06 Bye Bye Love | 1981-12-31 | Grateful Dead

Ted Leo and the Pharmacists

Ryley Walker

Playback	Listens	Hours
48h	0	0m
7d	1	4m
30d	11	2

Playback	Listens	Hours
48h	304	29
7d	290	28
30d	3.6k	341

128 shows

193 tapes

Scott Metzger

Playback	Listens	Hours
48h	0	0m
7d	22	3
30d	43	5

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	1	0m
7d	0	0m
30d	80	11

Playback	Listens	Hours
48h	0	0m
7d	10	1
30d	110	13

91 shows

96 tapes

Smashing Pumpkins

Playback	Listens	Hours
48h	30	3
7d	153	13
30d	1k	87

Playback	Listens	Hours
48h	177	29
7d	382	54
30d	2.7k	411

Playback	Listens	Hours
48h	58	14
7d	126	32
30d	1.3k	302

Playback	Listens	Hours
48h	28	2
7d	48	3
30d	304	17

87 shows

96 tapes

Stanton Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	17	3

Playback	Listens	Hours
48h	31	7
7d	128	18
30d	720	114

Playback	Listens	Hours
48h	103	23
7d	265	56
30d	1.8k	395

Playback	Listens	Hours
48h	78	11
7d	144	17
30d	1.3k	178

667 shows

1,139 tapes

String Cheese Incident

19.8k

Playback	Listens	Hours
48h	1.1k	174
7d	2.5k	404
30d	19.8k	3.2k

1,285 shows

2,081 tapes

Surprise Me Mr. Davis

Playback	Listens	Hours
48h	16	2
7d	0	0m
30d	74	8

Playback	Listens	Hours
48h	4	57m
7d	2	13m
30d	198	36

Playback	Listens	Hours
48h	1	0m
7d	30	4
30d	159	21

Playback	Listens	Hours
48h	30	4
7d	93	10
30d	703	77

729 shows

1,116 tapes

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	12	58m

Playback	Listens	Hours
48h	753	83
7d	1.8k	200
30d	12.3k	1.4k

Playback	Listens	Hours
48h	69	4
7d	28	1
30d	168	8

Playback	Listens	Hours
48h	163	20
7d	225	28
30d	1.5k	187

Playback	Listens	Hours
48h	16	2
7d	36	5
30d	336	50

473 shows

627 tapes

The California Honeydrops

361

Playback	Listens	Hours
48h	51	7
7d	79	9
30d	361	46

77 shows

84 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	1	7m
30d	1	7m

Playback	Listens	Hours
48h	504	69
7d	521	77
30d	2.9k	419

Playback	Listens	Hours
48h	2	7m
7d	33	3
30d	231	21

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	15	2

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	0	0m
7d	4	41m
30d	19	2

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	9	55m

Playback	Listens	Hours
48h	34	6
7d	40	7
30d	394	65

Playback	Listens	Hours
48h	5	29m
7d	27	3
30d	125	16

Playback	Listens	Hours
48h	136	7
7d	764	39
30d	3.8k	202

Playback	Listens	Hours
48h	61	4
7d	60	5
30d	737	51

Playback	Listens	Hours
48h	26	4
7d	10	2
30d	203	40

Playback	Listens	Hours
48h	24	2
7d	179	19
30d	1.1k	111

Playback	Listens	Hours
48h	265	39
7d	675	96
30d	1.9k	275

Playback	Listens	Hours
48h	628	64
7d	1.1k	108
30d	7.2k	699

Playback	Listens	Hours
48h	35	3
7d	75	6
30d	147	11

Playback	Listens	Hours
48h	66	7
7d	155	18
30d	870	91

71 shows

91 tapes

The Werks

Playback	Listens	Hours
48h	0	0m
7d	8	2
30d	38	8

Playback	Listens	Hours
48h	24	2
7d	154	16
30d	1.2k	132

Playback	Listens	Hours
48h	26	2
7d	85	6
30d	965	65

175 shows

210 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	14	1

Playback	Listens	Hours
48h	439	64
7d	622	97
30d	6.3k	917

Playback	Listens	Hours
48h	0	0m
7d	1	6m
30d	118	11

Playback	Listens	Hours
48h	105	18
7d	211	36
30d	1.6k	258

Playback	Listens	Hours
48h	197	29
7d	747	105
30d	5.1k	743

Playback	Listens	Hours
48h	12	53m
7d	42	4
30d	216	19

Playback	Listens	Hours
48h	85	7
7d	89	7
30d	1.3k	101

Playback	Listens	Hours
48h	1.1k	87
7d	2.2k	172
30d	12.9k	1.1k

623 shows

1,141 tapes

White Denim

Playback	Listens	Hours
48h	20	1
7d	1	3m
30d	36	3

Playback	Listens	Hours
48h	14k	1.7k
7d	34.5k	4.1k
30d	158.2k	18.8k

Playback	Listens	Hours
48h	115	15
7d	172	26
30d	876	130

1,416 shows

2,242 tapes

Yonder Mountain String Band

11.3k

Playback	Listens	Hours
48h	808	76
7d	1.7k	159
30d	11.3k	1.1k

Playback	Listens	Hours
48h	66	12
7d	271	43
30d	1.7k	259

21 shows

29 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	88	15
7d	73	13
30d	1.5k	263

461 shows

665 tapes

Zoofunkyou

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	11	1

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	715	96
7d	4.7k	605
30d	20.7k	2.7k

Playback	Listens	Hours
48h	2.1k	320
7d	3.6k	486
30d	20.1k	2.8k

Playback	Listens	Hours
48h	811	107
7d	2.4k	323
30d	37.2k	4.9k

Playback	Listens	Hours
48h	546	68
7d	7.6k	945
30d	35.8k	4.5k

Playback	Listens	Hours
48h	1.3k	173
7d	4.6k	611
30d	54k	7.2k

Playback	Listens	Hours
48h	4.9k	624
7d	6.8k	890
30d	67.4k	8.9k

Playback	Listens	Hours
48h	12.2k	1.5k
7d	10.7k	1.3k
30d	52k	6.5k

Playback	Listens	Hours
48h	8.8k	1.1k
7d	11.3k	1.4k
30d	38.2k	4.5k

Playback	Listens	Hours
48h	4.3k	477
7d	11k	1.2k
30d	55.8k	6.4k

Playback	Listens	Hours
48h	2.1k	221
7d	6.8k	740
30d	19.5k	2.2k

Playback	Listens	Hours
48h	2.5k	297
7d	18.9k	2.3k
30d	63.1k	7.3k

Playback	Listens	Hours
48h	6.3k	789
7d	8.9k	1.1k
30d	41.2k	5.1k

Playback	Listens	Hours
48h	1.2k	154
7d	5.6k	725
30d	33.4k	4.4k

Playback	Listens	Hours
48h	1.2k	156
7d	3.2k	394
30d	19.8k	2.4k

Playback	Listens	Hours
48h	6.3k	778
7d	4.8k	594
30d	26.1k	3.3k

Playback	Listens	Hours
48h	1.6k	188
7d	7.9k	943
30d	65.6k	7.6k

Playback	Listens	Hours
48h	1.4k	198
7d	7.7k	1k
30d	25.4k	3.5k

Playback	Listens	Hours
48h	5k	671
7d	5.7k	763
30d	35.3k	4.7k

Playback	Listens	Hours
48h	7.6k	1.1k
7d	17.3k	2.4k
30d	140.3k	19.5k

Playback	Listens	Hours
48h	4.3k	580
7d	20.4k	2.7k
30d	142.9k	19.3k

45 shows

298 tapes

1975

Playback	Listens	Hours
48h	223	25
7d	752	75
30d	7k	708

Playback	Listens	Hours
48h	4.6k	596
7d	19.9k	2.7k
30d	101.6k	13.2k

Playback	Listens	Hours
48h	4.4k	565
7d	18.7k	2.4k
30d	86.2k	11.3k

Playback	Listens	Hours
48h	2.8k	341
7d	6k	750
30d	39.5k	5k

Playback	Listens	Hours
48h	2.4k	259
7d	8.1k	915
30d	31.5k	3.5k

Playback	Listens	Hours
48h	1.1k	128
7d	3.7k	412
30d	36.5k	3.9k

Playback	Listens	Hours
48h	2.7k	305
7d	3.2k	433
30d	22.6k	3.3k

Playback	Listens	Hours
48h	336	42
7d	765	103
30d	6.9k	889

41 shows

125 tapes

1967

Playback	Listens	Hours
48h	186	22
7d	343	49
30d	2k	290

Playback	Listens	Hours
48h	982	71
7d	1.2k	94
30d	4.9k	348

Playback	Listens	Hours
48h	25	2
7d	80	5
30d	503	30

1981

Los Angeles and San Francisco, CA

Playback	Listens	Hours
48h	0	0m
7d	1	1m
30d	4	16m

1:36:29

1 tape

12/31SBD

388

Playback	Listens	Hours
48h	6	55m
7d	56	7
30d	388	51

7:38:41

20 tapes

12/30SBD

Playback	Listens	Hours
48h	0	0m
7d	8	1
30d	72	8

2:51:35

10 tapes

12/28SBD

171

Playback	Listens	Hours
48h	1	6m
7d	0	0m
30d	171	18

2:42:56

13 tapes

12/27SBD

147

Playback	Listens	Hours
48h	0	0m
7d	11	1
30d	147	18

2:45:44

12 tapes

12/26SBD

Fiesta Hall, San Mateo County Fairgrounds

149

Playback	Listens	Hours
48h	0	0m
7d	22	3
30d	149	20

3:00:44

10 tapes

12/12SBD

San Mateo, CA, USA

Playback	Listens	Hours
48h	8	38m
7d	12	1
30d	62	6

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	15	2

1:27:53

2 tapes

12/09SBD

Events Center, U. of Colorado

Boulder, CO, USA

215

Playback	Listens	Hours
48h	4	31m
7d	1	6m
30d	215	27

6:06:35

12/07SBD

Des Moines Civic Center

Des Moines, IA, USA

Playback	Listens	Hours
48h	0	0m
7d	1	9m
30d	91	10

Playback	Listens	Hours
48h	4	35m
7d	16	2
30d	119	15

Indianapolis, IN, USA

239

Playback	Listens	Hours
48h	1	5m
7d	4	33m
30d	239	29

Playback	Listens	Hours
48h	9	1
7d	9	1
30d	252	30

2:56:21

Assembly Hall, U. of Illinois

12/02SBD

Champaign, IL, USA

130

Playback	Listens	Hours
48h	9	1
7d	9	1
30d	130	16

Playback	Listens	Hours
48h	15	2
7d	12	2
30d	184	26

Playback	Listens	Hours
48h	2	14m
7d	27	4
30d	142	19

Playback	Listens	Hours
48h	0	0m
7d	18	2
30d	39	5

Playback	Listens	Hours
48h	20	3
7d	63	8
30d	464	61

Playback	Listens	Hours
48h	8	1
7d	29	4
30d	242	32

Amsterdam, Netherlands

201

Playback	Listens	Hours
48h	0	0m
7d	11	51m
30d	201	19

Amsterdam, Netherlands

Playback	Listens	Hours
48h	18	2
7d	25	3
30d	88	9

Playback	Listens	Hours
48h	8	1
7d	0	0m
30d	32	4

Playback	Listens	Hours
48h	25	3
7d	19	2
30d	60	7

Amsterdam, Netherlands

Playback	Listens	Hours
48h	0	0m
7d	1	3m
30d	5	18m

Playback	Listens	Hours
48h	2	18m
7d	10	1
30d	122	16

Playback	Listens	Hours
48h	3	24m
7d	6	1
30d	98	14

Playback	Listens	Hours
48h	0	0m
7d	12	1
30d	101	13

Playback	Listens	Hours
48h	5	30m
7d	41	5
30d	229	28

Playback	Listens	Hours
48h	0	0m
7d	3	25m
30d	46	7

Playback	Listens	Hours
48h	6	33m
7d	10	1
30d	146	19

Playback	Listens	Hours
48h	2	16m
7d	0	0m
30d	31	4

Playback	Listens	Hours
48h	55	6
7d	7	45m
30d	132	15

2:37:48

5 tapes

9/26SBD

War Memorial Auditorium

Buffalo, NY, USA

261

Playback	Listens	Hours
48h	28	3
7d	46	5
30d	261	30

2:33:29

10 tapes

9/25SBD

Stabler Arena, Lehigh U.

Bethlehem, PA, USA

160

Playback	Listens	Hours
48h	0	0m
7d	46	5
30d	160	19

Playback	Listens	Hours
48h	4	30m
7d	68	9
30d	189	23

Playback	Listens	Hours
48h	14	2
7d	45	7
30d	341	61

Playback	Listens	Hours
48h	1	7m
7d	56	7
30d	271	33

Playback	Listens	Hours
48h	0	0m
7d	61	8
30d	172	24

3:05:00

Compton Terrace Amphitheatre

8/30SBD

Tempe, AZ, USA

152

Playback	Listens	Hours
48h	5	41m
7d	44	6
30d	152	20

Playback	Listens	Hours
48h	27	4
7d	35	5
30d	307	41

Playback	Listens	Hours
48h	0	0m
7d	25	3
30d	84	11

2:49:23

6 tapes

8/16SBD

McArthur Court, U. of Oregon

Eugene, OR, USA

151

Playback	Listens	Hours
48h	10	1
7d	19	2
30d	151	19

2:36:13

7 tapes

8/15

Portland Memorial Coliseum

Portland, OR, USA

115

Playback	Listens	Hours
48h	0	0m
7d	2	15m
30d	115	15

2:42:04

2 tapes

8/14

Seattle Center Coliseum

Seattle, WA, USA

199

Playback	Listens	Hours
48h	0	0m
7d	14	1
30d	199	21

Salt Lake City, UT, USA

274

Playback	Listens	Hours
48h	0	0m
7d	18	2
30d	274	35

3:00:43

McArthur Court, University Of Oregon

8/06SBD

Eugene, OR

149

Playback	Listens	Hours
48h	10	1
7d	9	1
30d	149	19

2:38:05

1 tape

7/14

McNichols Sports Arena

Denver, CO, USA

110

Playback	Listens	Hours
48h	4	29m
7d	10	1
30d	110	14

3:05:13

5 tapes

7/13SBD

McNichols Sports Arena

Denver, CO, USA

325

Playback	Listens	Hours
48h	15	2
7d	52	7
30d	325	40

2:42:10

Alpine Valley Music Theatre

7/11SBD

East Troy, WI, USA

253

Playback	Listens	Hours
48h	2	14m
7d	11	2
30d	253	33

2:52:10

7 tapes

7/10

St. Paul Civic Center

St. Paul, MN, USA

192

Playback	Listens	Hours
48h	11	1
7d	5	34m
30d	192	22

Playback	Listens	Hours
48h	0	0m
7d	21	2
30d	208	24

2:47:11

6 tapes

7/07SBD

Kansas City Municipal Auditorium Arena

Kansas City, MO, USA

319

Playback	Listens	Hours
48h	0	0m
7d	2	16m
30d	319	38

Oklahoma City, OK, USA

329

Playback	Listens	Hours
48h	125	15
7d	26	3
30d	329	40

Playback	Listens	Hours
48h	4.5k	552
7d	121	15
30d	673	87

Playback	Listens	Hours
48h	362	41
7d	1.3k	141
30d	1.4k	161

San Francisco, CA, USA

Playback	Listens	Hours
48h	14	1
7d	2	6m
30d	93	8

1:14:07

4 tapes

5/17SBD

Onondaga County War Memorial

Syracuse, NY, USA

184

Playback	Listens	Hours
48h	19	2
7d	3	19m
30d	184	22

3:00:18

Barton Hall, Cornell University

5/16SBD

Ithaca, NY, USA

913

Playback	Listens	Hours
48h	82	10
7d	125	16
30d	913	113

5:45:53

14 tapes

5/15SBD

Athletic Center, Rutgers U

New Brunswick, NJ, USA

423

Playback	Listens	Hours
48h	1	12m
7d	20	2
30d	423	56

2:55:55

8 tapes

5/13SBD

Providence Civic Center

Providence, RI, USA

158

Playback	Listens	Hours
48h	16	2
7d	7	49m
30d	158	20

2:43:06

16 tapes

5/12SBD

Veterans Memorial Coliseum

New Haven, CT, USA

248

Playback	Listens	Hours
48h	24	3
7d	50	6
30d	248	32

2:59:53

18 tapes

5/11SBD

Veterans Memorial Coliseum

New Haven, CT, USA

281

Playback	Listens	Hours
48h	15	2
7d	22	3
30d	281	37

Playback	Listens	Hours
48h	0	0m
7d	17	2
30d	313	42

Playback	Listens	Hours
48h	2	15m
7d	15	2
30d	284	41

Playback	Listens	Hours
48h	0	0m
7d	1	5m
30d	15	1

Playback	Listens	Hours
48h	7	38m
7d	32	3
30d	296	37

2:58:28

15 tapes

5/05SBD

Glenns Falls Civic Center

Glenns Falls, NY, USA

198

Playback	Listens	Hours
48h	1	8m
7d	4	45m
30d	198	25

Philadelphia, PA, USA

223

Playback	Listens	Hours
48h	11	1
7d	0	0m
30d	223	26

Philadelphia, PA, USA

177

Playback	Listens	Hours
48h	5	58m
7d	26	4
30d	177	24

Playback	Listens	Hours
48h	67	9
7d	120	15
30d	1k	139

Playback	Listens	Hours
48h	32	4
7d	83	10
30d	344	41

Playback	Listens	Hours
48h	1	3m
7d	25	2
30d	143	10

Playback	Listens	Hours
48h	18	3
7d	141	19
30d	762	108

Playback	Listens	Hours
48h	0	0m
7d	13	2
30d	113	15

Playback	Listens	Hours
48h	9	46m
7d	8	44m
30d	80	10

Playback	Listens	Hours
48h	84	11
7d	142	19
30d	1k	137

Playback	Listens	Hours
48h	25	3
7d	42	5
30d	636	66

3:01:07

Veterans' Memorial Coliseum

3/14SBD

Hartford, CT, USA

535

Playback	Listens	Hours
48h	28	3
7d	36	4
30d	535	63

2:49:00

18 tapes

3/13SBD

Utica Memorial Auditorium

Utica, NY, USA

173

Playback	Listens	Hours
48h	14	2
7d	5	46m
30d	173	25

Playback	Listens	Hours
48h	8	1
7d	51	7
30d	419	57

2:43:32

Cole Field House, U. of Maryland

3/10SBD

Madison Square Garden

New York, NY, USA

456

Playback	Listens	Hours
48h	36	5
7d	85	12
30d	456	63

3:01:43

15 tapes

3/09SBD

Madison Square Garden

New York, NY, USA

1.3k

Playback	Listens	Hours
48h	43	6
7d	77	10
30d	1.3k	182

6:05:22

13 tapes

3/07SBD

College Park, MD, USA

216

Playback	Listens	Hours
48h	43	5
7d	48	5
30d	216	26

Playback	Listens	Hours
48h	0	0m
7d	15	3
30d	112	18

Playback	Listens	Hours
48h	11	2
7d	16	3
30d	106	16

Playback	Listens	Hours
48h	24	2
7d	18	1
30d	125	10

Playback	Listens	Hours
48h	12	2
7d	47	7
30d	410	56

Playback	Listens	Hours
48h	20	3
7d	116	14
30d	482	59

Playback	Listens	Hours
48h	110	14
7d	33	4
30d	260	32

Playback	Listens	Hours
48h	58	8
7d	37	5
30d	372	54

Playback	Listens	Hours
48h	46	7
7d	108	15
30d	423	60

Playback	Listens	Hours
48h	2	7m
7d	79	6
30d	502	39

1:16:35

2 tapes

12/31/81

01 Land Of A Thousand Dances

04 Tunisian New Year Song

2:56

05 Me And Bobby McGee

08 Children Of The 80's

14 Cold Rain And Snow

6:30

15 CC Rider

8:52

16 It Must Have Been The Roses

6:25

17 Beat It On Down The Line

3:51

18 Big Boss Man

5:55

19 New Minglewood Blues

6:25

20 Don't Ease Me In

3:14

21 Ken Kesey Banter-Midnight Countdown

8:04

22 Iko Iko

8:53

23 Playin' In The Band

14:33

24 Terrapin Station

14:21

25 Playin' In The Band Reprise

30 Goin' Down The Road Feeling Bad

35 It's All Over Now, Baby Blue

FIN

Sources

Taper: Dan Healy and Joani Walker

4:08:04

SBD

Taper:

Dan Healy and Joani Walker

Scott Clugston and Charlie Miller and Paul Scotton

gd1981-12-31.143571.sbd.healy.walker.scotton.miller.clugston.flac2496

Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B)(TDK MA-R C90)

Master Cassettes (Dolby B)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496

Dan Healy and Joani Walker

View NotesNotes:
- Thanks to Joani Walker and Paul Scotton for the master soundboard cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Joan Baez acoustic set with The Grateful Dead
- Thanks to Joani Walker, Paul Scotton and Charlie Miller for the shnid96106 soundboard source which supplies a 0:12 patch in "Terrapin Station"
- Thanks to Mark Severson for the shnid96611 Nakamichi 700 source which supplies a 0:08 patch in "Goin' Down The Road Feeling Bad"
- "CC Rider", "Big Boss Man", "New Minglewood Blues" and "Iko Iko" with Matthew Kelly
- "It Must Have Been The Roses", "Beat It On Down The Line", "Don't Ease Me In" and "It's All Over Now,Baby Blue" with Joan Baez
- "The Other One > Not Fade Away > Going Down The Road Feeling Bad" with John Cippolina
- Other One space included in "The Other One"
- Thanks to Joe B. Jones for verifying the pitch

Mastered by Scott Clugston
October 2018

Taper: Dan Healy and Joani Walker

Scott Clugston and Charlie Miller and Paul Scotton

gd1981-12-31.143570.sbd.healy.walker.scotton.miller.clugston.flac1648

Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B)(TDK MA-R C90)

Master Cassettes (Dolby B)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496

gd1981-12-31.mtx.tobin.126611.flac16

View NotesNotes:
- Thanks to Joani Walker and Paul Scotton for the master soundboard cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Joan Baez acoustic set with The Grateful Dead
- Thanks to Joani Walker, Paul Scotton and Charlie Miller for the shnid96106 soundboard source which supplies a 0:12 patch in "Terrapin Station"
- Thanks to Mark Severson for the shnid96611 Nakamichi 700 source which supplies a 0:08 patch in "Goin' Down The Road Feeling Bad"
- "CC Rider", "Big Boss Man", "New Minglewood Blues" and "Iko Iko" with Matthew Kelly
- "It Must Have Been The Roses", "Beat It On Down The Line", "Don't Ease Me In" and "It's All Over Now,Baby Blue" with Joan Baez
- "The Other One > Not Fade Away > Going Down The Road Feeling Bad" with John Cippolina
- Other One space included in "The Other One"
- Thanks to Joe B. Jones for verifying the pitch

Mastered by Scott Clugston
October 2018

Transferrer: Kevin Tobin

Matrix 3 Source Mix - SBD (shnid=96107) flac24; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shn id 96611)

Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. + VID (no shn id) low generation video found on the internet for a video project - matrix mixing by Kevin Tobin

Joani Walker and Paul Scotton

View NotesSBD + AUD Matrix 3 Source Mix(48%-SBD/52%-AUD)

---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 03-JAN-2014 - Trader Little Helper
- Tagged 03-JAN-2014 - Tag&Rename
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -0.5
AUD 0

SET TWO

Stereo Matrix
SBD -0.5
AUD 0
---------------------------------------------------------
BHP note: Both audio sources were very close to the video and only minor patching was needed mostly between songs in the first set. I also trimmed a little "Dead Air" between some of the songs so that the show could fit properly on a DVD.

Brokedown House Production

Taper: Joani Walker and Paul Scotton

gd1981-12-31.sbd.fix.walker-scottor.miller.96107.flac24

SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90)

Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/24

Joani Walkerand Paul Scotton

View NotesPatch Info:
(FOB) Nakamichi 100 -> Cassette Master -> Cassette (shnid=85628) supplies:
Terrapin Station (12:47 - 13:03)
Goin' Down The Road Feeling Bad (6:54 - 7:01)

Notes:
-- This has fixed levels on s3t02, s3t03 and s3t04
-- Joan Baez is backed by The Grateful Dead during her acoustic set
-- C C Rider, Big Boss Man, Minglewood and Iko with Matthew Kelly
-- Roses, BIODTL, Don't Ease Me In and Baby Blue with Joan Baez
-- The Other One, Not Fade Away and GDTRFB with John Cippolina
-- This is an upgrade to all previous circulating copies
-- Patch source was EQ'd and pitch corrected
-- Thanks to Joani Walker and Paul Scotton for the tapes
-- Thanks to Joe B. Jones for his help with the pitch correction
Joan Baez Acoustic Set:
s1t01 - Land Of A Thousand Dances
s1t02 - Do Right Woman
s1t03 - The Boxer
s1t04 - Tunisian New Year Song
s1t05 - Me

Taper: Joani Walkerand Paul Scotton

gd1981-12-31.sbd.fix.walker-scotton.miller.96106.sbeok.flac16

Joani Walker and Paul Scotton

View NotesPatch Info:
(FOB) Nakamichi 100 -> Cassette Master -> Cassette (shnid=85628) supplies:
Terrapin Station (12:47 - 13:03)
Goin' Down The Road Feeling Bad (6:54 - 7:01)

Notes:
-- This has fixed levels on d3t02, d3t03 and d3t04
-- All sets are seamless
-- Joan Baez is backed by The Grateful Dead during her acoustic set
-- C C Rider, Big Boss Man, Minglewood and Iko with Matthew Kelly
-- Roses, BIODTL, Don't Ease Me In and Baby Blue with Joan Baez
-- The Other One, Not Fade Away and GDTRFB with John Cippolina
-- This is an upgrade to all previous circulating copies
-- Patch source was EQ'd and pitch corrected
-- Thanks to Joani Walker and Paul Scotton for the tapes
-- Thanks to Joe B. Jones for his help with the pitch correction
Joan Baez Acoustic Set:
d1t01 - Land Of A Thousand Dances
d1t02 - Do Right Woman
d1t03 - The Boxer
d1t04 - Tunisian New Year Song
d1t05 - Me

Taper: Joani Walker and Paul Scotton

gd1981-12-31.sbd.walker.scotton.miller.96090.flac24

SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90)

Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/24

Joani Walker and Paul Scotton

View NotesPatch Info:
(FOB) Nakamichi 100 -> Cassette Master -> Cassette (shnid=85628) supplies:
Terrapin Station (12:47 - 13:03)
Goin' Down The Road Feeling Bad (6:54 - 7:01)

Notes:
-- Joan Baez is backed by The Grateful Dead during her acoustic set
-- C C Rider, Big Boss Man, Minglewood and Iko with Matthew Kelly
-- Roses, BIODTL, Don't Ease Me In and Baby Blue with Joan Baez
-- The Other One, Not Fade Away and GDTRFB with John Cippolina
-- This is an upgrade to all previous circulating copies
-- Patch source was EQ'd and pitch corrected
-- Thanks to Joani Walker and Paul Scotton for the tapes
-- Thanks to Joe B. Jones for his help with the pitch correction
Joan Baez Acoustic Set:
s1t01 - Land Of A Thousand Dances
s1t02 - Do Right Woman
s1t03 - The Boxer
s1t04 - Tunisian New Year Song
s1t05 - Me

Taper: Joani Walker and Paul Scotton

gd1981-12-31.sbd.walker-scotton.miller.96082.sbeok.flac16

SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90)

Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/16

gd1981-12-31.143774.mtx.tobin.flac1644

View NotesPatch Info:
(FOB) Nakamichi 100 -> Cassette Master -> Cassette (shnid=85628) supplies:
Terrapin Station (12:47 - 13:03)
Goin' Down The Road Feeling Bad (6:54 - 7:01)

Notes:
-- All sets are seamless
-- Joan Baez is backed by The Grateful Dead during her acoustic set
-- C C Rider, Big Boss Man, Minglewood and Iko with Matthew Kelly
-- Roses, BIODTL, Don't Ease Me In and Baby Blue with Joan Baez
-- The Other One, Not Fade Away and GDTRFB with John Cippolina
-- This is an upgrade to all previous circulating copies
-- Patch source was EQ'd and pitch corrected
-- Thanks to Joani Walker and Paul Scotton for the tapes
-- Thanks to Joe B. Jones for his help with the pitch correction

Transferrer: Kevin Tobin

SBD + AUD Matrix 2 Source Mix (44/16)

gd1981-12-31.sbd.gans.33660.sbeok.flac16

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 18-NOV-2018 - Trader Little Helper
- Tagged 18-NOV-2018 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

Transferrer: David Gans

SBD -> Cassette Master (Dolby B)

Cassette Master (Dolby B) -> Sonic 24bit -> SBM2 -> CD -> EAC -> FLAC

View Notes-- Thanks to Joani Walker and Paul Scotton for the tapes

Source 10 of 20

Master reels->cass->DAT

DAT->CD-R->EAC(x2 w/wav compare)->shn

gd81-12-31.acoustic.warren.14040.sbefail.shnf

View NotesJoan Baez sits in on the acoustic set (disc 1) and the Baby Blue encore.
Matt Kelly sits in on Big Boss Man and New Minglewood Blues.
John Cipollina sits in post-drums on disc 3.
Bill Graham flies in on a joint at midnight.

Source 11 of 20

Soundboard

SBD > MR > CASS > DAT > CDR > EAC > SHN

gd81-12-31.sbd.bertha-ashley.12784.sbeok.shnf

View NotesAcoustic set only (w/ Joan Baez); SBD > MR > CASS > DAT > CDR > EAC > SHN via Chris Warren

Source 12 of 20

Soundboard

SBD> MR> PCM> DAT> CDR> SHN> DAW (Bertha)> CDA

gd1981-12-31.msbd.serafin.7041.sbefail.shnf

View NotesJay Ashley (Bertha) remaster of Jay Serafin's <a href="http://db.etree.org/shninfo_detail.php?shnid=7041" rel="ugc nofollow">4 TRACK RTR</a> source; SBD> MR> PCM> DAT> CDR> SHN> DAW(Bertha)> CDA; Note- Joan Baez set missing

Transferrer: Jay Serafin

SBD > 4 track RTR @ 7.5 i.p.s. monitor mix > 16-bit PCM GD Archive > SSSB

View NotesRELEASED ON:	11/22/01

LINEAGE: Monitor Mix SBD > 4 TRACK RTR @ 7.5 IPS (Dolby B) > PCM  > D > SSSB (Dolby B decoded); NRPS opened; *=w/Joan Baez; **=w/Matt Kelly; ***=w/John Cippolina; Bill Graham flies in on a giant joint; LAST "Dark Star": 01-20-79 [232]; any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, EQ, and quantization noise elimination (when down-converting audio to 16-bit / 44.1kHz for CD-R mastering), were all performed using 24-bit / 96 kHz digital realm processing at Serafin Station Studio B [this show was released 11/01]

JAY'S PERSONAL COMMENTS:

NOTE: This is NOT the version of the show which is in circulation now; that copy is the "regular SBD" mix, while this version is the Monitor Mix version (differences in mix and volume for each instrument and vocalist).  This information was verified by my Marin County source, who sent me this version to work on and release.

It was told to me, by my Marin County source, that Phil wanted each band member to hear how the slightly different way they played a lot of the electric songs actually sounded, and then it would be decided whether to keep playing them in this manner, revert back to the "old ways", or to try a different approach.  You can hear this on the "staggered chorus vocals" on Shakedown Street, the opening of Me & My Uncle, CR&S, Playin' In The Band (the opening is distinctly "old school"), as is Dark Star), etc.  You'll notice that the vocals are slightly more prominent in the mix, as well as they're "dry"... no reverb, delay, etc., and no compression/limiting, so you'll hear it when Jerry (especially) and Bobby back off from their microphones a little bit, or go off their "pickup axis"... their voices kind of trail off slightly.  It's more realistic that hearing them at their C&L form, as you can mentally picture Jerry moving back slightly when he's ending a line in a sing.  The kick drums, and some of the toms, aren't as much in the mix either, as they could be hear more by the musicians on stage naturally, and didn't need to be in the mix as much.  You can hear, on Disc 1 Track 6, where the sound crew started to put the effects onto Jerry's vocals, but they got the "wave off", and stopped it.  So, you can hear what the "normal mix" would have been, compared to this monitor mix.  You'll also hear some of the levels of the instruments being raised and lowered, slightly and slowly, as not to be abrupt and annoying.

The Ken Kesey opening of Electric Set II (Countdown to Midnight) has Ken really, and literally, freaking out on stage when the band begins to play BEFORE the stroke of midnight!  Ken's trying to tell the "You're starting too soon", but to no avail. This isn't a "knock" on Ken, but simply an example of how he was on stage sometimes. And it was the day Ken dies is when I was working on that part of the show... the master had a LOT of volume problems (cycling up and down), and I was having a very tough time getting the parts to match up without having to delete a lot of the Countdown (only 15 seconds were lost, due to the mixing console getting knocked out of whack).  But when Ken died, it was almost like he was "guiding me", and the solutions came to me so clearly, it was unreal.  Personally, I do think that Ken had his hand in me getting the Countdown correct.  Thanks, my friend!

The BAD NEWS: The Acoustic Set was not being on the masters I received from my MC source. The good news is that all 3 of the Electric Sets are complete. The encore is from the regular SBD mix, and as such, has a slightly different audio difference. I did make every attempt to match the encore's EQ curve to that of the show itself, with very good results.  Only 2 reel changes were needed in this recording, and they were during lulls or very low-volume sections of the show. Only one cross-fade, which was between songs, is evident, as I didn't have a lot of "working room" to do a longer cross-fade.  This is the end of Good Lovin' into the Encore.  But, it was better than the original, and is the best I could do.  

The RTR (especially the Encore, which was quite noisy) was a bit on the hissy side, even with the Dolby B (or because of it, take your pick!).  The hiss has been brought down to "damn near inaudible", and it's only the opening couple of seconds of Dark Star where you actually can hear the hiss in the audio.  So, this is a VERY CLEAN show, audio-wise, and very energetic to boot.

Ok... on with the "Set by Set" breakdown of the show:
The opener, Shakedown Street, is LONG!  Very refreshing to hear an extended set of solos, and it set the tone for the remainder of the night.  Close to 16 minutes, it's rockin' and smokin' from the first chord.  I really liked the "staggered chorus vocals" towards the end of the song.   It's hard to explain in words, but you'll hear it... similar to how a group of people would sing "Row, Row, Row Your Boat").  This was one of those "new ways" ideas of Phil's, it was new to me, and I thought it gave the song that little extra touch...  it took the usually "monotonous" way the 3 vocalists would do the chorus, and made it sound "brand new" again.  An "old time" opening to Me & My Uncle > Mexicali was nice to hear.  Reminiscent of the early '70's "C&W Style" the Boyz did a lot of their songs in.  Again, not disappointing at all.

Cold Rain & Snow, sort of the same "older opening", and again, nice on the ears.  Big Boss Man -> Minglewood was a nicely staged segue.  Well done, and on the unusual side.  Don't Ease Me In had NOT segue to it, which was NOT ordinary.

Onto Set II...
The Ken Kesey opening had quite a lot of SBD problems, as the audio was constantly fluctuating feeding the RTR deck.  That was all edited out, rather than trying to alter the volume, as there was simply too much to do (and to make it sound right, as there were audible effects changes going on).  About 30 seconds of this opening track were edited out, and only a couple of Ken's words wound up "on the cutting room floor".  A very "Space-oriented" early Countdown To Midnight started early, and Ken simply was in a panic.  I could picture him running around the stage trying to keep everyone from starting the song!  The band, by my calculations, started Aiko about 25 seconds too early... oh well, that's life in a live show.  Aiko had nothing special to offer, in my opinion, just a slight party feel to it.  Playin' In The Band, well it was too short for my personal taste.  They went into the Playin' Jam after just 3 minutes into the song.  But it was a GOOD and HOT Jam, a bit over 11 minutes.  The PITB Jam into Terrapin was nice, with Bobby leading the segue, not Jerry.  Jerry was on the mark for his solos and riffs in Terrapin, and the audience was not left "wanting" at all.  A good and smooth segue back into Playin' (again, 3 minutes!) was just wonderful.  The band started to drift off going into Drums (which starts on Disc 3), so there was almost silence, so real segue.  You can hear the instruments being unplugged before Mickey and Billy got their groove on.

Drums began with the audience ambience microphones turned on, and there was a very noticeable jump in the volume.  This was a good place to start Disc 3, since there weren't any other members playing their instruments at the time.  Drums is slightly "overloaded", because of the levels of the up front monitors kept feeding into the percussion mics, and the audience ambience just added to this.  So, on the very low-frequency sections of Drums, there's noticeable (albeit slight) distortion.  It detracts from the enjoyment a little, but there's nothing I could do about this.  The ambience mikes were lowered down once Space began, and by the time Space was over, they were only slightly on.  This is the opposite of what was going on before Drums, where I believe the ambience mikes were totally turned off.

In keeping with this "new style" tryout, TOO wasn't set off with the usual Phil riff, but more of a subtle opening.  I wasn't upset with this, but it did surprise me, especially with it being New Year's Eve.  I wanted to hear a good, resounding Phil riff and a couple of Phil Bombs thrown in for good measure, but all of us were denied this.  Ah, such is life.  The remainder of Electric Set II, which was TOO > NFA > GDTRFB > Morning Dew (great energy, and very good "dynamics") were not disappointing.  These were mostly their current forms of the songs, so I need not go into details of these songs.

A slight break (I believe it was about 15 minutes) took place, and the Dead set up for the 3rd electric set.  And we would not be denied for good music.

SET III:
I had to keep looking (literally!) at my editing sheets to remind myself of the year... Dark Star's keyboards were almost identical to the typical Keith riffs and fills, except that it was Brent on the electric piano.  This 14+ minute song was a dream!  You could picture Keith playing, rather than Brent, and Jerry was just letting it rip.  Hard on the vocals, well done with his solos and fills, he spanned his repertoire of playing.  The verses were short, leaving the audience a lot of music to absorb.  This is a Dark Star which you want to play over and over again, as it was a 1970's style version.  Well received (remember, the audience mikes were still on slightly!) and very much enjoyed, the audience had to be disappointed to hear it end.

The DS > Bertha segue was SHORT... and I mean THREE MEASURES SHORT!  No, this wasn't a tape splice, this is how it was.  And because of the lack of compression and limiting, Jerry was really belting out the vocals, and I was in heaven.  Damn, this man could sing when he wanted to, and this Bertha is one of my all-time favorites!

Upon first (and maybe 2nd or 3rd) listening, you would think that I started Track 3 (Good Lovin') way too soon.  But the GL riffs were in there, buried in the rest of the music.  So, I start the songs where the actual song becomes apparent, not from any "teaser".  Bobby, worn and weary from this night, mustered up his energy and did a Pigpen-energy Good Lovin'.  Weir was not going to leave the audience disappointed, and he dished up this song in high-octane-Dead style.

The most unusual thing about the Electric sets: NOT A SINGLE BRENT SONG.  Those of you who are Brent fans are going to be disappointed that all you get are his backup vocals (which were very good), and his style of playing that night (which was VERY good).  I don't know why it was this way, but since I haven't heard the Acoustic opening set at all, I don't know how much Mydland contributed in that set.

Now comes the "downer of the night".  Probably the most disappointing Baby Blue I have ever been graced with listening to.  I'm sorry if this offends anyone, but the combo of Jerry and Joan Baez DOES NOT WORK.  Here's a man who keeps his vocals short and sweet, and a folk singer who stretches out each word in that (sometimes unbearable) falsetto/vibrato voice of hers.  Picture in your mind the worse Donna/Jerry vocal duet, multiply it by about 500, and that's the Baby Blue for the closer.  It simply didn't work.  My mind kept telling me to leave the song out, and just lie about it not being in the masters I got, but my Marin County source would be a little upset (my source doesn't tell me how to write my comments, I'm just given information I would have not known by listening to the show) if the entire show wasn't released.  My personal feeling: just end your listening of this great show before the encore starts.

All I can say about this show:  very 70's style in many ways, high energy, Kesey was being Kesey, and the Dead did not disappoint the audience that night.  It's a wonderful NYE show in many ways, and I hope you enjoy it as much as I did.

PERSONAL RATINGS: (on a 1 to 10 scale with 10 being excellent)
Audio Mix: 10
Audio Quality: 10
Energy Level: 9.8
Show "Completeness": 10 (not counting the missing Acoustic Set)
Song Selection: No Brent songs
Surprises: The openings of many of the songs reverted back to the 1970's era style of playing... this monitor mix (rare), and the show as a whole

**
timesheet.txt: 

Grateful Dead
12/31/81 
Oakland Auditorium Arena   Oakland, CA

"This show is dedicated to the memory of Ken Kesey, who passed away while I was editing Disc 2 at the time... he "guided me" through a very tough section which contained a large number of master volume changes! I'll shake his hand again someday, and tell him 'Thanks for the help'... and I know Ken will just give me that knowing wink of his..."
Jay Serafin, owner/chief engineer, Serafin Station Studio B

Source 14 of 20

3:48:54

SBD

Master Reels > cass > dat > cdr

Taper: Jim Voss

Scott Clugston, Charlie Miller

gd1981-12-31.156059.fob.senn421.voss.miller.clugston.flac2496

Jim Voss's Master FOB Audience Cassettes: Sennheiser 421 mics (14th row)> Sony D5

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496

Scott Clugston, Charlie Miller

View NotesNotes:
- Thanks to Jim Voss for the master FOB cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Mark Severson for the Nakamichi 700 source which supplies a 0:07 patch in the "Terrapin Station > Playin' In The Band" transition, as well as an 0:08 patch in "Drums"
- Joan Baez is backed by The Grateful Dead during her acoustic set
- "CC Rider", "Big Boss Man", "New Minglewood Blues" & "Iko Iko" with Matthew Kelly
- "It Must Have Been The Roses", "Beat It On Down The Line", "Don't Ease Me In" & "It's All Over Now, baby Blue" with Joan Baez
- "The Other One", "Not Fade Away" & "Goin' Down The Road Feeling Bad" with John Cippolina
- Other One space included in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
February 2022

Taper: Jim Voss

gd1981-12-31.156058.fob.senn421.voss.miller.clugston.flac1648

Jim Voss's Master FOB Audience Cassettes: Sennheiser 421 mics (14th row)> Sony D5

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496

View NotesNotes:
- Thanks to Jim Voss for the master FOB cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Mark Severson for the Nakamichi 700 source which supplies a 0:07 patch in the "Terrapin Station > Playin' In The Band" transition, as well as an 0:08 patch in "Drums"
- Joan Baez is backed by The Grateful Dead during her acoustic set
- "CC Rider", "Big Boss Man", "New Minglewood Blues" & "Iko Iko" with Matthew Kelly
- "It Must Have Been The Roses", "Beat It On Down The Line", "Don't Ease Me In" & "It's All Over Now, baby Blue" with Joan Baez
- "The Other One", "Not Fade Away" & "Goin' Down The Road Feeling Bad" with John Cippolina
- Other One space included in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
February 2022

Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

4:06:10

5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

gd1981-12-31.143777.5-1.tobin.flac1648

5.1 LPCM Surround Sound Mix (48k)

gd1981-12-31.143773.PandP-aud.tobin.flac1644

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 18-NOV-2018 - Trader Little Helper
- Tagged 18-NOV-2018 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

Transferrer: Kevin Tobin

Patched and pitch corrected audience (44/16)

anonymous taper, Jamie Poris, Mark Severson

View NotesMajor patch during Iko Iko. Speedwise the audience was a very fast when compared to other recordings - 1.5 seconds per minute.

Brokedown House Production

Taper: anonymous taper, Jamie Poris, Mark Severson

4:05:04

Taper:

Jamie Waddell and Brian Green

gd1981-12-31.nak700.anon-severson-poris.LMPP.96611.flac16

Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's)

MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither

gd1981-12-31.nak100.field.gmb.85628.sbeok.flac16

View NotesNotes:

- there is a considerable sonic change from D3T02 to D3T05. I've tried to polish this up a little, but it's still very prominent.
Seeing how this is the only aud circulating right now, I've opted not to patch with the soundboard.

- This is a great, full sounding pull of a historic show. Many thanks to Mark for capturing it and lending his masters to LMPP to get them out.

Tapers Notes

- Jaime built the mic mixer and we all taped from the free throw line on the floor at the Oakland Auditorium. The mic's went from the mixer into my Sony TC-D5M. There was also a patch bay, but I don't remember how many decks were plugged in. I went to 10 New Years runs / shows from 1977 to 1990 and the 1981 run was my favorite.

---------------------------------------------------------

- Taped by Mark Severson, he who wishes to remain anonymous, and Jamie Poris

- Transferred by Bgreen. ( AKA "The Boss" )

- Editing and Mastering: Jamie Waddell (shnflac@gmail.com) on the GEMS Edit Station.
Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither.  As always, Eternal gratitude for Bluedakota.

- First seeded to www.shnflac.net December 2008 (New Years Eve)

- A cooporative effort of Live Music preservation Project, The Gems Team, and  great group of Tapers

- contact lmpp.productions@gmail.com with questions/concerns

www.livemusicpreservationproject.com

Taper: Matt Field

FOB Nak 100's > D-5 > D-5 > Maxell UDXL I cassettes