1974-06-23 | Grateful Dead

Bands

Featured

Playback	Listens	Hours
48h	90.9k	11.5k
7d	234k	29.5k
30d	1.3M	170.3k

2,080 shows

18,079 tapes

Phish

282.2k

Playback	Listens	Hours
48h	19.6k	3k
7d	45.3k	7.1k
30d	282.2k	43.8k

Bands

Playback	Listens	Hours
48h	61	4
7d	144	10
30d	925	59

Playback	Listens	Hours
48h	4	31m
7d	27	4
30d	154	24

69 shows

106 tapes

Ace Bandage

Playback	Listens	Hours
48h	1	8m
7d	0	0m
30d	6	40m

Playback	Listens	Hours
48h	4	51m
7d	12	3
30d	231	32

83 shows

116 tapes

Akron/Family

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	14	2

40 shows

43 tapes

American Babies

Playback	Listens	Hours
48h	0	0m
7d	7	42m
30d	39	4

Playback	Listens	Hours
48h	0	0m
7d	2	9m
30d	137	11

Playback	Listens	Hours
48h	55	5
7d	122	10
30d	397	34

Playback	Listens	Hours
48h	27	3
7d	33	4
30d	307	36

123 shows

134 tapes

Animal Liberation Orchestra

1.4k

Playback	Listens	Hours
48h	91	11
7d	303	37
30d	1.4k	173

Playback	Listens	Hours
48h	14	3
7d	57	13
30d	141	28

Playback	Listens	Hours
48h	100	8
7d	211	19
30d	1.1k	108

Playback	Listens	Hours
48h	22	2
7d	4	55m
30d	179	37

Playback	Listens	Hours
48h	26	3
7d	112	15
30d	680	86

Playback	Listens	Hours
48h	1	8m
7d	31	3
30d	104	10

102 shows

107 tapes

Bela Fleck and the Flecktones

1.5k

Playback	Listens	Hours
48h	111	15
7d	300	40
30d	1.5k	188

488 shows

613 tapes

Ben Kweller

Playback	Listens	Hours
48h	0	0m
7d	2	9m
30d	40	3

Playback	Listens	Hours
48h	2	15m
7d	27	4
30d	187	24

278 shows

383 tapes

Bernie Worrell

Playback	Listens	Hours
48h	13	2
7d	19	3
30d	35	7

7 shows

7 tapes

Bernie Worrell and the WOO Warriors

Playback	Listens	Hours
48h	1	20m
7d	6	46m
30d	27	4

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	0	0m
7d	8	1
30d	50	8

Playback	Listens	Hours
48h	29	4
7d	114	17
30d	556	79

Playback	Listens	Hours
48h	174	22
7d	423	56
30d	2.2k	289

Playback	Listens	Hours
48h	5.8k	580
7d	14.9k	1.5k
30d	87.7k	8.7k

Playback	Listens	Hours
48h	85	6
7d	213	14
30d	1.6k	108

62 shows

76 tapes

Blueground Undergrass

Playback	Listens	Hours
48h	17	1
7d	40	3
30d	93	8

Playback	Listens	Hours
48h	121	13
7d	371	43
30d	2.2k	254

Playback	Listens	Hours
48h	281	36
7d	949	128
30d	5.2k	682

308 shows

512 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

22 shows

28 tapes

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	48m

3 shows

8 tapes

Brothers Past

Playback	Listens	Hours
48h	28	4
7d	91	14
30d	1k	173

451 shows

563 tapes

Buffalo Galaxy

Playback	Listens	Hours
48h	0	0m
7d	9	1
30d	66	8

Playback	Listens	Hours
48h	119	11
7d	258	25
30d	1.2k	116

Playback	Listens	Hours
48h	210	22
7d	290	31
30d	1.4k	141

Playback	Listens	Hours
48h	15	40m
7d	172	9
30d	346	19

Playback	Listens	Hours
48h	5	43m
7d	36	4
30d	225	30

Playback	Listens	Hours
48h	12	59m
7d	64	5
30d	279	19

243 shows

272 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	1	17m
30d	4	1

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	1	37m
7d	0	0m
30d	11	2

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	0	0m
7d	4	53m
30d	73	10

79 shows

93 tapes

Circles Around The Sun

1.7k

Playback	Listens	Hours
48h	155	33
7d	401	88
30d	1.7k	362

Playback	Listens	Hours
48h	11	2
7d	25	3
30d	203	39

Playback	Listens	Hours
48h	59	5
7d	191	16
30d	804	68

Playback	Listens	Hours
48h	123	20
7d	135	20
30d	618	92

Playback	Listens	Hours
48h	334	48
7d	992	135
30d	4.4k	600

Playback	Listens	Hours
48h	311	39
7d	1.3k	178
30d	6.4k	885

799 shows

1,061 tapes

Dave Harrington

Playback	Listens	Hours
48h	0	0m
7d	1	17m
30d	21	6

Playback	Listens	Hours
48h	5	27m
7d	24	3
30d	186	17

Playback	Listens	Hours
48h	3.2k	488
7d	6.8k	1.1k
30d	39.7k	6.4k

Playback	Listens	Hours
48h	8	45m
7d	82	8
30d	344	38

Playback	Listens	Hours
48h	67	3
7d	175	11
30d	1.2k	74

Playback	Listens	Hours
48h	66	8
7d	169	21
30d	1.5k	176

Playback	Listens	Hours
48h	924	178
7d	2.3k	457
30d	13.2k	2.7k

Playback	Listens	Hours
48h	2	15m
7d	57	6
30d	267	28

Playback	Listens	Hours
48h	261	41
7d	610	96
30d	3.3k	510

156 shows

210 tapes

Domocile

Playback	Listens	Hours
48h	0	0m
7d	3	1
30d	93	21

Playback	Listens	Hours
48h	115	12
7d	319	35
30d	1.7k	178

Playback	Listens	Hours
48h	19	3
7d	35	6
30d	256	41

Playback	Listens	Hours
48h	214	19
7d	333	29
30d	2.9k	259

Playback	Listens	Hours
48h	10	1
7d	139	23
30d	440	75

Playback	Listens	Hours
48h	24	3
7d	40	6
30d	182	25

Playback	Listens	Hours
48h	111	17
7d	172	29
30d	1.8k	297

152 shows

292 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	8m

Playback	Listens	Hours
48h	113	15
7d	286	39
30d	1.7k	234

831 shows

1,050 tapes

Electric Beethoven

Playback	Listens	Hours
48h	1	38m
7d	0	0m
30d	12	5

Playback	Listens	Hours
48h	87	4
7d	201	11
30d	803	44

156 shows

174 tapes

Eric Krasno

Playback	Listens	Hours
48h	17	2
7d	13	2
30d	86	12

123 shows

182 tapes

Everyone Orchestra

Playback	Listens	Hours
48h	2	25m
7d	3	42m
30d	28	7

182 shows

286 tapes

Forgotten Space

Playback	Listens	Hours
48h	0	0m
7d	1	8m
30d	78	9

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	7	2

Playback	Listens	Hours
48h	94	6
7d	116	8
30d	314	30

Playback	Listens	Hours
48h	14	1
7d	20	1
30d	108	7

Playback	Listens	Hours
48h	8	33m
7d	25	2
30d	193	15

497 shows

753 tapes

Fugazi

Playback	Listens	Hours
48h	20	1
7d	6	22m
30d	93	6

Playback	Listens	Hours
48h	610	97
7d	2k	303
30d	9.9k	1.5k

246 shows

1,221 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

14 shows

15 tapes

G. Love and Special Sauce

677

Playback	Listens	Hours
48h	38	3
7d	133	11
30d	677	59

Playback	Listens	Hours
48h	26	3
7d	233	25
30d	1.1k	124

Playback	Listens	Hours
48h	9	1
7d	31	3
30d	154	20

Playback	Listens	Hours
48h	13	2
7d	50	8
30d	273	57

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	0	0m
7d	4	38m
30d	17	2

51 shows

65 tapes

Ghost Light

Playback	Listens	Hours
48h	0	0m
7d	8	1
30d	57	14

Playback	Listens	Hours
48h	82	10
7d	205	24
30d	1.2k	140

374 shows

508 tapes

Godspeed You Black Emperor!

431

Playback	Listens	Hours
48h	11	4
7d	43	13
30d	431	122

Playback	Listens	Hours
48h	2	9m
7d	10	1
30d	112	14

Playback	Listens	Hours
48h	5k	1.1k
7d	12k	2.6k
30d	48.9k	10.3k

Playback	Listens	Hours
48h	26	2
7d	114	10
30d	340	30

363 shows

589 tapes

Grahame Lesh and Friends

1.8k

Playback	Listens	Hours
48h	125	19
7d	352	54
30d	1.8k	258

Playback	Listens	Hours
48h	2	19m
7d	9	1
30d	124	17

Playback	Listens	Hours
48h	465	59
7d	981	119
30d	6.2k	732

Playback	Listens	Hours
48h	41	5
7d	208	26
30d	997	113

226 shows

313 tapes

GrooveSession

Playback	Listens	Hours
48h	0	0m
7d	20	3
30d	31	6

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	0	0m
7d	1	3m
30d	53	3

53 shows

57 tapes

Guitarmageddon

Playback	Listens	Hours
48h	0	0m
7d	7	1
30d	24	4

Playback	Listens	Hours
48h	26	2
7d	83	6
30d	382	26

755 shows

1,036 tapes

Hard Working Americans

133

Playback	Listens	Hours
48h	15	2
7d	12	1
30d	133	14

Playback	Listens	Hours
48h	0	0m
7d	31	5
30d	390	66

187 shows

226 tapes

Horseshoes and Hand Grenades

Playback	Listens	Hours
48h	10	1
7d	24	2
30d	47	4

Playback	Listens	Hours
48h	41	3
7d	47	4
30d	263	25

674 shows

846 tapes

Infamous Stringdusters

1.5k

Playback	Listens	Hours
48h	152	13
7d	224	21
30d	1.5k	135

629 shows

1,016 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	11	2

Playback	Listens	Hours
48h	320	24
7d	800	54
30d	4.8k	320

Playback	Listens	Hours
48h	29	2
7d	44	5
30d	280	29

365 shows

492 tapes

Jazz Mandolin Project

120

Playback	Listens	Hours
48h	8	1
7d	34	5
30d	120	19

222 shows

280 tapes

Jeff Austin and Chris Castino

Playback	Listens	Hours
48h	2	15m
7d	5	22m
30d	93	9

12 shows

14 tapes

Jeff Austin And Friends

157

Playback	Listens	Hours
48h	0	0m
7d	17	2
30d	157	16

Playback	Listens	Hours
48h	50	6
7d	197	30
30d	1.3k	181

112 shows

162 tapes

Jerry Joseph and the Jackmormons

2.5k

Playback	Listens	Hours
48h	86	16
7d	281	52
30d	2.5k	416

1,124 shows

1,519 tapes

Jerry's Middle Finger

3.8k

Playback	Listens	Hours
48h	199	24
7d	696	96
30d	3.8k	531

259 shows

310 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	0	0m
7d	3	23m
30d	18	3

2 shows

5 tapes

Joe Russo's Almost Dead

41.4k

Playback	Listens	Hours
48h	2k	372
7d	5.7k	1.1k
30d	41.4k	7.8k

Playback	Listens	Hours
48h	67	7
7d	163	19
30d	679	76

Playback	Listens	Hours
48h	268	23
7d	443	40
30d	2.6k	228

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	20	3
7d	3	42m
30d	34	4

Playback	Listens	Hours
48h	1	6m
7d	1	7m
30d	112	8

Playback	Listens	Hours
48h	10	47m
7d	6	48m
30d	103	10

73 shows

109 tapes

Karl Denson's Tiny Universe

173

Playback	Listens	Hours
48h	19	3
7d	4	53m
30d	173	24

Playback	Listens	Hours
48h	295	30
7d	707	73
30d	4.5k	435

1,056 shows

1,396 tapes

Kikagaku Moyo

Playback	Listens	Hours
48h	7	1
7d	21	3
30d	68	10

43 shows

54 tapes

King Gizzard & the Lizard Wizard

16.2k

Playback	Listens	Hours
48h	1.2k	157
7d	2.9k	406
30d	16.2k	2.2k

Playback	Listens	Hours
48h	173	23
7d	370	52
30d	1.9k	255

315 shows

400 tapes

Kung Fu

Playback	Listens	Hours
48h	1	1m
7d	9	2
30d	58	9

Playback	Listens	Hours
48h	41	7
7d	156	31
30d	662	129

Playback	Listens	Hours
48h	26	3
7d	135	17
30d	849	100

Playback	Listens	Hours
48h	382	33
7d	612	56
30d	3.9k	359

Playback	Listens	Hours
48h	234	39
7d	585	84
30d	3.1k	514

Playback	Listens	Hours
48h	283	24
7d	915	81
30d	5.6k	516

Playback	Listens	Hours
48h	84	6
7d	363	28
30d	1.4k	112

Playback	Listens	Hours
48h	102	19
7d	277	53
30d	1.5k	278

437 shows

622 tapes

Marco Benevento

Playback	Listens	Hours
48h	7	29m
7d	14	55m
30d	82	7

Playback	Listens	Hours
48h	79	8
7d	251	23
30d	2.2k	208

Playback	Listens	Hours
48h	15	1
7d	43	4
30d	240	25

349 shows

446 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	226	38
7d	592	95
30d	3.9k	619

Playback	Listens	Hours
48h	54	3
7d	22	1
30d	349	22

Playback	Listens	Hours
48h	0	0m
7d	70	7
30d	219	22

157 shows

172 tapes

Minutemen

Playback	Listens	Hours
48h	1	2m
7d	9	17m
30d	77	2

Playback	Listens	Hours
48h	57	4
7d	148	10
30d	930	64

Playback	Listens	Hours
48h	804	139
7d	1.7k	273
30d	10.2k	1.7k

1,989 shows

4,490 tapes

Mogwai

Playback	Listens	Hours
48h	0	0m
7d	6	32m
30d	40	4

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	113	10

Playback	Listens	Hours
48h	281	30
7d	614	66
30d	4.7k	483

412 shows

599 tapes

Nathan Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	10	1

46 shows

51 tapes

Neal Francis

Playback	Listens	Hours
48h	4	22m
7d	3	17m
30d	56	5

Playback	Listens	Hours
48h	21	2
7d	112	15
30d	573	80

138 shows

250 tapes

Nels Cline

Playback	Listens	Hours
48h	5	46m
7d	6	2
30d	31	6

62 shows

73 tapes

New Riders of the Purple Sage

1.7k

Playback	Listens	Hours
48h	102	10
7d	314	27
30d	1.7k	144

410 shows

597 tapes

North Mississippi Allstars

1.4k

Playback	Listens	Hours
48h	120	10
7d	326	32
30d	1.4k	138

Playback	Listens	Hours
48h	118	12
7d	192	19
30d	908	95

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	15m

Playback	Listens	Hours
48h	11	2
7d	32	6
30d	142	26

130 shows

260 tapes

Percy Hill

Playback	Listens	Hours
48h	0	0m
7d	13	2
30d	87	12

Playback	Listens	Hours
48h	86	15
7d	250	46
30d	1.4k	270

689 shows

920 tapes

Phil Lesh and Friends

15k

Playback	Listens	Hours
48h	1.5k	254
7d	2.6k	449
30d	15k	2.6k

788 shows

2,861 tapes

Pigeons Playing Ping Pong

2.1k

Playback	Listens	Hours
48h	171	28
7d	382	62
30d	2.1k	330

Playback	Listens	Hours
48h	271	32
7d	925	113
30d	4.4k	567

293 shows

435 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	260	35
7d	712	98
30d	4.2k	549

1,236 shows

2,197 tapes

RANA

Playback	Listens	Hours
48h	41	3
7d	8	29m
30d	11	42m

Playback	Listens	Hours
48h	48	7
7d	78	11
30d	492	64

Playback	Listens	Hours
48h	521	65
7d	1.4k	171
30d	7.3k	965

Playback	Listens	Hours
48h	155	12
7d	431	38
30d	1.6k	129

Playback	Listens	Hours
48h	168	13
7d	298	24
30d	1.9k	158

Playback	Listens	Hours
48h	190	16
7d	493	42
30d	2.3k	202

581 shows

729 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	2	29m

10 shows

11 tapes

Ryley Walker

Playback	Listens	Hours
48h	1	4m
7d	3	38m
30d	10	2

Playback	Listens	Hours
48h	163	15
7d	629	60
30d	3.8k	361

128 shows

193 tapes

Scott Metzger

Playback	Listens	Hours
48h	10	1
7d	24	3
30d	35	4

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	0	0m
7d	1	9m
30d	80	11

Playback	Listens	Hours
48h	0	0m
7d	16	2
30d	110	13

Playback	Listens	Hours
48h	48	4
7d	119	11
30d	1.1k	94

921 shows

1,619 tapes

Sound Tribe Sector 9

Playback	Listens	Hours
48h	223	32
7d	585	88
30d	3k	461

Playback	Listens	Hours
48h	61	16
7d	247	58
30d	1.4k	329

Playback	Listens	Hours
48h	6	18m
7d	27	2
30d	285	16

87 shows

95 tapes

Stanton Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	21	3

Playback	Listens	Hours
48h	77	13
7d	184	22
30d	732	117

Playback	Listens	Hours
48h	130	25
7d	351	78
30d	1.9k	418

Playback	Listens	Hours
48h	55	7
7d	240	34
30d	1.5k	213

667 shows

1,139 tapes

String Cheese Incident

20.6k

Playback	Listens	Hours
48h	1.2k	189
7d	3.9k	628
30d	20.6k	3.4k

1,285 shows

2,081 tapes

Surprise Me Mr. Davis

101

Playback	Listens	Hours
48h	0	0m
7d	9	59m
30d	101	11

Playback	Listens	Hours
48h	2	13m
7d	10	2
30d	229	42

Playback	Listens	Hours
48h	0	0m
7d	19	3
30d	152	20

Playback	Listens	Hours
48h	64	6
7d	99	11
30d	724	79

729 shows

1,116 tapes

Ted Leo and the Pharmacists

Playback	Listens	Hours
48h	0	0m
7d	2	8m
30d	12	58m

Playback	Listens	Hours
48h	907	101
7d	2.2k	236
30d	12.7k	1.5k

Playback	Listens	Hours
48h	28	1
7d	93	5
30d	175	9

Playback	Listens	Hours
48h	89	11
7d	310	38
30d	1.7k	208

Playback	Listens	Hours
48h	18	2
7d	42	6
30d	345	52

473 shows

627 tapes

The California Honeydrops

398

Playback	Listens	Hours
48h	38	4
7d	49	7
30d	398	50

77 shows

84 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	1	7m
30d	1	7m

64 shows

78 tapes

The Dead

Playback	Listens	Hours
48h	184	26
7d	756	111
30d	3k	422

Playback	Listens	Hours
48h	16	1
7d	60	5
30d	246	21

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	0	0m
7d	4	34m
30d	23	3

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	0	0m
7d	5	30m
30d	21	2

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	0	0m
7d	7	44m
30d	10	58m

Playback	Listens	Hours
48h	12	2
7d	95	15
30d	399	66

Playback	Listens	Hours
48h	10	1
7d	16	2
30d	122	14

Playback	Listens	Hours
48h	331	16
7d	739	39
30d	3.5k	189

Playback	Listens	Hours
48h	17	2
7d	169	11
30d	870	62

Playback	Listens	Hours
48h	5	1
7d	13	3
30d	216	44

Playback	Listens	Hours
48h	18	2
7d	299	31
30d	1.1k	112

Playback	Listens	Hours
48h	454	63
7d	573	84
30d	1.9k	282

Playback	Listens	Hours
48h	480	49
7d	1.6k	156
30d	7.3k	715

Playback	Listens	Hours
48h	52	4
7d	85	6
30d	129	9

Playback	Listens	Hours
48h	74	8
7d	125	14
30d	848	88

71 shows

91 tapes

The Werks

Playback	Listens	Hours
48h	5	1
7d	15	3
30d	33	6

Playback	Listens	Hours
48h	97	9
7d	239	25
30d	1.4k	142

Playback	Listens	Hours
48h	49	3
7d	215	15
30d	998	66

175 shows

210 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	15	2

Playback	Listens	Hours
48h	283	42
7d	805	131
30d	6.9k	1k

Playback	Listens	Hours
48h	1	6m
7d	44	4
30d	121	11

Playback	Listens	Hours
48h	141	22
7d	347	56
30d	1.7k	279

Playback	Listens	Hours
48h	388	54
7d	957	139
30d	5.2k	768

Playback	Listens	Hours
48h	14	2
7d	0	0m
30d	219	20

Playback	Listens	Hours
48h	45	4
7d	197	14
30d	1.4k	107

Playback	Listens	Hours
48h	891	73
7d	2.7k	219
30d	13.4k	1.1k

623 shows

1,140 tapes

White Denim

Playback	Listens	Hours
48h	1	3m
7d	1	7m
30d	61	5

Playback	Listens	Hours
48h	17.1k	2k
7d	39.8k	4.7k
30d	156.5k	18.6k

Playback	Listens	Hours
48h	104	16
7d	153	25
30d	839	127

1,416 shows

2,242 tapes

Yonder Mountain String Band

12.1k

Playback	Listens	Hours
48h	720	70
7d	2.3k	218
30d	12.1k	1.2k

Playback	Listens	Hours
48h	123	20
7d	373	60
30d	1.6k	248

21 shows

29 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	20	4
7d	166	31
30d	1.6k	286

461 shows

665 tapes

Zoofunkyou

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	12	1

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	2k	268
7d	4.7k	606
30d	24.1k	3.2k

Playback	Listens	Hours
48h	1.8k	222
7d	3.3k	483
30d	18.3k	2.6k

Playback	Listens	Hours
48h	911	119
7d	4k	551
30d	37.5k	4.9k

Playback	Listens	Hours
48h	2.3k	270
7d	7.1k	900
30d	34.6k	4.4k

Playback	Listens	Hours
48h	1.2k	166
7d	5k	668
30d	54.3k	7.2k

Playback	Listens	Hours
48h	2.2k	293
7d	8.2k	1.1k
30d	67.4k	8.8k

Playback	Listens	Hours
48h	2.9k	359
7d	7.3k	913
30d	49k	6.1k

Playback	Listens	Hours
48h	5k	568
7d	10.2k	1.2k
30d	34.9k	4.1k

Playback	Listens	Hours
48h	3.6k	402
7d	13.9k	1.6k
30d	54.7k	6.3k

Playback	Listens	Hours
48h	1.4k	157
7d	6k	658
30d	18.6k	2.1k

Playback	Listens	Hours
48h	10.7k	1.3k
7d	15.2k	1.7k
30d	55.2k	6.3k

Playback	Listens	Hours
48h	4.6k	558
7d	11k	1.4k
30d	39.1k	4.8k

Playback	Listens	Hours
48h	1.6k	207
7d	7.2k	922
30d	33.2k	4.3k

Playback	Listens	Hours
48h	1.4k	167
7d	3.1k	376
30d	20k	2.5k

Playback	Listens	Hours
48h	1.5k	183
7d	3.6k	461
30d	25.3k	3.2k

Playback	Listens	Hours
48h	3.4k	412
7d	7.9k	932
30d	64.8k	7.5k

Playback	Listens	Hours
48h	4.8k	639
7d	4.6k	644
30d	22.1k	3.1k

Playback	Listens	Hours
48h	2.5k	331
7d	5.9k	772
30d	39.7k	5.2k

Playback	Listens	Hours
48h	6.4k	907
7d	17.8k	2.5k
30d	148.1k	20.5k

Playback	Listens	Hours
48h	4.9k	644
7d	24.6k	3.2k
30d	158.3k	21.4k

Playback	Listens	Hours
48h	318	33
7d	885	90
30d	7.3k	746

Playback	Listens	Hours
48h	8.4k	1.2k
7d	25.1k	3.4k
30d	101.2k	13.1k

Playback	Listens	Hours
48h	10.1k	1.3k
7d	15.9k	2k
30d	80.7k	10.6k

Playback	Listens	Hours
48h	1.9k	249
7d	6.4k	806
30d	40.2k	5k

Playback	Listens	Hours
48h	1.5k	179
7d	4.2k	472
30d	28.3k	3.2k

Playback	Listens	Hours
48h	1.5k	166
7d	4.2k	463
30d	38.6k	4.1k

Playback	Listens	Hours
48h	958	128
7d	4.5k	584
30d	23.1k	3.4k

Playback	Listens	Hours
48h	264	36
7d	804	104
30d	7.1k	908

Playback	Listens	Hours
48h	106	17
7d	327	46
30d	2.1k	287

Playback	Listens	Hours
48h	573	45
7d	767	54
30d	4.7k	320

Playback	Listens	Hours
48h	30	2
7d	87	5
30d	509	31

1974

Playback	Listens	Hours
48h	0	0m
7d	2	9m
30d	20	2

San Francisco, CA, USA

1.1k

Playback	Listens	Hours
48h	23	3
7d	145	18
30d	1.1k	139

San Francisco, CA, USA

1.4k

Playback	Listens	Hours
48h	73	8
7d	191	21
30d	1.4k	170

San Francisco, CA, USA

1.3k

Playback	Listens	Hours
48h	93	15
7d	192	34
30d	1.3k	201

San Francisco, CA, USA

860

Playback	Listens	Hours
48h	53	6
7d	120	13
30d	860	96

San Francisco, CA, USA

449

Playback	Listens	Hours
48h	32	7
7d	58	11
30d	449	79

Playback	Listens	Hours
48h	2	14m
7d	12	1
30d	166	24

Playback	Listens	Hours
48h	47	6
7d	30	4
30d	169	23

Playback	Listens	Hours
48h	30	4
7d	114	16
30d	565	77

Playback	Listens	Hours
48h	26	3
7d	32	5
30d	136	20

Playback	Listens	Hours
48h	59	11
7d	213	40
30d	965	194

Playback	Listens	Hours
48h	24	7
7d	17	3
30d	291	50

Playback	Listens	Hours
48h	0	0m
7d	1	23m
30d	84	10

Playback	Listens	Hours
48h	120	15
7d	305	38
30d	1.3k	164

4:05:41

9 tapes

8/05SBD

Philadelphia Civic Arena

Philadelphia, PA, USA

638

Playback	Listens	Hours
48h	34	5
7d	106	16
30d	638	82

3:48:28

6 tapes

8/04SBD

Philadelphia Civic Arena

Philadelphia, PA, USA

644

Playback	Listens	Hours
48h	6	41m
7d	54	7
30d	644	92

Playback	Listens	Hours
48h	19	3
7d	141	19
30d	832	102

Playback	Listens	Hours
48h	38	5
7d	75	8
30d	377	48

Playback	Listens	Hours
48h	35	5
7d	90	12
30d	656	82

2:46:46

6 tapes

7/25SBD

International Amphitheatre

Chicago, IL, USA

640

Playback	Listens	Hours
48h	28	3
7d	39	5
30d	640	74

Playback	Listens	Hours
48h	53	7
7d	32	4
30d	296	37

Playback	Listens	Hours
48h	36	5
7d	201	31
30d	621	91

3:26:33

7 tapes

6/30SBD

Springfield Civic Center

Springfield, MA, USA

4.8k

Playback	Listens	Hours
48h	4.8k	667
7d	4.2k	571
30d	4.8k	664

Playback	Listens	Hours
48h	371	57
7d	5.9k	817
30d	7k	968

3:52:49

7 tapes

6/26SBD

Providence Civic Center

Providence, RI, USA

8.8k

Playback	Listens	Hours
48h	467	68
7d	7.5k	1k
30d	8.8k	1.2k

Playback	Listens	Hours
48h	273	31
7d	850	95
30d	8.6k	984

Playback	Listens	Hours
48h	171	20
7d	346	42
30d	5.1k	572

Playback	Listens	Hours
48h	63	6
7d	133	16
30d	5.7k	656

Playback	Listens	Hours
48h	191	29
7d	692	101
30d	10k	1.4k

2:56:36

4 tapes

6/16SBD

Des Moines State Fair Grandstand

Des Moines, IA, USA

8.4k

Playback	Listens	Hours
48h	136	20
7d	162	23
30d	8.4k	1.2k

3:53:11

10 tapes

6/08SBD

Oakland-Alameda County Coliseum

Oakland, CA, USA

Playback	Listens	Hours
48h	61	7
7d	185	27
30d	6k	806

3:04:18

8 tapes

5/25SBD

Campus Stadium, UC Santa Barbara

Goleta, CA, USA

1.4k

Playback	Listens	Hours
48h	49	5
7d	140	13
30d	1.4k	147

5:16:21

5 tapes

5/21SBD

Edmundson Pavilion, U. of Washington

Seattle, WA, USA

1.8k

Playback	Listens	Hours
48h	70	8
7d	152	21
30d	1.8k	265

6:06:27

13 tapes

5/19SBD

Portland Memorial Coliseum

Portland, OR, USA

8.7k

Playback	Listens	Hours
48h	463	51
7d	1.2k	128
30d	8.7k	966

Vancouver, British Columbia, Canada

989

Playback	Listens	Hours
48h	32	4
7d	98	10
30d	989	110

2:53:50

3 tapes

5/14SBD

Adams Field House, U. of Montana

Missoula, MT, USA

2.6k

Playback	Listens	Hours
48h	115	15
7d	274	36
30d	2.6k	340

Playback	Listens	Hours
48h	8	1
7d	47	6
30d	762	92

Playback	Listens	Hours
48h	99	11
7d	399	45
30d	2.1k	236

Playback	Listens	Hours
48h	8	38m
7d	7	32m
30d	92	8

San Francisco, CA, USA

2.3k

Playback	Listens	Hours
48h	120	19
7d	313	49
30d	2.3k	328

San Francisco, CA, USA

1.1k

Playback	Listens	Hours
48h	66	7
7d	94	12
30d	1.1k	131

San Francisco, CA, USA

1.5k

Playback	Listens	Hours
48h	143	15
7d	309	32
30d	1.5k	160

4:11:15

10 tapes

Sources

Transferrer: Kevin Tobin

gd1974-06-23.122271.dts.tobin.flac16

Source:

<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shn id 116312) sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith + SBD2 (shn id 16780) MSR>DAT>CD w/ MAC>DAT patches + AUD2 (shnid = 105755) aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010 - dts mixing by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 04-OCT-2012 - Trader Little Helper
- Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

-----------------------------------------------------------
Front  
Left Channel -1db SBD
Right Channel -1db SBD

Center
Mixed to mono -1db Matrix

Surround
Left Channel -0db AUD
Right Channel -0db AUD

Sub/LFE
Mixed to mono -1db Matrix
--------------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Production

Transferrer: Kevin Tobin

gd1974-06-23.122270.mtx.tobin.flac16

Source:

Matrix 3 Source Mix - SBD1 (shn id 116312)sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith + SBD2 (shn id 16780) MSR>DAT>CD w/ MAC>DAT patches + AUD1 (shnid 105755) flac24; aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010 - matrix mixing by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 04-OCT-2012 - Trader Little Helper
- Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -1
AUD +1

SET TWO

Stereo Matrix
SBD -1
AUD +1
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

Brokedown House Production

Transferrer: Kevin Tobin

gd1974-06-23.122269.mtx.tobin.flac24

Source:

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 04-OCT-2012 - Trader Little Helper
-Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -1
AUD +1

SET TWO

Stereo Matrix
SBD -1
AUD +1
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

Brokedown House Production

Transferrer: Matt Smith and Kevin Tobin

3:31:24

SBD

Transferrer:

Matt Smith and Kevin Tobin

SHNID:

gd1974-06-23.122255.upg-sbd.smith-tobin.flac16

Source:

sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith - Patched and speed corrected version of shnid 116312 by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 04-OCT-2012 - Trader Little Helper
- Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

Brokedown House Production

Taper: Unknown

gd1974-06-23.sdb.smith.116312.flac16

Source:

sbd>?>cd</br>Mastered via the Apogee mini me>Mini DAC>FLAC</br>Transfer and Mastering by: Matt Smith

Transferrer: Chris Chappell

gd1974-06-23.sbd.matrix-sb21b.chappell.83489.flac16

Source:

Sick Bits Vol. 21b - SBD/AUD Matrix of 2 previously circulating sources: SBD (shnid=213) + AUD (shnid=14265)

Taper Notes:

View NotesSource: Matrix (SBD/AUD mix):

SBD: (shnid=213) - mastered by Josh Belkin

     Lineage: SBD>ReelM>DAT>CassetteM>DAT(3)>Prodif Plus card > 
     Samplitude 2496 > Plextor 820 burner  
     SBD Patch: "Phil's Tape" > ? > DAT(n) >Prodif Plus > Samp2496

AUD: (shnid=14265) - via Noah Weiner(encoding) via Mark Cohen(A/D xfer)
     AudMC > DAT > WAV > SHN

     Recorded by Jerry Moore about 15 rows from the stage on center axis
     with 2 hand held AKG D-1000E mics > Sony 152 deck.  Maxell UD-120
     cassettes, with Dolby B ON.

Transfer/Editing:
Both sources were converted to WAV > 
Sony Vegas 5 > WAV > CD Wave > FLAC 16 (level 8)

Matrixed by Chris Chappell
ScarFire@liquidcity.com
2-15-07
_____________________________
End disc 1 after To Lay Me Down and end disc 2 after Around & Around.  Seastones
is named s1t19 so as to keep in the order played, although there was a set break
before and after this track. Tracks are named by set as opposed to disc as there 
are many media options now for output.

____________________________________________________________
General Notes:

This show was probably one of those events for those who attended where the 
response afterwards was like "what the hell was that?" - in other words, not
your normal Dead show, festooned with wierd sound effects, in between song 
banter, a Tico Tico tuning, the only Let It Rock, and the first Seastones; all
of this before even the second set which starts with a Jam.  The Dark Star,
which is just a Dark Star jam (last one until 1991), lasts almost 18 minutes,
and is one of only 6 played in '74, and the only one in '74 without vocals.
Spanish Jam makes its first of 7 appearances in '74 after a 15 month hiatus.
The jam into US Blues is classic, and the Casey Jones encore is 1 of 10 in '74.
Two repeats from the night before, Jack Straw and Ship Of Fools, had different
feels, yet I still prefer the 22nd versions.

Sonically, the weird part is the beginning of the show which is a matrix from
the SBD source which finally goes to straight SBD in the middle of Ramble On Rose.
This first portion, which is quite phasey, was left alone and not matrixed with
the AUD source due to the fact it had already been matrixed (by Healy?, real time
at the show? - could this be the first matrix experiment at a Deadshow?).  Also,
Seastones is AUD only.

Thanks to Jerry Moore for recording the AUD at such a perfect FOB location
which picked up alot of Garcia's amp, thus making the matrix work well.  Thanks
to Noah Weiner and Mark Cohen for their conversion of Jerry Moore's masters.
Thanks to Josh Belkin for mastering the SBD source, and thanks to Phil for his
SBD source used as a patch in Belkin's source.

Thanks to Bill Zormeir (AKA Zman) for the excellent artwork.

-Enjoy!
Chappy

____________________________________________________________
Editing Notes:

- Pitch/Synch
Both sources were very close in pitch, the SBD being the closest to A=440.
I synched the AUD to the SBD and the AUD had to be pitched up only 2 to 6 cents. 
The alt. SBD "Phil's tape" which provides the patch in US Blues did not need
to be pitch adjusted, although some EQ was applied to match the regular SBD in
tone/timbre (high shelf starting at 1.5kHz +6dB).

- Sonic Quality/Matrix ratio
No EQ was applied to either of the two main sources. I applied very sparingly
Waves L2 (limiter) to the master 2 buss to keep things contained, the 
levels rarely hitting zero, thus the limiting is quite scarce. All I was 
trying to do here is to add some dimension to the SBD by using the 
ambience of the AUD. The result is a lively but clear recording, hopefully 
close to how it sounded at the show. If I had to guess the SBD/AUD ratio 
would be somewhere between 3:1 and 2:1.  Note that Jerry's presence in the
matrix mix is enhanced greatly from the AUD due to his loud stage volume.

- Edits
The following are places where the SBD and AUD had splices, holes or
incomplete coverage in reference to the final matrix timeline. 

SBD:

s1t01 (0:00 - 3:14) - missing (tuning)
s1t02 (6:18 - 6:51) - missing (tuning)
s1t04 (0:13 - 0:47) - missing (tuning)
s1t04 (1:11 - 1:43) - missing (tuning)
s1t04 (3:19 - 4:34) - missing (tuning)
s1t06>7 (7:43 - 0:02) - missing (tuning)
s1t07 (3:31 - 4:20) - missing (tuning)
s1t08 (7:55 - 9:12) - missing (tuning)
s1t09 (4:08 - 4:09) - missing
s1t09 (5:18 - 5:50) - missing (tuning)
s1t10 (3:26 - 4:09) - missing (tuning)
s1t11 (9:08 - 7:50) - missing (tuning)
s1t12 (4:22 - 5:45) - missing (tuning)
s1t13>14 (7:58 - 0:56) - missing (tuning)
s1t17 (5:21) - removed subsecond glitch
s1t18 (5:32 - 5:44) - missing (tuning)
s2t01 (0:00 - 2:21) - missing (tuning)
s2t03 (6:04 - 6:19) - missing (tuning)
s2t04 (4:44 - 5:39) - missing (tuning)
s2t05 (4:40 - 4:41) - missing (splice)
s2t05 (9:24 - 10:47) - missing (tuning)
s2t06 (5:17 - 6:03) - missing (tuning)
s2t07 (9:07 - 9:16) - missing (flip)
s2t09 (5:08 - 5:30) - supplied by alt. SBD "Phil's Tape"
s2t09 (8:14 - 10:25) - missing (tuning)
s2t11 (4:54 - 8:54) - missing (tuning)
s2t12 (6:40 - 6:50) - missing (tuning)

AUD:
s1t16 (4:17) - fixed sbe
s2t05 (10:50) - removed mic bump


Full coverage is achieved, and almost all the missing elements from the SBD
are tuning/crowd.

Source 7 of 18

gd1974-06-23.sbd.OBV.30846.shnf

Source:

Soundboard

Lineage:

Remaster of sbd w/ aud patches by Owens Brothers

Taper Notes:

View NotesRemaster of sbd w/ aud patches by Owens Brothers

Source 8 of 18

gd74-06-23.sbd.cribbs.16780.sbeok.shnf

Source:

Soundboard

Lineage:

MSR> DAT> CD w/ MAC> DAT patches

Taper Notes:

View NotesMSR>DAT>CD w/ MAC>DAT patches

Transferrer: Josh Belkin

gd1974-06-23.sbd.sacks.213.shnf

Source:

SBD>ReelM>DAT>CassetteM>DAT(3)>Prodif Plus card > Samplitude 2496 > Plextor 820 burner

Lineage:

See info file

Taper Notes:

View NotesSource Lineage:
SBD>ReelM>DAT>CassetteM>DAT(3)>Prodif Plus card > Samplitude 2496 > Plextor 820 burner
 * AUD >?>FM>cassette>A/D: Panasonic 3700>Prodif Plus>Samp2496
      (Broadcast by WHRB-FM during Grateful Dead Orgy, early 1980's.)
** "Phil's Tape" SBD? >?>DAT(n) >Prodif Plus > Samp2496

Sound processing: 
 AUD source:         
Dehum, Denoise, Timestretched to match SBD speed
 "Phil's Tape" SBD:  Timestretched to match SBD speed

The "Phil's Tape" source is probably the one mentioned in www.deadlists.com,
   "made by Phil with mikes onstage", since the tape has no cuts.
The AUD source is probably the one mentioned in Taper's Compendium  Vol. 1: 
   Jerry Moore & Les Kippel ,  AKG D-200 mikes > Sony 152 deck

Mastered Dec '99/Jan '00 by Josh Belkin   josh-b@mediaone.net


[Additional note on disc assembly from Josh (more details below)]:
 
"Two tracks,  D1T3 and D3T1, don't have song titles. In the case of D1T3,
it's there so that the previous AUD/SBD mixed Ramble On Rose track is the
same length  (well, nearly so, I goofed slightly I guess) as the
straight-SBD RoR at the end of Disk three, so that purists can take out
the mixed RoR and swap in the straight-SBD one if they want to rearrange
the tracks on Disk1.  It was that or else make the straight-SBD RoR about
:58 longer. D3T1 mini-track is there so that I can have a proper track
marker at the start of Dark Star."

--
additional comments from Darrin Sacks:
Date: Fri, 4 Feb 2000 09:29:19 -0700
From: "Darrin N. Sacks"
To: etree@etree.org
Subject: [etree] Grateful Dead 6.23.74 - Patched has NO noise reduction

Hi,

A newly circulating show has an erroneous info file attached to it --

Contrary to the statement in the info file accompanying the 6.23.74 patched
soundboard that is circulating, the primary soundboard source used for this
show (the SBD>ReelM>DAT>CassetteM>DAT(3)>) that was used for all but a few
short segments was NOT subject to noise reduction.  Although Josh, the guy
who performed the tremendous job of splicing in the cuts on the primary
soundboard from previously circulating audience and alternate soundboard
sources, did digitally process the alternate sources (he time aligned them
and denoised/dehummed them), he did not perform noise reduction on the
primary soundboard source that is circulating on the etree.

This misunderstanding occurred because Josh did perform noise reduction on
the primary soundboard source that he traded to a few of his friends.
However, we collectively decided that the version circulated on the etree &
on alt.binaries.gdead should not contain noise reduction -- and it does not.
Josh accidentally sent out cd covers to the etree and alt.binaries.gdead
seed sources for this show indicating that the primary soundboard source was
processed with noise reduction -- which it was not.

So, please disregard this annotation and don't pass up this gem of a show on
the mistaken understanding that it contains noise reduction.

While I'm on the topic, I should also point out that disk 3 of the show was
redone and re-seeded after its initial seeding to the etree.  The show
should not have been distributed prior to the updated disk 3's seeding, but
its easy to tell if you have the "correct" disk 3 -- it has ten tracks.
Disk 3 was reseeded because, after Josh initially distributed the show, we
discovered that there was a reel flip in the middle of US Blues.  On So Many
Roads, this reel flip was edited out by removing a chunk of the song (see
the liner notes).  On the re-seeded version, this 20 second gap (pretty
impressive timing for re-threading a reel-to-reel deck, imho), was spliced
in from what is believed to be a stage miced version recorded by Phil (the
prior version had a cut at this point).  This is the only difference.

That ought to do it -- given the recent thread regarding the "evils" of
noise reduction, I didn't want this amazing show & work of restoration to be
passed by.  My advice -- download and uncompress a track or 2 (Josh's
blending of the aud source with the sbd source on Ramble On Rose -- d1t1 --
is amazing, and the Dark Star -- d3t1 -- sounds fabulous and allows people
with SMR to compare this source's sound quality to the very same song on
SMR) and decide what to do from there.

Siteops hosting this show -- it would be nice if you modified the info file
to remove the erroneous noise reduction info.

Darrin

Taper: Jerry Moore

gd1974-06-23.148679.Moore.acetboy.flac1644

Source:

Remaster by acetboy

Taper Notes:

View NotesThis is a new master created from the original files from shn #105755.
Like the first night at this venue it seems like the drums could have been louder.
Maybe they do come through a bit better this night.

For this I worked on the hi-res files but only saved as cd ready.  44.1 16 bit

Work done in ProTools LE with final eq tweaks in ocenaudio.

The original files have the mids around 400 to 500 Hz louder than everything else.
Here I've brought out the low and high end more.

The flac files are tagged.

Much thanks to Jerry Moore and those who have worked to make this music available.

acetboy 2019-12-10

Taper: Jerry Moore

gd1974-06-23.145674.aud.akg-d1000e.moore.berger.flac16

Source:

source: aud cassette master taped by Jerry Moore lineage: aud>akg d1000e's>sony tc-152sd (3)maxell ud-120's, dolby b cassettes re-shelled

Lineage:

nak dragon>hd-p2 24/96>cd wave>flac transferred & seeded by Rob Berger 1/30/10

Taper Notes:

View Notesnotes: show promoted by Howard Stein

Transferrer: Hunter Seamons

gd1974-06-23.mtx.seamons.105983.flac16

Source:

Matrix By Hunter Seamons Using Final Cut Pro (flac24 & Shn>aiff>final Cut>wav>flac16)

Transferrer: Hunter Seamons

gd1974-06-23.mtx.seamons.105867.flac24

Source:

Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & SHN>AIFF>Final Cut>WAV>FLAC24)

Taper: Jerry Moore

gd1974-06-23.akgd1000e.moore.berger.105755.flac24

Source:

akg d1000e's>sony tc-152

Lineage:

cassette master > cassettes re-shelled > nak dragon>hd-p2 24/96>cd wave>flac

Taper: Jerry Moore

Owen Brothers remaster of Jerry Moore recording

SHNID:

gd1974-06-23.aud.obv.96890.sbeok.shnf

Source:

AudMC > DAT>CD>DC6>CD

Taper Notes:

View NotesEditing and Mastering by The Wizard - Owenbrothersvault@hotmail.com
Both the Audience and the Soundboard are available from The Owen Brothers Vault.

This was a nice AUD recording with only minor issues. A light Continuous Noise filter
was used to minimize tape hiss. Equalization was used to
adjust the sound a bit. Cuts were cleaned up.
Misc. loud handclaps, pops and other anomalies were corrected.
All editing done with Diamond Cut DC6 software.

Note: To burn to longer media (DVD-A), leave out "a" and "b" fade tracks.
Please trade freely, never sell. Please don't convert to MP3 and trade... Thanks, Wiz

Taper: Jerry Moore

Rob Berger and John Tallmadge

SHNID:

gd1974-06-23.aud.moore.berger.84615.flac16

Source:

akg d1000e's>Sony TC-152

Lineage:

aud c.m.>dat>cdr>eac>cd wave>flac

Taper: Jerry Moore

gd74-06-23.moore.weiner.gdADT.14265.sbeok.shnf

Source:

Audience Recording: AKG D-1000E

Lineage:

AudMC > DAT > WAV > SHN; about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120cassettes, with Dolby B ON.

Taper Notes:

View NotesAudMC > DAT > WAV > SHN

Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck.  Maxell UD-120
cassettes, with Dolby B ON.

Taper: Neil Merin

gd1974-06-23.aud-merin.weiner.7894.shnf

Lineage:

AUDMR>R>DAT/1>HD>SHN>CD

Taper Notes:

View NotesFrom comment posted by Noah at etree:
Hey all,

This currently circulating copy of this show attributed to the taper Neil Merin is a myth. That reel that I transferred was indeed made by Merin in the 70s for the person I got the reel from. The assumption was made that Merin had taped the show. At the time of the transfer, Merin (and his taping buddy, Jeff Siniawsky) was still missing in action from our community, thus I could only go on the information I was given. Last December, when Siniawsky contacted me for the first time (he and Merin are still quite close), the subject of 06/23/74 produced fuzzy memories that, at the time, couldn't really prove or disprove Merin's recording of the show. He very well could have been in Florida (it is where he and Jeff live now), and certainly could have taped the show, as he and Jeff taped everything else they could that summer. But, time had fogged the facts from being set one way or the other. Well, no longer. have finished the final CDs of Moore's 06/23/74 master, and sure enough, it's the very same recording (though the Merin reel is missing tons of in between song banter, etc...).

I'm sorry for my part in propagating myth. But, at least I wasn't claiming that the thing was taped by Phil with mics on stage. ;-)