Ramble On Rose | 1985-04-27 | Grateful Dead

Bernie Worrell and the WOO Warriors

Playback	Listens	Hours
48h	1	24m
7d	0	0m
30d	27	4

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	0	0m
7d	1	6m
30d	51	8

Playback	Listens	Hours
48h	13	2
7d	62	10
30d	548	80

Playback	Listens	Hours
48h	127	18
7d	273	37
30d	1.9k	248

Playback	Listens	Hours
48h	5.5k	549
7d	11.2k	1.1k
30d	82k	8.2k

Playback	Listens	Hours
48h	46	3
7d	186	13
30d	1.4k	100

62 shows

76 tapes

Blueground Undergrass

107

Playback	Listens	Hours
48h	0	0m
7d	5	27m
30d	107	9

Playback	Listens	Hours
48h	132	15
7d	440	50
30d	2.3k	259

Playback	Listens	Hours
48h	269	32
7d	595	77
30d	4.7k	611

308 shows

512 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	1	53m
30d	1	53m

22 shows

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	48m

Playback	Listens	Hours
48h	70	10
7d	134	23
30d	797	135

451 shows

563 tapes

Buffalo Galaxy

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	50	6

Playback	Listens	Hours
48h	28	3
7d	129	14
30d	1.1k	102

Playback	Listens	Hours
48h	152	16
7d	369	37
30d	1.5k	158

Playback	Listens	Hours
48h	36	2
7d	1	5m
30d	320	17

Playback	Listens	Hours
48h	4	27m
7d	8	1
30d	201	26

Playback	Listens	Hours
48h	15	59m
7d	55	4
30d	238	17

243 shows

272 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	17m

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	0	0m
7d	2	45m
30d	6	1

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	0	0m
7d	27	2
30d	75	9

79 shows

93 tapes

Circles Around The Sun

1.7k

Playback	Listens	Hours
48h	95	21
7d	222	49
30d	1.7k	369

Playback	Listens	Hours
48h	9	2
7d	15	3
30d	152	27

Playback	Listens	Hours
48h	53	5
7d	72	5
30d	860	72

Playback	Listens	Hours
48h	13	2
7d	36	6
30d	526	81

Playback	Listens	Hours
48h	342	45
7d	928	135
30d	4.7k	646

Playback	Listens	Hours
48h	370	47
7d	806	110
30d	6.1k	838

799 shows

1,061 tapes

Dave Harrington

Playback	Listens	Hours
48h	0	0m
7d	5	46m
30d	24	6

Playback	Listens	Hours
48h	12	1
7d	81	8
30d	233	22

Playback	Listens	Hours
48h	2.1k	328
7d	7.4k	1.1k
30d	39.6k	6.3k

Playback	Listens	Hours
48h	13	2
7d	76	8
30d	389	43

Playback	Listens	Hours
48h	39	2
7d	297	17
30d	1.3k	82

Playback	Listens	Hours
48h	71	9
7d	219	26
30d	1.4k	163

Playback	Listens	Hours
48h	832	173
7d	1.8k	343
30d	12.1k	2.5k

Playback	Listens	Hours
48h	36	3
7d	16	2
30d	254	26

Playback	Listens	Hours
48h	189	27
7d	336	50
30d	3.1k	482

157 shows

212 tapes

Domocile

Playback	Listens	Hours
48h	12	2
7d	0	0m
30d	72	17

Playback	Listens	Hours
48h	218	23
7d	370	38
30d	1.7k	176

Playback	Listens	Hours
48h	16	2
7d	31	5
30d	212	34

Playback	Listens	Hours
48h	131	11
7d	490	42
30d	2.9k	255

Playback	Listens	Hours
48h	29	4
7d	42	7
30d	381	64

Playback	Listens	Hours
48h	1	11m
7d	12	2
30d	154	22

Playback	Listens	Hours
48h	117	20
7d	230	43
30d	1.6k	284

152 shows

293 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	8m

Playback	Listens	Hours
48h	116	17
7d	354	49
30d	1.7k	237

831 shows

1,050 tapes

Electric Beethoven

Playback	Listens	Hours
48h	1	14m
7d	1	38m
30d	14	6

Playback	Listens	Hours
48h	146	8
7d	177	10
30d	876	47

156 shows

174 tapes

Eric Krasno

Playback	Listens	Hours
48h	9	1
7d	0	0m
30d	95	13

123 shows

182 tapes

Everyone Orchestra

Playback	Listens	Hours
48h	0	0m
7d	5	43m
30d	18	3

182 shows

286 tapes

Forgotten Space

Playback	Listens	Hours
48h	2	14m
7d	0	0m
30d	47	5

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	52m

Playback	Listens	Hours
48h	9	52m
7d	12	1
30d	265	24

Playback	Listens	Hours
48h	16	1
7d	4	11m
30d	100	7

Playback	Listens	Hours
48h	1	4m
7d	22	2
30d	183	14

Playback	Listens	Hours
48h	1	3m
7d	11	40m
30d	115	7

Playback	Listens	Hours
48h	629	96
7d	1.5k	236
30d	9.3k	1.5k

246 shows

1,223 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

14 shows

G. Love and Special Sauce

623

Playback	Listens	Hours
48h	7	34m
7d	86	8
30d	623	55

Playback	Listens	Hours
48h	188	24
7d	181	20
30d	1.1k	128

Playback	Listens	Hours
48h	11	3
7d	6	1
30d	123	16

Playback	Listens	Hours
48h	10	2
7d	18	3
30d	184	37

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	17	2

51 shows

65 tapes

Ghost Light

Playback	Listens	Hours
48h	3	19m
7d	4	3
30d	33	11

Playback	Listens	Hours
48h	148	16
7d	185	23
30d	1.2k	147

374 shows

509 tapes

Godspeed You Black Emperor!

362

Playback	Listens	Hours
48h	26	6
7d	36	9
30d	362	105

Playback	Listens	Hours
48h	0	0m
7d	7	54m
30d	100	11

Playback	Listens	Hours
48h	4.2k	948
7d	9.5k	2.1k
30d	52.2k	11.1k

Playback	Listens	Hours
48h	7	28m
7d	20	1
30d	298	27

363 shows

589 tapes

Grahame Lesh and Friends

1.7k

Playback	Listens	Hours
48h	70	11
7d	304	43
30d	1.7k	254

Playback	Listens	Hours
48h	27	4
7d	10	1
30d	136	18

Playback	Listens	Hours
48h	235	27
7d	722	88
30d	5.8k	690

Playback	Listens	Hours
48h	15	1
7d	91	12
30d	932	108

226 shows

313 tapes

GrooveSession

Playback	Listens	Hours
48h	0	0m
7d	1	11m
30d	29	5

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	48	3

53 shows

57 tapes

Guitarmageddon

Playback	Listens	Hours
48h	0	0m
7d	1	10m
30d	18	3

Playback	Listens	Hours
48h	43	3
7d	55	4
30d	332	23

755 shows

1,036 tapes

Hard Working Americans

Playback	Listens	Hours
48h	1	6m
7d	8	33m
30d	92	10

Playback	Listens	Hours
48h	9	2
7d	66	9
30d	331	53

187 shows

226 tapes

Horseshoes and Hand Grenades

Playback	Listens	Hours
48h	0	0m
7d	5	31m
30d	62	6

Playback	Listens	Hours
48h	30	3
7d	37	4
30d	205	20

674 shows

846 tapes

Infamous Stringdusters

1.2k

Playback	Listens	Hours
48h	174	17
7d	134	12
30d	1.2k	103

629 shows

1,016 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	10	2

Playback	Listens	Hours
48h	299	21
7d	765	51
30d	4.7k	316

Playback	Listens	Hours
48h	27	2
7d	45	4
30d	294	30

365 shows

492 tapes

Jazz Mandolin Project

108

Playback	Listens	Hours
48h	12	2
7d	30	5
30d	108	18

222 shows

280 tapes

Jeff Austin and Chris Castino

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	95	9

12 shows

Jerry Joseph and the Jackmormons

Jeff Austin And Friends

161

Playback	Listens	Hours
48h	0	0m
7d	28	3
30d	161	17

Playback	Listens	Hours
48h	31	4
7d	212	25
30d	1.4k	182

112 shows

162 tapes

2.2k

Playback	Listens	Hours
48h	104	21
7d	324	55
30d	2.2k	386

1,124 shows

1,519 tapes

Jerry's Middle Finger

3.5k

Playback	Listens	Hours
48h	169	21
7d	680	90
30d	3.5k	479

259 shows

310 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	1	9m
7d	15	2
30d	29	4

2 shows

5 tapes

Joe Russo's Almost Dead

38.8k

Playback	Listens	Hours
48h	1.7k	304
7d	4.5k	829
30d	38.8k	7.3k

Playback	Listens	Hours
48h	15	2
7d	96	9
30d	737	81

Playback	Listens	Hours
48h	144	11
7d	329	28
30d	2.5k	215

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	0	0m
7d	19	2
30d	42	5

Playback	Listens	Hours
48h	1	3m
7d	20	1
30d	131	9

79 shows

98 tapes

Karina Rykman

Playback	Listens	Hours
48h	16	1
7d	6	35m
30d	97	9

73 shows

109 tapes

Karl Denson's Tiny Universe

146

Playback	Listens	Hours
48h	4	1
7d	6	45m
30d	146	21

Playback	Listens	Hours
48h	145	14
7d	497	52
30d	4.2k	407

1,056 shows

1,396 tapes

Kikagaku Moyo

Playback	Listens	Hours
48h	32	4
7d	7	1
30d	63	10

43 shows

54 tapes

King Gizzard & the Lizard Wizard

15.4k

Playback	Listens	Hours
48h	1.1k	146
7d	2.1k	272
30d	15.4k	2k

211 shows

442 tapes

Kitchen Dwellers

Playback	Listens	Hours
48h	168	19
7d	293	40
30d	2k	266

315 shows

400 tapes

Kung Fu

Playback	Listens	Hours
48h	0	0m
7d	7	1
30d	49	7

Playback	Listens	Hours
48h	29	8
7d	82	14
30d	568	109

Playback	Listens	Hours
48h	18	2
7d	71	8
30d	687	81

Playback	Listens	Hours
48h	182	18
7d	462	46
30d	3.6k	331

Playback	Listens	Hours
48h	134	22
7d	376	55
30d	2.9k	489

Playback	Listens	Hours
48h	235	23
7d	910	84
30d	5.2k	475

Playback	Listens	Hours
48h	71	5
7d	187	13
30d	1.3k	102

Playback	Listens	Hours
48h	36	8
7d	269	52
30d	1.6k	296

437 shows

623 tapes

Marco Benevento

Playback	Listens	Hours
48h	2	11m
7d	17	1
30d	59	5

214 shows

296 tapes

Marcus King Band

Playback	Listens	Hours
48h	129	12
7d	272	25
30d	2k	188

Playback	Listens	Hours
48h	0	0m
7d	18	2
30d	217	23

349 shows

446 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	136	24
7d	491	81
30d	3.5k	553

Playback	Listens	Hours
48h	26	1
7d	3	22m
30d	307	20

Playback	Listens	Hours
48h	0	0m
7d	21	2
30d	183	18

157 shows

172 tapes

Minutemen

Playback	Listens	Hours
48h	2	4m
7d	7	16m
30d	78	2

Playback	Listens	Hours
48h	95	7
7d	94	6
30d	831	57

Playback	Listens	Hours
48h	687	116
7d	1.3k	232
30d	9.7k	1.6k

1,990 shows

4,497 tapes

Mogwai

Playback	Listens	Hours
48h	0	0m
7d	19	2
30d	38	4

380 shows

481 tapes

Moon Taxi

Playback	Listens	Hours
48h	1	4m
7d	2	12m
30d	88	8

Playback	Listens	Hours
48h	126	13
7d	583	59
30d	4.1k	423

412 shows

600 tapes

Nathan Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	10	1

46 shows

51 tapes

Neal Francis

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	57	5

Playback	Listens	Hours
48h	41	6
7d	105	12
30d	566	77

138 shows

251 tapes

Nels Cline

Playback	Listens	Hours
48h	0	0m
7d	10	2
30d	46	8

62 shows

73 tapes

New Riders of the Purple Sage

1.6k

Playback	Listens	Hours
48h	52	4
7d	292	26
30d	1.6k	142

410 shows

598 tapes

North Mississippi Allstars

1.2k

Playback	Listens	Hours
48h	68	6
7d	116	12
30d	1.2k	120

Playback	Listens	Hours
48h	8	58m
7d	186	20
30d	958	102

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	0	0m
7d	27	4
30d	152	28

130 shows

260 tapes

Percy Hill

Playback	Listens	Hours
48h	30	5
7d	4	30m
30d	53	8

Playback	Listens	Hours
48h	52	11
7d	166	29
30d	1.3k	243

689 shows

920 tapes

Phil Lesh and Friends

14.8k

Playback	Listens	Hours
48h	1.1k	205
7d	2.4k	422
30d	14.8k	2.6k

788 shows

2,861 tapes

Pigeons Playing Ping Pong

Playback	Listens	Hours
48h	115	17
7d	201	33
30d	2k	305

Playback	Listens	Hours
48h	240	34
7d	544	69
30d	4.3k	539

293 shows

435 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	292	38
7d	461	60
30d	3.9k	511

1,236 shows

2,198 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	46	4

Playback	Listens	Hours
48h	44	7
7d	36	5
30d	461	61

Playback	Listens	Hours
48h	480	64
7d	1k	138
30d	6.9k	901

Playback	Listens	Hours
48h	88	6
7d	126	13
30d	1.6k	132

259 shows

390 tapes

Rumpke Mountain Boys

Playback	Listens	Hours
48h	56	5
7d	180	16
30d	2k	159

379 shows

444 tapes

Ryan Adams

Playback	Listens	Hours
48h	155	13
7d	241	21
30d	2k	175

581 shows

729 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	1	26m
30d	3	55m

10 shows

11 tapes

Ryley Walker

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	11	2

Playback	Listens	Hours
48h	218	20
7d	531	50
30d	3.8k	359

128 shows

193 tapes

Scott Metzger

Playback	Listens	Hours
48h	18	2
7d	2	20m
30d	45	5

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	0	0m
7d	1	0m
30d	65	9

Playback	Listens	Hours
48h	9	57m
7d	3	17m
30d	112	13

Playback	Listens	Hours
48h	55	5
7d	156	13
30d	991	82

Playback	Listens	Hours
48h	203	30
7d	346	54
30d	2.7k	421

Playback	Listens	Hours
48h	81	17
7d	108	25
30d	1.3k	302

Playback	Listens	Hours
48h	17	55m
7d	66	4
30d	297	17

87 shows

96 tapes

Stanton Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	17	3

Playback	Listens	Hours
48h	3	22m
7d	71	13
30d	677	111

Playback	Listens	Hours
48h	128	30
7d	253	56
30d	1.8k	392

Playback	Listens	Hours
48h	83	10
7d	228	27
30d	1.3k	176

667 shows

1,139 tapes

String Cheese Incident

19.5k

Playback	Listens	Hours
48h	1.1k	166
7d	2.4k	376
30d	19.5k	3.2k

1,285 shows

2,081 tapes

Surprise Me Mr. Davis

Playback	Listens	Hours
48h	18	2
7d	16	2
30d	90	10

Playback	Listens	Hours
48h	6	1
7d	19	3
30d	171	31

Playback	Listens	Hours
48h	16	2
7d	29	3
30d	160	20

Playback	Listens	Hours
48h	43	5
7d	73	8
30d	712	79

729 shows

1,116 tapes

Ted Leo and the Pharmacists

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	12	58m

Playback	Listens	Hours
48h	781	85
7d	1.7k	195
30d	12.1k	1.4k

Playback	Listens	Hours
48h	39	2
7d	69	4
30d	232	12

Playback	Listens	Hours
48h	110	15
7d	270	34
30d	1.4k	180

Playback	Listens	Hours
48h	12	2
7d	41	6
30d	326	47

473 shows

627 tapes

The California Honeydrops

394

Playback	Listens	Hours
48h	29	4
7d	141	18
30d	394	51

77 shows

84 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	7m

Playback	Listens	Hours
48h	166	24
7d	974	137
30d	3.4k	484

Playback	Listens	Hours
48h	27	2
7d	12	49m
30d	152	13

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	7	1
7d	0	0m
30d	15	2

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	0	0m
7d	4	41m
30d	17	2

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	9	55m

Playback	Listens	Hours
48h	11	1
7d	56	10
30d	361	60

Playback	Listens	Hours
48h	8	53m
7d	23	3
30d	125	16

Playback	Listens	Hours
48h	450	25
7d	417	22
30d	3.8k	206

Playback	Listens	Hours
48h	77	6
7d	93	7
30d	734	52

Playback	Listens	Hours
48h	24	5
7d	26	4
30d	227	43

Playback	Listens	Hours
48h	54	4
7d	154	15
30d	1.1k	112

Playback	Listens	Hours
48h	120	16
7d	473	69
30d	2.1k	302

Playback	Listens	Hours
48h	365	37
7d	1.3k	131
30d	7.2k	701

Playback	Listens	Hours
48h	0	0m
7d	36	3
30d	154	11

Playback	Listens	Hours
48h	123	11
7d	122	14
30d	783	83

71 shows

91 tapes

The Werks

Playback	Listens	Hours
48h	1	5m
7d	0	0m
30d	38	8

Playback	Listens	Hours
48h	53	5
7d	72	7
30d	1.1k	119

Playback	Listens	Hours
48h	94	6
7d	51	3
30d	867	58

175 shows

210 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	5	36m

12 shows

12 tapes

Trey Anastasio

Playback	Listens	Hours
48h	402	57
7d	788	113
30d	6k	878

Playback	Listens	Hours
48h	10	58m
7d	0	0m
30d	110	10

Playback	Listens	Hours
48h	38	7
7d	185	32
30d	1.6k	254

Playback	Listens	Hours
48h	494	74
7d	515	74
30d	4.8k	708

Playback	Listens	Hours
48h	11	56m
7d	46	3
30d	206	18

Playback	Listens	Hours
48h	79	6
7d	156	12
30d	1.3k	93

Playback	Listens	Hours
48h	954	72
7d	2.4k	194
30d	13.4k	1.1k

623 shows

1,142 tapes

White Denim

Playback	Listens	Hours
48h	0	0m
7d	20	1
30d	56	5

Playback	Listens	Hours
48h	13.1k	1.5k
7d	30.2k	3.6k
30d	165.3k	19.6k

Playback	Listens	Hours
48h	69	10
7d	210	28
30d	940	138

1,416 shows

2,242 tapes

Yonder Mountain String Band

11.5k

Playback	Listens	Hours
48h	682	66
7d	2k	193
30d	11.5k	1.1k

Playback	Listens	Hours
48h	62	10
7d	199	34
30d	1.7k	267

21 shows

29 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	52	10
7d	129	21
30d	1.5k	259

461 shows

666 tapes

Zoofunkyou

Playback	Listens	Hours
48h	0	0m
7d	1	7m
30d	12	1

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	1.4k	191
7d	3.1k	419
30d	20.5k	2.7k

Playback	Listens	Hours
48h	559	79
7d	4.9k	613
30d	21.9k	3k

Playback	Listens	Hours
48h	709	93
7d	1.7k	225
30d	29.5k	3.9k

Playback	Listens	Hours
48h	456	60
7d	1.5k	189
30d	31.9k	4k

Playback	Listens	Hours
48h	1k	141
7d	2.7k	370
30d	44.3k	5.9k

Playback	Listens	Hours
48h	7.3k	1k
7d	9k	1.2k
30d	65.8k	8.7k

Playback	Listens	Hours
48h	8.2k	1.1k
7d	24k	2.9k
30d	64.2k	8k

Playback	Listens	Hours
48h	1.2k	140
7d	12.9k	1.6k
30d	45.3k	5.4k

Playback	Listens	Hours
48h	7.2k	809
7d	8.9k	962
30d	57.6k	6.6k

Playback	Listens	Hours
48h	2.7k	299
7d	4.6k	488
30d	21.1k	2.3k

Playback	Listens	Hours
48h	1.4k	161
7d	7.3k	870
30d	62.8k	7.3k

Playback	Listens	Hours
48h	7.1k	856
7d	9.1k	1.1k
30d	46.7k	5.8k

Playback	Listens	Hours
48h	1.3k	159
7d	2.6k	342
30d	32.2k	4.2k

Playback	Listens	Hours
48h	990	123
7d	2.8k	341
30d	18.2k	2.2k

Playback	Listens	Hours
48h	3.9k	484
7d	16.5k	2k
30d	36.1k	4.5k

Playback	Listens	Hours
48h	1.6k	181
7d	3.5k	409
30d	53.5k	6.3k

Playback	Listens	Hours
48h	1.1k	154
7d	3.7k	516
30d	24.8k	3.5k

Playback	Listens	Hours
48h	6.3k	813
7d	11.3k	1.5k
30d	39.5k	5.2k

Playback	Listens	Hours
48h	5.2k	721
7d	14.9k	2.1k
30d	115.2k	16k

Playback	Listens	Hours
48h	3.2k	435
7d	9k	1.2k
30d	140.5k	18.9k

Playback	Listens	Hours
48h	166	16
7d	468	51
30d	5.6k	591

Playback	Listens	Hours
48h	3.3k	425
7d	8.9k	1.2k
30d	96k	12.5k

Playback	Listens	Hours
48h	2.9k	378
7d	9.8k	1.2k
30d	83.6k	10.9k

Playback	Listens	Hours
48h	2.1k	260
7d	5.1k	638
30d	36.6k	4.6k

Playback	Listens	Hours
48h	1.4k	161
7d	8.1k	891
30d	30.6k	3.4k

Playback	Listens	Hours
48h	1.2k	133
7d	2.2k	249
30d	22.6k	2.5k

Playback	Listens	Hours
48h	2k	366
7d	4.4k	558
30d	20.4k	2.8k

Playback	Listens	Hours
48h	417	58
7d	619	78
30d	6.1k	778

41 shows

125 tapes

1967

Playback	Listens	Hours
48h	133	22
7d	299	41
30d	2k	283

Playback	Listens	Hours
48h	338	22
7d	1.5k	111
30d	5.4k	388

Playback	Listens	Hours
48h	26	1
7d	64	4
30d	460	28

2 shows

2 tapes

1985

12/31SBD

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

149

Playback	Listens	Hours
48h	1	8m
7d	15	2
30d	149	17

4:59:06

19 tapes

12/30SBD

194

Playback	Listens	Hours
48h	23	2
7d	20	2
30d	194	21

4:28:26

17 tapes

11/22SBD

Playback	Listens	Hours
48h	5	39m
7d	16	2
30d	95	12

2:15:35

11 tapes

11/21SBD

201

Playback	Listens	Hours
48h	0	0m
7d	21	3
30d	201	22

2:15:55

11/20SBD

Community War Memorial Auditorium

442

Playback	Listens	Hours
48h	24	3
7d	36	3
30d	442	48

Playback	Listens	Hours
48h	16	2
7d	0	0m
30d	114	13

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	103	12

East Rutherford, NJ, USA

239

Playback	Listens	Hours
48h	5	43m
7d	4	28m
30d	239	29

East Rutherford, NJ, USA

161

Playback	Listens	Hours
48h	10	1
7d	17	2
30d	161	19

4:40:11

27 tapes

11/08SBD

Rochester, NY, USA

180

Playback	Listens	Hours
48h	0	0m
7d	8	53m
30d	180	21

2:12:53

27 tapes

11/07SBD

Community War Memorial Auditorium

Rochester, NY, USA

173

Playback	Listens	Hours
48h	1	7m
7d	8	56m
30d	173	19

Playback	Listens	Hours
48h	0	0m
7d	28	3
30d	157	18

Playback	Listens	Hours
48h	5	32m
7d	4	20m
30d	110	12

Playback	Listens	Hours
48h	7	53m
7d	64	8
30d	284	36

Playback	Listens	Hours
48h	48	5
7d	22	3
30d	557	61

2:40:08

18 tapes

10/31SBD

Carolina Coliseum, U. of South Carolina

Columbia, SC, USA

298

Playback	Listens	Hours
48h	0	0m
7d	3	15m
30d	298	29

Playback	Listens	Hours
48h	21	3
7d	54	7
30d	303	36

Playback	Listens	Hours
48h	21	2
7d	0	0m
30d	144	17

Playback	Listens	Hours
48h	5	35m
7d	2	12m
30d	203	20

Pembroke Pines, FL, USA

Playback	Listens	Hours
48h	9	1
7d	0	0m
30d	90	12

2:21:11

12 tapes

9/15SBD

Devore Field, Southwestern College

Chula Vista, CA, USA

347

Playback	Listens	Hours
48h	26	3
7d	63	8
30d	347	40

2:25:59

9/12SBD

115

Playback	Listens	Hours
48h	22	3
7d	10	1
30d	115	15

2:30:28

9/11SBD

109

Playback	Listens	Hours
48h	0	0m
7d	18	2
30d	109	12

2:22:15

12 tapes

9/10SBD

Playback	Listens	Hours
48h	0	0m
7d	23	2
30d	93	9

2:15:03

10 tapes

9/07SBD

Red Rocks Amphitheatre

Morrison, CO, USA

403

Playback	Listens	Hours
48h	17	2
7d	96	10
30d	403	43

5:00:50

22 tapes

9/06SBD

Red Rocks Amphitheatre

Morrison, CO, USA

Playback	Listens	Hours
48h	31	3
7d	24	3
30d	96	11

2:10:32

Southern Star Amphitheater

9/05SBD

Red Rocks Amphitheatre

Morrison, CO, USA

196

Playback	Listens	Hours
48h	41	5
7d	37	5
30d	196	26

Playback	Listens	Hours
48h	45	5
7d	53	5
30d	169	17

Oklahoma City, OK, USA

480

Playback	Listens	Hours
48h	39	4
7d	9	55m
30d	480	51

Playback	Listens	Hours
48h	13	2
7d	2	9m
30d	24	3

2:36:45

13 tapes

8/30SBD

Houston, TX, USA

163

Playback	Listens	Hours
48h	0	0m
7d	9	1
30d	163	20

2:15:38

Ventura County Fairgrounds

8/24SBD

Boreal Ridge Ski Resort

Donner's Summit, CA, USA

106

Playback	Listens	Hours
48h	22	2
7d	11	1
30d	106	12

2:12:43

5 tapes

7/14SBD

Ventura, CA, USA

229

Playback	Listens	Hours
48h	16	2
7d	26	3
30d	229	26

2:41:38

11 tapes

7/13SBD

Ventura County Fairgrounds

Ventura, CA, USA

392

Playback	Listens	Hours
48h	59	7
7d	51	7
30d	392	52

Playback	Listens	Hours
48h	55	6
7d	1.7k	193
30d	1.8k	205

2:25:58

18 tapes

7/01SBD

Merriweather Post Pavilion

Columbia, MD, USA

Playback	Listens	Hours
48h	46	7
7d	1.4k	192
30d	5k	689

2:46:28

Merriweather Post Pavilion

6/30SBD

Columbia, MD, USA

7.9k

Playback	Listens	Hours
48h	199	24
7d	1.4k	164
30d	7.9k	912

Playback	Listens	Hours
48h	34	4
7d	195	24
30d	3.1k	374

2:27:36

Saratoga Performing Arts Center

6/27SBD

Saratoga Springs, NY, USA

5.7k

Playback	Listens	Hours
48h	33	3
7d	295	30
30d	5.7k	580

Cuyahoga Falls, OH, USA

Playback	Listens	Hours
48h	71	8
7d	111	11
30d	5k	509

2:29:46

13 tapes

6/24SBD

River Bend Music Center

Cincinnati, OH, USA

Playback	Listens	Hours
48h	19	2
7d	200	23
30d	4k	465

2:35:44

Alpine Valley Music Theatre

6/22SBD

East Troy, WI, USA

1.7k

Playback	Listens	Hours
48h	3	17m
7d	83	9
30d	1.7k	192

2:30:32

Alpine Valley Music Theatre

6/21SBD

East Troy, WI, USA

1.1k

Playback	Listens	Hours
48h	2	20m
7d	64	7
30d	1.1k	119

Playback	Listens	Hours
48h	39	5
7d	46	6
30d	6.2k	742

Playback	Listens	Hours
48h	25	3
7d	81	9
30d	4.8k	526

Playback	Listens	Hours
48h	5	37m
7d	93	10
30d	3k	351

Playback	Listens	Hours
48h	10	1
7d	81	9
30d	358	41

Playback	Listens	Hours
48h	45	6
7d	25	3
30d	481	57

2:50:08

Marin Veterans Memorial Auditorium

4/21SBD

San Rafael, CA

Playback	Listens	Hours
48h	0	0m
7d	1	5m
30d	23	2

Playback	Listens	Hours
48h	1	7m
7d	9	1
30d	218	24

Playback	Listens	Hours
48h	45	6
7d	93	11
30d	715	87

Philadelphia, PA, USA

326

Playback	Listens	Hours
48h	13	1
7d	38	3
30d	326	32

Philadelphia, PA, USA

248

Playback	Listens	Hours
48h	31	4
7d	12	2
30d	248	32

Philadelphia, PA, USA

373

Playback	Listens	Hours
48h	5	43m
7d	43	5
30d	373	46

2:28:31

Cumberland County Civic Center

4/04SBD

Providence Civic Center

Providence, RI, USA

257

Playback	Listens	Hours
48h	1	6m
7d	49	5
30d	257	28

2:33:15

22 tapes

4/03SBD

Providence Civic Center

Providence, RI, USA

187

Playback	Listens	Hours
48h	21	3
7d	0	0m
30d	187	26

2:51:34

26 tapes

4/01

Portland, ME, USA

124

Playback	Listens	Hours
48h	0	0m
7d	27	3
30d	124	14

2:22:23

37 tapes

3/31SBD

Cumberland County Civic Center

Portland, ME, USA

273

Playback	Listens	Hours
48h	20	2
7d	52	7
30d	273	34

Playback	Listens	Hours
48h	1	5m
7d	16	2
30d	109	13

Playback	Listens	Hours
48h	3	34m
7d	50	6
30d	369	47

Playback	Listens	Hours
48h	18	2
7d	45	6
30d	104	13

2:13:05

27 tapes

3/25SBD

Springfield Civic Center

Springfield, MA, USA

258

Playback	Listens	Hours
48h	2	23m
7d	38	5
30d	258	34

2:46:52

30 tapes

3/24SBD

Springfield Civic Center

Springfield, MA, USA

115

Playback	Listens	Hours
48h	12	1
7d	31	4
30d	115	13

Playback	Listens	Hours
48h	1	11m
7d	27	4
30d	178	23

Playback	Listens	Hours
48h	0	0m
7d	35	4
30d	224	23

2:21:56

17 tapes

3/13SBD

288

Playback	Listens	Hours
48h	1	7m
7d	39	5
30d	288	36

2:23:36

9 tapes

3/12

Playback	Listens	Hours
48h	28	3
7d	0	0m
30d	69	8

2:13:21

8 tapes

3/10

Playback	Listens	Hours
48h	0	0m
7d	2	16m
30d	42	5

2:18:50

3/09SBD

527

Playback	Listens	Hours
48h	7	1
7d	87	11
30d	527	69

2:14:44

13 tapes

2/XXSBD

Twilight Zone Sessions

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	64	2

13:28

1 tape

2/20SBD

108

Playback	Listens	Hours
48h	1	3m
7d	15	2
30d	108	13

2:16:03

2/19SBD

175

Playback	Listens	Hours
48h	1	9m
7d	23	3
30d	175	21

1:58:18

5 tapes

2/18SBD

288

Playback	Listens	Hours
48h	14	2
7d	19	2
30d	288	33

2:26:39

Sources

Taper: Joani Walker and Paul Scotton

2:32:57

SBD

Joani Walker and Paul Scotton

gd1985-04-27.152284.sbd.walker.scotton.miller.clugston.flac2496

Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes

1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

View NotesNotes:
- Thanks to Joani Walker and Paul Scotton for the 1st generation cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:21 patch in the "Eyes Of the World > Goin' Down The Road Feeling Bad" transition, as well as a 0:32 patch in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
April 2020

Taper: Joani Walker and Paul Scotton

2:32:57

SBD

Joani Walker and Paul Scotton

gd1985-04-27.152283.sbd.walker.scotton.miller.clugston.flac1648

Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes

1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

gd1985-04-27.sbd.miller.25467.sbeok.shnf

View NotesNotes:
- Thanks to Joani Walker and Paul Scotton for the 1st generation cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:21 patch in the "Eyes Of the World > Goin' Down The Road Feeling Bad" transition, as well as a 0:32 patch in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
April 2020

Transferrer: Charlie Miller

SBD -> Master Cassette -> Dat (44.1k)

Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN

gd1985-04-27.mtx.haugh.78681.flac24

View Notes-- This is a lot cleaner than what currently circulates (No diginoise/static).
-- Seamless transition between Discs 2 and 3.
-- 2nd Set is more dynamic than 1st set, plus there is no tape flip.
-- 2nd Set may be from PCM or VHS/Beta Hi-Fi.
-- Sounds keeps improving as show goes progresses.

Taper: See info file

DVD-AUDIO 24/48 SBD+AUD Matrix Mix

See info file

gd1985-04-27.mtx.haugh.78504.flac16

View Notes---------------------------------------------------------

Source Info

SBD
SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif
Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net

AUD1
MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky.
MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96
WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using
Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.  
Transfer and mastering by C.Ladner.

AUD2
MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR
[aluminum core (Set II)]  Mic Config: mics on T bar knee high
pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth
adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave
Editor > Flac Frontend (encoded@level 6) >FLAC16
Location: on the lawn, 25 feet from the stage, DFC
Taper: Adam, Justin & Monica - Mark McCue Masters
All cuts, fades and edits made in CEP 2.0, normalized to 100%.
Sector boundaries verified with TLH. Transfer, minor editing
and conversion by Alex Ford 3/10 & 11/2006.

Thanks to all the hard work from the folks mentioned above in
their loving care getting these sources out.  Thanks also to
the Lossless Legs Community (www.shnflac.net) for getting me
these 3 spectacular sources.  Also a thanks for some of the
images used in creation of the artwork.  I found them years
ago on the net and do not have anyway to properly credit.

---------------------------------------------------------

Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch all of the sources.  SF8.0 was used for the EQ setting
post mixdown. This is a 65% SBD, 20% AUD1, 15% AUD2 mix.      
- Mixed by dan@am-dig.com
- FLAC conversion done 28-SEPT-2006  
- Artwork at 300dpi by dan@am-dig.com
- For best results print at the highest resolution onto glossy
photo paper.  Design for use in a clear double jewel case.

---------------------------------------------------------

Notes

After spending several months and likely more than 150 hrs
on this project I rushed my way through this text file and
the artwork.  I just want to be done with it.  Hopefully it
will be acceptable and without too many typos or errors.

The SBD has a strange sound characteristic that can be heard
through the first few songs and then disappears.  As Charlie
Miller noted in his text file "sounds keeps improving as show
progresses".  Which is indeed true.  The sound keeps cycling
from normal to "overly bright".  Could it be a bad Dolby
encode or decode scenario?   Only when you listening very
critically.  It does not subtract from these really great
recordings and great show IMO.

Both AUD recordings are very good.  The Nak700 sounds like it
was on a stand and doesn't have the close crowd feeling of a
typical FOB.  Some post-processing was obviously done to
maximize the levels, which does cut down a bit on the dynamic
range.  The Senn 421 has a much rowdier feel with closer
crowd, clapping and a good feel for a live show.

All 3 sources had different stoppages between songs in the
first set, most notably was during "Let Phil Sing".  Here
we had missing "crowd" material with no overlap.  I employ
several techniques, fades, crossfades, volume changes and
"borrowing" crowd cheer from different parts of the same
recording to fill in the sound and make the new recording flow
uninterrupted.  Take a listen to the first set, the missing
material now flows smooth and is most likely undetectable.

d1t01 "Bill Graham Intro" The first 20 seconds is entirely
from the NAK700 source, then the Senn 421 source fades in
and then finally the SBD also joins the mix.  No music was
missing.  This is smooth and is most likely undetectable.

D2 and D3 can be assembled seamlessly on longer media.

d2t01 "Scarlet Begonias" The first 10 seconds is just the
SBD and the NAK700 source, then the Senn 421 source fades in
and also joins the mix.  This is smooth and is most likely
undetectable.

d3t04 "The Other One" 36.334 seconds of "fake" patch was
used to cover a missing part of the SBD source.  Most likely
a repeating musical portion from earlier in the song was used.  
In short, "The Other One" was patch with the very same "The
Other One".  This was a very tricky edit to find and remove.  
It is now patched with a matrix mix of AUD1 and AUD2 for
1:00.119 with 2 second crossfade on each.  B/c this is a
change in source it is detectable by the listener.

d1t09 "Bill Graham Intro" is entirely from the NAK700 source.

This represents the 24 bit files that are the result of all my
editing and the multitrack mixdown preserved in 24 bit. It is
unclear exactly what we have in the way of high resolution.
However it seems what we have here would not be represented
accurately in 16/44. What you are getting is the full result
of the matrix mix process. How much different does this sound?
is this better? A little and yes. This is more accurate and
has more dynamic range.  24/48 resolution versus a 16/44 of
the same material will usually result in very subtle but
important differences.  Most of it relying on the quality of
the DVD-A player and the D to A conversion.  With that in
mind, this 24 bit copy is no different.  Small but important
gains over the same material in 16/44.  This is just one
man's take.  Take it or leave it.

---------------------------------------------------------

Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -3
AUD1 -7
AUD2 -8.5

SET TWO

Stereo Matrix
SBD -3.5
AUD1 -7
AUD2 -8.5

---------------------------------------------------------

Editorial Comments

This show is like a wearing my favorite slippers.  Familiar
and very comfortable.  I first obtained this show in 1985
about 2 weeks after the show.  I was a new 16 yr. old driver
and was giving a "friend of a friend" a ride in my car.  
This guy was a pretty hard core hippie and he produced the
cassette of the second set.  I was floored.  At the time, and
considering my age, I had no idea anyone could get a copy of
a show THAT fast.  And what a show it is.  Needless to say
the next five years or so were spent wearing out that cassette.

This show is most notable for the only "Scarlet > Eyes" but
is loaded with great renditions, sick jamming and inspired
playing.  The first set songs are all played really well.
The final Tom Thumb > Cold Rain > Music is fantastic.  Phil
is just out-of-hand throughout.  'Nuff said.

This Scarlet is my favorite, period.  A bold statement but
one I can stand tall behind.  Great long intro, nice middle
of the song solo, they come around twice (I LOVE THAT!) before
the Wind in The Willows but the ensuing jam towards Fire is
inspired.  Brent chasing Jerry, Brent chasing Bob.  Jerry is
traveling 100 miles an hour and the band is right behind. A
real nice Fire tease and Jerry picks his moment to lead the
gang into Eyes.  WOW!  

Eyes is also full of spit and fire with too many acid laced
licks to count.  Even GDTRFB is fast paced and fun, with Woman
still keeping your interest.  Isn't that a change?  Not the
longest pre-drums, 40+ mins, but understandable as clearly
Garcia needed to soak his hand in ice.

Normally topping an all Garcia tri-fecta to opened set two,
Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they
do, beat it to death.  The next 45+ mins is transcendental,
perfect, seamless, inspired, rocking/soothing and any other
accolade you can toss in for good measure.  This time a  new
tri-fecta, Truckin' > Other One > Black Peter, takes center
stage in the post drums part.  Note by note, second by second
the band just clicks.  It reminds me of the type of playing
they were capable of during 2/27-28, 3/1-2 when the band
was just so in tune with each other and what they are doing.
While clearly much different, take a listen.  These guys
are so tuned in to what each other is doing it is 6 as 1.

---------------------------------------------------------

Taper: See info file

SBD + AUD Matrix 3 Source Mix

See info file

gd85-04-27.fixedsbd.mattman.20683.sbeok.shnf

View Notes---------------------------------------------------------

Source Info

SBD
SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif
Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net

AUD1
MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky.
MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96
WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using
Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.  
Transfer and mastering by C.Ladner.

AUD2
MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR
[aluminum core (Set II)]  Mic Config: mics on T bar knee high
pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth
adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave
Editor > Flac Frontend (encoded@level 6) >FLAC16
Location: on the lawn, 25 feet from the stage, DFC
Taper: Adam, Justin & Monica - Mark McCue Masters
All cuts, fades and edits made in CEP 2.0, normalized to 100%.
Sector boundaries verified with TLH. Transfer, minor editing
and conversion by Alex Ford 3/10 & 11/2006.

Thanks to all the hard work from the folks mentioned above in
their loving care getting these sources out.  Thanks also to
the Lossless Legs Community (www.shnflac.net) for getting me
these 3 spectacular sources.  Also a thanks for some of the
images used in creation of the artwork.  I found them years
ago on the net and do not have anyway to properly credit.

---------------------------------------------------------

Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch all of the sources.  SF8.0 was used for the EQ setting
post mixdown. This is a 65% SBD, 20% AUD1, 15% AUD2 mix.      
- Mixed by dan@am-dig.com
- FLAC conversion done 28-SEPT-2006  
- Artwork at 300dpi by dan@am-dig.com
- For best results print at the highest resolution onto glossy
photo paper.  Design for use in a clear double jewel case.

---------------------------------------------------------

Notes

After spending several months and likely more than 150 hrs
on this project I rushed my way through this text file and
the artwork.  I just want to be done with it.  Hopefully it
will be acceptable and without too many typos or errors.

The SBD has a strange sound characteristic that can be heard
through the first few songs and then disappears.  As Charlie
Miller noted in his text file "sounds keeps improving as show
progresses".  Which is indeed true.  The sound keeps cycling
from normal to "overly bright".  Could it be a bad Dolby
encode or decode scenario?   Only when you listening very
critically.  It does not subtract from these really great
recordings and great show IMO.

Both AUD recordings are very good.  The Nak700 sounds like it
was on a stand and doesn't have the close crowd feeling of a
typical FOB.  Some post-processing was obviously done to
maximize the levels, which does cut down a bit on the dynamic
range.  The Senn 421 has a much rowdier feel with closer
crowd, clapping and a good feel for a live show.

All 3 sources had different stoppages between songs in the
first set, most notably was during "Let Phil Sing".  Here
we had missing "crowd" material with no overlap.  I employ
several techniques, fades, crossfades, volume changes and
"borrowing" crowd cheer from different parts of the same
recording to fill in the sound and make the new recording flow
uninterrupted.  Take a listen to the first set, the missing
material now flows smooth and is most likely undetectable.

d1t01 "Bill Graham Intro" The first 20 seconds is entirely
from the NAK700 source, then the Senn 421 source fades in
and then finally the SBD also joins the mix.  No music was
missing.  This is smooth and is most likely undetectable.

D2 and D3 can be assembled seamlessly on longer media.

d2t01 "Scarlet Begonias" The first 10 seconds is just the
SBD and the NAK700 source, then the Senn 421 source fades in
and also joins the mix.  This is smooth and is most likely
undetectable.

d3t04 "The Other One" 36.334 seconds of "fake" patch was
used to cover a missing part of the SBD source.  Most likely
a repeating musical portion from earlier in the song was used.  
In short, "The Other One" was patch with the very same "The
Other One".  This was a very tricky edit to find and remove.  
It is now patched with a matrix mix of AUD1 and AUD2 for
1:00.119 with 2 second crossfade on each.  B/c this is a
change in source it is detectable by the listener.

d1t09 "Bill Graham Intro" is entirely from the NAK700 source.

---------------------------------------------------------

Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -3
AUD1 -7
AUD2 -8.5

SET TWO

Stereo Matrix
SBD -3.5
AUD1 -7
AUD2 -8.5

---------------------------------------------------------

Editorial Comments

This show is like a wearing my favorite slippers.  Familiar
and very comfortable.  I first obtained this show in 1985
about 2 weeks after the show.  I was a new 16 yr. old driver
and was giving a "friend of a friend" a ride in my car.  
This guy was a pretty hard core hippie and he produced the
cassette of the second set.  I was floored.  At the time, and
considering my age, I had no idea anyone could get a copy of
a show THAT fast.  And what a show it is.  Needless to say
the next five years or so were spent wearing out that cassette.

This show is most notable for the only "Scarlet > Eyes" but
is loaded with great renditions, sick jamming and inspired
playing.  The first set songs are all played really well.
The final Tom Thumb > Cold Rain > Music is fantastic.  Phil
is just out-of-hand throughout.  'Nuff said.

This Scarlet is my favorite, period.  A bold statement but
one I can stand tall behind.  Great long intro, nice middle
of the song solo, they come around twice (I LOVE THAT!) before
the Wind in The Willows but the ensuing jam towards Fire is
inspired.  Brent chasing Jerry, Brent chasing Bob.  Jerry is
traveling 100 miles an hour and the band is right behind. A
real nice Fire tease and Jerry picks his moment to lead the
gang into Eyes.  WOW!  

Eyes is also full of spit and fire with too many acid laced
licks to count.  Even GDTRFB is fast paced and fun, with Woman
still keeping your interest.  Isn't that a change?  Not the
longest pre-drums, 40+ mins, but understandable as clearly
Garcia needed to soak his hand in ice.

Normally topping an all Garcia tri-fecta to opened set two,
Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they
do, beat it to death.  The next 45+ mins is transcendental,
perfect, seamless, inspired, rocking/soothing and any other
accolade you can toss in for good measure.  This time a  new
tri-fecta, Truckin' > Other One > Black Peter, takes center
stage in the post drums part.  Note by note, second by second
the band just clicks.  It reminds me of the type of playing
they were capable of during 2/27-28, 3/1-2 when the band
was just so in tune with each other and what they are doing.
While clearly much different, take a listen.  These guys
are so tuned in to what each other is doing it is 6 as 1.

---------------------------------------------------------

Source 6 of 28

Pitch-corrected version of <a href="http://db.etree.org/shninfo_detail.php?shnid=17265">shnid=17265</a>.

SBD > MC > DAT > CDR > EAC > mkwACT

View NotesPitch-corrected version of <a href="http://db.etree.org/shninfo_detail.php?shnid=17265" rel="nofollow">shnid=17265</a>.

Source 7 of 28

gd85-04-27.sbd.jerugim.359.sbeok.shnf

View NotesSource:
SBD > MC > DAT > CDR > EAC > mkwACT

Doesn't have missed lyric in The Other One. Seems like it may be still missing some music but, if it is, the d/o is much less drastic.

Source 8 of 28

SBDMC> DAT> CDR

View NotesSBDMC> DAT> CDR; CDR> EAC> SHN; conversion & upload, A. Jerugim;
no known flaws

Taper: Mark Terry

gd1985-04-27.172444.nak300.terry.miller.clugston.flac2496

Mark Terry's Master Audience Cassettes; Nakamichi 300 mics > Sony WM-D6C (Maxell XLII-S90)

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496

View NotesNotes:
- Thanks to Mark Terry for the master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bob Wagner for the Nakamichi 700 source which supplies a 0:34 patch in the "Eyes Of The World > Goin' Down The Road Feeling Bad" transition, as well as a 0:25 patch in the "Truckin' > The Other One" transition
- Pitch corrected

Mastered by Scott Clugston
May 2025

Taper: Mark Terry

gd1985-04-27.172443.nak300.terry.miller.clugston.flac1648

Mark Terry's Master Audience Cassettes; Nakamichi 300 mics > Sony WM-D6C (Maxell XLII-S90)

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496

View NotesNotes:
- Thanks to Mark Terry for the master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bob Wagner for the Nakamichi 700 source which supplies a 0:34 patch in the "Eyes Of The World > Goin' Down The Road Feeling Bad" transition, as well as a 0:25 patch in the "Truckin' > The Other One" transition
- Pitch corrected

Mastered by Scott Clugston
May 2025

Taper: Bob Wagner

gd1985-04-27.163485.nak700.wagner.miller.clugston.flac2496

Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496

View NotesNotes:
- Thanks to Bob Wagner for master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:17 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
July 2022

Taper: Bob Wagner

gd1985-04-27.163484.nak700.wagner.miller.clugston.flac1648

Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496

View NotesNotes:
- Thanks to Bob Wagner for master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:17 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
July 2022

Taper: Chris Hecht

gd1985-04-27.148416.neumann.km84i.hecht.miller.clugston.flac2496

Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

View NotesNotes:
- Thanks to Chris Hecht for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bill Koucky and Chris Ladner for the shnid76584 Nakamichi 700 source which supplies the crowd and beginning of "Dancing In The Street", the end of "Cold Rain & Snow" and beginning of "The Music Never Stopped (5:17 total), the crowd and beginning of "Scarlet Begonias" (3:48 total), as well as a 0:42 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
September 2019

Taper: Chris Hecht

gd1985-04-27.148415.neumann.km84i.hecht.miller-clugston.flac1648

Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

Joe Noel and Charlie Miller

View NotesNotes:
- Thanks to Chris Hecht for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bill Koucky and Chris Ladner for the shnid76584 Nakamichi 700 source which supplies the crowd and beginning of "Dancing In The Street", the end of "Cold Rain & Snow" and beginning of "The Music Never Stopped (5:17 total), the crowd and beginning of "Scarlet Begonias" (3:48 total), as well as a 0:42 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
September 2019

Taper: Walt Keeler

gd1985-04-27.145335.s2.fob.sony..ecm150.keeler.miller.noel.t-flac16

Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90)

Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k)

Joe Noel and Charlie Miller

View NotesEdited & Mastered by Joe Noel;
WAV > Audacity > Flac 24/96
October 28, 2018

This file set is 16 bit @ 44.1

Patch info:
- shnid 10203 (Nakamichi CM-100)
- s2t06; last four seconds
- s2t07; first twenty-seven seconds

Notes:
- Thank you Walt, thank you for getting real close.
- Thank you Charlie for transferring & coordinating.
- Thanks to Greg Holtz for the patch source.
- Pitch corrected

Taper: Walt Keeler

gd1985-04-27.143491.s2.FOB.ECM150.Keeler.Miller.Noel.t-flac2496

Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90)

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k)

gd1985-04-27.166645.akgC-33e.fob.Hoey.flac24

View NotesPatch info:
- shnid 10203 (Nakamichi CM-100)
- s2t06; last four seconds
- s2t07; first twenty-seven seconds

Notes:
- Thank you Walt, thank you for getting real close.
- Thank you Charlie for transferring & coordinating.
- Thanks to Greg Holtz for the patch source.
- Pitch corrected

Taper: Hoey

AKG C-33e stereo mic > akg 48v phantom power supply > Marantz PMD 430 (dbx nr Maxell MX90)

Nakamichi Dragon > dbx model 224 processor (decode) > Audio Antiquary mastering preamp (Telefunken C3g tube) > QES Labs PAD-2 mkII LE (a > d @ 24bit 96kHz) > Peak Pro 7 > xACT (flac tags)

Taper: Recording by Craig Rogers

2:50:08

Recording by Craig Rogers

Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel January 20, 2021

gd1985-04-27.151947.Mouth.AKG.Master.Cassette.Rogers.Noel.t-flac16

Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show

Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96

View NotesPatch info:
- shnid 148416 (Neumann, Chris Hecht) supplies
- s2t06; 03:51 - 06:56
- s2t07; 03:32 - 04:00

Notes;
- Thanks to Craig Rogers for taping & sharing
- Thanks to everyone involved with the patch source
- Special thanks to Jerry Garcia for allowing these recordings.
- Special thanks to Dan Healy (minus the hiccup on this night) for allowing the tradition to continue
- This source has been pitch corrected
- The tape pauses were cross faded.
- There was a taper bust during GDTRFB, but the tapers keep rolling!
- Notwithstanding the bust, this is a huge recording from the mouth.
- If you're gonna get busted, this is how you want it to go down.  They didn't loose their masters & they only missed 3 minutes of music (drums).
- Give these boys the 13 Point Lightning Bolt!
- This is an Uher Archive production.
- uherarchive@live.com
- Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Mar 2, 2021

Taper: Recording by Craig Rogers

2:50:07

Recording by Craig Rogers

Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel January 20, 2021

gd1985-04-27.151970.Mouth.AKG.Rogers.Noel.fixed.151703.t-flac2496

Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show

Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96

Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel January 20, 2021

View NotesPatch info:
- shnid 148416 (Neumann, Chris Hecht) supplies
- s2t06; 03:51 - 06:56
- s2t07; 03:32 - 04:00

Notes;
- Thanks to Craig Rogers for taping & sharing
- Thanks to everyone involved with the patch source
- Special thanks to Jerry Garcia for allowing these recordings.
- Special thanks to Dan Healy (minus the hiccup on this night) for allowing the tradition to continue
- This source has been pitch corrected
- The tape pauses were cross faded.
- There was a taper bust during GDTRFB, but the tapers keep rolling!
- Notwithstanding the bust, this is a huge recording from the mouth.
- If you're gonna get busted, this is how you want it to go down.  They didn't loose their masters & they only missed 3 minutes of music (drums).
- Give these boys the 13 Point Lightning Bolt!
- This is an Uher Archive production.
- uherarchive@live.com


Notes (fix);
- channels were reversed, this has been corrected.

Taper: Craig Rogers

gd1985-04-27.151703.Mouth.AKG.Master.Cassette.Rogers.Noel.t-flac2496

Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes

Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96

View NotesNotes;
- Thanks to Craig Rogers for taping & sharing
- Thanks to everyone involved with the patch source
- Special thanks to Jerry Garcia for allowing these recordings.
- Special thanks to Dan Healy (minus the hiccup on this night) for allowing the tradition to continue
- This source has been pitch corrected
- The tape pauses were cross faded.
- There was a taper bust during GDTRFB, but the tapers keep rolling!
- Notwithstanding the bust, this is a huge recording from the mouth.
- If you're gonna get busted, this is how you want it to go down.  They didn't loose their masters & they only missed 3 minutes of music (drums).
- Give these boys the 13 Point Lightning Bolt!
- This is an Uher Archive production.
- uherarchive@live.com

Transferrer: 5.1 LPCM Surround Sound Mix (48/24) by amdig & Kevin Tobin

2:33:35

5.1 LPCM Surround Sound Mix (48/24) by amdig & Kevin Tobin

gd1985-04-27.148527.5-1.amdig.flac2448

5.1 LPCM Surround Sound Mix (48/24)

View Notes---------------------------------------------------------
- DVD-A extraction 11-DEC-2019 - DVD Audio Extractor v8.0.0
- FLAC conversion 11-DEC-2019 - Trader Little Helper
- Tagged 11-DEC-2019 - Tag&Rename
---------------------------------------------------------

Source 22 of 28

2:36:46

gd1985-04-27.148348.aud.flac2496

Analog Audience maxell mx 90's 3 tapes Namakamichi CM 700 Mics and Custom ps/preamp mixer - > modified dbx 224 (mod'd to run from battery pack) - > Sony TC D5M (dbx encoded)

Nakamichi CR7a - > dbx nx40 (dbx decoded) - > Audio Technica mixer/line amplifier - > Korg MR 2000 at 1 bit 5.6 MHz - > Audiogate software to create 24-96 files

Taper: chasingwilma

gd1985-04-27.124981.chasingwilma.flac24

lineage: sennheiser 421 (fob)> d-5> d-5> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

Taper: Greg Holtz

gd1985-04-27.nak100.holtz.jaz.102035.flac16

Nakamichi CM-100's with CP-4 shotgun caps > Sony TC-D5

Cassette Master, TDK MA-R90 Alluminum Core-> Tascam 112 -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII compact flash -> USB -> Wave Lab 5.0 w/UAD -> R8brain for Sample Rate Conversion to 16bit 44.1kHz -> Traders Little Helper flac8

Transferrer: Brion Green and ChrisJ

Brion Green and ChrisJ

gd1985-04-27.nak700.anon.lmpp.99835.flac16

Nakamichi 700's > d6 > MAC

MAC > Nakamichi DR-1 > HD-P2 > 24/96 WAve > Wavelab 5 > UAD Plugs > r8brain Pro > Izotope Ozone 3 Mbit > 16/44.1 Wave > Flac

gd1985-04-27.dts.haugh.78437.flac16

View NotesNotes:

- This source sounds absolutely great. HUGE thanks to Anon for this one. One of my favorite auds I've had the 
pleasure to work on to date!!! Thank you sir!!!!

- Encore patched from SHNID 76584

Transferrer: Dan Haugh

View Notes---------------------------------------------------------

Source Info

SBD
SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif
Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net

AUD1
MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky.
MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96
WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using
Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.  
Transfer and mastering by C.Ladner.

AUD2
MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR
[aluminum core (Set II)]  Mic Config: mics on T bar knee high
pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth
adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave
Editor > Flac Frontend (encoded@level 6) >FLAC16
Location: on the lawn, 25 feet from the stage, DFC
Taper: Adam, Justin & Monica - Mark McCue Masters
All cuts, fades and edits made in CEP 2.0, normalized to 100%.
Sector boundaries verified with TLH. Transfer, minor editing
and conversion by Alex Ford 3/10 & 11/2006.

Thanks to all the hard work from the folks mentioned above in
their loving care getting these sources out.  Thanks also to
the Lossless Legs Community (www.shnflac.net) for getting me
these 3 spectacular sources.  Also a thanks for some of the
images used in creation of the artwork.  I found them years
ago on the net and do not have anyway to properly credit.

---------------------------------------------------------

Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch all of the sources.  SF8.0 used to adjust the volume for
the front, center, surround and LFE channels.  SF8.0 was used
for the EQ setting on all the sources post mixdown. Surcode CD
Pro DTS was used to encode to DTS.      
- Mixed by dan@am-dig.com
- FLAC conversion done 28-SEPT-2006  
- Artwork at 300dpi by dan@am-dig.com
- For best results print at the highest resolution onto glossy
photo paper.  Design for use in a clear double jewel case.

---------------------------------------------------------

DTS-Audio-CD Info

Front
Left Channel SBD+AUD DEQ'd Matrix 75%-SBD/25%-AUD2
Right Channel SBD+AUD DEQ'd Matrix 75%-SBD/25%-AUD2

Center
Mono Mix -5db SBD DEQ'd

Surround
Left Channel AUD+AUD DEQ'd Matrix 60%-AUD1/40%-AUD2
Right Channel AUD+AUD DEQ'd Matrix 60%-AUD1/40%-AUD2

Sub/LFE
Mono Mix -5db SBD DEQ'd Matrix 50%-SBD/50%-AUD2

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Notes

After spending several months and likely more than 150 hrs
on this project I rushed my way through this text file and
the artwork.  I just want to be done with it.  Hopefully it
will be acceptable and without too many typos or errors.

The SBD has a strange sound characteristic that can be heard
through the first few songs and then disappears.  As Charlie
Miller noted in his text file "sounds keeps improving as show
progresses".  Which is indeed true.  The sound keeps cycling
from normal to "overly bright".  Could it be a bad Dolby
encode or decode scenario?   Only when you listening very
critically.  It does not subtract from these really great
recordings and great show IMO.

Both AUD recordings are very good.  The Nak700 sounds like it
was on a stand and doesn't have the close crowd feeling of a
typical FOB.  Some post-processing was obviously done to
maximize the levels, which does cut down a bit on the dynamic
range.  The Senn 421 has a much rowdier feel with closer
crowd, clapping and a good feel for a live show.

All 3 sources had different stoppages between songs in the
first set, most notably was during "Let Phil Sing".  Here
we had missing "crowd" material with no overlap.  I employ
several techniques, fades, crossfades, volume changes and
"borrowing" crowd cheer from different parts of the same
recording to fill in the sound and make the new recording flow
uninterrupted.  Take a listen to the first set, the missing
material now flows smooth and is most likely undetectable.

d1t01 "Bill Graham Intro" The first 20 seconds is entirely
from the NAK700 source, then the Senn 421 source fades in
and then finally the SBD also joins the mix.  No music was
missing.  This is smooth and is most likely undetectable.

d2t01 "Scarlet Begonias" The first 10 seconds is just the
SBD and the NAK700 source, then the Senn 421 source fades in
and also joins the mix.  This is smooth and is most likely
undetectable.

d3t04 "The Other One" 36.334 seconds of "fake" patch was
used to cover a missing part of the SBD source.  Most likely
a repeating musical portion from earlier in the song was used.  
In short, "The Other One" was patch with the very same "The
Other One".  This was a very tricky edit to find and remove.  
It is now patched with a matrix mix of AUD1 and AUD2 for
1:00.119 with 2 second crossfade on each.  B/c this is a
change in source it is detectable by the listener.

d1t09 "Bill Graham Intro" is entirely from the NAK700 source.

The mixdown of the AUD+AUD matrix mix was done a few db's
lower than the from SBD+AUD matrix mix.  In my experience
louder rear channels is an undiserable effect.  

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Multitrack Mixdown Settings

SET ONE SET TWO

Front Matrix Front Matrix
SBD -.5 SBD -1
AUD2 -7 AUD2 -7.5

Stereo Matrix Stereo Matrix
SBD -1 SBD -1
AUD2 -5.5 AUD2 -6

Rear Matrix Rear Matrix
AUD1 -4 AUD1 -4
AUD2 -9 AUD2 -9

Sub/LFE Matrix Sub/LFE Matrix
SBD -7db SBD -7.5db
AUD2 -5.5db AUD2 -6db

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Editorial Comments

This show is like a wearing my favorite slippers.  Familiar
and very comfortable.  I first obtained this show in 1985
about 2 weeks after the show.  I was a new 16 yr. old driver
and was giving a "friend of a friend" a ride in my car.  
This guy was a pretty hard core hippie and he produced the
cassette of the second set.  I was floored.  At the time, and
considering my age, I had no idea anyone could get a copy of
a show THAT fast.  And what a show it is.  Needless to say
the next five years or so were spent wearing out that cassette.

This show is most notable for the only "Scarlet > Eyes" but
is loaded with great renditions, sick jamming and inspired
playing.  The first set songs are all played really well.
The final Tom Thumb > Cold Rain > Music is fantastic.  Phil
is just out-of-hand throughout.  'Nuff said.

This Scarlet is my favorite, period.  A bold statement but
one I can stand tall behind.  Great long intro, nice middle
of the song solo, they come around twice (I LOVE THAT!) before
the Wind in The Willows but the ensuing jam towards Fire is
inspired.  Brent chasing Jerry, Brent chasing Bob.  Jerry is
traveling 100 miles an hour and the band is right behind. A
real nice Fire tease and Jerry picks his moment to lead the
gang into Eyes.  WOW!  

Eyes is also full of spit and fire with too many acid laced
licks to count.  Even GDTRFB is fast paced and fun, with Woman
still keeping your interest.  Isn't that a change?  Not the
longest pre-drums, 40+ mins, but understandable as clearly
Garcia needed to soak his hand in ice.

Normally topping an all Garcia tri-fecta to opened set two,
Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they
do, beat it to death.  The next 45+ mins is transcendental,
perfect, seamless, inspired, rocking/soothing and any other
accolade you can toss in for good measure.  This time a  new
tri-fecta, Truckin' > Other One > Black Peter, takes center
stage in the post drums part.  Note by note, second by second
the band just clicks.  It reminds me of the type of playing
they were capable of during 2/27-28, 3/1-2 when the band
was just so in tune with each other and what they are doing.
While clearly much different, take a listen.  These guys
are so tuned in to what each other is doing it is 6 as 1.

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More On DTS

Today's audio standards are moving towards multi-channel sound
like DTS, Dolby Digital and DVD-Audio.  While the Audio-CD
standard (Red Book) hasn't changed to accommodate these new
sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD.  To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure that
your receiver will recognize a DTS-Audio-CD, so the first
time you're trying to playback a DTS-Audio-CD you must do
a test to determine if it can. Begin with the volume very
low, start the disc and rise the volume gradually. NEVER
listen to a DTS-Audio-CD through the analogue audio outputs
of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any normal
Audio-CD from FLAC files.

---------------------------------------------------------

Taper: B. Koucky

gd1985-04-27.nak700.koucky.gmb.76584.sbeok.flac16

MAC: (FOB) Nak700s > Sony D5 > TDK MA 90s.

MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96 WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.

View NotesComments:
Crisp upclose sounding aud with some minor phasing issues. Thanks to Bill for taping, preserving, and sharing his recording with me for transfer.
Seeded by the green mountain bros at candyman FTP and planetFLAC - August 2006.

Taper: Adam, Justin & Monica

Adam, Justin & Monica

Alex Ford

gd1985-04-27.senn421.mccue.ford.32648.sbeok.flac

MAC: (FOB) Sennheiser 421's > Sony D5 > TDK MA 90 (Set I) & TDK MAR [aluminum core (Set II)]

MAC>NMAC>Nakamichi Cassette Deck 2(azimuth adjusted)>Audiophile 2496>WinXP Pro>CEP 2.0>CD Wave Editor>Flac Frontend(encoded@level 6)>FLAC16.