The Other One > | 1985-04-27 | Grateful Dead

Bernie Worrell and the WOO Warriors

Playback	Listens	Hours
48h	31	2
7d	1	24m
30d	28	4

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	4	37m
7d	2	19m
30d	52	8

Playback	Listens	Hours
48h	57	9
7d	71	10
30d	579	83

Playback	Listens	Hours
48h	57	8
7d	265	37
30d	1.9k	250

Playback	Listens	Hours
48h	5.7k	557
7d	11.7k	1.2k
30d	81.1k	8.1k

Playback	Listens	Hours
48h	60	4
7d	139	10
30d	1.4k	96

62 shows

76 tapes

Blueground Undergrass

104

Playback	Listens	Hours
48h	17	2
7d	0	0m
30d	104	8

Playback	Listens	Hours
48h	282	34
7d	279	34
30d	2.3k	263

Playback	Listens	Hours
48h	305	38
7d	580	72
30d	4.5k	582

308 shows

512 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	53m

22 shows

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	13m

Playback	Listens	Hours
48h	36	6
7d	92	14
30d	729	121

451 shows

563 tapes

Buffalo Galaxy

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	49	6

Playback	Listens	Hours
48h	28	3
7d	57	7
30d	915	89

Playback	Listens	Hours
48h	54	6
7d	207	23
30d	1.6k	165

Playback	Listens	Hours
48h	4	14m
7d	38	2
30d	339	18

Playback	Listens	Hours
48h	22	3
7d	7	1
30d	202	27

Playback	Listens	Hours
48h	61	4
7d	48	3
30d	269	19

243 shows

272 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	17m

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	0	0m
7d	1	7m
30d	4	1

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	45	7

79 shows

93 tapes

Circles Around The Sun

1.7k

Playback	Listens	Hours
48h	87	19
7d	215	48
30d	1.7k	368

Playback	Listens	Hours
48h	29	6
7d	17	3
30d	152	27

Playback	Listens	Hours
48h	24	2
7d	97	8
30d	884	75

Playback	Listens	Hours
48h	35	5
7d	30	5
30d	505	78

Playback	Listens	Hours
48h	262	34
7d	734	100
30d	4.7k	648

235 shows

360 tapes

Dark Star Orchestra

Playback	Listens	Hours
48h	324	41
7d	829	111
30d	6k	815

799 shows

1,061 tapes

Dave Harrington

Playback	Listens	Hours
48h	5	46m
7d	5	46m
30d	23	6

Playback	Listens	Hours
48h	4	46m
7d	54	5
30d	221	21

Playback	Listens	Hours
48h	2.8k	441
7d	5.3k	821
30d	39.4k	6.3k

Playback	Listens	Hours
48h	16	2
7d	50	5
30d	397	45

Playback	Listens	Hours
48h	142	8
7d	92	5
30d	1.3k	80

Playback	Listens	Hours
48h	132	17
7d	171	22
30d	1.3k	159

Playback	Listens	Hours
48h	904	193
7d	1.8k	369
30d	12.1k	2.5k

Playback	Listens	Hours
48h	20	2
7d	63	6
30d	264	27

Playback	Listens	Hours
48h	210	29
7d	404	59
30d	2.9k	452

157 shows

212 tapes

Domocile

Playback	Listens	Hours
48h	6	2
7d	18	5
30d	89	22

Playback	Listens	Hours
48h	81	9
7d	402	40
30d	1.8k	189

Playback	Listens	Hours
48h	9	1
7d	42	7
30d	239	39

Playback	Listens	Hours
48h	143	12
7d	389	33
30d	2.6k	232

Playback	Listens	Hours
48h	14	2
7d	61	10
30d	397	66

Playback	Listens	Hours
48h	27	4
7d	2	18m
30d	142	21

Playback	Listens	Hours
48h	136	23
7d	192	34
30d	1.6k	276

152 shows

293 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	8m

Playback	Listens	Hours
48h	167	24
7d	234	33
30d	1.7k	237

831 shows

1,050 tapes

Electric Beethoven

Playback	Listens	Hours
48h	0	0m
7d	8	2
30d	20	5

27 shows

44 tapes

Elliott Smith

Playback	Listens	Hours
48h	16	58m
7d	254	14
30d	1k	56

156 shows

174 tapes

Eric Krasno

Playback	Listens	Hours
48h	0	0m
7d	10	1
30d	78	11

123 shows

182 tapes

Everyone Orchestra

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	14	2

182 shows

286 tapes

Forgotten Space

Playback	Listens	Hours
48h	7	44m
7d	2	14m
30d	46	5

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	52m

Playback	Listens	Hours
48h	6	37m
7d	19	2
30d	255	23

Playback	Listens	Hours
48h	0	0m
7d	20	1
30d	110	8

Playback	Listens	Hours
48h	0	0m
7d	2	9m
30d	181	14

Playback	Listens	Hours
48h	8	25m
7d	1	3m
30d	107	7

Playback	Listens	Hours
48h	739	114
7d	1.4k	214
30d	9.5k	1.5k

246 shows

1,223 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

14 shows

G. Love and Special Sauce

580

Playback	Listens	Hours
48h	104	10
7d	51	4
30d	580	51

Playback	Listens	Hours
48h	63	7
7d	285	35
30d	1.3k	148

Playback	Listens	Hours
48h	25	2
7d	20	4
30d	125	17

Playback	Listens	Hours
48h	0	0m
7d	17	3
30d	179	35

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	4	29m
7d	0	0m
30d	12	2

51 shows

65 tapes

Ghost Light

Playback	Listens	Hours
48h	18	4
7d	5	46m
30d	25	8

Playback	Listens	Hours
48h	146	17
7d	217	25
30d	1.3k	156

374 shows

509 tapes

Godspeed You Black Emperor!

354

Playback	Listens	Hours
48h	32	7
7d	52	12
30d	354	101

535 shows

800 tapes

Golden Gate Wingmen

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	77	9

Playback	Listens	Hours
48h	3.7k	812
7d	8.6k	1.9k
30d	55.2k	11.8k

Playback	Listens	Hours
48h	25	2
7d	18	1
30d	309	27

363 shows

589 tapes

Grahame Lesh and Friends

1.7k

Playback	Listens	Hours
48h	396	51
7d	251	39
30d	1.7k	249

Playback	Listens	Hours
48h	11	1
7d	37	5
30d	153	20

Playback	Listens	Hours
48h	483	62
7d	783	92
30d	5.6k	673

Playback	Listens	Hours
48h	71	7
7d	103	11
30d	910	104

226 shows

313 tapes

GrooveSession

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	29	5

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	0	0m
7d	1	2m
30d	39	2

53 shows

57 tapes

Guitarmageddon

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	16	2

Playback	Listens	Hours
48h	28	2
7d	89	6
30d	371	25

755 shows

1,036 tapes

Hard Working Americans

Playback	Listens	Hours
48h	0	0m
7d	4	30m
30d	78	8

Playback	Listens	Hours
48h	42	7
7d	61	9
30d	348	55

187 shows

226 tapes

Horseshoes and Hand Grenades

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	62	6

Playback	Listens	Hours
48h	1	6m
7d	46	5
30d	234	23

674 shows

846 tapes

Infamous Stringdusters

1.2k

Playback	Listens	Hours
48h	129	12
7d	330	31
30d	1.2k	111

629 shows

1,016 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	10	2

Playback	Listens	Hours
48h	427	29
7d	761	54
30d	4.8k	328

Playback	Listens	Hours
48h	20	2
7d	29	2
30d	292	29

365 shows

492 tapes

Jazz Mandolin Project

123

Playback	Listens	Hours
48h	5	58m
7d	25	4
30d	123	21

222 shows

280 tapes

Jeff Austin and Chris Castino

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	76	7

12 shows

Jerry Joseph and the Jackmormons

Jeff Austin And Friends

146

Playback	Listens	Hours
48h	18	1
7d	3	26m
30d	146	15

Playback	Listens	Hours
48h	47	6
7d	83	11
30d	1.2k	159

112 shows

162 tapes

Playback	Listens	Hours
48h	194	32
7d	223	39
30d	2k	356

1,124 shows

1,519 tapes

Jerry's Middle Finger

3.3k

Playback	Listens	Hours
48h	214	30
7d	401	53
30d	3.3k	449

260 shows

311 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	0	0m
7d	1	9m
30d	29	4

2 shows

5 tapes

Joe Russo's Almost Dead

37.7k

Playback	Listens	Hours
48h	2k	358
7d	3.7k	683
30d	37.7k	7.1k

Playback	Listens	Hours
48h	89	10
7d	60	6
30d	725	80

Playback	Listens	Hours
48h	174	16
7d	315	26
30d	2.4k	211

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	42	5

Playback	Listens	Hours
48h	5	25m
7d	1	3m
30d	111	8

Playback	Listens	Hours
48h	1	2m
7d	18	2
30d	111	10

73 shows

109 tapes

Karl Denson's Tiny Universe

124

Playback	Listens	Hours
48h	1	1
7d	4	1
30d	124	19

Playback	Listens	Hours
48h	182	18
7d	355	35
30d	4.1k	394

Playback	Listens	Hours
48h	29	5
7d	49	6
30d	106	15

43 shows

54 tapes

King Gizzard & the Lizard Wizard

15.1k

Playback	Listens	Hours
48h	1k	142
7d	2.1k	294
30d	15.1k	2k

Playback	Listens	Hours
48h	175	20
7d	323	38
30d	2.1k	278

315 shows

401 tapes

Kung Fu

Playback	Listens	Hours
48h	1	11m
7d	4	36m
30d	39	6

Playback	Listens	Hours
48h	46	9
7d	68	17
30d	524	103

Playback	Listens	Hours
48h	77	9
7d	51	6
30d	624	73

Playback	Listens	Hours
48h	399	33
7d	449	43
30d	3.5k	327

Playback	Listens	Hours
48h	189	32
7d	303	47
30d	2.8k	460

Playback	Listens	Hours
48h	216	20
7d	492	46
30d	4.9k	450

Playback	Listens	Hours
48h	41	2
7d	172	11
30d	1.3k	102

Playback	Listens	Hours
48h	62	12
7d	155	32
30d	1.6k	311

437 shows

623 tapes

Marco Benevento

Playback	Listens	Hours
48h	8	42m
7d	11	54m
30d	58	4

Playback	Listens	Hours
48h	189	16
7d	272	25
30d	2.1k	188

Playback	Listens	Hours
48h	22	3
7d	9	1
30d	192	20

349 shows

446 tapes

Matt Pond PA

Playback	Listens	Hours
48h	2	10m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	114	21
7d	427	77
30d	3.3k	527

Playback	Listens	Hours
48h	21	1
7d	42	2
30d	302	20

Playback	Listens	Hours
48h	4	30m
7d	0	0m
30d	150	15

157 shows

172 tapes

Minutemen

Playback	Listens	Hours
48h	11	20m
7d	2	4m
30d	69	2

Playback	Listens	Hours
48h	72	5
7d	122	9
30d	774	54

Playback	Listens	Hours
48h	738	120
7d	1.4k	224
30d	10k	1.6k

1,990 shows

4,498 tapes

Mogwai

Playback	Listens	Hours
48h	14	1
7d	2	13m
30d	37	4

380 shows

481 tapes

Moon Taxi

Playback	Listens	Hours
48h	0	0m
7d	12	52m
30d	96	9

Playback	Listens	Hours
48h	226	24
7d	339	34
30d	3.8k	391

412 shows

600 tapes

Nathan Moore

Playback	Listens	Hours
48h	23	2
7d	0	0m
30d	10	1

46 shows

51 tapes

Neal Francis

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	39	3

Playback	Listens	Hours
48h	42	5
7d	116	16
30d	553	77

138 shows

251 tapes

Nels Cline

Playback	Listens	Hours
48h	1	12m
7d	10	2
30d	38	7

62 shows

73 tapes

New Riders of the Purple Sage

1.6k

Playback	Listens	Hours
48h	144	14
7d	194	18
30d	1.6k	138

410 shows

598 tapes

North Mississippi Allstars

1.2k

Playback	Listens	Hours
48h	72	6
7d	130	11
30d	1.2k	118

964 shows

1,497 tapes

O.A.R.

Playback	Listens	Hours
48h	77	9
7d	133	15
30d	1k	107

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	18	3
7d	7	1
30d	132	24

130 shows

260 tapes

Percy Hill

Playback	Listens	Hours
48h	0	0m
7d	32	5
30d	68	10

Playback	Listens	Hours
48h	68	12
7d	169	31
30d	1.2k	227

689 shows

920 tapes

Phil Lesh and Friends

15.1k

Playback	Listens	Hours
48h	1.2k	201
7d	2.4k	437
30d	15.1k	2.7k

788 shows

2,861 tapes

Pigeons Playing Ping Pong

Playback	Listens	Hours
48h	92	14
7d	240	38
30d	2k	306

Playback	Listens	Hours
48h	234	30
7d	500	66
30d	4.2k	533

293 shows

435 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	271	35
7d	501	65
30d	3.8k	505

1,236 shows

2,198 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	46	4

Playback	Listens	Hours
48h	56	8
7d	66	9
30d	486	66

279 shows

398 tapes

Ratdog

Playback	Listens	Hours
48h	763	97
7d	1.1k	146
30d	7k	920

Playback	Listens	Hours
48h	23	2
7d	135	10
30d	1.5k	121

Playback	Listens	Hours
48h	81	6
7d	151	13
30d	1.9k	149

Playback	Listens	Hours
48h	95	8
7d	223	18
30d	1.9k	168

581 shows

729 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	55m

10 shows

11 tapes

Ryley Walker

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	9	1

Playback	Listens	Hours
48h	179	17
7d	453	42
30d	3.6k	336

128 shows

193 tapes

Scott Metzger

Playback	Listens	Hours
48h	7	51m
7d	22	3
30d	65	8

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	65	9

Playback	Listens	Hours
48h	0	0m
7d	17	2
30d	125	14

Playback	Listens	Hours
48h	41	3
7d	119	11
30d	926	78

Playback	Listens	Hours
48h	276	44
7d	474	72
30d	2.9k	441

Playback	Listens	Hours
48h	82	18
7d	165	34
30d	1.3k	299

Playback	Listens	Hours
48h	11	35m
7d	20	1
30d	274	16

87 shows

96 tapes

Stanton Moore

Playback	Listens	Hours
48h	14	2
7d	0	0m
30d	14	2

Playback	Listens	Hours
48h	80	12
7d	29	4
30d	622	101

Playback	Listens	Hours
48h	115	24
7d	229	55
30d	1.7k	385

Playback	Listens	Hours
48h	49	6
7d	204	23
30d	1.3k	177

667 shows

1,139 tapes

String Cheese Incident

19k

Playback	Listens	Hours
48h	1.5k	242
7d	2.3k	359
30d	19k	3.1k

1,285 shows

2,081 tapes

Surprise Me Mr. Davis

107

Playback	Listens	Hours
48h	0	0m
7d	18	2
30d	107	12

Playback	Listens	Hours
48h	0	0m
7d	21	3
30d	167	30

Playback	Listens	Hours
48h	3	22m
7d	32	5
30d	168	22

Playback	Listens	Hours
48h	160	19
7d	114	12
30d	694	76

729 shows

1,116 tapes

Ted Leo and the Pharmacists

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	12	58m

Playback	Listens	Hours
48h	776	89
7d	1.7k	190
30d	12k	1.4k

Playback	Listens	Hours
48h	0	0m
7d	45	2
30d	247	13

Playback	Listens	Hours
48h	142	17
7d	224	30
30d	1.4k	177

Playback	Listens	Hours
48h	51	8
7d	35	5
30d	281	40

473 shows

627 tapes

The California Honeydrops

396

Playback	Listens	Hours
48h	48	6
7d	85	12
30d	396	52

77 shows

84 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	7m

Playback	Listens	Hours
48h	260	36
7d	540	76
30d	3.4k	487

Playback	Listens	Hours
48h	18	2
7d	28	2
30d	162	14

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	4	1
7d	7	1
30d	22	3

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	15	2

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	9	55m

Playback	Listens	Hours
48h	7	47m
7d	45	7
30d	358	59

Playback	Listens	Hours
48h	12	1
7d	17	2
30d	108	14

Playback	Listens	Hours
48h	301	15
7d	674	37
30d	4.3k	229

Playback	Listens	Hours
48h	46	3
7d	98	7
30d	756	54

Playback	Listens	Hours
48h	22	7
7d	36	8
30d	248	48

247 shows

328 tapes

The New Mastersounds

Playback	Listens	Hours
48h	82	8
7d	148	13
30d	1k	105

Playback	Listens	Hours
48h	101	17
7d	296	44
30d	2.1k	301

Playback	Listens	Hours
48h	306	30
7d	896	88
30d	7.2k	700

Playback	Listens	Hours
48h	8	40m
7d	0	0m
30d	154	11

Playback	Listens	Hours
48h	79	8
7d	242	23
30d	978	101

71 shows

91 tapes

The Werks

Playback	Listens	Hours
48h	5	44m
7d	1	5m
30d	36	7

Playback	Listens	Hours
48h	56	5
7d	106	9
30d	1.1k	109

Playback	Listens	Hours
48h	47	3
7d	113	7
30d	859	58

175 shows

210 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	273	41
7d	806	109
30d	5.7k	819

Playback	Listens	Hours
48h	22	2
7d	10	58m
30d	104	10

Playback	Listens	Hours
48h	202	32
7d	142	22
30d	1.5k	242

Playback	Listens	Hours
48h	643	104
7d	1.1k	162
30d	5.3k	785

Playback	Listens	Hours
48h	38	3
7d	17	1
30d	198	17

Playback	Listens	Hours
48h	90	7
7d	188	14
30d	1.2k	91

Playback	Listens	Hours
48h	1.2k	98
7d	2.2k	169
30d	13.6k	1.1k

623 shows

1,142 tapes

White Denim

Playback	Listens	Hours
48h	7	27m
7d	0	0m
30d	56	5

Playback	Listens	Hours
48h	16k	2k
7d	27.2k	3.2k
30d	172.2k	20.4k

Playback	Listens	Hours
48h	103	18
7d	125	16
30d	934	137

1,416 shows

2,242 tapes

Yonder Mountain String Band

11.5k

Playback	Listens	Hours
48h	694	63
7d	1.7k	168
30d	11.5k	1.1k

Playback	Listens	Hours
48h	97	16
7d	156	26
30d	1.5k	245

21 shows

29 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	109	20
7d	132	25
30d	1.4k	240

461 shows

667 tapes

Zoofunkyou

Playback	Listens	Hours
48h	0	0m
7d	1	7m
30d	11	1

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	8.1k	1.1k
7d	4.5k	603
30d	22.9k	3k

Playback	Listens	Hours
48h	483	69
7d	2.3k	243
30d	20.1k	2.8k

Playback	Listens	Hours
48h	961	127
7d	1.6k	204
30d	25.9k	3.4k

Playback	Listens	Hours
48h	395	50
7d	1k	136
30d	29.4k	3.7k

Playback	Listens	Hours
48h	1.2k	163
7d	2.3k	314
30d	39.3k	5.2k

Playback	Listens	Hours
48h	6.8k	871
7d	15.6k	2.1k
30d	66.7k	8.9k

Playback	Listens	Hours
48h	16.5k	2.2k
7d	16.5k	2.2k
30d	71.2k	9k

Playback	Listens	Hours
48h	1.5k	176
7d	2.8k	343
30d	45.6k	5.4k

Playback	Listens	Hours
48h	6.5k	725
7d	13k	1.5k
30d	65.1k	7.4k

Playback	Listens	Hours
48h	761	86
7d	4.2k	464
30d	23k	2.5k

Playback	Listens	Hours
48h	1.6k	191
7d	2.9k	342
30d	62.2k	7.2k

Playback	Listens	Hours
48h	1k	131
7d	9.4k	1.1k
30d	48k	6k

Playback	Listens	Hours
48h	1.3k	167
7d	2.7k	345
30d	32.3k	4.2k

Playback	Listens	Hours
48h	1k	128
7d	2.6k	316
30d	18k	2.2k

Playback	Listens	Hours
48h	5.6k	680
7d	14.9k	1.9k
30d	40.5k	5k

Playback	Listens	Hours
48h	2k	236
7d	3.5k	404
30d	52.1k	6.1k

Playback	Listens	Hours
48h	1.2k	167
7d	2.9k	403
30d	24.5k	3.4k

Playback	Listens	Hours
48h	5.5k	744
7d	19.2k	2.5k
30d	51k	6.7k

Playback	Listens	Hours
48h	6.3k	884
7d	11.4k	1.6k
30d	100.6k	14k

Playback	Listens	Hours
48h	3.3k	448
7d	7.1k	959
30d	122.4k	16.5k

Playback	Listens	Hours
48h	236	23
7d	388	41
30d	5.4k	570

Playback	Listens	Hours
48h	3.4k	432
7d	7.2k	938
30d	95k	12.4k

Playback	Listens	Hours
48h	3.5k	464
7d	6.7k	859
30d	73.8k	9.5k

Playback	Listens	Hours
48h	2.3k	288
7d	4.2k	520
30d	36.6k	4.6k

Playback	Listens	Hours
48h	1.8k	205
7d	3k	341
30d	30.3k	3.4k

Playback	Listens	Hours
48h	2.4k	244
7d	2.3k	260
30d	21.8k	2.4k

Playback	Listens	Hours
48h	946	147
7d	4k	687
30d	21.2k	3k

Playback	Listens	Hours
48h	419	54
7d	768	103
30d	5.7k	736

Playback	Listens	Hours
48h	124	16
7d	263	41
30d	2.1k	292

Playback	Listens	Hours
48h	326	23
7d	606	41
30d	5.2k	377

Playback	Listens	Hours
48h	34	2
7d	44	3
30d	411	25

2 shows

2 tapes

1985

12/31SBD

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

118

Playback	Listens	Hours
48h	0	0m
7d	13	2
30d	118	14

4:59:06

19 tapes

12/30SBD

183

Playback	Listens	Hours
48h	7	23m
7d	23	2
30d	183	20

4:28:26

17 tapes

11/22SBD

Playback	Listens	Hours
48h	0	0m
7d	20	3
30d	91	12

2:15:35

11 tapes

11/21SBD

200

Playback	Listens	Hours
48h	2	8m
7d	0	0m
30d	200	22

2:15:55

11/20SBD

Community War Memorial Auditorium

422

Playback	Listens	Hours
48h	20	2
7d	25	3
30d	422	45

Playback	Listens	Hours
48h	3	18m
7d	17	2
30d	119	13

Playback	Listens	Hours
48h	3	22m
7d	3	21m
30d	100	12

East Rutherford, NJ, USA

217

Playback	Listens	Hours
48h	7	49m
7d	7	1
30d	217	26

East Rutherford, NJ, USA

156

Playback	Listens	Hours
48h	29	3
7d	20	2
30d	156	18

4:40:11

27 tapes

11/08SBD

Rochester, NY, USA

178

Playback	Listens	Hours
48h	5	34m
7d	1	9m
30d	178	21

2:12:53

27 tapes

11/07SBD

Community War Memorial Auditorium

Rochester, NY, USA

150

Playback	Listens	Hours
48h	3	14m
7d	1	7m
30d	150	17

Playback	Listens	Hours
48h	1	5m
7d	4	22m
30d	104	12

Playback	Listens	Hours
48h	9	60m
7d	5	32m
30d	86	9

Playback	Listens	Hours
48h	8	1
7d	24	3
30d	262	34

Playback	Listens	Hours
48h	72	8
7d	57	6
30d	578	64

2:40:08

18 tapes

10/31SBD

Carolina Coliseum, U. of South Carolina

Columbia, SC, USA

284

Playback	Listens	Hours
48h	29	4
7d	27	3
30d	284	28

Playback	Listens	Hours
48h	18	2
7d	53	6
30d	295	35

Playback	Listens	Hours
48h	8	54m
7d	41	5
30d	160	19

Playback	Listens	Hours
48h	9	50m
7d	25	3
30d	175	17

Pembroke Pines, FL, USA

Playback	Listens	Hours
48h	29	4
7d	15	2
30d	86	11

2:21:11

12 tapes

9/15SBD

Devore Field, Southwestern College

Chula Vista, CA, USA

364

Playback	Listens	Hours
48h	24	3
7d	58	7
30d	364	41

2:25:59

9/12SBD

135

Playback	Listens	Hours
48h	2	20m
7d	25	3
30d	135	17

2:30:28

9/11SBD

Playback	Listens	Hours
48h	0	0m
7d	1	7m
30d	84	10

2:22:15

12 tapes

9/10SBD

Playback	Listens	Hours
48h	20	2
7d	13	1
30d	98	10

2:15:03

10 tapes

9/07SBD

Red Rocks Amphitheatre

Morrison, CO, USA

364

Playback	Listens	Hours
48h	50	5
7d	32	3
30d	364	39

5:00:50

22 tapes

9/06SBD

Red Rocks Amphitheatre

Morrison, CO, USA

125

Playback	Listens	Hours
48h	18	2
7d	43	5
30d	125	15

2:10:32

Southern Star Amphitheater

9/05SBD

Red Rocks Amphitheatre

Morrison, CO, USA

207

Playback	Listens	Hours
48h	65	8
7d	58	8
30d	207	28

Playback	Listens	Hours
48h	34	3
7d	49	5
30d	176	18

Oklahoma City, OK, USA

308

Playback	Listens	Hours
48h	6	45m
7d	47	5
30d	308	33

Playback	Listens	Hours
48h	0	0m
7d	29	4
30d	39	6

2:36:45

13 tapes

8/30SBD

Houston, TX, USA

165

Playback	Listens	Hours
48h	13	2
7d	39	5
30d	165	21

2:15:38

Ventura County Fairgrounds

8/24SBD

Boreal Ridge Ski Resort

Donner's Summit, CA, USA

123

Playback	Listens	Hours
48h	60	7
7d	34	4
30d	123	14

2:12:43

5 tapes

7/14SBD

Ventura, CA, USA

204

Playback	Listens	Hours
48h	37	4
7d	18	2
30d	204	23

2:41:38

11 tapes

7/13SBD

Ventura County Fairgrounds

Ventura, CA, USA

432

Playback	Listens	Hours
48h	25	3
7d	89	12
30d	432	56

Playback	Listens	Hours
48h	3	14m
7d	123	14
30d	1.8k	211

2:25:58

18 tapes

7/01SBD

Merriweather Post Pavilion

Columbia, MD, USA

Playback	Listens	Hours
48h	86	12
7d	152	22
30d	5k	694

2:46:28

Merriweather Post Pavilion

6/30SBD

Columbia, MD, USA

8.2k

Playback	Listens	Hours
48h	179	22
7d	426	51
30d	8.2k	938

Playback	Listens	Hours
48h	35	5
7d	88	11
30d	3k	368

2:27:36

Saratoga Performing Arts Center

6/27SBD

Saratoga Springs, NY, USA

5.5k

Playback	Listens	Hours
48h	74	8
7d	67	6
30d	5.5k	563

Cuyahoga Falls, OH, USA

Playback	Listens	Hours
48h	36	3
7d	153	16
30d	5k	513

2:29:46

13 tapes

6/24SBD

River Bend Music Center

Cincinnati, OH, USA

Playback	Listens	Hours
48h	46	5
7d	64	8
30d	4k	459

2:35:44

Alpine Valley Music Theatre

6/22SBD

East Troy, WI, USA

1.6k

Playback	Listens	Hours
48h	37	5
7d	21	2
30d	1.6k	186

2:30:32

Alpine Valley Music Theatre

6/21SBD

East Troy, WI, USA

987

Playback	Listens	Hours
48h	6	35m
7d	4	37m
30d	987	112

Playback	Listens	Hours
48h	77	10
7d	90	11
30d	6.3k	747

Playback	Listens	Hours
48h	28	3
7d	63	7
30d	4.8k	524

Playback	Listens	Hours
48h	29	3
7d	43	5
30d	3k	351

Playback	Listens	Hours
48h	0	0m
7d	29	3
30d	335	38

Playback	Listens	Hours
48h	11	1
7d	62	8
30d	478	57

2:50:08

Marin Veterans Memorial Auditorium

4/21SBD

San Rafael, CA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	23	2

Playback	Listens	Hours
48h	5	33m
7d	15	2
30d	179	20

Playback	Listens	Hours
48h	20	2
7d	115	14
30d	620	76

Philadelphia, PA, USA

314

Playback	Listens	Hours
48h	16	2
7d	16	2
30d	314	31

Philadelphia, PA, USA

250

Playback	Listens	Hours
48h	2	15m
7d	32	4
30d	250	33

Philadelphia, PA, USA

367

Playback	Listens	Hours
48h	20	2
7d	47	5
30d	367	45

2:28:31

Cumberland County Civic Center

4/04SBD

Providence Civic Center

Providence, RI, USA

230

Playback	Listens	Hours
48h	57	6
7d	15	2
30d	230	25

2:33:15

22 tapes

4/03SBD

Providence Civic Center

Providence, RI, USA

208

Playback	Listens	Hours
48h	5	35m
7d	23	3
30d	208	29

2:51:34

26 tapes

4/01

Portland, ME, USA

108

Playback	Listens	Hours
48h	0	0m
7d	5	30m
30d	108	12

2:22:23

37 tapes

3/31SBD

Cumberland County Civic Center

Portland, ME, USA

287

Playback	Listens	Hours
48h	118	15
7d	45	5
30d	287	35

Playback	Listens	Hours
48h	0	0m
7d	1	5m
30d	96	11

Playback	Listens	Hours
48h	16	2
7d	19	3
30d	362	46

Playback	Listens	Hours
48h	4	31m
7d	44	5
30d	131	15

2:13:05

27 tapes

3/25SBD

Springfield Civic Center

Springfield, MA, USA

227

Playback	Listens	Hours
48h	7	52m
7d	40	6
30d	227	31

2:46:52

30 tapes

3/24SBD

Springfield Civic Center

Springfield, MA, USA

128

Playback	Listens	Hours
48h	0	0m
7d	24	3
30d	128	15

Playback	Listens	Hours
48h	1	11m
7d	1	11m
30d	169	22

Playback	Listens	Hours
48h	0	0m
7d	27	3
30d	202	21

2:21:56

17 tapes

3/13SBD

268

Playback	Listens	Hours
48h	0	0m
7d	5	43m
30d	268	33

2:23:36

9 tapes

3/12

Playback	Listens	Hours
48h	0	0m
7d	30	3
30d	87	10

2:13:21

8 tapes

3/10

Playback	Listens	Hours
48h	2	18m
7d	1	7m
30d	31	4

2:18:50

3/09SBD

494

Playback	Listens	Hours
48h	6	60m
7d	30	4
30d	494	64

2:14:44

13 tapes

2/XXSBD

Twilight Zone Sessions

Playback	Listens	Hours
48h	0	0m
7d	4	8m
30d	67	2

13:28

1 tape

2/20SBD

106

Playback	Listens	Hours
48h	11	1
7d	5	29m
30d	106	13

2:16:03

2/19SBD

175

Playback	Listens	Hours
48h	33	4
7d	6	31m
30d	175	21

1:58:18

5 tapes

2/18SBD

290

Playback	Listens	Hours
48h	0	0m
7d	48	5
30d	290	33

2:26:39

Sources

Taper: Joani Walker and Paul Scotton

2:32:57

SBD

Joani Walker and Paul Scotton

gd1985-04-27.152284.sbd.walker.scotton.miller.clugston.flac2496

Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes

1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

View NotesNotes:
- Thanks to Joani Walker and Paul Scotton for the 1st generation cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:21 patch in the "Eyes Of the World > Goin' Down The Road Feeling Bad" transition, as well as a 0:32 patch in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
April 2020

Taper: Joani Walker and Paul Scotton

2:32:57

SBD

Joani Walker and Paul Scotton

gd1985-04-27.152283.sbd.walker.scotton.miller.clugston.flac1648

Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes

1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

gd1985-04-27.sbd.miller.25467.sbeok.shnf

View NotesNotes:
- Thanks to Joani Walker and Paul Scotton for the 1st generation cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:21 patch in the "Eyes Of the World > Goin' Down The Road Feeling Bad" transition, as well as a 0:32 patch in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
April 2020

Transferrer: Charlie Miller

SBD -> Master Cassette -> Dat (44.1k)

Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN

gd1985-04-27.mtx.haugh.78681.flac24

View Notes-- This is a lot cleaner than what currently circulates (No diginoise/static).
-- Seamless transition between Discs 2 and 3.
-- 2nd Set is more dynamic than 1st set, plus there is no tape flip.
-- 2nd Set may be from PCM or VHS/Beta Hi-Fi.
-- Sounds keeps improving as show goes progresses.

Taper: See info file

DVD-AUDIO 24/48 SBD+AUD Matrix Mix

See info file

gd1985-04-27.mtx.haugh.78504.flac16

View Notes---------------------------------------------------------

Source Info

SBD
SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif
Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net

AUD1
MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky.
MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96
WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using
Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.  
Transfer and mastering by C.Ladner.

AUD2
MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR
[aluminum core (Set II)]  Mic Config: mics on T bar knee high
pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth
adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave
Editor > Flac Frontend (encoded@level 6) >FLAC16
Location: on the lawn, 25 feet from the stage, DFC
Taper: Adam, Justin & Monica - Mark McCue Masters
All cuts, fades and edits made in CEP 2.0, normalized to 100%.
Sector boundaries verified with TLH. Transfer, minor editing
and conversion by Alex Ford 3/10 & 11/2006.

Thanks to all the hard work from the folks mentioned above in
their loving care getting these sources out.  Thanks also to
the Lossless Legs Community (www.shnflac.net) for getting me
these 3 spectacular sources.  Also a thanks for some of the
images used in creation of the artwork.  I found them years
ago on the net and do not have anyway to properly credit.

---------------------------------------------------------

Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch all of the sources.  SF8.0 was used for the EQ setting
post mixdown. This is a 65% SBD, 20% AUD1, 15% AUD2 mix.      
- Mixed by dan@am-dig.com
- FLAC conversion done 28-SEPT-2006  
- Artwork at 300dpi by dan@am-dig.com
- For best results print at the highest resolution onto glossy
photo paper.  Design for use in a clear double jewel case.

---------------------------------------------------------

Notes

After spending several months and likely more than 150 hrs
on this project I rushed my way through this text file and
the artwork.  I just want to be done with it.  Hopefully it
will be acceptable and without too many typos or errors.

The SBD has a strange sound characteristic that can be heard
through the first few songs and then disappears.  As Charlie
Miller noted in his text file "sounds keeps improving as show
progresses".  Which is indeed true.  The sound keeps cycling
from normal to "overly bright".  Could it be a bad Dolby
encode or decode scenario?   Only when you listening very
critically.  It does not subtract from these really great
recordings and great show IMO.

Both AUD recordings are very good.  The Nak700 sounds like it
was on a stand and doesn't have the close crowd feeling of a
typical FOB.  Some post-processing was obviously done to
maximize the levels, which does cut down a bit on the dynamic
range.  The Senn 421 has a much rowdier feel with closer
crowd, clapping and a good feel for a live show.

All 3 sources had different stoppages between songs in the
first set, most notably was during "Let Phil Sing".  Here
we had missing "crowd" material with no overlap.  I employ
several techniques, fades, crossfades, volume changes and
"borrowing" crowd cheer from different parts of the same
recording to fill in the sound and make the new recording flow
uninterrupted.  Take a listen to the first set, the missing
material now flows smooth and is most likely undetectable.

d1t01 "Bill Graham Intro" The first 20 seconds is entirely
from the NAK700 source, then the Senn 421 source fades in
and then finally the SBD also joins the mix.  No music was
missing.  This is smooth and is most likely undetectable.

D2 and D3 can be assembled seamlessly on longer media.

d2t01 "Scarlet Begonias" The first 10 seconds is just the
SBD and the NAK700 source, then the Senn 421 source fades in
and also joins the mix.  This is smooth and is most likely
undetectable.

d3t04 "The Other One" 36.334 seconds of "fake" patch was
used to cover a missing part of the SBD source.  Most likely
a repeating musical portion from earlier in the song was used.  
In short, "The Other One" was patch with the very same "The
Other One".  This was a very tricky edit to find and remove.  
It is now patched with a matrix mix of AUD1 and AUD2 for
1:00.119 with 2 second crossfade on each.  B/c this is a
change in source it is detectable by the listener.

d1t09 "Bill Graham Intro" is entirely from the NAK700 source.

This represents the 24 bit files that are the result of all my
editing and the multitrack mixdown preserved in 24 bit. It is
unclear exactly what we have in the way of high resolution.
However it seems what we have here would not be represented
accurately in 16/44. What you are getting is the full result
of the matrix mix process. How much different does this sound?
is this better? A little and yes. This is more accurate and
has more dynamic range.  24/48 resolution versus a 16/44 of
the same material will usually result in very subtle but
important differences.  Most of it relying on the quality of
the DVD-A player and the D to A conversion.  With that in
mind, this 24 bit copy is no different.  Small but important
gains over the same material in 16/44.  This is just one
man's take.  Take it or leave it.

---------------------------------------------------------

Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -3
AUD1 -7
AUD2 -8.5

SET TWO

Stereo Matrix
SBD -3.5
AUD1 -7
AUD2 -8.5

---------------------------------------------------------

Editorial Comments

This show is like a wearing my favorite slippers.  Familiar
and very comfortable.  I first obtained this show in 1985
about 2 weeks after the show.  I was a new 16 yr. old driver
and was giving a "friend of a friend" a ride in my car.  
This guy was a pretty hard core hippie and he produced the
cassette of the second set.  I was floored.  At the time, and
considering my age, I had no idea anyone could get a copy of
a show THAT fast.  And what a show it is.  Needless to say
the next five years or so were spent wearing out that cassette.

This show is most notable for the only "Scarlet > Eyes" but
is loaded with great renditions, sick jamming and inspired
playing.  The first set songs are all played really well.
The final Tom Thumb > Cold Rain > Music is fantastic.  Phil
is just out-of-hand throughout.  'Nuff said.

This Scarlet is my favorite, period.  A bold statement but
one I can stand tall behind.  Great long intro, nice middle
of the song solo, they come around twice (I LOVE THAT!) before
the Wind in The Willows but the ensuing jam towards Fire is
inspired.  Brent chasing Jerry, Brent chasing Bob.  Jerry is
traveling 100 miles an hour and the band is right behind. A
real nice Fire tease and Jerry picks his moment to lead the
gang into Eyes.  WOW!  

Eyes is also full of spit and fire with too many acid laced
licks to count.  Even GDTRFB is fast paced and fun, with Woman
still keeping your interest.  Isn't that a change?  Not the
longest pre-drums, 40+ mins, but understandable as clearly
Garcia needed to soak his hand in ice.

Normally topping an all Garcia tri-fecta to opened set two,
Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they
do, beat it to death.  The next 45+ mins is transcendental,
perfect, seamless, inspired, rocking/soothing and any other
accolade you can toss in for good measure.  This time a  new
tri-fecta, Truckin' > Other One > Black Peter, takes center
stage in the post drums part.  Note by note, second by second
the band just clicks.  It reminds me of the type of playing
they were capable of during 2/27-28, 3/1-2 when the band
was just so in tune with each other and what they are doing.
While clearly much different, take a listen.  These guys
are so tuned in to what each other is doing it is 6 as 1.

---------------------------------------------------------

Taper: See info file

SBD + AUD Matrix 3 Source Mix

See info file

gd85-04-27.fixedsbd.mattman.20683.sbeok.shnf

View Notes---------------------------------------------------------

Source Info

SBD
SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif
Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net

AUD1
MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky.
MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96
WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using
Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.  
Transfer and mastering by C.Ladner.

AUD2
MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR
[aluminum core (Set II)]  Mic Config: mics on T bar knee high
pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth
adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave
Editor > Flac Frontend (encoded@level 6) >FLAC16
Location: on the lawn, 25 feet from the stage, DFC
Taper: Adam, Justin & Monica - Mark McCue Masters
All cuts, fades and edits made in CEP 2.0, normalized to 100%.
Sector boundaries verified with TLH. Transfer, minor editing
and conversion by Alex Ford 3/10 & 11/2006.

Thanks to all the hard work from the folks mentioned above in
their loving care getting these sources out.  Thanks also to
the Lossless Legs Community (www.shnflac.net) for getting me
these 3 spectacular sources.  Also a thanks for some of the
images used in creation of the artwork.  I found them years
ago on the net and do not have anyway to properly credit.

---------------------------------------------------------

Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch all of the sources.  SF8.0 was used for the EQ setting
post mixdown. This is a 65% SBD, 20% AUD1, 15% AUD2 mix.      
- Mixed by dan@am-dig.com
- FLAC conversion done 28-SEPT-2006  
- Artwork at 300dpi by dan@am-dig.com
- For best results print at the highest resolution onto glossy
photo paper.  Design for use in a clear double jewel case.

---------------------------------------------------------

Notes

After spending several months and likely more than 150 hrs
on this project I rushed my way through this text file and
the artwork.  I just want to be done with it.  Hopefully it
will be acceptable and without too many typos or errors.

The SBD has a strange sound characteristic that can be heard
through the first few songs and then disappears.  As Charlie
Miller noted in his text file "sounds keeps improving as show
progresses".  Which is indeed true.  The sound keeps cycling
from normal to "overly bright".  Could it be a bad Dolby
encode or decode scenario?   Only when you listening very
critically.  It does not subtract from these really great
recordings and great show IMO.

Both AUD recordings are very good.  The Nak700 sounds like it
was on a stand and doesn't have the close crowd feeling of a
typical FOB.  Some post-processing was obviously done to
maximize the levels, which does cut down a bit on the dynamic
range.  The Senn 421 has a much rowdier feel with closer
crowd, clapping and a good feel for a live show.

All 3 sources had different stoppages between songs in the
first set, most notably was during "Let Phil Sing".  Here
we had missing "crowd" material with no overlap.  I employ
several techniques, fades, crossfades, volume changes and
"borrowing" crowd cheer from different parts of the same
recording to fill in the sound and make the new recording flow
uninterrupted.  Take a listen to the first set, the missing
material now flows smooth and is most likely undetectable.

d1t01 "Bill Graham Intro" The first 20 seconds is entirely
from the NAK700 source, then the Senn 421 source fades in
and then finally the SBD also joins the mix.  No music was
missing.  This is smooth and is most likely undetectable.

D2 and D3 can be assembled seamlessly on longer media.

d2t01 "Scarlet Begonias" The first 10 seconds is just the
SBD and the NAK700 source, then the Senn 421 source fades in
and also joins the mix.  This is smooth and is most likely
undetectable.

d3t04 "The Other One" 36.334 seconds of "fake" patch was
used to cover a missing part of the SBD source.  Most likely
a repeating musical portion from earlier in the song was used.  
In short, "The Other One" was patch with the very same "The
Other One".  This was a very tricky edit to find and remove.  
It is now patched with a matrix mix of AUD1 and AUD2 for
1:00.119 with 2 second crossfade on each.  B/c this is a
change in source it is detectable by the listener.

d1t09 "Bill Graham Intro" is entirely from the NAK700 source.

---------------------------------------------------------

Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -3
AUD1 -7
AUD2 -8.5

SET TWO

Stereo Matrix
SBD -3.5
AUD1 -7
AUD2 -8.5

---------------------------------------------------------

Editorial Comments

This show is like a wearing my favorite slippers.  Familiar
and very comfortable.  I first obtained this show in 1985
about 2 weeks after the show.  I was a new 16 yr. old driver
and was giving a "friend of a friend" a ride in my car.  
This guy was a pretty hard core hippie and he produced the
cassette of the second set.  I was floored.  At the time, and
considering my age, I had no idea anyone could get a copy of
a show THAT fast.  And what a show it is.  Needless to say
the next five years or so were spent wearing out that cassette.

This show is most notable for the only "Scarlet > Eyes" but
is loaded with great renditions, sick jamming and inspired
playing.  The first set songs are all played really well.
The final Tom Thumb > Cold Rain > Music is fantastic.  Phil
is just out-of-hand throughout.  'Nuff said.

This Scarlet is my favorite, period.  A bold statement but
one I can stand tall behind.  Great long intro, nice middle
of the song solo, they come around twice (I LOVE THAT!) before
the Wind in The Willows but the ensuing jam towards Fire is
inspired.  Brent chasing Jerry, Brent chasing Bob.  Jerry is
traveling 100 miles an hour and the band is right behind. A
real nice Fire tease and Jerry picks his moment to lead the
gang into Eyes.  WOW!  

Eyes is also full of spit and fire with too many acid laced
licks to count.  Even GDTRFB is fast paced and fun, with Woman
still keeping your interest.  Isn't that a change?  Not the
longest pre-drums, 40+ mins, but understandable as clearly
Garcia needed to soak his hand in ice.

Normally topping an all Garcia tri-fecta to opened set two,
Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they
do, beat it to death.  The next 45+ mins is transcendental,
perfect, seamless, inspired, rocking/soothing and any other
accolade you can toss in for good measure.  This time a  new
tri-fecta, Truckin' > Other One > Black Peter, takes center
stage in the post drums part.  Note by note, second by second
the band just clicks.  It reminds me of the type of playing
they were capable of during 2/27-28, 3/1-2 when the band
was just so in tune with each other and what they are doing.
While clearly much different, take a listen.  These guys
are so tuned in to what each other is doing it is 6 as 1.

---------------------------------------------------------

Source 6 of 28

Pitch-corrected version of <a href="http://db.etree.org/shninfo_detail.php?shnid=17265">shnid=17265</a>.

SBD > MC > DAT > CDR > EAC > mkwACT

View NotesPitch-corrected version of <a href="http://db.etree.org/shninfo_detail.php?shnid=17265" rel="nofollow">shnid=17265</a>.

Source 7 of 28

gd85-04-27.sbd.jerugim.359.sbeok.shnf

View NotesSource:
SBD > MC > DAT > CDR > EAC > mkwACT

Doesn't have missed lyric in The Other One. Seems like it may be still missing some music but, if it is, the d/o is much less drastic.

Source 8 of 28

SBDMC> DAT> CDR

View NotesSBDMC> DAT> CDR; CDR> EAC> SHN; conversion & upload, A. Jerugim;
no known flaws

Taper: Mark Terry

gd1985-04-27.172444.nak300.terry.miller.clugston.flac2496

Mark Terry's Master Audience Cassettes; Nakamichi 300 mics > Sony WM-D6C (Maxell XLII-S90)

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496

View NotesNotes:
- Thanks to Mark Terry for the master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bob Wagner for the Nakamichi 700 source which supplies a 0:34 patch in the "Eyes Of The World > Goin' Down The Road Feeling Bad" transition, as well as a 0:25 patch in the "Truckin' > The Other One" transition
- Pitch corrected

Mastered by Scott Clugston
May 2025

Taper: Mark Terry

gd1985-04-27.172443.nak300.terry.miller.clugston.flac1648

Mark Terry's Master Audience Cassettes; Nakamichi 300 mics > Sony WM-D6C (Maxell XLII-S90)

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496

View NotesNotes:
- Thanks to Mark Terry for the master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bob Wagner for the Nakamichi 700 source which supplies a 0:34 patch in the "Eyes Of The World > Goin' Down The Road Feeling Bad" transition, as well as a 0:25 patch in the "Truckin' > The Other One" transition
- Pitch corrected

Mastered by Scott Clugston
May 2025

Taper: Bob Wagner

gd1985-04-27.163485.nak700.wagner.miller.clugston.flac2496

Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496

View NotesNotes:
- Thanks to Bob Wagner for master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:17 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
July 2022

Taper: Bob Wagner

gd1985-04-27.163484.nak700.wagner.miller.clugston.flac1648

Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496

View NotesNotes:
- Thanks to Bob Wagner for master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:17 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
July 2022

Taper: Chris Hecht

gd1985-04-27.148416.neumann.km84i.hecht.miller.clugston.flac2496

Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

View NotesNotes:
- Thanks to Chris Hecht for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bill Koucky and Chris Ladner for the shnid76584 Nakamichi 700 source which supplies the crowd and beginning of "Dancing In The Street", the end of "Cold Rain & Snow" and beginning of "The Music Never Stopped (5:17 total), the crowd and beginning of "Scarlet Begonias" (3:48 total), as well as a 0:42 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
September 2019

Taper: Chris Hecht

gd1985-04-27.148415.neumann.km84i.hecht.miller-clugston.flac1648

Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

Joe Noel and Charlie Miller

View NotesNotes:
- Thanks to Chris Hecht for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bill Koucky and Chris Ladner for the shnid76584 Nakamichi 700 source which supplies the crowd and beginning of "Dancing In The Street", the end of "Cold Rain & Snow" and beginning of "The Music Never Stopped (5:17 total), the crowd and beginning of "Scarlet Begonias" (3:48 total), as well as a 0:42 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
September 2019

Taper: Walt Keeler

gd1985-04-27.145335.s2.fob.sony..ecm150.keeler.miller.noel.t-flac16

Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90)

Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k)

Joe Noel and Charlie Miller

View NotesEdited & Mastered by Joe Noel;
WAV > Audacity > Flac 24/96
October 28, 2018

This file set is 16 bit @ 44.1

Patch info:
- shnid 10203 (Nakamichi CM-100)
- s2t06; last four seconds
- s2t07; first twenty-seven seconds

Notes:
- Thank you Walt, thank you for getting real close.
- Thank you Charlie for transferring & coordinating.
- Thanks to Greg Holtz for the patch source.
- Pitch corrected

Taper: Walt Keeler

gd1985-04-27.143491.s2.FOB.ECM150.Keeler.Miller.Noel.t-flac2496

Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90)

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k)

gd1985-04-27.166645.akgC-33e.fob.Hoey.flac24

View NotesPatch info:
- shnid 10203 (Nakamichi CM-100)
- s2t06; last four seconds
- s2t07; first twenty-seven seconds

Notes:
- Thank you Walt, thank you for getting real close.
- Thank you Charlie for transferring & coordinating.
- Thanks to Greg Holtz for the patch source.
- Pitch corrected

Taper: Hoey

AKG C-33e stereo mic > akg 48v phantom power supply > Marantz PMD 430 (dbx nr Maxell MX90)

Nakamichi Dragon > dbx model 224 processor (decode) > Audio Antiquary mastering preamp (Telefunken C3g tube) > QES Labs PAD-2 mkII LE (a > d @ 24bit 96kHz) > Peak Pro 7 > xACT (flac tags)

Taper: Recording by Craig Rogers

2:50:08

Recording by Craig Rogers

Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel January 20, 2021

gd1985-04-27.151947.Mouth.AKG.Master.Cassette.Rogers.Noel.t-flac16

Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show

Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96

View NotesPatch info:
- shnid 148416 (Neumann, Chris Hecht) supplies
- s2t06; 03:51 - 06:56
- s2t07; 03:32 - 04:00

Notes;
- Thanks to Craig Rogers for taping & sharing
- Thanks to everyone involved with the patch source
- Special thanks to Jerry Garcia for allowing these recordings.
- Special thanks to Dan Healy (minus the hiccup on this night) for allowing the tradition to continue
- This source has been pitch corrected
- The tape pauses were cross faded.
- There was a taper bust during GDTRFB, but the tapers keep rolling!
- Notwithstanding the bust, this is a huge recording from the mouth.
- If you're gonna get busted, this is how you want it to go down.  They didn't loose their masters & they only missed 3 minutes of music (drums).
- Give these boys the 13 Point Lightning Bolt!
- This is an Uher Archive production.
- uherarchive@live.com
- Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Mar 2, 2021

Taper: Recording by Craig Rogers

2:50:07

Recording by Craig Rogers

Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel January 20, 2021

gd1985-04-27.151970.Mouth.AKG.Rogers.Noel.fixed.151703.t-flac2496

Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show

Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96

Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel January 20, 2021

View NotesPatch info:
- shnid 148416 (Neumann, Chris Hecht) supplies
- s2t06; 03:51 - 06:56
- s2t07; 03:32 - 04:00

Notes;
- Thanks to Craig Rogers for taping & sharing
- Thanks to everyone involved with the patch source
- Special thanks to Jerry Garcia for allowing these recordings.
- Special thanks to Dan Healy (minus the hiccup on this night) for allowing the tradition to continue
- This source has been pitch corrected
- The tape pauses were cross faded.
- There was a taper bust during GDTRFB, but the tapers keep rolling!
- Notwithstanding the bust, this is a huge recording from the mouth.
- If you're gonna get busted, this is how you want it to go down.  They didn't loose their masters & they only missed 3 minutes of music (drums).
- Give these boys the 13 Point Lightning Bolt!
- This is an Uher Archive production.
- uherarchive@live.com


Notes (fix);
- channels were reversed, this has been corrected.

Taper: Craig Rogers

gd1985-04-27.151703.Mouth.AKG.Master.Cassette.Rogers.Noel.t-flac2496

Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes

Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96

View NotesNotes;
- Thanks to Craig Rogers for taping & sharing
- Thanks to everyone involved with the patch source
- Special thanks to Jerry Garcia for allowing these recordings.
- Special thanks to Dan Healy (minus the hiccup on this night) for allowing the tradition to continue
- This source has been pitch corrected
- The tape pauses were cross faded.
- There was a taper bust during GDTRFB, but the tapers keep rolling!
- Notwithstanding the bust, this is a huge recording from the mouth.
- If you're gonna get busted, this is how you want it to go down.  They didn't loose their masters & they only missed 3 minutes of music (drums).
- Give these boys the 13 Point Lightning Bolt!
- This is an Uher Archive production.
- uherarchive@live.com

Transferrer: 5.1 LPCM Surround Sound Mix (48/24) by amdig & Kevin Tobin

2:33:35

5.1 LPCM Surround Sound Mix (48/24) by amdig & Kevin Tobin

gd1985-04-27.148527.5-1.amdig.flac2448

5.1 LPCM Surround Sound Mix (48/24)

View Notes---------------------------------------------------------
- DVD-A extraction 11-DEC-2019 - DVD Audio Extractor v8.0.0
- FLAC conversion 11-DEC-2019 - Trader Little Helper
- Tagged 11-DEC-2019 - Tag&Rename
---------------------------------------------------------

Source 22 of 28

2:36:46

gd1985-04-27.148348.aud.flac2496

Analog Audience maxell mx 90's 3 tapes Namakamichi CM 700 Mics and Custom ps/preamp mixer - > modified dbx 224 (mod'd to run from battery pack) - > Sony TC D5M (dbx encoded)

Nakamichi CR7a - > dbx nx40 (dbx decoded) - > Audio Technica mixer/line amplifier - > Korg MR 2000 at 1 bit 5.6 MHz - > Audiogate software to create 24-96 files

Taper: chasingwilma

gd1985-04-27.124981.chasingwilma.flac24

lineage: sennheiser 421 (fob)> d-5> d-5> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

Taper: Greg Holtz

gd1985-04-27.nak100.holtz.jaz.102035.flac16

Nakamichi CM-100's with CP-4 shotgun caps > Sony TC-D5

Cassette Master, TDK MA-R90 Alluminum Core-> Tascam 112 -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII compact flash -> USB -> Wave Lab 5.0 w/UAD -> R8brain for Sample Rate Conversion to 16bit 44.1kHz -> Traders Little Helper flac8

Transferrer: Brion Green and ChrisJ

Brion Green and ChrisJ

gd1985-04-27.nak700.anon.lmpp.99835.flac16

Nakamichi 700's > d6 > MAC

MAC > Nakamichi DR-1 > HD-P2 > 24/96 WAve > Wavelab 5 > UAD Plugs > r8brain Pro > Izotope Ozone 3 Mbit > 16/44.1 Wave > Flac

gd1985-04-27.dts.haugh.78437.flac16

View NotesNotes:

- This source sounds absolutely great. HUGE thanks to Anon for this one. One of my favorite auds I've had the 
pleasure to work on to date!!! Thank you sir!!!!

- Encore patched from SHNID 76584

Transferrer: Dan Haugh

View Notes---------------------------------------------------------

Source Info

SBD
SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif
Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net

AUD1
MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky.
MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96
WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using
Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.  
Transfer and mastering by C.Ladner.

AUD2
MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR
[aluminum core (Set II)]  Mic Config: mics on T bar knee high
pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth
adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave
Editor > Flac Frontend (encoded@level 6) >FLAC16
Location: on the lawn, 25 feet from the stage, DFC
Taper: Adam, Justin & Monica - Mark McCue Masters
All cuts, fades and edits made in CEP 2.0, normalized to 100%.
Sector boundaries verified with TLH. Transfer, minor editing
and conversion by Alex Ford 3/10 & 11/2006.

Thanks to all the hard work from the folks mentioned above in
their loving care getting these sources out.  Thanks also to
the Lossless Legs Community (www.shnflac.net) for getting me
these 3 spectacular sources.  Also a thanks for some of the
images used in creation of the artwork.  I found them years
ago on the net and do not have anyway to properly credit.

---------------------------------------------------------

Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch all of the sources.  SF8.0 used to adjust the volume for
the front, center, surround and LFE channels.  SF8.0 was used
for the EQ setting on all the sources post mixdown. Surcode CD
Pro DTS was used to encode to DTS.      
- Mixed by dan@am-dig.com
- FLAC conversion done 28-SEPT-2006  
- Artwork at 300dpi by dan@am-dig.com
- For best results print at the highest resolution onto glossy
photo paper.  Design for use in a clear double jewel case.

---------------------------------------------------------

DTS-Audio-CD Info

Front
Left Channel SBD+AUD DEQ'd Matrix 75%-SBD/25%-AUD2
Right Channel SBD+AUD DEQ'd Matrix 75%-SBD/25%-AUD2

Center
Mono Mix -5db SBD DEQ'd

Surround
Left Channel AUD+AUD DEQ'd Matrix 60%-AUD1/40%-AUD2
Right Channel AUD+AUD DEQ'd Matrix 60%-AUD1/40%-AUD2

Sub/LFE
Mono Mix -5db SBD DEQ'd Matrix 50%-SBD/50%-AUD2

---------------------------------------------------------

Notes

After spending several months and likely more than 150 hrs
on this project I rushed my way through this text file and
the artwork.  I just want to be done with it.  Hopefully it
will be acceptable and without too many typos or errors.

The SBD has a strange sound characteristic that can be heard
through the first few songs and then disappears.  As Charlie
Miller noted in his text file "sounds keeps improving as show
progresses".  Which is indeed true.  The sound keeps cycling
from normal to "overly bright".  Could it be a bad Dolby
encode or decode scenario?   Only when you listening very
critically.  It does not subtract from these really great
recordings and great show IMO.

Both AUD recordings are very good.  The Nak700 sounds like it
was on a stand and doesn't have the close crowd feeling of a
typical FOB.  Some post-processing was obviously done to
maximize the levels, which does cut down a bit on the dynamic
range.  The Senn 421 has a much rowdier feel with closer
crowd, clapping and a good feel for a live show.

All 3 sources had different stoppages between songs in the
first set, most notably was during "Let Phil Sing".  Here
we had missing "crowd" material with no overlap.  I employ
several techniques, fades, crossfades, volume changes and
"borrowing" crowd cheer from different parts of the same
recording to fill in the sound and make the new recording flow
uninterrupted.  Take a listen to the first set, the missing
material now flows smooth and is most likely undetectable.

d1t01 "Bill Graham Intro" The first 20 seconds is entirely
from the NAK700 source, then the Senn 421 source fades in
and then finally the SBD also joins the mix.  No music was
missing.  This is smooth and is most likely undetectable.

d2t01 "Scarlet Begonias" The first 10 seconds is just the
SBD and the NAK700 source, then the Senn 421 source fades in
and also joins the mix.  This is smooth and is most likely
undetectable.

d3t04 "The Other One" 36.334 seconds of "fake" patch was
used to cover a missing part of the SBD source.  Most likely
a repeating musical portion from earlier in the song was used.  
In short, "The Other One" was patch with the very same "The
Other One".  This was a very tricky edit to find and remove.  
It is now patched with a matrix mix of AUD1 and AUD2 for
1:00.119 with 2 second crossfade on each.  B/c this is a
change in source it is detectable by the listener.

d1t09 "Bill Graham Intro" is entirely from the NAK700 source.

The mixdown of the AUD+AUD matrix mix was done a few db's
lower than the from SBD+AUD matrix mix.  In my experience
louder rear channels is an undiserable effect.  

---------------------------------------------------------

Multitrack Mixdown Settings

SET ONE SET TWO

Front Matrix Front Matrix
SBD -.5 SBD -1
AUD2 -7 AUD2 -7.5

Stereo Matrix Stereo Matrix
SBD -1 SBD -1
AUD2 -5.5 AUD2 -6

Rear Matrix Rear Matrix
AUD1 -4 AUD1 -4
AUD2 -9 AUD2 -9

Sub/LFE Matrix Sub/LFE Matrix
SBD -7db SBD -7.5db
AUD2 -5.5db AUD2 -6db

---------------------------------------------------------

Editorial Comments

This show is like a wearing my favorite slippers.  Familiar
and very comfortable.  I first obtained this show in 1985
about 2 weeks after the show.  I was a new 16 yr. old driver
and was giving a "friend of a friend" a ride in my car.  
This guy was a pretty hard core hippie and he produced the
cassette of the second set.  I was floored.  At the time, and
considering my age, I had no idea anyone could get a copy of
a show THAT fast.  And what a show it is.  Needless to say
the next five years or so were spent wearing out that cassette.

This show is most notable for the only "Scarlet > Eyes" but
is loaded with great renditions, sick jamming and inspired
playing.  The first set songs are all played really well.
The final Tom Thumb > Cold Rain > Music is fantastic.  Phil
is just out-of-hand throughout.  'Nuff said.

This Scarlet is my favorite, period.  A bold statement but
one I can stand tall behind.  Great long intro, nice middle
of the song solo, they come around twice (I LOVE THAT!) before
the Wind in The Willows but the ensuing jam towards Fire is
inspired.  Brent chasing Jerry, Brent chasing Bob.  Jerry is
traveling 100 miles an hour and the band is right behind. A
real nice Fire tease and Jerry picks his moment to lead the
gang into Eyes.  WOW!  

Eyes is also full of spit and fire with too many acid laced
licks to count.  Even GDTRFB is fast paced and fun, with Woman
still keeping your interest.  Isn't that a change?  Not the
longest pre-drums, 40+ mins, but understandable as clearly
Garcia needed to soak his hand in ice.

Normally topping an all Garcia tri-fecta to opened set two,
Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they
do, beat it to death.  The next 45+ mins is transcendental,
perfect, seamless, inspired, rocking/soothing and any other
accolade you can toss in for good measure.  This time a  new
tri-fecta, Truckin' > Other One > Black Peter, takes center
stage in the post drums part.  Note by note, second by second
the band just clicks.  It reminds me of the type of playing
they were capable of during 2/27-28, 3/1-2 when the band
was just so in tune with each other and what they are doing.
While clearly much different, take a listen.  These guys
are so tuned in to what each other is doing it is 6 as 1.

---------------------------------------------------------

More On DTS

Today's audio standards are moving towards multi-channel sound
like DTS, Dolby Digital and DVD-Audio.  While the Audio-CD
standard (Red Book) hasn't changed to accommodate these new
sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD.  To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure that
your receiver will recognize a DTS-Audio-CD, so the first
time you're trying to playback a DTS-Audio-CD you must do
a test to determine if it can. Begin with the volume very
low, start the disc and rise the volume gradually. NEVER
listen to a DTS-Audio-CD through the analogue audio outputs
of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any normal
Audio-CD from FLAC files.

---------------------------------------------------------

Taper: B. Koucky

gd1985-04-27.nak700.koucky.gmb.76584.sbeok.flac16

MAC: (FOB) Nak700s > Sony D5 > TDK MA 90s.

MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96 WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.

View NotesComments:
Crisp upclose sounding aud with some minor phasing issues. Thanks to Bill for taping, preserving, and sharing his recording with me for transfer.
Seeded by the green mountain bros at candyman FTP and planetFLAC - August 2006.

Taper: Adam, Justin & Monica

Adam, Justin & Monica

Alex Ford

gd1985-04-27.senn421.mccue.ford.32648.sbeok.flac

MAC: (FOB) Sennheiser 421's > Sony D5 > TDK MA 90 (Set I) & TDK MAR [aluminum core (Set II)]

MAC>NMAC>Nakamichi Cassette Deck 2(azimuth adjusted)>Audiophile 2496>WinXP Pro>CEP 2.0>CD Wave Editor>Flac Frontend(encoded@level 6)>FLAC16.