1989-07-02 | Grateful Dead

541

Playback	Listens	Hours
48h	46	6
7d	99	13
30d	541	71

5:39:09

17 tapes

12/30SBD

243

Playback	Listens	Hours
48h	8	1
7d	78	11
30d	243	31

2:51:09

15 tapes

12/28SBD

160

Playback	Listens	Hours
48h	2	9m
7d	30	4
30d	160	19

2:36:17

15 tapes

12/27SBD

239

Playback	Listens	Hours
48h	25	3
7d	17	2
30d	239	30

2:44:54

16 tapes

12/10SBD

150

Playback	Listens	Hours
48h	42	5
7d	13	2
30d	150	19

5:11:22

16 tapes

12/09SBD

107

Playback	Listens	Hours
48h	7	54m
7d	5	26m
30d	107	13

2:32:27

11 tapes

12/08SBD

178

Playback	Listens	Hours
48h	0	0m
7d	9	1
30d	178	23

5:21:35

12/06SBD

165

Playback	Listens	Hours
48h	4	41m
7d	8	1
30d	165	23

Playback	Listens	Hours
48h	7	2
7d	43	7
30d	262	50

Playback	Listens	Hours
48h	16	2
7d	14	2
30d	109	15

Playback	Listens	Hours
48h	12	2
7d	26	3
30d	128	16

Playback	Listens	Hours
48h	11	1
7d	19	3
30d	75	10

271

Playback	Listens	Hours
48h	18	2
7d	92	12
30d	271	37

575

Playback	Listens	Hours
48h	6	41m
7d	69	8
30d	575	60

146

Playback	Listens	Hours
48h	4	22m
7d	31	5
30d	146	21

258

Playback	Listens	Hours
48h	38	5
7d	53	7
30d	258	32

181

Playback	Listens	Hours
48h	7	1
7d	27	4
30d	181	23

193

Playback	Listens	Hours
48h	1	13m
7d	50	6
30d	193	23

160

Playback	Listens	Hours
48h	1	9m
7d	12	2
30d	160	21

265

Playback	Listens	Hours
48h	15	2
7d	50	6
30d	265	34

Playback	Listens	Hours
48h	9	1
7d	116	15
30d	802	109

Playback	Listens	Hours
48h	8	58m
7d	60	7
30d	464	54

5:02:28

18 tapes

10/01SBD

482

Playback	Listens	Hours
48h	20	2
7d	58	7
30d	482	61

2:36:21

8 tapes

9/30SBD

116

Playback	Listens	Hours
48h	1	12m
7d	1	7m
30d	116	15

2:20:25

9/29SBD

Alpine Valley Music Theatre

252

Playback	Listens	Hours
48h	10	1
7d	13	2
30d	252	32

Playback	Listens	Hours
48h	0	0m
7d	11	58m
30d	14	1

Playback	Listens	Hours
48h	8	53m
7d	69	8
30d	453	51

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	39	4

Playback	Listens	Hours
48h	24	3
7d	28	5
30d	231	32

Playback	Listens	Hours
48h	12	2
7d	118	16
30d	331	44

Playback	Listens	Hours
48h	34	5
7d	21	3
30d	89	12

Playback	Listens	Hours
48h	20	3
7d	83	12
30d	461	65

Playback	Listens	Hours
48h	0	0m
7d	67	9
30d	381	52

Playback	Listens	Hours
48h	4	31m
7d	90	9
30d	459	48

2:45:58

9 tapes

7/19SBD

East Troy, WI, USA

1.7k

Playback	Listens	Hours
48h	117	16
7d	300	43
30d	1.7k	246

5:33:06

17 tapes

7/18SBD

Alpine Valley Music Theatre

East Troy, WI, USA

924

Playback	Listens	Hours
48h	44	5
7d	232	27
30d	924	107

5:08:53

14 tapes

7/17SBD

Alpine Valley Music Theatre

East Troy, WI, USA

2.7k

Playback	Listens	Hours
48h	152	18
7d	578	66
30d	2.7k	311

2:49:35

16 tapes

7/15SBD

Deer Creek Music Center

Noblesville, IN, USA

323

Playback	Listens	Hours
48h	73	10
7d	89	12
30d	323	43

Playback	Listens	Hours
48h	8	1
7d	41	7
30d	209	31

Playback	Listens	Hours
48h	10	1
7d	40	5
30d	406	53

473

Playback	Listens	Hours
48h	31	3
7d	121	15
30d	473	60

735

Playback	Listens	Hours
48h	67	10
7d	137	19
30d	735	103

2:50:34

18 tapes

7/07SBD

John F Kennedy Stadium

2.4k

Playback	Listens	Hours
48h	109	16
7d	292	41
30d	2.4k	344

Playback	Listens	Hours
48h	158	19
7d	696	82
30d	2.3k	272

Playback	Listens	Hours
48h	87	12
7d	186	23
30d	1k	126

2:44:28

21 tapes

6/21SBD

4.1k

Playback	Listens	Hours
48h	73	9
7d	615	78
30d	4.1k	510

3:16:36

13 tapes

6/19SBD

3.5k

Playback	Listens	Hours
48h	46	6
7d	102	13
30d	3.5k	448

3:03:42

9 tapes

6/18SBD

3.1k

Playback	Listens	Hours
48h	14	2
7d	107	15
30d	3.1k	429

3:04:24

Oakland-Alameda County Stadium

5/27SBD

1.3k

Playback	Listens	Hours
48h	28	4
7d	212	26
30d	1.3k	156

Playback	Listens	Hours
48h	1	8m
7d	107	13
30d	416	49

Playback	Listens	Hours
48h	47	5
7d	122	12
30d	846	87

Playback	Listens	Hours
48h	62	8
7d	38	4
30d	183	22

Playback	Listens	Hours
48h	29	4
7d	74	9
30d	456	57

Playback	Listens	Hours
48h	1	5m
7d	31	4
30d	386	45

2:40:47

Metropolitan Sports Center

4/17SBD

Minneapolis, MN, USA

275

Playback	Listens	Hours
48h	19	2
7d	35	4
30d	275	31

Playback	Listens	Hours
48h	116	14
7d	46	6
30d	402	51

Playback	Listens	Hours
48h	226	25
7d	21	3
30d	233	26

Playback	Listens	Hours
48h	23	3
7d	60	7
30d	369	41

Playback	Listens	Hours
48h	20	2
7d	46	5
30d	360	40

Playback	Listens	Hours
48h	28	4
7d	98	13
30d	342	47

Playback	Listens	Hours
48h	51	6
7d	165	19
30d	1.1k	137

Playback	Listens	Hours
48h	5	34m
7d	63	7
30d	950	107

Playback	Listens	Hours
48h	9	1
7d	96	12
30d	614	73

Playback	Listens	Hours
48h	13	2
7d	121	16
30d	1.4k	182

Playback	Listens	Hours
48h	6	39m
7d	78	9
30d	500	53

Playback	Listens	Hours
48h	48	5
7d	59	6
30d	479	51

Playback	Listens	Hours
48h	5	26m
7d	89	10
30d	591	66

Playback	Listens	Hours
48h	25	3
7d	82	11
30d	482	64

Playback	Listens	Hours
48h	80	10
7d	66	8
30d	501	62

Playback	Listens	Hours
48h	32	4
7d	40	5
30d	388	50

2:33:19

Club Front - Grateful Dead Studio

3/01SBD

San Rafael, CA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	50	2

1:26:05

1 tape

2/12SBD

287

Playback	Listens	Hours
48h	35	4
7d	49	6
30d	287	34

2:41:03

13 tapes

2/11SBD

365

Playback	Listens	Hours
48h	28	3
7d	85	11
30d	365	45

2:44:52

2/10SBD

Henry J. Kaiser Convention Center

373

Playback	Listens	Hours
48h	34	5
7d	76	10
30d	373	50

2:40:26

12 tapes

2/07SBD

Henry J. Kaiser Convention Center

580

Playback	Listens	Hours
48h	54	6
7d	104	12
30d	580	71

2:39:25

7 tapes

2/06SBD

Henry J. Kaiser Convention Center

410

Playback	Listens	Hours
48h	62	7
7d	146	18
30d	410	46

2:28:06

8 tapes

2/05SBD

Ante Up - Built to Last interview

1.3k

Playback	Listens	Hours
48h	66	8
7d	241	29
30d	1.3k	152

2:31:14

17 tapes

1/01

Various, Various

Playback	Listens	Hours
48h	8	14m
7d	14	26m
30d	56	2

23:08

1 tape

Sources

Transferrer: Charlie Miller

gd1989-07-02.138306.mtx.miller.flac16

Ultra Matrix SBD > Cassette Master (TDK MA-XG90)

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

gd1989-07-02.138287.sbd.miller.flac24

View NotesNotes:
-- Two sets of master were used to make this show complete
-- This is 138287 24 bit -> 16 bit

Transferrer: Charlie Miller

Ultra Matrix SBD > Cassette Master (TDK MA-XG90)

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24

SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin

View NotesNotes:
-- Two sets of master were used to make this show complete

Transferrer: SBD + AUD Matrix 2 Source Mix (44/16) by Kevin Tobin

2:39:53

SBD

Transferrer:

gd1989-07-02.150431.mtx.tobin.flac16

SBD + AUD Matrix 2 Source Mix (44/16)

gd1989-07-02.fob.nak300.andrewf.99912.flac16

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 08-AUG-2020 - Trader Little Helper
- Tagged 08-AUG-2020 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

Taper: Andrew F.

FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 10 feet in front of SBD area and 15 feet to stage left (Brent side).

MAC > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644

gd1989-07-02.fob.nak300.andrewf.99911.flac24

View NotesNotes: 
- Patch from ID-8243 in Drums 03:12 > 03.17. 
- 2nd Set disc break is seamless.

Taper: Andrew F.

FOB AUD: Nakamichi CM300/CP4 shotguns FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 10 feet in front of SBD area and 15 feet to stage left (Brent side).

MAC > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496

View NotesNote: Patch from ID-8243 in Drums 03:12 > 03.17.

Source 6 of 21

2:42:24

gd1989-07-02.153412.MTX.photoLeon.t-flac16

A photoLeon Matrix

5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

View NotesMatrix Created in Adobe Audition by Joe Noel
July 2, 2021

Notes:
- Los Lobos opened
- last 1st-set "Playin": 07-04-87 [156] or 12-27-86 [200]
- last 1st-set "Crazy Fingers": 04-04-86 [225]
- first 24 seconds of s2t01 is source #1 only
- Source #2 was pitch corrected
- EotW (00:13 - 00:49) is missing vocals

Thanks to:
- Ted Mattes for the stellar FOB recording
- John Ammons for the top shelf transfer
- Charlie Miller for the board source & transfer
- Thanks to Jack Schlottman for the critique
- Sabrina & her Mom

Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin

2:39:51

Transferrer:

gd1989-07-02.150433.5-1.tobin.flac1648

5.1 LPCM Surround Sound Mix (48k)

gd1989-07-02.149202.Dak.boedicker.flac1644

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 08-AUG-2020 - Trader Little Helper
- Tagged 08-AUG-2020 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

Taper: Dave Boedicker

Dak Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Metal Cassette Master Tapes>Sony TC-D5M Cassette

Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,Official Taper Section.

View Notes1)Tape Flip After "Queen Jane Approximately"(No Music Missed on Next Song "To Lay Me Down")

2)Tape Flip During Drums

Taper: Ted Mattes

John Ammons and Joe Noel

gd1989-07-02.138258.FOB.Scheops.Mattes.Ammons.t-flac16

Ted Mattes FOB recording: Schoeps CMC42s (omnis spaced 8 feet) > Panasonic SV250; John Ammons

from his DAT clone of the master; DAT Master > Sony PCM601/Beta > DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Audacity 3.0 at 44K > Wave; Joe Noel Track, Flac, Patch, Pack & Seed: Wave > Audacity > track/label > export multiple > flac 16/44; Checksum & tags created in xACT

gd1989-07-02.134395.MOTB.droncit.flac16

View Notespatch info:
*  s1t01: all
** s1t02: 0:20 - 0:23 & 1:05 - 1:09

* (134395) AKG C460b + (99912) Nakamichi CM300/CP4 (both FOB) = (blend)

** (133781) AKG 414-BTL FOB, DAT

notes:
- Los Lobos opened
- Warning: this recording may cause side effects, symptoms including; distraction, utter joy, life reaffirming moments & in rare instances time travel.
- This was a quintessential New England summer day.  I stood just at the top of the pathway into the stadium for hours with my eyes closed, an index finger checking the wind direction & an extended palm.  It was a nice vantage point to hear Los Lobos.  Mind you, I was sore I was missing them.  Patiently I waited, when "it" happened I opened my eyes finding a very young girl, maybe 8 years old & her mother standing before me with an extra ticket.  Her mom said "She insisted you have it."  I will never forget it.  Not because I got miracle'd but because of the smile on this young girls face.  It's forever etched into my memory.  While exchanging pleasantries, we walked into the show together, upon reaching the field, Sabrina saw Jan Sawka's stage artwork & gasped.  She thought it was beautiful & like that, Mom was off in Sabrina's tow.  I saw them later on during The Wheel & Sabrina came & danced with us.  When Dear Mr Fantasy hit, Sabrina jumped for joy & sang along.  When Hey Jude broke, she erupted again.  But it wasn't until The Mighty Quinn encore that Sabrina, who didn't, shockingly, know it.  She picked up on the theme immediately & danced like a soldier would march.  She was our pied piper there & it was a simple & pure moment. - Joe.

Grateful to:
- Ted Mattes for this stellar recording
- John Ammons for sharing his Archives with us
- Dan Tepper, Danny Thomson & Andrew F for their recordings & efforts
- Droncit for his efforts on the Thompson pull
- Sabrina & her Mom

Transferrer: Remaster by droncit

Source: Audience FOB Recording; Media: AKY Recording Supply Custom Wound BASF 100% CrO2 Cassette;

FOB AKG C460b pre's with ck61uls heads > Uher 240 > Nak DR-1 >Apogee 200 Rosetta >Firewire >Apple G5 >Bias Peak(24/96WAV) > Wavelab 5 > Waves L3 Multimaximizer (threshold -3.0 dB/ceiling -0.1 dB) > rendered to 16 bit/44.1 KHz WAV using UV22-HR>CDWAV 1.9 >FLAC (level 8); Taper: Danny Thomson; Transfer: Derek McCabe

gd1989-07-02.133781.akg414btl-fob-dantepper.flac16

View NotesDroncit Notes:
This was a request for an interesting show in need of an upgrade/restoration.  This is my attempt.  The original has vocals dominating and the music sounds like it's more in the background.  I've tried to bring it up front.  
I used a mutifilter with a paragraphic equalizer, channel blender, virtual vale simulator, Dynamic noise filter in 'enhancer' mode, and a de-esser.  I also concatenated the tracks and re-cut them.  All work with DC8.5 Forensics and Traders Little Helper.
9/28/15

Taper: Dan Tepper

Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT;

Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper

Taper: John Bleich

gd1989-07-02.nak300.bleich-sirmick.109498.sbeok.flac16

Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > mac (Maxell XLIIS x 3)

mac > Yamaha K-98 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16 taped from OTS, and transferred by John Bleich

gd1989-07-02.nak300.morris.crazyfingers.106586.flac16

View Notes- tape flips crossfaded except Drums 3:26 - 3:34 patched with 3 Nak CM 300's - 2 CP 4's (Shotguns)
  1 CP3 (Super Omni) arranged in an X-Y pattern (shnid 8243)


Thanks to John for transferring his masters for me to work on

edited and mastered
SIRMick

Taper: Bob Morris

Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell MX 90)

Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)

Taper: Danny Thomson

Derek McCabe , mastered by Chris Ladner

gd1989-07-02.fob.thomson.motb.81855.sbeok.flac24

FOB Nak700's > Uher 240 > Master Cassette Maxell XLII 90min.

Playback on Nak DR-1 > Apogee 200 Rosetta > Firewire > Apple G5 > Bias Peak (24 bit/96 KHz WAV) by D.McCabe.

Derek McCabe , mastered by Chris Ladner

View NotesMastering Notes:
- Encore from FOB Sennheiser 441s Master AUD from Bill Koucky, transferred on Nak DR-2 > Presonus Firebox @ 24/96, wavelab.
- First notes of FOTD/start of second set missing.  On Bill's tape this part is also not recorded well with what sounds like a scramble to get things rolling again.
- Second set flip at the 45:12 mark during a lull, crossfaded into seamlessness - currently at the 3:12 mark of space, s2t06.

Taper: Danny Thomson

gd1989-07-02.fob.thomson.motb.81459.sbeok.flac16

Audience FOB Recording

gd1989-07-02.fob.alexander.tetzeli.77458.sbeok.flac24

View NotesNotes: 
- Encore from FOB Sennheiser 441s Master AUD from Bill Koucky, transferred on Nak DR-2 > Presonus Firebox @ 24/96, wavelab.
- first notes of FOTD/start of second set missing.  on Bill's tape this part is also not recorded well with what sounds like a scramble to get things rolling again.
- Second set flip at the 45:12 second mark during a lull, crossfaded into seamlessness - currently at the 3:12 mark of space, d3t01.

Taper: Tim Alexander

FOB (Sennheiser 421s > Sony D-5 (Dolby B in) > MAC)

Playback on Nakamichi DR-1 (Dolby B out) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC

gd1989-07-02.fob.senn421s.alexander.77444.flac16

View NotesPatch SRC: FOB (Schoeps cmc4/mk2 spaced 20' > PCM > DAT > CD > EAC > FLAC) > upsampled in real time from 16bit/44.1khz - 24bit/48khz (playback in CE 2K on Inspiron 600m > Edirol UA-1EX > Tascam HD-P2 (24bit/48khz) > WAV)

Transferred and seeded by Bill Tetzeli (btet@adelphia.net)

Known flaws:

- Friend of the Devil cuts in at the beginning.  This was patched with the Schoeps source from :00 to :14
- Tape flip in Drums.  This and a few seconds of slightly degraded tape at the beginning of the second side were patched with the Schoeps source, from 3:50 to 4:14.

All patches made in CE Pro with levels matched and crossfades.

Quality notes: This is a truly excellent FOB; it's the reason I got into recording at 24 bit, I just didn't know it until now.  IMHO this sounds better than the Schoeps source on archive.org (which is still excellent, and used to patch a couple of spots in the second set).  First, it sounds like it was taped right in the Phil zone, my door and windows were rattling even with the stereo at moderate volume.  Second, Jerry and all the other instruments sound clearer, fuller and warmer, with more definition and separation.  It sounds a ghost of a hair's ghost away from being a Healy matrix.

Many thanks to Tim Alexander for lending me these phenomenal masters!

Taper: Tim Alexander

FOB (Sennheiser 421s > Sony D-5 (Dolby B in) > MAC)

Playback on Nakamichi DR-1 (Dolby B out) > Tascam HD-P2 (16bit/44.1khz) > WAV > FLAC

gd1989-07-02.schoepsmk2.30364.flac16

View NotesPatch SRC: FOB (Schoeps cmc4/mk2 spaced 20' > PCM > DAT > CD > EAC > FLAC)

Known flaws:

- Friend of the Devil cuts in at the beginning.  This was patched with the Schoeps source from :00 to :13
- Tape flip in Drums.  This and a few seconds of slightly degraded tape at the beginning of the second side were patched with the Schoeps source, from 3:52 to 4:10.

All patches made in CE Pro with levels matched and crossfades.

Quality notes: IMHO this sounds better than the Schoeps source on archive.org (which is still excellent, and used to patch a couple of spots in the second set).  First, it was taped right in the Phil zone and sounds every inch of it - it sounds like starting with Wang Dang Healy cranked up Phil and just left him there.  Second, Jerry and all the other instruments sound clearer, fuller and warmer, with more definition and separation.  It sounds a ghost of a hair's ghost away from being a Healy matrix.

Many thanks to Tim Alexander for lending me these phenomenal masters!

Source 18 of 21

<b>flac16</b> FOB Schoeps cmc4/mk2 spaced 20' > PCM > DAT > CD > EAC > FLAC

gd1989-07-02.akg414.30363.flac16

View Notes<b>flac16</b>; FOB Schoeps cmc4/mk2 spaced 20' > PCM > DAT > CD > EAC > FLAC

Taper: Unknown

AKG c414>?>DAT>CD(1gen)>EAC>FLAC

gd89-07-02.nak.8243.sbefail.shnf

View Notesnotes:  this source is just as good as the other 
aud that cirucuatles, the scheops cmc4/mk2 > m118 FOB.
Well, I think the schoeps source is marginaly better, but 
that is on a refference system w/a critical ear and a matter 
of taste.
I tried to extract my schoeps dics, but was having too much trouble
with one of them so i moved on to this one.
~enjoy
(~):}

Taper: Jill and Rob R

3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern

gd1989-07-02.aud.gastwirt.1110.sbefail.shnf

View NotesDigital Audience - Jill & Rob R
3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern

Taper: Rich Gastwirt

Schoeps CMC42s spaced omnis > Sony SL-2000PCM