Jam > | 1974-06-23 | Grateful Dead

Bands

Featured

Playback	Listens	Hours
48h	93k	11.7k
7d	186.4k	23.5k
30d	1.3M	164.3k

2,080 shows

18,080 tapes

Phish

271.5k

Playback	Listens	Hours
48h	19.4k	3k
7d	35.2k	5.5k
30d	271.5k	42.1k

Bands

Playback	Listens	Hours
48h	64	4
7d	129	9
30d	908	58

Playback	Listens	Hours
48h	0	0m
7d	11	1
30d	154	24

69 shows

106 tapes

Ace Bandage

Playback	Listens	Hours
48h	8	55m
7d	0	0m
30d	6	40m

Playback	Listens	Hours
48h	1	12m
7d	9	2
30d	219	31

83 shows

116 tapes

Akron/Family

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	9	1

40 shows

43 tapes

American Babies

Playback	Listens	Hours
48h	0	0m
7d	7	42m
30d	39	4

Playback	Listens	Hours
48h	1	5m
7d	1	2m
30d	137	11

Playback	Listens	Hours
48h	26	2
7d	108	9
30d	382	32

Playback	Listens	Hours
48h	12	1
7d	32	4
30d	300	35

123 shows

134 tapes

Animal Liberation Orchestra

1.3k

Playback	Listens	Hours
48h	80	11
7d	248	31
30d	1.3k	167

Playback	Listens	Hours
48h	18	4
7d	41	9
30d	132	27

81 shows

92 tapes

Aquarium Rescue Unit

Playback	Listens	Hours
48h	107	10
7d	147	13
30d	1k	99

Playback	Listens	Hours
48h	25	3
7d	1	17m
30d	178	37

Playback	Listens	Hours
48h	27	4
7d	82	11
30d	651	83

Playback	Listens	Hours
48h	1	8m
7d	8	43m
30d	104	10

102 shows

107 tapes

Bela Fleck and the Flecktones

1.5k

Playback	Listens	Hours
48h	99	13
7d	245	33
30d	1.5k	182

488 shows

613 tapes

Ben Kweller

Playback	Listens	Hours
48h	0	0m
7d	2	9m
30d	40	3

Playback	Listens	Hours
48h	3	17m
7d	10	2
30d	186	24

278 shows

383 tapes

Bernie Worrell

Playback	Listens	Hours
48h	25	4
7d	19	3
30d	35	7

7 shows

7 tapes

Bernie Worrell and the WOO Warriors

Playback	Listens	Hours
48h	0	0m
7d	3	34m
30d	27	4

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	1	6m
7d	8	1
30d	50	8

Playback	Listens	Hours
48h	21	3
7d	107	16
30d	542	77

Playback	Listens	Hours
48h	152	21
7d	335	44
30d	2.1k	283

Playback	Listens	Hours
48h	5.3k	539
7d	12k	1.2k
30d	84.3k	8.4k

Playback	Listens	Hours
48h	95	8
7d	167	11
30d	1.5k	105

62 shows

76 tapes

Blueground Undergrass

Playback	Listens	Hours
48h	20	2
7d	0	0m
30d	93	8

Playback	Listens	Hours
48h	191	21
7d	277	30
30d	2.1k	241

1,226 shows

1,776 tapes

Bob Weir

Playback	Listens	Hours
48h	354	47
7d	676	93
30d	5k	659

308 shows

512 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

22 shows

28 tapes

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	48m

Playback	Listens	Hours
48h	62	12
7d	44	7
30d	920	157

451 shows

563 tapes

Buffalo Galaxy

Playback	Listens	Hours
48h	0	0m
7d	9	1
30d	66	8

Playback	Listens	Hours
48h	66	6
7d	211	20
30d	1.1k	107

Playback	Listens	Hours
48h	176	17
7d	264	28
30d	1.4k	140

Playback	Listens	Hours
48h	4	12m
7d	169	9
30d	346	19

Playback	Listens	Hours
48h	7	48m
7d	31	3
30d	222	29

Playback	Listens	Hours
48h	4	19m
7d	62	5
30d	258	17

243 shows

272 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	1	17m
30d	4	1

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	1	37m
7d	0	0m
30d	4	41m

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	5	31m
7d	4	53m
30d	73	10

79 shows

93 tapes

Circles Around The Sun

1.7k

Playback	Listens	Hours
48h	133	28
7d	320	72
30d	1.7k	353

Playback	Listens	Hours
48h	19	4
7d	25	3
30d	195	37

Playback	Listens	Hours
48h	41	4
7d	84	7
30d	801	68

Playback	Listens	Hours
48h	39	6
7d	126	18
30d	552	82

Playback	Listens	Hours
48h	414	59
7d	810	110
30d	4.2k	577

Playback	Listens	Hours
48h	406	55
7d	950	127
30d	6.2k	857

799 shows

1,061 tapes

Dave Harrington

Playback	Listens	Hours
48h	0	0m
7d	1	17m
30d	20	5

Playback	Listens	Hours
48h	29	3
7d	1	5m
30d	185	17

Playback	Listens	Hours
48h	3.2k	506
7d	5.3k	865
30d	38.1k	6.1k

Playback	Listens	Hours
48h	5	27m
7d	74	8
30d	340	38

Playback	Listens	Hours
48h	105	6
7d	105	7
30d	1.2k	74

Playback	Listens	Hours
48h	106	13
7d	137	17
30d	1.4k	169

Playback	Listens	Hours
48h	990	183
7d	1.8k	354
30d	12.6k	2.6k

Playback	Listens	Hours
48h	5	36m
7d	30	3
30d	260	27

Playback	Listens	Hours
48h	222	35
7d	478	75
30d	3.2k	493

156 shows

210 tapes

Domocile

Playback	Listens	Hours
48h	0	0m
7d	1	43m
30d	93	21

Playback	Listens	Hours
48h	118	13
7d	251	28
30d	1.6k	168

Playback	Listens	Hours
48h	26	4
7d	28	5
30d	245	39

Playback	Listens	Hours
48h	256	23
7d	225	19
30d	2.8k	251

Playback	Listens	Hours
48h	6	1
7d	98	17
30d	420	71

Playback	Listens	Hours
48h	6	53m
7d	40	6
30d	182	25

Playback	Listens	Hours
48h	92	14
7d	124	22
30d	1.7k	291

152 shows

293 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	8m

Playback	Listens	Hours
48h	154	22
7d	185	24
30d	1.6k	226

831 shows

1,050 tapes

Electric Beethoven

Playback	Listens	Hours
48h	2	1
7d	0	0m
30d	12	5

Playback	Listens	Hours
48h	112	5
7d	184	10
30d	793	43

156 shows

174 tapes

Eric Krasno

Playback	Listens	Hours
48h	12	1
7d	8	1
30d	84	12

123 shows

182 tapes

Everyone Orchestra

Playback	Listens	Hours
48h	0	0m
7d	2	25m
30d	25	6

182 shows

286 tapes

Forgotten Space

Playback	Listens	Hours
48h	0	0m
7d	1	8m
30d	68	8

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	7	2

Playback	Listens	Hours
48h	6	18m
7d	108	7
30d	313	30

Playback	Listens	Hours
48h	5	21m
7d	0	0m
30d	108	7

Playback	Listens	Hours
48h	21	2
7d	7	24m
30d	178	14

497 shows

753 tapes

Fugazi

Playback	Listens	Hours
48h	1	3m
7d	6	22m
30d	91	6

Playback	Listens	Hours
48h	655	104
7d	1.4k	223
30d	9.5k	1.5k

246 shows

1,221 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

14 shows

15 tapes

G. Love and Special Sauce

673

Playback	Listens	Hours
48h	39	3
7d	126	11
30d	673	59

Playback	Listens	Hours
48h	61	7
7d	187	21
30d	1.1k	120

Playback	Listens	Hours
48h	9	1
7d	27	3
30d	149	19

Playback	Listens	Hours
48h	20	4
7d	38	7
30d	242	50

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	0	0m
7d	1	7m
30d	17	2

51 shows

65 tapes

Ghost Light

Playback	Listens	Hours
48h	2	2
7d	8	1
30d	54	13

Playback	Listens	Hours
48h	124	16
7d	152	18
30d	1.1k	129

374 shows

509 tapes

Godspeed You Black Emperor!

410

Playback	Listens	Hours
48h	10	3
7d	35	11
30d	410	117

Playback	Listens	Hours
48h	0	0m
7d	8	59m
30d	109	13

Playback	Listens	Hours
48h	5.1k	1.1k
7d	9.6k	2.1k
30d	47.2k	9.9k

Playback	Listens	Hours
48h	5	33m
7d	98	9
30d	321	29

363 shows

589 tapes

Grahame Lesh and Friends

1.7k

Playback	Listens	Hours
48h	132	19
7d	244	38
30d	1.7k	250

Playback	Listens	Hours
48h	2	19m
7d	9	1
30d	124	17

58 shows

69 tapes

Greensky Bluegrass

Playback	Listens	Hours
48h	362	47
7d	813	100
30d	6k	706

Playback	Listens	Hours
48h	36	5
7d	143	17
30d	961	109

226 shows

313 tapes

GrooveSession

Playback	Listens	Hours
48h	0	0m
7d	13	2
30d	31	6

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	0	0m
7d	1	3m
30d	53	3

53 shows

57 tapes

Guitarmageddon

Playback	Listens	Hours
48h	0	0m
7d	7	1
30d	18	3

Playback	Listens	Hours
48h	34	3
7d	73	5
30d	359	24

755 shows

1,036 tapes

Hard Working Americans

124

Playback	Listens	Hours
48h	1	1m
7d	10	54m
30d	124	14

Playback	Listens	Hours
48h	14	2
7d	29	5
30d	379	64

187 shows

226 tapes

Horseshoes and Hand Grenades

Playback	Listens	Hours
48h	0	0m
7d	12	1
30d	47	4

Playback	Listens	Hours
48h	12	1
7d	46	4
30d	239	23

674 shows

846 tapes

Infamous Stringdusters

1.4k

Playback	Listens	Hours
48h	90	8
7d	177	15
30d	1.4k	128

629 shows

1,016 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	11	2

Playback	Listens	Hours
48h	185	14
7d	643	44
30d	4.7k	309

Playback	Listens	Hours
48h	40	3
7d	35	4
30d	272	28

365 shows

492 tapes

Jazz Mandolin Project

104

Playback	Listens	Hours
48h	1	11m
7d	30	4
30d	104	17

222 shows

280 tapes

Jeff Austin and Chris Castino

Playback	Listens	Hours
48h	1	5m
7d	3	14m
30d	93	9

12 shows

14 tapes

Jeff Austin And Friends

155

Playback	Listens	Hours
48h	14	1
7d	15	1
30d	155	16

Playback	Listens	Hours
48h	100	11
7d	125	18
30d	1.3k	178

112 shows

162 tapes

Jerry Joseph and the Jackmormons

2.4k

Playback	Listens	Hours
48h	186	31
7d	208	40
30d	2.4k	404

1,124 shows

1,519 tapes

Jerry's Middle Finger

3.6k

Playback	Listens	Hours
48h	305	36
7d	610	84
30d	3.6k	503

259 shows

310 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	5	51m
7d	3	23m
30d	15	2

2 shows

5 tapes

Joe Russo's Almost Dead

39.9k

Playback	Listens	Hours
48h	2.3k	430
7d	4.4k	837
30d	39.9k	7.6k

Playback	Listens	Hours
48h	29	2
7d	109	13
30d	661	75

Playback	Listens	Hours
48h	234	18
7d	395	35
30d	2.5k	223

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	20	2
7d	3	42m
30d	32	4

Playback	Listens	Hours
48h	21	1
7d	1	7m
30d	112	8

79 shows

98 tapes

Karina Rykman

Playback	Listens	Hours
48h	16	1
7d	3	12m
30d	98	9

73 shows

109 tapes

Karl Denson's Tiny Universe

171

Playback	Listens	Hours
48h	17	3
7d	2	28m
30d	171	24

Playback	Listens	Hours
48h	311	33
7d	537	55
30d	4.3k	409

1,056 shows

1,396 tapes

Kikagaku Moyo

Playback	Listens	Hours
48h	3	42m
7d	14	2
30d	68	10

43 shows

54 tapes

King Gizzard & the Lizard Wizard

15.7k

Playback	Listens	Hours
48h	1.1k	137
7d	2.4k	332
30d	15.7k	2.1k

Playback	Listens	Hours
48h	191	25
7d	272	38
30d	1.8k	246

315 shows

400 tapes

Kung Fu

Playback	Listens	Hours
48h	0	0m
7d	1	10m
30d	58	9

Playback	Listens	Hours
48h	50	8
7d	99	20
30d	655	127

Playback	Listens	Hours
48h	11	1
7d	119	15
30d	845	100

Playback	Listens	Hours
48h	333	30
7d	514	46
30d	3.8k	348

Playback	Listens	Hours
48h	202	33
7d	433	61
30d	2.9k	494

Playback	Listens	Hours
48h	393	35
7d	768	67
30d	5.3k	490

Playback	Listens	Hours
48h	107	8
7d	292	22
30d	1.4k	110

Playback	Listens	Hours
48h	98	18
7d	196	38
30d	1.5k	275

437 shows

622 tapes

Marco Benevento

Playback	Listens	Hours
48h	0	0m
7d	14	55m
30d	82	7

Playback	Listens	Hours
48h	112	10
7d	206	19
30d	2.1k	199

Playback	Listens	Hours
48h	9	60m
7d	24	3
30d	238	25

349 shows

446 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	252	42
7d	475	77
30d	3.8k	590

Playback	Listens	Hours
48h	51	3
7d	10	40m
30d	337	21

Playback	Listens	Hours
48h	6	51m
7d	63	6
30d	219	22

157 shows

172 tapes

Minutemen

Playback	Listens	Hours
48h	0	0m
7d	7	13m
30d	77	2

Playback	Listens	Hours
48h	36	2
7d	121	8
30d	891	61

Playback	Listens	Hours
48h	784	138
7d	1.3k	221
30d	9.9k	1.6k

1,989 shows

4,490 tapes

Mogwai

Playback	Listens	Hours
48h	14	2
7d	5	28m
30d	24	2

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	113	10

Playback	Listens	Hours
48h	250	25
7d	501	54
30d	4.4k	463

412 shows

599 tapes

Nathan Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	10	1

46 shows

51 tapes

Neal Francis

Playback	Listens	Hours
48h	2	10m
7d	3	17m
30d	55	5

Playback	Listens	Hours
48h	24	3
7d	106	14
30d	530	75

138 shows

251 tapes

Nels Cline

Playback	Listens	Hours
48h	5	46m
7d	6	2
30d	31	6

62 shows

73 tapes

New Riders of the Purple Sage

1.7k

Playback	Listens	Hours
48h	107	10
7d	195	16
30d	1.7k	140

410 shows

597 tapes

North Mississippi Allstars

1.4k

Playback	Listens	Hours
48h	85	7
7d	264	25
30d	1.4k	136

Playback	Listens	Hours
48h	102	12
7d	155	15
30d	900	94

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	15m

Playback	Listens	Hours
48h	36	6
7d	21	4
30d	133	24

130 shows

260 tapes

Percy Hill

Playback	Listens	Hours
48h	0	0m
7d	5	42m
30d	82	11

Playback	Listens	Hours
48h	88	17
7d	177	32
30d	1.4k	262

689 shows

920 tapes

Phil Lesh and Friends

14.3k

Playback	Listens	Hours
48h	1.4k	243
7d	2.2k	371
30d	14.3k	2.5k

788 shows

2,861 tapes

Pigeons Playing Ping Pong

2.1k

Playback	Listens	Hours
48h	195	31
7d	255	41
30d	2.1k	323

Playback	Listens	Hours
48h	217	28
7d	840	102
30d	4.3k	548

293 shows

435 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

16 shows

16 tapes

Railroad Earth

Playback	Listens	Hours
48h	253	32
7d	623	86
30d	4k	533

1,236 shows

2,197 tapes

RANA

Playback	Listens	Hours
48h	38	3
7d	8	29m
30d	11	42m

Playback	Listens	Hours
48h	44	7
7d	51	8
30d	483	63

279 shows

398 tapes

Ratdog

Playback	Listens	Hours
48h	533	71
7d	1.1k	131
30d	7k	921

Playback	Listens	Hours
48h	117	10
7d	343	30
30d	1.5k	126

Playback	Listens	Hours
48h	118	9
7d	199	16
30d	1.9k	157

Playback	Listens	Hours
48h	129	11
7d	439	38
30d	2.3k	200

581 shows

729 tapes

Ryan Jewell

Playback	Listens	Hours
48h	1	26m
7d	0	0m
30d	2	29m

10 shows

11 tapes

Ryley Walker

Playback	Listens	Hours
48h	1	4m
7d	3	38m
30d	10	2

Playback	Listens	Hours
48h	99	10
7d	468	45
30d	3.8k	355

128 shows

193 tapes

Scott Metzger

Playback	Listens	Hours
48h	9	1
7d	24	3
30d	35	4

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	0	0m
7d	1	9m
30d	80	11

Playback	Listens	Hours
48h	0	0m
7d	16	2
30d	110	13

Playback	Listens	Hours
48h	109	9
7d	79	7
30d	1.1k	91

Playback	Listens	Hours
48h	139	22
7d	464	65
30d	2.9k	441

Playback	Listens	Hours
48h	32	9
7d	206	48
30d	1.4k	320

Playback	Listens	Hours
48h	35	2
7d	27	2
30d	273	15

87 shows

96 tapes

Stanton Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	17	3

Playback	Listens	Hours
48h	53	9
7d	160	19
30d	727	117

Playback	Listens	Hours
48h	120	24
7d	282	62
30d	1.8k	404

Playback	Listens	Hours
48h	88	9
7d	215	31
30d	1.4k	202

667 shows

1,139 tapes

String Cheese Incident

20.1k

Playback	Listens	Hours
48h	1.2k	196
7d	2.8k	448
30d	20.1k	3.3k

1,285 shows

2,081 tapes

Surprise Me Mr. Davis

Playback	Listens	Hours
48h	0	0m
7d	9	59m
30d	78	9

Playback	Listens	Hours
48h	2	13m
7d	8	1
30d	199	37

Playback	Listens	Hours
48h	20	2
7d	19	3
30d	152	20

Playback	Listens	Hours
48h	55	6
7d	64	7
30d	683	75

729 shows

1,116 tapes

Ted Leo and the Pharmacists

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	12	58m

Playback	Listens	Hours
48h	989	114
7d	1.7k	192
30d	12.1k	1.4k

Playback	Listens	Hours
48h	0	0m
7d	30	1
30d	174	9

Playback	Listens	Hours
48h	78	10
7d	260	31
30d	1.6k	194

Playback	Listens	Hours
48h	27	3
7d	41	6
30d	342	52

473 shows

627 tapes

The California Honeydrops

345

Playback	Listens	Hours
48h	56	6
7d	43	6
30d	345	44

77 shows

84 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	1	7m
30d	1	7m

Playback	Listens	Hours
48h	279	40
7d	640	95
30d	2.8k	406

Playback	Listens	Hours
48h	14	1
7d	60	5
30d	237	21

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	0	0m
7d	4	34m
30d	15	2

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	4	41m
7d	5	30m
30d	18	2

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	0	0m
7d	7	44m
30d	10	58m

Playback	Listens	Hours
48h	0	0m
7d	75	13
30d	399	66

Playback	Listens	Hours
48h	18	2
7d	9	1
30d	117	14

Playback	Listens	Hours
48h	312	15
7d	539	28
30d	3.5k	188

Playback	Listens	Hours
48h	31	2
7d	114	8
30d	807	57

Playback	Listens	Hours
48h	4	49m
7d	13	3
30d	210	42

Playback	Listens	Hours
48h	62	7
7d	253	26
30d	1.1k	110

Playback	Listens	Hours
48h	308	42
7d	516	76
30d	1.8k	258

Playback	Listens	Hours
48h	546	55
7d	1.3k	129
30d	7.1k	695

Playback	Listens	Hours
48h	29	2
7d	73	5
30d	117	8

Playback	Listens	Hours
48h	76	9
7d	86	10
30d	826	86

71 shows

91 tapes

The Werks

Playback	Listens	Hours
48h	5	1
7d	15	3
30d	33	6

Playback	Listens	Hours
48h	52	6
7d	227	23
30d	1.3k	134

Playback	Listens	Hours
48h	48	3
7d	149	10
30d	996	66

175 shows

210 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	15	2

Playback	Listens	Hours
48h	318	48
7d	612	100
30d	6.6k	968

Playback	Listens	Hours
48h	1	6m
7d	22	2
30d	119	11

Playback	Listens	Hours
48h	84	13
7d	261	43
30d	1.6k	265

Playback	Listens	Hours
48h	389	54
7d	763	111
30d	5.1k	748

Playback	Listens	Hours
48h	42	4
7d	0	0m
30d	209	19

Playback	Listens	Hours
48h	58	5
7d	135	10
30d	1.4k	103

Playback	Listens	Hours
48h	1k	80
7d	2.2k	174
30d	13k	1.1k

623 shows

1,140 tapes

White Denim

Playback	Listens	Hours
48h	1	3m
7d	1	7m
30d	60	5

Playback	Listens	Hours
48h	16.6k	2k
7d	32.6k	3.8k
30d	151.9k	18k

Playback	Listens	Hours
48h	121	19
7d	108	19
30d	791	116

1,416 shows

2,242 tapes

Yonder Mountain String Band

11.5k

Playback	Listens	Hours
48h	803	78
7d	1.8k	165
30d	11.5k	1.1k

Playback	Listens	Hours
48h	125	20
7d	311	50
30d	1.6k	248

21 shows

29 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	24	4
7d	129	23
30d	1.6k	278

461 shows

665 tapes

Zoofunkyou

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	12	1

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	1.7k	217
7d	3.8k	489
30d	21k	2.8k

Playback	Listens	Hours
48h	2.4k	314
7d	1.9k	281
30d	18k	2.6k

Playback	Listens	Hours
48h	839	113
7d	2.5k	330
30d	36.9k	4.9k

Playback	Listens	Hours
48h	2.3k	278
7d	6k	753
30d	34k	4.3k

Playback	Listens	Hours
48h	1.4k	189
7d	4k	521
30d	53.5k	7.1k

Playback	Listens	Hours
48h	2.4k	320
7d	6.7k	855
30d	66.3k	8.7k

Playback	Listens	Hours
48h	6.7k	845
7d	5.7k	707
30d	47.3k	5.9k

Playback	Listens	Hours
48h	4.3k	526
7d	7.9k	929
30d	34.3k	4k

Playback	Listens	Hours
48h	3.5k	358
7d	11.5k	1.3k
30d	53.3k	6.1k

Playback	Listens	Hours
48h	1.8k	193
7d	5.5k	606
30d	18.2k	2k

Playback	Listens	Hours
48h	9.2k	1.2k
7d	13.1k	1.5k
30d	54.3k	6.2k

Playback	Listens	Hours
48h	3.4k	412
7d	8.6k	1.1k
30d	38.4k	4.8k

Playback	Listens	Hours
48h	1.5k	199
7d	6.4k	814
30d	32.5k	4.3k

Playback	Listens	Hours
48h	1.3k	156
7d	2.5k	306
30d	19.1k	2.4k

Playback	Listens	Hours
48h	2.8k	339
7d	2.9k	364
30d	24.3k	3.1k

Playback	Listens	Hours
48h	3.1k	371
7d	6.8k	805
30d	63.6k	7.3k

Playback	Listens	Hours
48h	4.5k	608
7d	3.8k	522
30d	21.4k	3k

Playback	Listens	Hours
48h	2.9k	394
7d	3.7k	496
30d	38.5k	5k

Playback	Listens	Hours
48h	6.8k	947
7d	14.1k	2k
30d	142.6k	19.7k

Playback	Listens	Hours
48h	4.6k	622
7d	20.4k	2.7k
30d	145.4k	19.6k

Playback	Listens	Hours
48h	151	15
7d	708	72
30d	7.1k	719

Playback	Listens	Hours
48h	4.2k	555
7d	18.9k	2.5k
30d	98.8k	12.8k

Playback	Listens	Hours
48h	9.1k	1.2k
7d	11.7k	1.5k
30d	78.8k	10.3k

Playback	Listens	Hours
48h	2.1k	267
7d	5.3k	662
30d	38.6k	4.8k

Playback	Listens	Hours
48h	5.8k	646
7d	3.3k	371
30d	27k	3k

Playback	Listens	Hours
48h	1.3k	147
7d	3.2k	364
30d	37.5k	4k

Playback	Listens	Hours
48h	795	112
7d	4k	508
30d	22.5k	3.3k

Playback	Listens	Hours
48h	288	39
7d	681	87
30d	6.8k	874

41 shows

125 tapes

1967

Playback	Listens	Hours
48h	116	20
7d	272	36
30d	2k	278

Playback	Listens	Hours
48h	770	62
7d	605	41
30d	4.4k	308

Playback	Listens	Hours
48h	35	2
7d	73	4
30d	486	29

1974

Playback	Listens	Hours
48h	0	0m
7d	2	9m
30d	20	2

San Francisco, CA, USA

1.1k

Playback	Listens	Hours
48h	50	6
7d	83	10
30d	1.1k	135

San Francisco, CA, USA

1.4k

Playback	Listens	Hours
48h	38	6
7d	150	17
30d	1.4k	161

San Francisco, CA, USA

1.2k

Playback	Listens	Hours
48h	56	9
7d	159	26
30d	1.2k	191

San Francisco, CA, USA

844

Playback	Listens	Hours
48h	37	4
7d	100	11
30d	844	95

San Francisco, CA, USA

425

Playback	Listens	Hours
48h	49	10
7d	42	8
30d	425	75

Playback	Listens	Hours
48h	0	0m
7d	12	1
30d	140	20

Playback	Listens	Hours
48h	58	7
7d	22	3
30d	167	23

Playback	Listens	Hours
48h	39	6
7d	96	13
30d	549	75

Playback	Listens	Hours
48h	28	4
7d	29	4
30d	110	16

Playback	Listens	Hours
48h	49	8
7d	170	31
30d	927	184

Playback	Listens	Hours
48h	19	5
7d	12	3
30d	288	50

Playback	Listens	Hours
48h	0	0m
7d	1	23m
30d	84	10

Playback	Listens	Hours
48h	72	10
7d	228	28
30d	1.2k	160

4:05:41

9 tapes

8/05SBD

Philadelphia Civic Arena

Philadelphia, PA, USA

613

Playback	Listens	Hours
48h	6	45m
7d	82	12
30d	613	80

3:48:28

6 tapes

8/04SBD

Philadelphia Civic Arena

Philadelphia, PA, USA

638

Playback	Listens	Hours
48h	16	2
7d	54	7
30d	638	91

Playback	Listens	Hours
48h	68	8
7d	61	9
30d	819	100

Playback	Listens	Hours
48h	80	10
7d	61	7
30d	377	48

Playback	Listens	Hours
48h	65	8
7d	50	7
30d	634	79

2:46:46

6 tapes

7/25SBD

International Amphitheatre

Chicago, IL, USA

609

Playback	Listens	Hours
48h	51	5
7d	14	1
30d	609	70

Playback	Listens	Hours
48h	39	5
7d	30	4
30d	283	35

Playback	Listens	Hours
48h	24	3
7d	133	21
30d	605	89

3:26:33

7 tapes

6/30SBD

Springfield Civic Center

Springfield, MA, USA

4.7k

Playback	Listens	Hours
48h	809	121
7d	4.1k	565
30d	4.7k	655

Playback	Listens	Hours
48h	276	40
7d	5.9k	803
30d	6.9k	962

3:52:49

7 tapes

6/26SBD

Providence Civic Center

Providence, RI, USA

8.8k

Playback	Listens	Hours
48h	317	46
7d	3.1k	431
30d	8.8k	1.2k

Playback	Listens	Hours
48h	257	28
7d	650	73
30d	8.6k	982

Playback	Listens	Hours
48h	93	12
7d	266	32
30d	5.1k	568

Playback	Listens	Hours
48h	47	5
7d	78	9
30d	5.7k	656

Playback	Listens	Hours
48h	303	43
7d	507	75
30d	9.9k	1.4k

2:56:36

4 tapes

6/16SBD

Des Moines State Fair Grandstand

Des Moines, IA, USA

8.3k

Playback	Listens	Hours
48h	134	20
7d	138	20
30d	8.3k	1.2k

3:53:11

10 tapes

6/08SBD

Oakland-Alameda County Coliseum

Oakland, CA, USA

5.9k

Playback	Listens	Hours
48h	62	8
7d	148	21
30d	5.9k	798

3:04:18

8 tapes

5/25SBD

Campus Stadium, UC Santa Barbara

Goleta, CA, USA

1.3k

Playback	Listens	Hours
48h	46	5
7d	122	12
30d	1.3k	132

5:16:21

5 tapes

5/21SBD

Edmundson Pavilion, U. of Washington

Seattle, WA, USA

1.6k

Playback	Listens	Hours
48h	54	6
7d	116	14
30d	1.6k	232

6:06:27

13 tapes

5/19SBD

Portland Memorial Coliseum

Portland, OR, USA

8.1k

Playback	Listens	Hours
48h	412	44
7d	957	104
30d	8.1k	903

Vancouver, British Columbia, Canada

885

Playback	Listens	Hours
48h	20	2
7d	93	9
30d	885	98

2:53:50

3 tapes

5/14SBD

Adams Field House, U. of Montana

Missoula, MT, USA

2.4k

Playback	Listens	Hours
48h	192	25
7d	202	27
30d	2.4k	310

Playback	Listens	Hours
48h	10	2
7d	47	6
30d	722	87

Playback	Listens	Hours
48h	11	1
7d	361	40
30d	2k	224

Playback	Listens	Hours
48h	8	38m
7d	7	32m
30d	89	8

San Francisco, CA, USA

2.2k

Playback	Listens	Hours
48h	110	17
7d	187	30
30d	2.2k	316

San Francisco, CA, USA

1.1k

Playback	Listens	Hours
48h	96	10
7d	73	8
30d	1.1k	129

San Francisco, CA, USA

1.4k

Playback	Listens	Hours
48h	129	14
7d	259	27
30d	1.4k	152

4:11:15

10 tapes

Sources

Transferrer: Kevin Tobin

gd1974-06-23.122271.dts.tobin.flac16

Source:

<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shn id 116312) sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith + SBD2 (shn id 16780) MSR>DAT>CD w/ MAC>DAT patches + AUD2 (shnid = 105755) aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010 - dts mixing by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 04-OCT-2012 - Trader Little Helper
- Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

-----------------------------------------------------------
Front  
Left Channel -1db SBD
Right Channel -1db SBD

Center
Mixed to mono -1db Matrix

Surround
Left Channel -0db AUD
Right Channel -0db AUD

Sub/LFE
Mixed to mono -1db Matrix
--------------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Production

Transferrer: Kevin Tobin

gd1974-06-23.122270.mtx.tobin.flac16

Source:

Matrix 3 Source Mix - SBD1 (shn id 116312)sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith + SBD2 (shn id 16780) MSR>DAT>CD w/ MAC>DAT patches + AUD1 (shnid 105755) flac24; aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010 - matrix mixing by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 04-OCT-2012 - Trader Little Helper
- Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -1
AUD +1

SET TWO

Stereo Matrix
SBD -1
AUD +1
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

Brokedown House Production

Transferrer: Kevin Tobin

gd1974-06-23.122269.mtx.tobin.flac24

Source:

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 04-OCT-2012 - Trader Little Helper
-Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -1
AUD +1

SET TWO

Stereo Matrix
SBD -1
AUD +1
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

Brokedown House Production

Transferrer: Matt Smith and Kevin Tobin

3:31:24

SBD

Transferrer:

Matt Smith and Kevin Tobin

SHNID:

gd1974-06-23.122255.upg-sbd.smith-tobin.flac16

Source:

sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith - Patched and speed corrected version of shnid 116312 by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 04-OCT-2012 - Trader Little Helper
- Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

Brokedown House Production

Taper: Unknown

gd1974-06-23.sdb.smith.116312.flac16

Source:

sbd>?>cd</br>Mastered via the Apogee mini me>Mini DAC>FLAC</br>Transfer and Mastering by: Matt Smith

Transferrer: Chris Chappell

gd1974-06-23.sbd.matrix-sb21b.chappell.83489.flac16

Source:

Sick Bits Vol. 21b - SBD/AUD Matrix of 2 previously circulating sources: SBD (shnid=213) + AUD (shnid=14265)

Taper Notes:

View NotesSource: Matrix (SBD/AUD mix):

SBD: (shnid=213) - mastered by Josh Belkin

     Lineage: SBD>ReelM>DAT>CassetteM>DAT(3)>Prodif Plus card > 
     Samplitude 2496 > Plextor 820 burner  
     SBD Patch: "Phil's Tape" > ? > DAT(n) >Prodif Plus > Samp2496

AUD: (shnid=14265) - via Noah Weiner(encoding) via Mark Cohen(A/D xfer)
     AudMC > DAT > WAV > SHN

     Recorded by Jerry Moore about 15 rows from the stage on center axis
     with 2 hand held AKG D-1000E mics > Sony 152 deck.  Maxell UD-120
     cassettes, with Dolby B ON.

Transfer/Editing:
Both sources were converted to WAV > 
Sony Vegas 5 > WAV > CD Wave > FLAC 16 (level 8)

Matrixed by Chris Chappell
ScarFire@liquidcity.com
2-15-07
_____________________________
End disc 1 after To Lay Me Down and end disc 2 after Around & Around.  Seastones
is named s1t19 so as to keep in the order played, although there was a set break
before and after this track. Tracks are named by set as opposed to disc as there 
are many media options now for output.

____________________________________________________________
General Notes:

This show was probably one of those events for those who attended where the 
response afterwards was like "what the hell was that?" - in other words, not
your normal Dead show, festooned with wierd sound effects, in between song 
banter, a Tico Tico tuning, the only Let It Rock, and the first Seastones; all
of this before even the second set which starts with a Jam.  The Dark Star,
which is just a Dark Star jam (last one until 1991), lasts almost 18 minutes,
and is one of only 6 played in '74, and the only one in '74 without vocals.
Spanish Jam makes its first of 7 appearances in '74 after a 15 month hiatus.
The jam into US Blues is classic, and the Casey Jones encore is 1 of 10 in '74.
Two repeats from the night before, Jack Straw and Ship Of Fools, had different
feels, yet I still prefer the 22nd versions.

Sonically, the weird part is the beginning of the show which is a matrix from
the SBD source which finally goes to straight SBD in the middle of Ramble On Rose.
This first portion, which is quite phasey, was left alone and not matrixed with
the AUD source due to the fact it had already been matrixed (by Healy?, real time
at the show? - could this be the first matrix experiment at a Deadshow?).  Also,
Seastones is AUD only.

Thanks to Jerry Moore for recording the AUD at such a perfect FOB location
which picked up alot of Garcia's amp, thus making the matrix work well.  Thanks
to Noah Weiner and Mark Cohen for their conversion of Jerry Moore's masters.
Thanks to Josh Belkin for mastering the SBD source, and thanks to Phil for his
SBD source used as a patch in Belkin's source.

Thanks to Bill Zormeir (AKA Zman) for the excellent artwork.

-Enjoy!
Chappy

____________________________________________________________
Editing Notes:

- Pitch/Synch
Both sources were very close in pitch, the SBD being the closest to A=440.
I synched the AUD to the SBD and the AUD had to be pitched up only 2 to 6 cents. 
The alt. SBD "Phil's tape" which provides the patch in US Blues did not need
to be pitch adjusted, although some EQ was applied to match the regular SBD in
tone/timbre (high shelf starting at 1.5kHz +6dB).

- Sonic Quality/Matrix ratio
No EQ was applied to either of the two main sources. I applied very sparingly
Waves L2 (limiter) to the master 2 buss to keep things contained, the 
levels rarely hitting zero, thus the limiting is quite scarce. All I was 
trying to do here is to add some dimension to the SBD by using the 
ambience of the AUD. The result is a lively but clear recording, hopefully 
close to how it sounded at the show. If I had to guess the SBD/AUD ratio 
would be somewhere between 3:1 and 2:1.  Note that Jerry's presence in the
matrix mix is enhanced greatly from the AUD due to his loud stage volume.

- Edits
The following are places where the SBD and AUD had splices, holes or
incomplete coverage in reference to the final matrix timeline. 

SBD:

s1t01 (0:00 - 3:14) - missing (tuning)
s1t02 (6:18 - 6:51) - missing (tuning)
s1t04 (0:13 - 0:47) - missing (tuning)
s1t04 (1:11 - 1:43) - missing (tuning)
s1t04 (3:19 - 4:34) - missing (tuning)
s1t06>7 (7:43 - 0:02) - missing (tuning)
s1t07 (3:31 - 4:20) - missing (tuning)
s1t08 (7:55 - 9:12) - missing (tuning)
s1t09 (4:08 - 4:09) - missing
s1t09 (5:18 - 5:50) - missing (tuning)
s1t10 (3:26 - 4:09) - missing (tuning)
s1t11 (9:08 - 7:50) - missing (tuning)
s1t12 (4:22 - 5:45) - missing (tuning)
s1t13>14 (7:58 - 0:56) - missing (tuning)
s1t17 (5:21) - removed subsecond glitch
s1t18 (5:32 - 5:44) - missing (tuning)
s2t01 (0:00 - 2:21) - missing (tuning)
s2t03 (6:04 - 6:19) - missing (tuning)
s2t04 (4:44 - 5:39) - missing (tuning)
s2t05 (4:40 - 4:41) - missing (splice)
s2t05 (9:24 - 10:47) - missing (tuning)
s2t06 (5:17 - 6:03) - missing (tuning)
s2t07 (9:07 - 9:16) - missing (flip)
s2t09 (5:08 - 5:30) - supplied by alt. SBD "Phil's Tape"
s2t09 (8:14 - 10:25) - missing (tuning)
s2t11 (4:54 - 8:54) - missing (tuning)
s2t12 (6:40 - 6:50) - missing (tuning)

AUD:
s1t16 (4:17) - fixed sbe
s2t05 (10:50) - removed mic bump


Full coverage is achieved, and almost all the missing elements from the SBD
are tuning/crowd.

Source 7 of 18

gd1974-06-23.sbd.OBV.30846.shnf

Source:

Soundboard

Lineage:

Remaster of sbd w/ aud patches by Owens Brothers

Taper Notes:

View NotesRemaster of sbd w/ aud patches by Owens Brothers

Source 8 of 18

gd74-06-23.sbd.cribbs.16780.sbeok.shnf

Source:

Soundboard

Lineage:

MSR> DAT> CD w/ MAC> DAT patches

Taper Notes:

View NotesMSR>DAT>CD w/ MAC>DAT patches

Transferrer: Josh Belkin

gd1974-06-23.sbd.sacks.213.shnf

Source:

SBD>ReelM>DAT>CassetteM>DAT(3)>Prodif Plus card > Samplitude 2496 > Plextor 820 burner

Lineage:

See info file

Taper Notes:

View NotesSource Lineage:
SBD>ReelM>DAT>CassetteM>DAT(3)>Prodif Plus card > Samplitude 2496 > Plextor 820 burner
 * AUD >?>FM>cassette>A/D: Panasonic 3700>Prodif Plus>Samp2496
      (Broadcast by WHRB-FM during Grateful Dead Orgy, early 1980's.)
** "Phil's Tape" SBD? >?>DAT(n) >Prodif Plus > Samp2496

Sound processing: 
 AUD source:         
Dehum, Denoise, Timestretched to match SBD speed
 "Phil's Tape" SBD:  Timestretched to match SBD speed

The "Phil's Tape" source is probably the one mentioned in www.deadlists.com,
   "made by Phil with mikes onstage", since the tape has no cuts.
The AUD source is probably the one mentioned in Taper's Compendium  Vol. 1: 
   Jerry Moore & Les Kippel ,  AKG D-200 mikes > Sony 152 deck

Mastered Dec '99/Jan '00 by Josh Belkin   josh-b@mediaone.net


[Additional note on disc assembly from Josh (more details below)]:
 
"Two tracks,  D1T3 and D3T1, don't have song titles. In the case of D1T3,
it's there so that the previous AUD/SBD mixed Ramble On Rose track is the
same length  (well, nearly so, I goofed slightly I guess) as the
straight-SBD RoR at the end of Disk three, so that purists can take out
the mixed RoR and swap in the straight-SBD one if they want to rearrange
the tracks on Disk1.  It was that or else make the straight-SBD RoR about
:58 longer. D3T1 mini-track is there so that I can have a proper track
marker at the start of Dark Star."

--
additional comments from Darrin Sacks:
Date: Fri, 4 Feb 2000 09:29:19 -0700
From: "Darrin N. Sacks"
To: etree@etree.org
Subject: [etree] Grateful Dead 6.23.74 - Patched has NO noise reduction

Hi,

A newly circulating show has an erroneous info file attached to it --

Contrary to the statement in the info file accompanying the 6.23.74 patched
soundboard that is circulating, the primary soundboard source used for this
show (the SBD>ReelM>DAT>CassetteM>DAT(3)>) that was used for all but a few
short segments was NOT subject to noise reduction.  Although Josh, the guy
who performed the tremendous job of splicing in the cuts on the primary
soundboard from previously circulating audience and alternate soundboard
sources, did digitally process the alternate sources (he time aligned them
and denoised/dehummed them), he did not perform noise reduction on the
primary soundboard source that is circulating on the etree.

This misunderstanding occurred because Josh did perform noise reduction on
the primary soundboard source that he traded to a few of his friends.
However, we collectively decided that the version circulated on the etree &
on alt.binaries.gdead should not contain noise reduction -- and it does not.
Josh accidentally sent out cd covers to the etree and alt.binaries.gdead
seed sources for this show indicating that the primary soundboard source was
processed with noise reduction -- which it was not.

So, please disregard this annotation and don't pass up this gem of a show on
the mistaken understanding that it contains noise reduction.

While I'm on the topic, I should also point out that disk 3 of the show was
redone and re-seeded after its initial seeding to the etree.  The show
should not have been distributed prior to the updated disk 3's seeding, but
its easy to tell if you have the "correct" disk 3 -- it has ten tracks.
Disk 3 was reseeded because, after Josh initially distributed the show, we
discovered that there was a reel flip in the middle of US Blues.  On So Many
Roads, this reel flip was edited out by removing a chunk of the song (see
the liner notes).  On the re-seeded version, this 20 second gap (pretty
impressive timing for re-threading a reel-to-reel deck, imho), was spliced
in from what is believed to be a stage miced version recorded by Phil (the
prior version had a cut at this point).  This is the only difference.

That ought to do it -- given the recent thread regarding the "evils" of
noise reduction, I didn't want this amazing show & work of restoration to be
passed by.  My advice -- download and uncompress a track or 2 (Josh's
blending of the aud source with the sbd source on Ramble On Rose -- d1t1 --
is amazing, and the Dark Star -- d3t1 -- sounds fabulous and allows people
with SMR to compare this source's sound quality to the very same song on
SMR) and decide what to do from there.

Siteops hosting this show -- it would be nice if you modified the info file
to remove the erroneous noise reduction info.

Darrin

Taper: Jerry Moore

gd1974-06-23.148679.Moore.acetboy.flac1644

Source:

Remaster by acetboy

Taper Notes:

View NotesThis is a new master created from the original files from shn #105755.
Like the first night at this venue it seems like the drums could have been louder.
Maybe they do come through a bit better this night.

For this I worked on the hi-res files but only saved as cd ready.  44.1 16 bit

Work done in ProTools LE with final eq tweaks in ocenaudio.

The original files have the mids around 400 to 500 Hz louder than everything else.
Here I've brought out the low and high end more.

The flac files are tagged.

Much thanks to Jerry Moore and those who have worked to make this music available.

acetboy 2019-12-10

Taper: Jerry Moore

gd1974-06-23.145674.aud.akg-d1000e.moore.berger.flac16

Source:

source: aud cassette master taped by Jerry Moore lineage: aud>akg d1000e's>sony tc-152sd (3)maxell ud-120's, dolby b cassettes re-shelled

Lineage:

nak dragon>hd-p2 24/96>cd wave>flac transferred & seeded by Rob Berger 1/30/10

Taper Notes:

View Notesnotes: show promoted by Howard Stein

Transferrer: Hunter Seamons

gd1974-06-23.mtx.seamons.105983.flac16

Source:

Matrix By Hunter Seamons Using Final Cut Pro (flac24 & Shn>aiff>final Cut>wav>flac16)

Transferrer: Hunter Seamons

gd1974-06-23.mtx.seamons.105867.flac24

Source:

Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & SHN>AIFF>Final Cut>WAV>FLAC24)

Taper: Jerry Moore

gd1974-06-23.akgd1000e.moore.berger.105755.flac24

Source:

akg d1000e's>sony tc-152

Lineage:

cassette master > cassettes re-shelled > nak dragon>hd-p2 24/96>cd wave>flac

Taper: Jerry Moore

Owen Brothers remaster of Jerry Moore recording

SHNID:

gd1974-06-23.aud.obv.96890.sbeok.shnf

Source:

AudMC > DAT>CD>DC6>CD

Taper Notes:

View NotesEditing and Mastering by The Wizard - Owenbrothersvault@hotmail.com
Both the Audience and the Soundboard are available from The Owen Brothers Vault.

This was a nice AUD recording with only minor issues. A light Continuous Noise filter
was used to minimize tape hiss. Equalization was used to
adjust the sound a bit. Cuts were cleaned up.
Misc. loud handclaps, pops and other anomalies were corrected.
All editing done with Diamond Cut DC6 software.

Note: To burn to longer media (DVD-A), leave out "a" and "b" fade tracks.
Please trade freely, never sell. Please don't convert to MP3 and trade... Thanks, Wiz

Taper: Jerry Moore

Rob Berger and John Tallmadge

SHNID:

gd1974-06-23.aud.moore.berger.84615.flac16

Source:

akg d1000e's>Sony TC-152

Lineage:

aud c.m.>dat>cdr>eac>cd wave>flac

Taper: Jerry Moore

gd74-06-23.moore.weiner.gdADT.14265.sbeok.shnf

Source:

Audience Recording: AKG D-1000E

Lineage:

AudMC > DAT > WAV > SHN; about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120cassettes, with Dolby B ON.

Taper Notes:

View NotesAudMC > DAT > WAV > SHN

Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck.  Maxell UD-120
cassettes, with Dolby B ON.

Taper: Neil Merin

gd1974-06-23.aud-merin.weiner.7894.shnf

Lineage:

AUDMR>R>DAT/1>HD>SHN>CD

Taper Notes:

View NotesFrom comment posted by Noah at etree:
Hey all,

This currently circulating copy of this show attributed to the taper Neil Merin is a myth. That reel that I transferred was indeed made by Merin in the 70s for the person I got the reel from. The assumption was made that Merin had taped the show. At the time of the transfer, Merin (and his taping buddy, Jeff Siniawsky) was still missing in action from our community, thus I could only go on the information I was given. Last December, when Siniawsky contacted me for the first time (he and Merin are still quite close), the subject of 06/23/74 produced fuzzy memories that, at the time, couldn't really prove or disprove Merin's recording of the show. He very well could have been in Florida (it is where he and Jeff live now), and certainly could have taped the show, as he and Jeff taped everything else they could that summer. But, time had fogged the facts from being set one way or the other. Well, no longer. have finished the final CDs of Moore's 06/23/74 master, and sure enough, it's the very same recording (though the Merin reel is missing tons of in between song banter, etc...).

I'm sorry for my part in propagating myth. But, at least I wasn't claiming that the thing was taped by Phil with mics on stage. ;-)