > adobe audition CC > xACT flac; transferred and seeded by Rob Berger

Transferrer: Hunter Seamons

gd1977-05-08.111493.mtx.seamons.sbeok.flac16

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC); this source fixes a flaw in d1t08 from <a href="http://db.etree.org/shn/97274">source ID 97274</a>

DTS and Matrixing by Dan Haugh

View Notes1) Warning: this might steal your face - the sound is impeccable, thanks to truly excellent sources for a matrix.


Jerry Garcia - Lead Guitar, Vocals
Donna Jean Godchaux - Vocals
Keith Godchaux - Keyboards
Mickey Hart - Drums
Bill Kreutzmann - Drums
Phil Lesh - Electric Bass, Vocals
Bob Weir - Rhythm Guitar, Vocals



*40th Matrix* 

----------------------------------------------------
SBD (shnid=4982):

Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

----------------------------------------------------
AUD (shnid=29303):

Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC
MC>CDR>EAC>WAV>FLAC

Notes: 10 Feet From Stage = Great Instrument Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many, Tape Filp After Supplication,
Flip During NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's,
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
If Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!

Recording And Transfer: Jeff Stevenson

---------------------------------------------------
Thank you to Rob Eaton for the SBD transfer,
and to Jeff Stevenson for recording this all-time great show.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 

I removed a "click" sound I mistakenly added to the AUD-only portion of Supplication at 0:06. I fixed this by patching in the unscathed AUD there, rather than using a de-clicker filter. This "click" had always driven me nuts and warranted a fixing.

Thank you for your continued patience and support.

-Hunter

February 14, 2010

Taper: See info file

gd1977-05-08.mtx.dts.dan.30756.flac16

View NotesTech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & both AUD sources.  CEP2.0 used to adjust the 
volume for both AUDs, matrix/CTR and LFE channels.  Surcode 
CD Pro DTS was used to encode to DTS. The center matrix track 
is a 60% SBD, 40% AUD2 mix.   
- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
---------------------------------------------------------

DTS-Audio-CD Info

Front  	
Left Channel SBD Reel 
Right Channel SBD Reel

Center 	
Mixed to mono -6db SBD+AUD2 Matrix 

Surround 
Left Channel -2db AUD1 (with some AUD2 patches)
Right Channel -2db AUD1 (with some AUD2 patches)

Sub/LFE
Mixed to mono -4db SBD Reel

---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a 
fake AUD recording by mixing crowd cheer with the SBD. This 
was effective at creating patches for the rear channels in 
the 5.1 presentation but also maintained a smooth quality in 
the stereo matrix mix as well.  These patches are numerous 
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just 
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources 
to pull up the vocals and give the center channel a unique 
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single 
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo 
field moves.  The result, although not perfect, I think 
provides the listener with a more enjoyable and natural 
listening experience.  Maybe you disagree.  For those of you 
who would rather have a patch using a matrix mix of the 2 AUD 
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 
43:16.362.  This was patched using a matrix mix of the 2 AUD 
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is 
still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth 
and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you 
didn't really read the text file, did you?  

---------------------------------------------------------

More On DTS

Today's audio standards are moving towards multi-channel 
sound, like DTS and Dolby Digital.  While the Audio-CD 
standard (Red Book) hasn't changed to accommodate these 
new sound formats, it is still possible to go around the 
specification and to put a 5.1 surround recording on a 
regular Audio-CD.  To play a DTS-Audio-CD you must connect 
your DVD/CD player via a digital cable (optical or coaxial) 
to your DTS Dolby-Digital receiver. It is not 100% sure 
that your receiver will recognize a DTS-Audio CD, so the 
first time you're trying to playback a DTS-Audio-CD you 
must do a test to determine if it can. Begin with the 
volume very low, start the disc and raise the volume 
gradually. NEVER listen to a DTS-Audio-CD through the 
analog audio outputs of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any 
normal Audio-CD from FLAC files.

Taper: See info file

Matrixing by Dan Haugh

gd1977-05-08.mtx.dan.29511.flac16

View NotesSBD + AUD1 + AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)

---------------------------------------------------------

Source Info

SBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @
7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital
Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on
Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22
Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) >
DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam
CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster)

AUD1
Jerry Moore's MAC > Reel > CD
Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B,
copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch
Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob
Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit
mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master >
First Gen Reel > Played directly to hard drive > CDR > SHN

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch the SBD & both AUD sources.   CEP2.0 used to adjust the
volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1,
20% AUD2 mix.  
- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a
fake AUD recording by mixing crowd cheer with the SBD. This
was effective at creating patches for the rear channels in
the 5.1 presentation but also maintained a smooth quality in
the stereo matrix mix as well.  These patches are numerous
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources
to pull up the vocals and give the center channel a unique
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo
field moves.  The result, although not perfect, I think
provides the listener with a more enjoyable and natural
listening experience.  Maybe you disagree.  For those of you
who would rather have a patch using a matrix mix of the 2 AUD
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 -
43:16.362.  This was patched using a matrix mix of the 2 AUD
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is
still pretty good.  The switch back to SBD is actually
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth
and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you
didn't really read the text file, did you?

Taper: Jeff Stevenson

gd1977-05-08.shure57.stevenson.29303.flac16

Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC

MC>CDR>EAC>WAV>FLAC

Rob Berger and Chris Larson

View NotesNotes:10 Feet From Stage=Great Instrement Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many,Tape Filp After D01T08,D03T03
Flip Durning NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's 
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
if Anyone Wants To  Matrix This Feel Free, I'd Love To Hear It!

Transferrer: Rob Berger and Chris Larson

gd1977-05-08.aud.moore.berger.28354.flac16

MAC>R>CD

Rob Berger and Sean Cribbs

View NotesJerry: "Lineage: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper>Tascam CD-Rw4U.

Just so, hopefully, nobody can misunderstand what they got: Came off my cassette master, except for Scarlet/Fire, on which my master had speed fluctuations. THAT part came off another cassette, that had been patched out of the 153 at the show. I took those two cassette masters, and made a 10 inch reel copy, 7.5 ips, Dolby B, this within a few days of the show itself. That reel, BTW, I would call a "2nd generation" copy, though most people would call it "1st" - rule of thumb, if you see one of my own old lineages, subtract a generation to translate to current taper-speak. That 10 inch reel copy is what Rob Berger transferred, and what a lot of you have, and are hopefully enjoying."

Taper: Jerry Moore

gd1977-05-08.aud.moore.cribbs.28301.shnf

MAC>R>CD

gd77-05-08.matrix.dan.26857.sbeok.flacf

View NotesMAC>R>CD
Audience Recording by Jerry Moore

Jerry: "Lineage: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper>Tascam CD-Rw4U.

Just so, hopefully, nobody can misunderstand what they got: Came off my cassette master, except for Scarlet/Fire, on which my master had speed fluctuations. THAT part came off another cassette, that had been patched out of the 153 at the show. I took those two cassette masters, and made a 10 inch reel copy, 7.5 ips, Dolby B, this within a few days of the show itself. That reel, BTW, I would call a "2nd generation" copy, though most people would call it "1st" - rule of thumb, if you see one of my own old lineages, subtract a generation to translate to current taper-speak. That 10 inch reel copy is what Rob Berger transferred, and what a lot of you have, and are hopefully enjoying."

EAC>WAV>SHN encoding by Sean Cribbs 2/19/2005.

Transferrer: Dan

Matrix - 3 Sources

gd77-05-08.dts.dan.26856.sbeok.flacf

View NotesSBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) 

AUD1 
Jerry Moore's MAC > Reel > CD Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN 

Tech Notes: 

SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave.  CEP2.0 was used to align & synch the SBD & both AUD sources.   CEP2.0 used to adjust the volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1, 20% AUD2 mix.  

- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case.

Notes: 

I looked at the 4 pages of notes I had on this project and it made me sick to think about typing them up.  So, although not complete, you will get a good idea of what was done to bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both AUD recordings suffered from btwn song pauses that not only cut the crowd cheer out but clipped the beginning of many songs. The 2 AUD source coverage allowed my to patch 1 with the other in some situations.  A couple spots I created a fake AUD recording by mixing crowd cheer with the SBD. This was effective at creating patches for the rear channels in the 5.1 presentation but also maintained a smooth quality in the stereo matrix mix as well.  These patches are numerous and I think completely smooth and most likely undetectable.

d1t01 The first 16.041 seconds of Minglewood blues was cut on the SBD.  Starting this monster project with an unrecoverable flaw was unacceptable to me.  I decided to patch that opening portion with a SBD and AUD recording from 5-7-77.  As this patch ends you will hear some slight phasing as the stereo field moves.  The result, although not perfect, I think provides the listener with a more enjoyable and natural listening experience.  Maybe you disagree.  For those of you who would rather have a patch using a matrix mix of the 2 AUD sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 43:16.362.  This was patched using a matrix mix of the 2 AUD sources and then EQ'ed to best match the sound spectrum of the SBD.  I also tried to match the volume on the SBD.  A switch in sources is obvious to the listener but this is still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418. This was fixed using a quick channel swap.   This is smooth and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you didn't really read the text file, did you?

Source 22 of 23

<b>DTS Audio 5.1</b>: Soundboard (Betty Board) > Master 7

gd77-05-08.maizner.hicks.5002.sbeok.shnf

View Notes<b>Lossies (including stream version) removed because 5.1 channel files do not properly encode to 2 channel MP3's - the result is static.</b>

<b>DTS Audio 5.1</b>: SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT> DAT> Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD (Steve Maizner) > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN; see pub comments re additional reflac version

Taper: Steve Maizner

Audience - Sony ECM-990

Sony ECM-990 > Sony TC-152 (aud master) > First Gen Reel > played directly to hard drive