The Wheel > | 1985-04-27 | Grateful Dead

Bernie Worrell and the WOO Warriors

Playback	Listens	Hours
48h	0	0m
7d	1	24m
30d	28	4

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	0	0m
7d	3	25m
30d	53	8

Playback	Listens	Hours
48h	40	5
7d	69	11
30d	555	81

Playback	Listens	Hours
48h	118	16
7d	355	48
30d	1.9k	260

Playback	Listens	Hours
48h	5.4k	542
7d	14.1k	1.4k
30d	84.9k	8.5k

Playback	Listens	Hours
48h	72	5
7d	198	14
30d	1.5k	101

62 shows

76 tapes

Blueground Undergrass

107

Playback	Listens	Hours
48h	0	0m
7d	5	27m
30d	107	9

Playback	Listens	Hours
48h	123	14
7d	517	58
30d	2.4k	267

Playback	Listens	Hours
48h	296	35
7d	688	90
30d	4.8k	624

308 shows

512 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	1	53m
30d	1	53m

22 shows

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	48m

Playback	Listens	Hours
48h	47	6
7d	170	29
30d	833	141

451 shows

563 tapes

Buffalo Galaxy

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	50	6

Playback	Listens	Hours
48h	19	2
7d	138	15
30d	1.1k	103

Playback	Listens	Hours
48h	76	9
7d	454	46
30d	1.6k	167

Playback	Listens	Hours
48h	1	4m
7d	36	2
30d	355	19

Playback	Listens	Hours
48h	0	0m
7d	12	2
30d	205	27

Playback	Listens	Hours
48h	24	2
7d	60	4
30d	243	17

243 shows

272 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	17m

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	0	0m
7d	2	45m
30d	6	1

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	0	0m
7d	27	2
30d	75	9

79 shows

93 tapes

Circles Around The Sun

1.8k

Playback	Listens	Hours
48h	103	22
7d	260	58
30d	1.8k	377

Playback	Listens	Hours
48h	2	25m
7d	24	5
30d	161	29

Playback	Listens	Hours
48h	53	5
7d	76	6
30d	864	73

Playback	Listens	Hours
48h	13	2
7d	39	7
30d	529	82

Playback	Listens	Hours
48h	292	37
7d	1.1k	165
30d	4.9k	675

Playback	Listens	Hours
48h	354	47
7d	999	135
30d	6.3k	864

799 shows

1,061 tapes

Dave Harrington

Playback	Listens	Hours
48h	0	0m
7d	5	46m
30d	24	6

Playback	Listens	Hours
48h	37	3
7d	81	8
30d	233	22

Playback	Listens	Hours
48h	2.3k	358
7d	8.5k	1.3k
30d	40.7k	6.5k

Playback	Listens	Hours
48h	14	2
7d	76	8
30d	389	43

Playback	Listens	Hours
48h	50	3
7d	316	19
30d	1.4k	84

Playback	Listens	Hours
48h	88	10
7d	262	32
30d	1.4k	169

Playback	Listens	Hours
48h	914	188
7d	2.1k	414
30d	12.5k	2.6k

Playback	Listens	Hours
48h	30	3
7d	41	4
30d	279	29

Playback	Listens	Hours
48h	163	23
7d	445	67
30d	3.2k	499

157 shows

212 tapes

Domocile

Playback	Listens	Hours
48h	9	4
7d	9	1
30d	81	18

Playback	Listens	Hours
48h	206	21
7d	423	44
30d	1.7k	182

Playback	Listens	Hours
48h	35	6
7d	35	5
30d	216	35

358 shows

739 tapes

Drive-By Truckers

Playback	Listens	Hours
48h	149	12
7d	586	50
30d	3k	263

Playback	Listens	Hours
48h	21	3
7d	66	11
30d	405	68

Playback	Listens	Hours
48h	0	0m
7d	13	2
30d	155	22

Playback	Listens	Hours
48h	94	17
7d	280	52
30d	1.7k	293

152 shows

293 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	8m

Playback	Listens	Hours
48h	126	19
7d	403	55
30d	1.8k	244

831 shows

1,050 tapes

Electric Beethoven

Playback	Listens	Hours
48h	7	2
7d	2	52m
30d	15	6

Playback	Listens	Hours
48h	146	8
7d	230	13
30d	929	50

156 shows

174 tapes

Eric Krasno

Playback	Listens	Hours
48h	10	1
7d	0	0m
30d	95	13

123 shows

182 tapes

Everyone Orchestra

Playback	Listens	Hours
48h	0	0m
7d	5	43m
30d	18	3

182 shows

286 tapes

Forgotten Space

Playback	Listens	Hours
48h	0	0m
7d	2	14m
30d	49	5

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	52m

Playback	Listens	Hours
48h	9	52m
7d	12	1
30d	265	24

Playback	Listens	Hours
48h	16	1
7d	8	24m
30d	104	7

Playback	Listens	Hours
48h	1	5m
7d	23	2
30d	184	14

Playback	Listens	Hours
48h	1	3m
7d	11	40m
30d	115	7

Playback	Listens	Hours
48h	538	82
7d	1.9k	293
30d	9.7k	1.5k

246 shows

1,223 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

14 shows

G. Love and Special Sauce

630

Playback	Listens	Hours
48h	4	9m
7d	93	8
30d	630	56

Playback	Listens	Hours
48h	115	16
7d	278	31
30d	1.2k	139

Playback	Listens	Hours
48h	0	0m
7d	17	4
30d	134	18

Playback	Listens	Hours
48h	10	2
7d	18	3
30d	184	37

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	17	2

51 shows

65 tapes

Ghost Light

Playback	Listens	Hours
48h	4	36m
7d	4	3
30d	33	11

Playback	Listens	Hours
48h	88	9
7d	265	32
30d	1.3k	156

374 shows

509 tapes

Godspeed You Black Emperor!

376

Playback	Listens	Hours
48h	22	5
7d	50	13
30d	376	108

Playback	Listens	Hours
48h	0	0m
7d	7	54m
30d	100	11

Playback	Listens	Hours
48h	3.6k	795
7d	11.9k	2.6k
30d	54.6k	11.7k

Playback	Listens	Hours
48h	10	47m
7d	27	2
30d	305	27

363 shows

589 tapes

Grahame Lesh and Friends

1.8k

Playback	Listens	Hours
48h	119	17
7d	322	46
30d	1.8k	257

Playback	Listens	Hours
48h	10	1
7d	32	4
30d	158	21

Playback	Listens	Hours
48h	390	48
7d	854	103
30d	5.9k	705

Playback	Listens	Hours
48h	48	5
7d	99	13
30d	940	108

226 shows

313 tapes

GrooveSession

Playback	Listens	Hours
48h	0	0m
7d	1	11m
30d	29	5

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	0	0m
7d	1	2m
30d	49	3

53 shows

57 tapes

Guitarmageddon

Playback	Listens	Hours
48h	0	0m
7d	1	10m
30d	18	3

Playback	Listens	Hours
48h	49	3
7d	84	6
30d	361	25

755 shows

1,036 tapes

Hard Working Americans

Playback	Listens	Hours
48h	2	16m
7d	9	40m
30d	93	10

Playback	Listens	Hours
48h	31	4
7d	81	12
30d	346	56

187 shows

226 tapes

Horseshoes and Hand Grenades

Playback	Listens	Hours
48h	0	0m
7d	5	31m
30d	62	6

Playback	Listens	Hours
48h	29	3
7d	44	5
30d	212	21

674 shows

846 tapes

Infamous Stringdusters

1.2k

Playback	Listens	Hours
48h	103	10
7d	231	21
30d	1.2k	112

629 shows

1,016 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	10	2

Playback	Listens	Hours
48h	404	29
7d	869	58
30d	4.8k	323

Playback	Listens	Hours
48h	26	2
7d	47	4
30d	296	30

365 shows

492 tapes

Jazz Mandolin Project

111

Playback	Listens	Hours
48h	18	2
7d	33	6
30d	111	19

222 shows

280 tapes

Jeff Austin and Chris Castino

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	95	9

12 shows

Jerry Joseph and the Jackmormons

Jeff Austin And Friends

161

Playback	Listens	Hours
48h	0	0m
7d	28	3
30d	161	17

Playback	Listens	Hours
48h	17	2
7d	228	27
30d	1.4k	184

112 shows

162 tapes

2.3k

Playback	Listens	Hours
48h	105	18
7d	379	66
30d	2.3k	397

1,124 shows

1,519 tapes

Jerry's Middle Finger

3.6k

Playback	Listens	Hours
48h	167	23
7d	749	98
30d	3.6k	486

259 shows

310 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	1	9m
7d	15	2
30d	29	4

2 shows

5 tapes

Joe Russo's Almost Dead

39.7k

Playback	Listens	Hours
48h	1.6k	300
7d	5.4k	986
30d	39.7k	7.5k

Playback	Listens	Hours
48h	9	1
7d	124	12
30d	765	84

Playback	Listens	Hours
48h	142	11
7d	410	35
30d	2.5k	222

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	0	0m
7d	19	2
30d	42	5

Playback	Listens	Hours
48h	1	3m
7d	21	1
30d	132	9

Playback	Listens	Hours
48h	2	12m
7d	22	2
30d	113	11

73 shows

109 tapes

Karl Denson's Tiny Universe

148

Playback	Listens	Hours
48h	2	54m
7d	8	57m
30d	148	22

Playback	Listens	Hours
48h	189	19
7d	541	58
30d	4.2k	412

1,056 shows

1,397 tapes

Kikagaku Moyo

Playback	Listens	Hours
48h	31	3
7d	22	4
30d	78	13

43 shows

54 tapes

King Gizzard & the Lizard Wizard

16k

Playback	Listens	Hours
48h	1k	141
7d	2.7k	353
30d	16k	2.1k

211 shows

442 tapes

Kitchen Dwellers

Playback	Listens	Hours
48h	179	22
7d	352	47
30d	2k	272

315 shows

401 tapes

Kung Fu

Playback	Listens	Hours
48h	0	0m
7d	7	1
30d	49	7

Playback	Listens	Hours
48h	17	4
7d	107	21
30d	593	116

Playback	Listens	Hours
48h	13	2
7d	87	10
30d	703	83

Playback	Listens	Hours
48h	212	21
7d	579	57
30d	3.7k	342

979 shows

1,317 tapes

Lettuce

Playback	Listens	Hours
48h	189	25
7d	418	64
30d	3k	498

Playback	Listens	Hours
48h	249	23
7d	1k	94
30d	5.3k	485

Playback	Listens	Hours
48h	59	4
7d	224	16
30d	1.4k	105

Playback	Listens	Hours
48h	87	19
7d	298	57
30d	1.6k	302

437 shows

623 tapes

Marco Benevento

Playback	Listens	Hours
48h	3	25m
7d	18	1
30d	60	5

Playback	Listens	Hours
48h	164	15
7d	316	29
30d	2.1k	192

Playback	Listens	Hours
48h	3	21m
7d	18	2
30d	217	23

349 shows

446 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	204	41
7d	553	90
30d	3.6k	563

Playback	Listens	Hours
48h	18	53m
7d	21	1
30d	325	21

Playback	Listens	Hours
48h	0	0m
7d	21	2
30d	183	18

157 shows

172 tapes

Minutemen

Playback	Listens	Hours
48h	2	4m
7d	7	16m
30d	78	2

Playback	Listens	Hours
48h	37	2
7d	155	11
30d	892	61

Playback	Listens	Hours
48h	629	102
7d	1.7k	296
30d	10.1k	1.7k

1,990 shows

4,498 tapes

Mogwai

Playback	Listens	Hours
48h	0	0m
7d	19	2
30d	38	4

380 shows

481 tapes

Moon Taxi

Playback	Listens	Hours
48h	11	48m
7d	3	16m
30d	89	8

Playback	Listens	Hours
48h	112	12
7d	679	69
30d	4.2k	433

412 shows

600 tapes

Nathan Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	10	1

46 shows

51 tapes

Neal Francis

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	57	5

Playback	Listens	Hours
48h	27	5
7d	140	17
30d	601	83

138 shows

251 tapes

Nels Cline

Playback	Listens	Hours
48h	0	0m
7d	10	2
30d	46	8

62 shows

73 tapes

New Riders of the Purple Sage

1.7k

Playback	Listens	Hours
48h	42	4
7d	341	30
30d	1.7k	146

410 shows

598 tapes

North Mississippi Allstars

1.3k

Playback	Listens	Hours
48h	69	6
7d	155	15
30d	1.3k	123

Playback	Listens	Hours
48h	78	9
7d	191	21
30d	963	102

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	5	56m
7d	27	4
30d	152	28

130 shows

260 tapes

Percy Hill

Playback	Listens	Hours
48h	8	1
7d	27	4
30d	76	11

Playback	Listens	Hours
48h	63	13
7d	192	34
30d	1.3k	248

689 shows

920 tapes

Phil Lesh and Friends

15.4k

Playback	Listens	Hours
48h	1.1k	206
7d	3k	520
30d	15.4k	2.7k

788 shows

2,861 tapes

Pigeons Playing Ping Pong

Playback	Listens	Hours
48h	166	25
7d	234	39
30d	2k	311

Playback	Listens	Hours
48h	266	37
7d	650	83
30d	4.4k	554

293 shows

435 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

16 shows

16 tapes

Railroad Earth

Playback	Listens	Hours
48h	238	31
7d	601	78
30d	4k	529

1,236 shows

2,198 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	46	4

Playback	Listens	Hours
48h	30	4
7d	70	10
30d	495	66

Playback	Listens	Hours
48h	473	62
7d	1.3k	176
30d	7.2k	938

Playback	Listens	Hours
48h	45	3
7d	188	17
30d	1.7k	136

259 shows

390 tapes

Rumpke Mountain Boys

Playback	Listens	Hours
48h	56	5
7d	197	17
30d	2k	161

Playback	Listens	Hours
48h	110	9
7d	301	26
30d	2.1k	180

581 shows

729 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	1	26m
30d	3	55m

10 shows

11 tapes

Ryley Walker

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	11	2

Playback	Listens	Hours
48h	168	15
7d	666	63
30d	3.9k	371

128 shows

193 tapes

Scott Metzger

Playback	Listens	Hours
48h	13	2
7d	7	45m
30d	50	6

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	0	0m
7d	1	0m
30d	65	9

Playback	Listens	Hours
48h	1	7m
7d	11	1
30d	120	13

91 shows

96 tapes

Smashing Pumpkins

Playback	Listens	Hours
48h	72	7
7d	171	14
30d	1k	83

Playback	Listens	Hours
48h	179	27
7d	488	75
30d	2.9k	442

Playback	Listens	Hours
48h	68	14
7d	165	36
30d	1.3k	314

Playback	Listens	Hours
48h	17	55m
7d	66	4
30d	297	17

87 shows

96 tapes

Stanton Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	17	3

Playback	Listens	Hours
48h	0	0m
7d	76	14
30d	682	111

Playback	Listens	Hours
48h	108	26
7d	315	72
30d	1.8k	407

Playback	Listens	Hours
48h	90	10
7d	254	30
30d	1.3k	179

667 shows

1,139 tapes

String Cheese Incident

20k

Playback	Listens	Hours
48h	1k	162
7d	2.8k	446
30d	20k	3.3k

1,285 shows

2,081 tapes

Surprise Me Mr. Davis

Playback	Listens	Hours
48h	18	2
7d	16	2
30d	90	10

Playback	Listens	Hours
48h	6	1
7d	19	3
30d	171	31

Playback	Listens	Hours
48h	24	4
7d	29	3
30d	160	20

Playback	Listens	Hours
48h	63	7
7d	89	10
30d	728	80

729 shows

1,116 tapes

Ted Leo and the Pharmacists

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	12	58m

Playback	Listens	Hours
48h	706	77
7d	2.2k	244
30d	12.5k	1.5k

Playback	Listens	Hours
48h	45	2
7d	69	4
30d	232	12

Playback	Listens	Hours
48h	119	16
7d	314	40
30d	1.5k	186

Playback	Listens	Hours
48h	13	1
7d	45	7
30d	330	48

473 shows

627 tapes

The California Honeydrops

408

Playback	Listens	Hours
48h	32	4
7d	155	20
30d	408	53

77 shows

84 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	7m

Playback	Listens	Hours
48h	143	19
7d	1.1k	153
30d	3.5k	499

Playback	Listens	Hours
48h	23	2
7d	16	1
30d	156	14

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	7	1
7d	0	0m
30d	15	2

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	0	0m
7d	4	41m
30d	17	2

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	9	55m

Playback	Listens	Hours
48h	0	0m
7d	79	13
30d	384	63

Playback	Listens	Hours
48h	7	53m
7d	26	3
30d	128	16

Playback	Listens	Hours
48h	318	19
7d	709	37
30d	4.1k	221

Playback	Listens	Hours
48h	85	6
7d	99	7
30d	740	52

Playback	Listens	Hours
48h	26	6
7d	34	5
30d	235	44

Playback	Listens	Hours
48h	45	4
7d	177	17
30d	1.1k	114

Playback	Listens	Hours
48h	121	17
7d	546	80
30d	2.2k	313

Playback	Listens	Hours
48h	292	28
7d	1.5k	151
30d	7.4k	721

Playback	Listens	Hours
48h	0	0m
7d	36	3
30d	154	11

Playback	Listens	Hours
48h	153	15
7d	192	19
30d	853	88

71 shows

91 tapes

The Werks

Playback	Listens	Hours
48h	1	5m
7d	0	0m
30d	38	8

Playback	Listens	Hours
48h	45	4
7d	100	9
30d	1.1k	121

Playback	Listens	Hours
48h	72	4
7d	79	5
30d	895	60

175 shows

210 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	5	36m

Playback	Listens	Hours
48h	354	47
7d	1k	148
30d	6.3k	912

Playback	Listens	Hours
48h	10	58m
7d	0	0m
30d	110	10

Playback	Listens	Hours
48h	72	11
7d	193	33
30d	1.6k	255

438 shows

728 tapes

Umphrey's McGee

Playback	Listens	Hours
48h	634	98
7d	726	104
30d	5k	738

Playback	Listens	Hours
48h	9	49m
7d	48	3
30d	208	18

Playback	Listens	Hours
48h	106	8
7d	181	13
30d	1.3k	95

Playback	Listens	Hours
48h	957	73
7d	2.9k	231
30d	13.9k	1.1k

623 shows

1,142 tapes

White Denim

Playback	Listens	Hours
48h	0	0m
7d	20	1
30d	56	5

Playback	Listens	Hours
48h	13.6k	1.6k
7d	36k	4.3k
30d	171.1k	20.3k

Playback	Listens	Hours
48h	54	8
7d	253	33
30d	983	143

1,416 shows

2,242 tapes

Yonder Mountain String Band

11.9k

Playback	Listens	Hours
48h	704	67
7d	2.4k	231
30d	11.9k	1.1k

Playback	Listens	Hours
48h	61	10
7d	220	37
30d	1.7k	270

21 shows

29 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	54	11
7d	158	26
30d	1.5k	264

461 shows

666 tapes

Zoofunkyou

Playback	Listens	Hours
48h	0	0m
7d	1	7m
30d	12	1

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	1.9k	245
7d	4.2k	561
30d	21.6k	2.9k

Playback	Listens	Hours
48h	451	65
7d	5.2k	661
30d	22.2k	3.1k

Playback	Listens	Hours
48h	681	89
7d	2.1k	282
30d	29.9k	3.9k

Playback	Listens	Hours
48h	471	62
7d	1.7k	223
30d	32.1k	4.1k

Playback	Listens	Hours
48h	1.1k	155
7d	3.2k	435
30d	44.7k	5.9k

Playback	Listens	Hours
48h	6.9k	937
7d	14.4k	1.9k
30d	71.1k	9.4k

Playback	Listens	Hours
48h	8.7k	1.2k
7d	26.3k	3.2k
30d	66.5k	8.3k

Playback	Listens	Hours
48h	1.3k	149
7d	13.6k	1.7k
30d	46k	5.4k

Playback	Listens	Hours
48h	6.5k	741
7d	13.2k	1.4k
30d	61.9k	7.1k

Playback	Listens	Hours
48h	1.8k	202
7d	6.1k	652
30d	22.6k	2.5k

Playback	Listens	Hours
48h	1.2k	139
7d	8.1k	967
30d	63.6k	7.3k

Playback	Listens	Hours
48h	4.4k	509
7d	13.1k	1.6k
30d	50.6k	6.3k

Playback	Listens	Hours
48h	1.3k	161
7d	3.3k	428
30d	32.9k	4.3k

Playback	Listens	Hours
48h	1k	125
7d	3.3k	402
30d	18.7k	2.3k

Playback	Listens	Hours
48h	4.6k	553
7d	19k	2.4k
30d	38.6k	4.8k

Playback	Listens	Hours
48h	1.7k	197
7d	4.3k	501
30d	54.3k	6.4k

Playback	Listens	Hours
48h	1.3k	175
7d	4.3k	601
30d	25.4k	3.5k

Playback	Listens	Hours
48h	10.8k	1.4k
7d	12.8k	1.7k
30d	41.1k	5.4k

Playback	Listens	Hours
48h	4.9k	688
7d	17.8k	2.5k
30d	118.1k	16.4k

Playback	Listens	Hours
48h	3.1k	418
7d	10.8k	1.5k
30d	142.3k	19.1k

Playback	Listens	Hours
48h	213	21
7d	508	56
30d	5.6k	596

Playback	Listens	Hours
48h	3.3k	430
7d	10.5k	1.4k
30d	97.6k	12.7k

Playback	Listens	Hours
48h	3.4k	431
7d	11.2k	1.4k
30d	85k	11.1k

Playback	Listens	Hours
48h	2k	242
7d	6.2k	775
30d	37.7k	4.7k

Playback	Listens	Hours
48h	1.5k	169
7d	8.9k	979
30d	31.3k	3.5k

Playback	Listens	Hours
48h	1.3k	145
7d	2.6k	300
30d	23.1k	2.6k

Playback	Listens	Hours
48h	2k	391
7d	5.1k	657
30d	21.1k	2.9k

Playback	Listens	Hours
48h	381	51
7d	874	115
30d	6.4k	815

Playback	Listens	Hours
48h	127	22
7d	357	49
30d	2.1k	291

Playback	Listens	Hours
48h	358	24
7d	1.7k	121
30d	5.6k	398

Playback	Listens	Hours
48h	17	1
7d	78	5
30d	474	29

2 shows

2 tapes

1985

12/31SBD

Oakland-Alameda County Coliseum

Oakland-Alameda County Coliseum

149

Playback	Listens	Hours
48h	7	53m
7d	15	2
30d	149	17

4:59:06

19 tapes

12/30SBD

207

Playback	Listens	Hours
48h	10	1
7d	33	4
30d	207	22

4:28:26

17 tapes

11/22SBD

Playback	Listens	Hours
48h	5	42m
7d	18	2
30d	97	13

2:15:35

11 tapes

11/21SBD

201

Playback	Listens	Hours
48h	0	0m
7d	21	3
30d	201	22

2:15:55

11/20SBD

Community War Memorial Auditorium

452

Playback	Listens	Hours
48h	15	2
7d	46	4
30d	452	49

Playback	Listens	Hours
48h	17	2
7d	0	0m
30d	114	13

Playback	Listens	Hours
48h	1	8m
7d	0	0m
30d	103	12

East Rutherford, NJ, USA

244

Playback	Listens	Hours
48h	0	0m
7d	9	1
30d	244	30

East Rutherford, NJ, USA

170

Playback	Listens	Hours
48h	5	35m
7d	26	3
30d	170	20

4:40:11

27 tapes

11/08SBD

Rochester, NY, USA

180

Playback	Listens	Hours
48h	0	0m
7d	8	53m
30d	180	21

2:12:53

27 tapes

11/07SBD

Community War Memorial Auditorium

Rochester, NY, USA

173

Playback	Listens	Hours
48h	1	7m
7d	8	56m
30d	173	19

Playback	Listens	Hours
48h	3	14m
7d	28	3
30d	157	18

Playback	Listens	Hours
48h	0	0m
7d	9	52m
30d	115	12

Playback	Listens	Hours
48h	8	1
7d	66	8
30d	286	37

Playback	Listens	Hours
48h	39	4
7d	34	4
30d	569	62

2:40:08

18 tapes

10/31SBD

Carolina Coliseum, U. of South Carolina

Columbia, SC, USA

298

Playback	Listens	Hours
48h	26	3
7d	3	15m
30d	298	29

Playback	Listens	Hours
48h	27	3
7d	68	9
30d	317	38

Playback	Listens	Hours
48h	41	5
7d	0	0m
30d	144	17

Playback	Listens	Hours
48h	14	2
7d	3	17m
30d	204	20

Pembroke Pines, FL, USA

Playback	Listens	Hours
48h	15	2
7d	0	0m
30d	90	12

2:21:11

12 tapes

9/15SBD

Devore Field, Southwestern College

Chula Vista, CA, USA

364

Playback	Listens	Hours
48h	20	2
7d	80	10
30d	364	41

2:25:59

9/12SBD

116

Playback	Listens	Hours
48h	25	3
7d	11	2
30d	116	15

2:30:28

9/11SBD

109

Playback	Listens	Hours
48h	0	0m
7d	18	2
30d	109	12

2:22:15

12 tapes

9/10SBD

Playback	Listens	Hours
48h	13	1
7d	23	2
30d	93	9

2:15:03

10 tapes

9/07SBD

Red Rocks Amphitheatre

Morrison, CO, USA

418

Playback	Listens	Hours
48h	2	12m
7d	111	11
30d	418	45

5:00:50

22 tapes

9/06SBD

Red Rocks Amphitheatre

Morrison, CO, USA

113

Playback	Listens	Hours
48h	16	2
7d	41	5
30d	113	13

2:10:32

Southern Star Amphitheater

9/05SBD

Red Rocks Amphitheatre

Morrison, CO, USA

239

Playback	Listens	Hours
48h	8	1
7d	80	10
30d	239	32

Playback	Listens	Hours
48h	45	5
7d	55	6
30d	171	17

Oklahoma City, OK, USA

500

Playback	Listens	Hours
48h	34	4
7d	29	3
30d	500	53

Playback	Listens	Hours
48h	21	3
7d	10	1
30d	32	4

2:36:45

13 tapes

8/30SBD

Houston, TX, USA

163

Playback	Listens	Hours
48h	28	4
7d	9	1
30d	163	20

2:15:38

Ventura County Fairgrounds

8/24SBD

Boreal Ridge Ski Resort

Donner's Summit, CA, USA

124

Playback	Listens	Hours
48h	11	1
7d	29	3
30d	124	14

2:12:43

5 tapes

7/14SBD

Ventura, CA, USA

238

Playback	Listens	Hours
48h	7	51m
7d	35	4
30d	238	26

2:41:38

11 tapes

7/13SBD

Ventura County Fairgrounds

Ventura, CA, USA

448

Playback	Listens	Hours
48h	13	2
7d	107	14
30d	448	59

Playback	Listens	Hours
48h	46	5
7d	1.7k	196
30d	1.8k	208

2:25:58

18 tapes

7/01SBD

Merriweather Post Pavilion

Columbia, MD, USA

5.1k

Playback	Listens	Hours
48h	3	16m
7d	1.4k	200
30d	5.1k	697

2:46:28

Merriweather Post Pavilion

6/30SBD

Columbia, MD, USA

8.1k

Playback	Listens	Hours
48h	95	11
7d	1.6k	185
30d	8.1k	933

Playback	Listens	Hours
48h	30	4
7d	217	27
30d	3.1k	377

2:27:36

Saratoga Performing Arts Center

6/27SBD

Saratoga Springs, NY, USA

5.7k

Playback	Listens	Hours
48h	31	3
7d	319	32
30d	5.7k	582

Cuyahoga Falls, OH, USA

5.1k

Playback	Listens	Hours
48h	52	6
7d	176	17
30d	5.1k	515

2:29:46

13 tapes

6/24SBD

River Bend Music Center

Cincinnati, OH, USA

Playback	Listens	Hours
48h	20	2
7d	210	24
30d	4k	466

2:35:44

Alpine Valley Music Theatre

6/22SBD

East Troy, WI, USA

1.7k

Playback	Listens	Hours
48h	2	7m
7d	85	9
30d	1.7k	192

2:30:32

Alpine Valley Music Theatre

6/21SBD

East Troy, WI, USA

1.1k

Playback	Listens	Hours
48h	2	20m
7d	64	7
30d	1.1k	119

Playback	Listens	Hours
48h	47	6
7d	74	9
30d	6.2k	745

Playback	Listens	Hours
48h	25	3
7d	91	10
30d	4.8k	527

Playback	Listens	Hours
48h	14	1
7d	97	11
30d	3k	351

Playback	Listens	Hours
48h	15	2
7d	81	9
30d	358	41

Playback	Listens	Hours
48h	22	3
7d	58	7
30d	514	61

2:50:08

Marin Veterans Memorial Auditorium

4/21SBD

San Rafael, CA

Playback	Listens	Hours
48h	0	0m
7d	1	5m
30d	23	2

Playback	Listens	Hours
48h	1	7m
7d	10	1
30d	219	24

Playback	Listens	Hours
48h	80	10
7d	94	11
30d	716	87

Philadelphia, PA, USA

328

Playback	Listens	Hours
48h	14	1
7d	40	4
30d	328	32

Philadelphia, PA, USA

275

Playback	Listens	Hours
48h	9	58m
7d	39	5
30d	275	36

Philadelphia, PA, USA

378

Playback	Listens	Hours
48h	4	26m
7d	48	5
30d	378	46

2:28:31

Cumberland County Civic Center

4/04SBD

Providence Civic Center

Providence, RI, USA

257

Playback	Listens	Hours
48h	3	21m
7d	49	5
30d	257	28

2:33:15

22 tapes

4/03SBD

Providence Civic Center

Providence, RI, USA

195

Playback	Listens	Hours
48h	23	3
7d	8	55m
30d	195	27

2:51:34

26 tapes

4/01

Portland, ME, USA

126

Playback	Listens	Hours
48h	3	18m
7d	29	3
30d	126	14

2:22:23

37 tapes

3/31SBD

Cumberland County Civic Center

Portland, ME, USA

275

Playback	Listens	Hours
48h	24	3
7d	54	7
30d	275	34

Playback	Listens	Hours
48h	0	0m
7d	17	2
30d	110	13

Playback	Listens	Hours
48h	13	2
7d	51	6
30d	370	47

Playback	Listens	Hours
48h	16	2
7d	60	7
30d	119	14

2:13:05

27 tapes

3/25SBD

Springfield Civic Center

Springfield, MA, USA

258

Playback	Listens	Hours
48h	11	2
7d	38	5
30d	258	34

2:46:52

30 tapes

3/24SBD

Springfield Civic Center

Springfield, MA, USA

115

Playback	Listens	Hours
48h	14	2
7d	31	4
30d	115	13

Playback	Listens	Hours
48h	1	11m
7d	27	4
30d	178	23

Playback	Listens	Hours
48h	2	12m
7d	35	4
30d	224	23

2:21:56

17 tapes

3/13SBD

288

Playback	Listens	Hours
48h	1	7m
7d	39	5
30d	288	36

2:23:36

9 tapes

3/12

Playback	Listens	Hours
48h	2	16m
7d	28	3
30d	97	11

2:13:21

8 tapes

3/10

Playback	Listens	Hours
48h	0	0m
7d	2	16m
30d	42	5

2:18:50

3/09SBD

531

Playback	Listens	Hours
48h	7	56m
7d	91	12
30d	531	70

2:14:44

13 tapes

2/XXSBD

Twilight Zone Sessions

Playback	Listens	Hours
48h	2	2m
7d	0	0m
30d	64	2

13:28

1 tape

2/20SBD

108

Playback	Listens	Hours
48h	1	3m
7d	15	2
30d	108	13

2:16:03

2/19SBD

176

Playback	Listens	Hours
48h	4	17m
7d	24	3
30d	176	21

1:58:18

5 tapes

2/18SBD

290

Playback	Listens	Hours
48h	20	2
7d	21	3
30d	290	33

2:26:39

Sources

Taper: Joani Walker and Paul Scotton

2:32:57

SBD

Joani Walker and Paul Scotton

gd1985-04-27.152284.sbd.walker.scotton.miller.clugston.flac2496

Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes

1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

View NotesNotes:
- Thanks to Joani Walker and Paul Scotton for the 1st generation cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:21 patch in the "Eyes Of the World > Goin' Down The Road Feeling Bad" transition, as well as a 0:32 patch in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
April 2020

Taper: Joani Walker and Paul Scotton

2:32:57

SBD

Joani Walker and Paul Scotton

gd1985-04-27.152283.sbd.walker.scotton.miller.clugston.flac1648

Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes

1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

gd1985-04-27.sbd.miller.25467.sbeok.shnf

View NotesNotes:
- Thanks to Joani Walker and Paul Scotton for the 1st generation cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:21 patch in the "Eyes Of the World > Goin' Down The Road Feeling Bad" transition, as well as a 0:32 patch in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
April 2020

Transferrer: Charlie Miller

SBD -> Master Cassette -> Dat (44.1k)

Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN

gd1985-04-27.mtx.haugh.78681.flac24

View Notes-- This is a lot cleaner than what currently circulates (No diginoise/static).
-- Seamless transition between Discs 2 and 3.
-- 2nd Set is more dynamic than 1st set, plus there is no tape flip.
-- 2nd Set may be from PCM or VHS/Beta Hi-Fi.
-- Sounds keeps improving as show goes progresses.

Taper: See info file

DVD-AUDIO 24/48 SBD+AUD Matrix Mix

See info file

gd1985-04-27.mtx.haugh.78504.flac16

View Notes---------------------------------------------------------

Source Info

SBD
SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif
Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net

AUD1
MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky.
MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96
WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using
Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.  
Transfer and mastering by C.Ladner.

AUD2
MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR
[aluminum core (Set II)]  Mic Config: mics on T bar knee high
pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth
adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave
Editor > Flac Frontend (encoded@level 6) >FLAC16
Location: on the lawn, 25 feet from the stage, DFC
Taper: Adam, Justin & Monica - Mark McCue Masters
All cuts, fades and edits made in CEP 2.0, normalized to 100%.
Sector boundaries verified with TLH. Transfer, minor editing
and conversion by Alex Ford 3/10 & 11/2006.

Thanks to all the hard work from the folks mentioned above in
their loving care getting these sources out.  Thanks also to
the Lossless Legs Community (www.shnflac.net) for getting me
these 3 spectacular sources.  Also a thanks for some of the
images used in creation of the artwork.  I found them years
ago on the net and do not have anyway to properly credit.

---------------------------------------------------------

Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch all of the sources.  SF8.0 was used for the EQ setting
post mixdown. This is a 65% SBD, 20% AUD1, 15% AUD2 mix.      
- Mixed by dan@am-dig.com
- FLAC conversion done 28-SEPT-2006  
- Artwork at 300dpi by dan@am-dig.com
- For best results print at the highest resolution onto glossy
photo paper.  Design for use in a clear double jewel case.

---------------------------------------------------------

Notes

After spending several months and likely more than 150 hrs
on this project I rushed my way through this text file and
the artwork.  I just want to be done with it.  Hopefully it
will be acceptable and without too many typos or errors.

The SBD has a strange sound characteristic that can be heard
through the first few songs and then disappears.  As Charlie
Miller noted in his text file "sounds keeps improving as show
progresses".  Which is indeed true.  The sound keeps cycling
from normal to "overly bright".  Could it be a bad Dolby
encode or decode scenario?   Only when you listening very
critically.  It does not subtract from these really great
recordings and great show IMO.

Both AUD recordings are very good.  The Nak700 sounds like it
was on a stand and doesn't have the close crowd feeling of a
typical FOB.  Some post-processing was obviously done to
maximize the levels, which does cut down a bit on the dynamic
range.  The Senn 421 has a much rowdier feel with closer
crowd, clapping and a good feel for a live show.

All 3 sources had different stoppages between songs in the
first set, most notably was during "Let Phil Sing".  Here
we had missing "crowd" material with no overlap.  I employ
several techniques, fades, crossfades, volume changes and
"borrowing" crowd cheer from different parts of the same
recording to fill in the sound and make the new recording flow
uninterrupted.  Take a listen to the first set, the missing
material now flows smooth and is most likely undetectable.

d1t01 "Bill Graham Intro" The first 20 seconds is entirely
from the NAK700 source, then the Senn 421 source fades in
and then finally the SBD also joins the mix.  No music was
missing.  This is smooth and is most likely undetectable.

D2 and D3 can be assembled seamlessly on longer media.

d2t01 "Scarlet Begonias" The first 10 seconds is just the
SBD and the NAK700 source, then the Senn 421 source fades in
and also joins the mix.  This is smooth and is most likely
undetectable.

d3t04 "The Other One" 36.334 seconds of "fake" patch was
used to cover a missing part of the SBD source.  Most likely
a repeating musical portion from earlier in the song was used.  
In short, "The Other One" was patch with the very same "The
Other One".  This was a very tricky edit to find and remove.  
It is now patched with a matrix mix of AUD1 and AUD2 for
1:00.119 with 2 second crossfade on each.  B/c this is a
change in source it is detectable by the listener.

d1t09 "Bill Graham Intro" is entirely from the NAK700 source.

This represents the 24 bit files that are the result of all my
editing and the multitrack mixdown preserved in 24 bit. It is
unclear exactly what we have in the way of high resolution.
However it seems what we have here would not be represented
accurately in 16/44. What you are getting is the full result
of the matrix mix process. How much different does this sound?
is this better? A little and yes. This is more accurate and
has more dynamic range.  24/48 resolution versus a 16/44 of
the same material will usually result in very subtle but
important differences.  Most of it relying on the quality of
the DVD-A player and the D to A conversion.  With that in
mind, this 24 bit copy is no different.  Small but important
gains over the same material in 16/44.  This is just one
man's take.  Take it or leave it.

---------------------------------------------------------

Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -3
AUD1 -7
AUD2 -8.5

SET TWO

Stereo Matrix
SBD -3.5
AUD1 -7
AUD2 -8.5

---------------------------------------------------------

Editorial Comments

This show is like a wearing my favorite slippers.  Familiar
and very comfortable.  I first obtained this show in 1985
about 2 weeks after the show.  I was a new 16 yr. old driver
and was giving a "friend of a friend" a ride in my car.  
This guy was a pretty hard core hippie and he produced the
cassette of the second set.  I was floored.  At the time, and
considering my age, I had no idea anyone could get a copy of
a show THAT fast.  And what a show it is.  Needless to say
the next five years or so were spent wearing out that cassette.

This show is most notable for the only "Scarlet > Eyes" but
is loaded with great renditions, sick jamming and inspired
playing.  The first set songs are all played really well.
The final Tom Thumb > Cold Rain > Music is fantastic.  Phil
is just out-of-hand throughout.  'Nuff said.

This Scarlet is my favorite, period.  A bold statement but
one I can stand tall behind.  Great long intro, nice middle
of the song solo, they come around twice (I LOVE THAT!) before
the Wind in The Willows but the ensuing jam towards Fire is
inspired.  Brent chasing Jerry, Brent chasing Bob.  Jerry is
traveling 100 miles an hour and the band is right behind. A
real nice Fire tease and Jerry picks his moment to lead the
gang into Eyes.  WOW!  

Eyes is also full of spit and fire with too many acid laced
licks to count.  Even GDTRFB is fast paced and fun, with Woman
still keeping your interest.  Isn't that a change?  Not the
longest pre-drums, 40+ mins, but understandable as clearly
Garcia needed to soak his hand in ice.

Normally topping an all Garcia tri-fecta to opened set two,
Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they
do, beat it to death.  The next 45+ mins is transcendental,
perfect, seamless, inspired, rocking/soothing and any other
accolade you can toss in for good measure.  This time a  new
tri-fecta, Truckin' > Other One > Black Peter, takes center
stage in the post drums part.  Note by note, second by second
the band just clicks.  It reminds me of the type of playing
they were capable of during 2/27-28, 3/1-2 when the band
was just so in tune with each other and what they are doing.
While clearly much different, take a listen.  These guys
are so tuned in to what each other is doing it is 6 as 1.

---------------------------------------------------------

Taper: See info file

SBD + AUD Matrix 3 Source Mix

See info file

gd85-04-27.fixedsbd.mattman.20683.sbeok.shnf

View Notes---------------------------------------------------------

Source Info

SBD
SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif
Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net

AUD1
MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky.
MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96
WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using
Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.  
Transfer and mastering by C.Ladner.

AUD2
MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR
[aluminum core (Set II)]  Mic Config: mics on T bar knee high
pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth
adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave
Editor > Flac Frontend (encoded@level 6) >FLAC16
Location: on the lawn, 25 feet from the stage, DFC
Taper: Adam, Justin & Monica - Mark McCue Masters
All cuts, fades and edits made in CEP 2.0, normalized to 100%.
Sector boundaries verified with TLH. Transfer, minor editing
and conversion by Alex Ford 3/10 & 11/2006.

Thanks to all the hard work from the folks mentioned above in
their loving care getting these sources out.  Thanks also to
the Lossless Legs Community (www.shnflac.net) for getting me
these 3 spectacular sources.  Also a thanks for some of the
images used in creation of the artwork.  I found them years
ago on the net and do not have anyway to properly credit.

---------------------------------------------------------

Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch all of the sources.  SF8.0 was used for the EQ setting
post mixdown. This is a 65% SBD, 20% AUD1, 15% AUD2 mix.      
- Mixed by dan@am-dig.com
- FLAC conversion done 28-SEPT-2006  
- Artwork at 300dpi by dan@am-dig.com
- For best results print at the highest resolution onto glossy
photo paper.  Design for use in a clear double jewel case.

---------------------------------------------------------

Notes

After spending several months and likely more than 150 hrs
on this project I rushed my way through this text file and
the artwork.  I just want to be done with it.  Hopefully it
will be acceptable and without too many typos or errors.

The SBD has a strange sound characteristic that can be heard
through the first few songs and then disappears.  As Charlie
Miller noted in his text file "sounds keeps improving as show
progresses".  Which is indeed true.  The sound keeps cycling
from normal to "overly bright".  Could it be a bad Dolby
encode or decode scenario?   Only when you listening very
critically.  It does not subtract from these really great
recordings and great show IMO.

Both AUD recordings are very good.  The Nak700 sounds like it
was on a stand and doesn't have the close crowd feeling of a
typical FOB.  Some post-processing was obviously done to
maximize the levels, which does cut down a bit on the dynamic
range.  The Senn 421 has a much rowdier feel with closer
crowd, clapping and a good feel for a live show.

All 3 sources had different stoppages between songs in the
first set, most notably was during "Let Phil Sing".  Here
we had missing "crowd" material with no overlap.  I employ
several techniques, fades, crossfades, volume changes and
"borrowing" crowd cheer from different parts of the same
recording to fill in the sound and make the new recording flow
uninterrupted.  Take a listen to the first set, the missing
material now flows smooth and is most likely undetectable.

d1t01 "Bill Graham Intro" The first 20 seconds is entirely
from the NAK700 source, then the Senn 421 source fades in
and then finally the SBD also joins the mix.  No music was
missing.  This is smooth and is most likely undetectable.

D2 and D3 can be assembled seamlessly on longer media.

d2t01 "Scarlet Begonias" The first 10 seconds is just the
SBD and the NAK700 source, then the Senn 421 source fades in
and also joins the mix.  This is smooth and is most likely
undetectable.

d3t04 "The Other One" 36.334 seconds of "fake" patch was
used to cover a missing part of the SBD source.  Most likely
a repeating musical portion from earlier in the song was used.  
In short, "The Other One" was patch with the very same "The
Other One".  This was a very tricky edit to find and remove.  
It is now patched with a matrix mix of AUD1 and AUD2 for
1:00.119 with 2 second crossfade on each.  B/c this is a
change in source it is detectable by the listener.

d1t09 "Bill Graham Intro" is entirely from the NAK700 source.

---------------------------------------------------------

Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -3
AUD1 -7
AUD2 -8.5

SET TWO

Stereo Matrix
SBD -3.5
AUD1 -7
AUD2 -8.5

---------------------------------------------------------

Editorial Comments

This show is like a wearing my favorite slippers.  Familiar
and very comfortable.  I first obtained this show in 1985
about 2 weeks after the show.  I was a new 16 yr. old driver
and was giving a "friend of a friend" a ride in my car.  
This guy was a pretty hard core hippie and he produced the
cassette of the second set.  I was floored.  At the time, and
considering my age, I had no idea anyone could get a copy of
a show THAT fast.  And what a show it is.  Needless to say
the next five years or so were spent wearing out that cassette.

This show is most notable for the only "Scarlet > Eyes" but
is loaded with great renditions, sick jamming and inspired
playing.  The first set songs are all played really well.
The final Tom Thumb > Cold Rain > Music is fantastic.  Phil
is just out-of-hand throughout.  'Nuff said.

This Scarlet is my favorite, period.  A bold statement but
one I can stand tall behind.  Great long intro, nice middle
of the song solo, they come around twice (I LOVE THAT!) before
the Wind in The Willows but the ensuing jam towards Fire is
inspired.  Brent chasing Jerry, Brent chasing Bob.  Jerry is
traveling 100 miles an hour and the band is right behind. A
real nice Fire tease and Jerry picks his moment to lead the
gang into Eyes.  WOW!  

Eyes is also full of spit and fire with too many acid laced
licks to count.  Even GDTRFB is fast paced and fun, with Woman
still keeping your interest.  Isn't that a change?  Not the
longest pre-drums, 40+ mins, but understandable as clearly
Garcia needed to soak his hand in ice.

Normally topping an all Garcia tri-fecta to opened set two,
Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they
do, beat it to death.  The next 45+ mins is transcendental,
perfect, seamless, inspired, rocking/soothing and any other
accolade you can toss in for good measure.  This time a  new
tri-fecta, Truckin' > Other One > Black Peter, takes center
stage in the post drums part.  Note by note, second by second
the band just clicks.  It reminds me of the type of playing
they were capable of during 2/27-28, 3/1-2 when the band
was just so in tune with each other and what they are doing.
While clearly much different, take a listen.  These guys
are so tuned in to what each other is doing it is 6 as 1.

---------------------------------------------------------

Source 6 of 28

Pitch-corrected version of <a href="http://db.etree.org/shninfo_detail.php?shnid=17265">shnid=17265</a>.

SBD > MC > DAT > CDR > EAC > mkwACT

View NotesPitch-corrected version of <a href="http://db.etree.org/shninfo_detail.php?shnid=17265" rel="nofollow">shnid=17265</a>.

Source 7 of 28

gd85-04-27.sbd.jerugim.359.sbeok.shnf

View NotesSource:
SBD > MC > DAT > CDR > EAC > mkwACT

Doesn't have missed lyric in The Other One. Seems like it may be still missing some music but, if it is, the d/o is much less drastic.

Source 8 of 28

SBDMC> DAT> CDR

View NotesSBDMC> DAT> CDR; CDR> EAC> SHN; conversion & upload, A. Jerugim;
no known flaws

Taper: Mark Terry

gd1985-04-27.172444.nak300.terry.miller.clugston.flac2496

Mark Terry's Master Audience Cassettes; Nakamichi 300 mics > Sony WM-D6C (Maxell XLII-S90)

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496

View NotesNotes:
- Thanks to Mark Terry for the master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bob Wagner for the Nakamichi 700 source which supplies a 0:34 patch in the "Eyes Of The World > Goin' Down The Road Feeling Bad" transition, as well as a 0:25 patch in the "Truckin' > The Other One" transition
- Pitch corrected

Mastered by Scott Clugston
May 2025

Taper: Mark Terry

gd1985-04-27.172443.nak300.terry.miller.clugston.flac1648

Mark Terry's Master Audience Cassettes; Nakamichi 300 mics > Sony WM-D6C (Maxell XLII-S90)

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496

View NotesNotes:
- Thanks to Mark Terry for the master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bob Wagner for the Nakamichi 700 source which supplies a 0:34 patch in the "Eyes Of The World > Goin' Down The Road Feeling Bad" transition, as well as a 0:25 patch in the "Truckin' > The Other One" transition
- Pitch corrected

Mastered by Scott Clugston
May 2025

Taper: Bob Wagner

gd1985-04-27.163485.nak700.wagner.miller.clugston.flac2496

Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496

View NotesNotes:
- Thanks to Bob Wagner for master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:17 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
July 2022

Taper: Bob Wagner

gd1985-04-27.163484.nak700.wagner.miller.clugston.flac1648

Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony D5

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496

View NotesNotes:
- Thanks to Bob Wagner for master cassette source
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Chris Hecht for the Neumann KM84i source which supplies a 0:17 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
July 2022

Taper: Chris Hecht

gd1985-04-27.148416.neumann.km84i.hecht.miller.clugston.flac2496

Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

View NotesNotes:
- Thanks to Chris Hecht for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bill Koucky and Chris Ladner for the shnid76584 Nakamichi 700 source which supplies the crowd and beginning of "Dancing In The Street", the end of "Cold Rain & Snow" and beginning of "The Music Never Stopped (5:17 total), the crowd and beginning of "Scarlet Begonias" (3:48 total), as well as a 0:42 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
September 2019

Taper: Chris Hecht

gd1985-04-27.148415.neumann.km84i.hecht.miller-clugston.flac1648

Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496

Joe Noel and Charlie Miller

View NotesNotes:
- Thanks to Chris Hecht for the master recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Bill Koucky and Chris Ladner for the shnid76584 Nakamichi 700 source which supplies the crowd and beginning of "Dancing In The Street", the end of "Cold Rain & Snow" and beginning of "The Music Never Stopped (5:17 total), the crowd and beginning of "Scarlet Begonias" (3:48 total), as well as a 0:42 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
September 2019

Taper: Walt Keeler

gd1985-04-27.145335.s2.fob.sony..ecm150.keeler.miller.noel.t-flac16

Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90)

Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k)

Joe Noel and Charlie Miller

View NotesEdited & Mastered by Joe Noel;
WAV > Audacity > Flac 24/96
October 28, 2018

This file set is 16 bit @ 44.1

Patch info:
- shnid 10203 (Nakamichi CM-100)
- s2t06; last four seconds
- s2t07; first twenty-seven seconds

Notes:
- Thank you Walt, thank you for getting real close.
- Thank you Charlie for transferring & coordinating.
- Thanks to Greg Holtz for the patch source.
- Pitch corrected

Taper: Walt Keeler

gd1985-04-27.143491.s2.FOB.ECM150.Keeler.Miller.Noel.t-flac2496

Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90)

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k)

gd1985-04-27.166645.akgC-33e.fob.Hoey.flac24

View NotesPatch info:
- shnid 10203 (Nakamichi CM-100)
- s2t06; last four seconds
- s2t07; first twenty-seven seconds

Notes:
- Thank you Walt, thank you for getting real close.
- Thank you Charlie for transferring & coordinating.
- Thanks to Greg Holtz for the patch source.
- Pitch corrected

Taper: Hoey

AKG C-33e stereo mic > akg 48v phantom power supply > Marantz PMD 430 (dbx nr Maxell MX90)

Nakamichi Dragon > dbx model 224 processor (decode) > Audio Antiquary mastering preamp (Telefunken C3g tube) > QES Labs PAD-2 mkII LE (a > d @ 24bit 96kHz) > Peak Pro 7 > xACT (flac tags)

Taper: Recording by Craig Rogers

2:50:08

Recording by Craig Rogers

Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel January 20, 2021

gd1985-04-27.151947.Mouth.AKG.Master.Cassette.Rogers.Noel.t-flac16

Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show

Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96

View NotesPatch info:
- shnid 148416 (Neumann, Chris Hecht) supplies
- s2t06; 03:51 - 06:56
- s2t07; 03:32 - 04:00

Notes;
- Thanks to Craig Rogers for taping & sharing
- Thanks to everyone involved with the patch source
- Special thanks to Jerry Garcia for allowing these recordings.
- Special thanks to Dan Healy (minus the hiccup on this night) for allowing the tradition to continue
- This source has been pitch corrected
- The tape pauses were cross faded.
- There was a taper bust during GDTRFB, but the tapers keep rolling!
- Notwithstanding the bust, this is a huge recording from the mouth.
- If you're gonna get busted, this is how you want it to go down.  They didn't loose their masters & they only missed 3 minutes of music (drums).
- Give these boys the 13 Point Lightning Bolt!
- This is an Uher Archive production.
- uherarchive@live.com
- Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Mar 2, 2021

Taper: Recording by Craig Rogers

2:50:07

Recording by Craig Rogers

Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel January 20, 2021

gd1985-04-27.151970.Mouth.AKG.Rogers.Noel.fixed.151703.t-flac2496

Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show

Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96

Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel January 20, 2021

View NotesPatch info:
- shnid 148416 (Neumann, Chris Hecht) supplies
- s2t06; 03:51 - 06:56
- s2t07; 03:32 - 04:00

Notes;
- Thanks to Craig Rogers for taping & sharing
- Thanks to everyone involved with the patch source
- Special thanks to Jerry Garcia for allowing these recordings.
- Special thanks to Dan Healy (minus the hiccup on this night) for allowing the tradition to continue
- This source has been pitch corrected
- The tape pauses were cross faded.
- There was a taper bust during GDTRFB, but the tapers keep rolling!
- Notwithstanding the bust, this is a huge recording from the mouth.
- If you're gonna get busted, this is how you want it to go down.  They didn't loose their masters & they only missed 3 minutes of music (drums).
- Give these boys the 13 Point Lightning Bolt!
- This is an Uher Archive production.
- uherarchive@live.com


Notes (fix);
- channels were reversed, this has been corrected.

Taper: Craig Rogers

gd1985-04-27.151703.Mouth.AKG.Master.Cassette.Rogers.Noel.t-flac2496

Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes

Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96

View NotesNotes;
- Thanks to Craig Rogers for taping & sharing
- Thanks to everyone involved with the patch source
- Special thanks to Jerry Garcia for allowing these recordings.
- Special thanks to Dan Healy (minus the hiccup on this night) for allowing the tradition to continue
- This source has been pitch corrected
- The tape pauses were cross faded.
- There was a taper bust during GDTRFB, but the tapers keep rolling!
- Notwithstanding the bust, this is a huge recording from the mouth.
- If you're gonna get busted, this is how you want it to go down.  They didn't loose their masters & they only missed 3 minutes of music (drums).
- Give these boys the 13 Point Lightning Bolt!
- This is an Uher Archive production.
- uherarchive@live.com

Transferrer: 5.1 LPCM Surround Sound Mix (48/24) by amdig & Kevin Tobin

2:33:35

5.1 LPCM Surround Sound Mix (48/24) by amdig & Kevin Tobin

gd1985-04-27.148527.5-1.amdig.flac2448

5.1 LPCM Surround Sound Mix (48/24)

View Notes---------------------------------------------------------
- DVD-A extraction 11-DEC-2019 - DVD Audio Extractor v8.0.0
- FLAC conversion 11-DEC-2019 - Trader Little Helper
- Tagged 11-DEC-2019 - Tag&Rename
---------------------------------------------------------

Source 22 of 28

2:36:46

gd1985-04-27.148348.aud.flac2496

Analog Audience maxell mx 90's 3 tapes Namakamichi CM 700 Mics and Custom ps/preamp mixer - > modified dbx 224 (mod'd to run from battery pack) - > Sony TC D5M (dbx encoded)

Nakamichi CR7a - > dbx nx40 (dbx decoded) - > Audio Technica mixer/line amplifier - > Korg MR 2000 at 1 bit 5.6 MHz - > Audiogate software to create 24-96 files

Taper: chasingwilma

gd1985-04-27.124981.chasingwilma.flac24

lineage: sennheiser 421 (fob)> d-5> d-5> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

Taper: Greg Holtz

gd1985-04-27.nak100.holtz.jaz.102035.flac16

Nakamichi CM-100's with CP-4 shotgun caps > Sony TC-D5

Cassette Master, TDK MA-R90 Alluminum Core-> Tascam 112 -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII compact flash -> USB -> Wave Lab 5.0 w/UAD -> R8brain for Sample Rate Conversion to 16bit 44.1kHz -> Traders Little Helper flac8

Transferrer: Brion Green and ChrisJ

Brion Green and ChrisJ

gd1985-04-27.nak700.anon.lmpp.99835.flac16

Nakamichi 700's > d6 > MAC

MAC > Nakamichi DR-1 > HD-P2 > 24/96 WAve > Wavelab 5 > UAD Plugs > r8brain Pro > Izotope Ozone 3 Mbit > 16/44.1 Wave > Flac

gd1985-04-27.dts.haugh.78437.flac16

View NotesNotes:

- This source sounds absolutely great. HUGE thanks to Anon for this one. One of my favorite auds I've had the 
pleasure to work on to date!!! Thank you sir!!!!

- Encore patched from SHNID 76584

Transferrer: Dan Haugh

View Notes---------------------------------------------------------

Source Info

SBD
SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif
Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net

AUD1
MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky.
MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96
WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using
Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.  
Transfer and mastering by C.Ladner.

AUD2
MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR
[aluminum core (Set II)]  Mic Config: mics on T bar knee high
pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth
adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave
Editor > Flac Frontend (encoded@level 6) >FLAC16
Location: on the lawn, 25 feet from the stage, DFC
Taper: Adam, Justin & Monica - Mark McCue Masters
All cuts, fades and edits made in CEP 2.0, normalized to 100%.
Sector boundaries verified with TLH. Transfer, minor editing
and conversion by Alex Ford 3/10 & 11/2006.

Thanks to all the hard work from the folks mentioned above in
their loving care getting these sources out.  Thanks also to
the Lossless Legs Community (www.shnflac.net) for getting me
these 3 spectacular sources.  Also a thanks for some of the
images used in creation of the artwork.  I found them years
ago on the net and do not have anyway to properly credit.

---------------------------------------------------------

Tech Notes

FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch all of the sources.  SF8.0 used to adjust the volume for
the front, center, surround and LFE channels.  SF8.0 was used
for the EQ setting on all the sources post mixdown. Surcode CD
Pro DTS was used to encode to DTS.      
- Mixed by dan@am-dig.com
- FLAC conversion done 28-SEPT-2006  
- Artwork at 300dpi by dan@am-dig.com
- For best results print at the highest resolution onto glossy
photo paper.  Design for use in a clear double jewel case.

---------------------------------------------------------

DTS-Audio-CD Info

Front
Left Channel SBD+AUD DEQ'd Matrix 75%-SBD/25%-AUD2
Right Channel SBD+AUD DEQ'd Matrix 75%-SBD/25%-AUD2

Center
Mono Mix -5db SBD DEQ'd

Surround
Left Channel AUD+AUD DEQ'd Matrix 60%-AUD1/40%-AUD2
Right Channel AUD+AUD DEQ'd Matrix 60%-AUD1/40%-AUD2

Sub/LFE
Mono Mix -5db SBD DEQ'd Matrix 50%-SBD/50%-AUD2

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Notes

After spending several months and likely more than 150 hrs
on this project I rushed my way through this text file and
the artwork.  I just want to be done with it.  Hopefully it
will be acceptable and without too many typos or errors.

The SBD has a strange sound characteristic that can be heard
through the first few songs and then disappears.  As Charlie
Miller noted in his text file "sounds keeps improving as show
progresses".  Which is indeed true.  The sound keeps cycling
from normal to "overly bright".  Could it be a bad Dolby
encode or decode scenario?   Only when you listening very
critically.  It does not subtract from these really great
recordings and great show IMO.

Both AUD recordings are very good.  The Nak700 sounds like it
was on a stand and doesn't have the close crowd feeling of a
typical FOB.  Some post-processing was obviously done to
maximize the levels, which does cut down a bit on the dynamic
range.  The Senn 421 has a much rowdier feel with closer
crowd, clapping and a good feel for a live show.

All 3 sources had different stoppages between songs in the
first set, most notably was during "Let Phil Sing".  Here
we had missing "crowd" material with no overlap.  I employ
several techniques, fades, crossfades, volume changes and
"borrowing" crowd cheer from different parts of the same
recording to fill in the sound and make the new recording flow
uninterrupted.  Take a listen to the first set, the missing
material now flows smooth and is most likely undetectable.

d1t01 "Bill Graham Intro" The first 20 seconds is entirely
from the NAK700 source, then the Senn 421 source fades in
and then finally the SBD also joins the mix.  No music was
missing.  This is smooth and is most likely undetectable.

d2t01 "Scarlet Begonias" The first 10 seconds is just the
SBD and the NAK700 source, then the Senn 421 source fades in
and also joins the mix.  This is smooth and is most likely
undetectable.

d3t04 "The Other One" 36.334 seconds of "fake" patch was
used to cover a missing part of the SBD source.  Most likely
a repeating musical portion from earlier in the song was used.  
In short, "The Other One" was patch with the very same "The
Other One".  This was a very tricky edit to find and remove.  
It is now patched with a matrix mix of AUD1 and AUD2 for
1:00.119 with 2 second crossfade on each.  B/c this is a
change in source it is detectable by the listener.

d1t09 "Bill Graham Intro" is entirely from the NAK700 source.

The mixdown of the AUD+AUD matrix mix was done a few db's
lower than the from SBD+AUD matrix mix.  In my experience
louder rear channels is an undiserable effect.  

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Multitrack Mixdown Settings

SET ONE SET TWO

Front Matrix Front Matrix
SBD -.5 SBD -1
AUD2 -7 AUD2 -7.5

Stereo Matrix Stereo Matrix
SBD -1 SBD -1
AUD2 -5.5 AUD2 -6

Rear Matrix Rear Matrix
AUD1 -4 AUD1 -4
AUD2 -9 AUD2 -9

Sub/LFE Matrix Sub/LFE Matrix
SBD -7db SBD -7.5db
AUD2 -5.5db AUD2 -6db

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Editorial Comments

This show is like a wearing my favorite slippers.  Familiar
and very comfortable.  I first obtained this show in 1985
about 2 weeks after the show.  I was a new 16 yr. old driver
and was giving a "friend of a friend" a ride in my car.  
This guy was a pretty hard core hippie and he produced the
cassette of the second set.  I was floored.  At the time, and
considering my age, I had no idea anyone could get a copy of
a show THAT fast.  And what a show it is.  Needless to say
the next five years or so were spent wearing out that cassette.

This show is most notable for the only "Scarlet > Eyes" but
is loaded with great renditions, sick jamming and inspired
playing.  The first set songs are all played really well.
The final Tom Thumb > Cold Rain > Music is fantastic.  Phil
is just out-of-hand throughout.  'Nuff said.

This Scarlet is my favorite, period.  A bold statement but
one I can stand tall behind.  Great long intro, nice middle
of the song solo, they come around twice (I LOVE THAT!) before
the Wind in The Willows but the ensuing jam towards Fire is
inspired.  Brent chasing Jerry, Brent chasing Bob.  Jerry is
traveling 100 miles an hour and the band is right behind. A
real nice Fire tease and Jerry picks his moment to lead the
gang into Eyes.  WOW!  

Eyes is also full of spit and fire with too many acid laced
licks to count.  Even GDTRFB is fast paced and fun, with Woman
still keeping your interest.  Isn't that a change?  Not the
longest pre-drums, 40+ mins, but understandable as clearly
Garcia needed to soak his hand in ice.

Normally topping an all Garcia tri-fecta to opened set two,
Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they
do, beat it to death.  The next 45+ mins is transcendental,
perfect, seamless, inspired, rocking/soothing and any other
accolade you can toss in for good measure.  This time a  new
tri-fecta, Truckin' > Other One > Black Peter, takes center
stage in the post drums part.  Note by note, second by second
the band just clicks.  It reminds me of the type of playing
they were capable of during 2/27-28, 3/1-2 when the band
was just so in tune with each other and what they are doing.
While clearly much different, take a listen.  These guys
are so tuned in to what each other is doing it is 6 as 1.

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More On DTS

Today's audio standards are moving towards multi-channel sound
like DTS, Dolby Digital and DVD-Audio.  While the Audio-CD
standard (Red Book) hasn't changed to accommodate these new
sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD.  To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure that
your receiver will recognize a DTS-Audio-CD, so the first
time you're trying to playback a DTS-Audio-CD you must do
a test to determine if it can. Begin with the volume very
low, start the disc and rise the volume gradually. NEVER
listen to a DTS-Audio-CD through the analogue audio outputs
of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any normal
Audio-CD from FLAC files.

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Taper: B. Koucky

gd1985-04-27.nak700.koucky.gmb.76584.sbeok.flac16

MAC: (FOB) Nak700s > Sony D5 > TDK MA 90s.

MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96 WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9.

View NotesComments:
Crisp upclose sounding aud with some minor phasing issues. Thanks to Bill for taping, preserving, and sharing his recording with me for transfer.
Seeded by the green mountain bros at candyman FTP and planetFLAC - August 2006.

Taper: Adam, Justin & Monica

Adam, Justin & Monica

Alex Ford

gd1985-04-27.senn421.mccue.ford.32648.sbeok.flac

MAC: (FOB) Sennheiser 421's > Sony D5 > TDK MA 90 (Set I) & TDK MAR [aluminum core (Set II)]

MAC>NMAC>Nakamichi Cassette Deck 2(azimuth adjusted)>Audiophile 2496>WinXP Pro>CEP 2.0>CD Wave Editor>Flac Frontend(encoded@level 6)>FLAC16.