Technical Difficulties/Bermuda Triangle | 1974-06-23 | Grateful Dead

Bands

Featured

Playback	Listens	Hours
48h	88.7k	11.1k
7d	232.9k	29.4k
30d	1.3M	170.2k

2,080 shows

18,080 tapes

Phish

281.5k

Playback	Listens	Hours
48h	18.3k	2.8k
7d	45.2k	7k
30d	281.5k	43.6k

Bands

Playback	Listens	Hours
48h	29	2
7d	166	11
30d	945	60

Playback	Listens	Hours
48h	0	0m
7d	11	1
30d	154	24

69 shows

106 tapes

Ace Bandage

Playback	Listens	Hours
48h	15	1
7d	1	8m
30d	7	48m

Playback	Listens	Hours
48h	1	12m
7d	10	2
30d	220	31

83 shows

116 tapes

Akron/Family

Playback	Listens	Hours
48h	1	9m
7d	0	0m
30d	9	1

40 shows

43 tapes

American Babies

Playback	Listens	Hours
48h	0	0m
7d	7	42m
30d	39	4

Playback	Listens	Hours
48h	3	14m
7d	1	2m
30d	137	11

Playback	Listens	Hours
48h	18	2
7d	128	11
30d	402	34

Playback	Listens	Hours
48h	9	1
7d	40	5
30d	308	36

123 shows

134 tapes

Animal Liberation Orchestra

1.4k

Playback	Listens	Hours
48h	101	13
7d	288	36
30d	1.4k	171

Playback	Listens	Hours
48h	10	1
7d	53	12
30d	144	29

Playback	Listens	Hours
48h	75	8
7d	213	19
30d	1.1k	105

Playback	Listens	Hours
48h	25	3
7d	1	17m
30d	178	37

Playback	Listens	Hours
48h	59	7
7d	89	12
30d	658	84

Playback	Listens	Hours
48h	0	0m
7d	9	51m
30d	105	10

102 shows

107 tapes

Bela Fleck and the Flecktones

1.5k

Playback	Listens	Hours
48h	140	20
7d	294	40
30d	1.5k	189

488 shows

613 tapes

Ben Kweller

Playback	Listens	Hours
48h	0	0m
7d	2	9m
30d	40	3

Playback	Listens	Hours
48h	1	2m
7d	12	2
30d	188	25

278 shows

383 tapes

Bernie Worrell

Playback	Listens	Hours
48h	23	3
7d	21	4
30d	37	7

7 shows

7 tapes

Bernie Worrell and the WOO Warriors

Playback	Listens	Hours
48h	0	0m
7d	3	34m
30d	27	4

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	1	6m
7d	8	1
30d	50	8

Playback	Listens	Hours
48h	23	4
7d	114	17
30d	549	78

Playback	Listens	Hours
48h	144	19
7d	413	54
30d	2.2k	293

Playback	Listens	Hours
48h	5.1k	526
7d	14.8k	1.5k
30d	87.1k	8.7k

Playback	Listens	Hours
48h	89	7
7d	213	15
30d	1.5k	108

62 shows

76 tapes

Blueground Undergrass

110

Playback	Listens	Hours
48h	13	1
7d	17	1
30d	110	9

Playback	Listens	Hours
48h	209	25
7d	371	40
30d	2.2k	251

Playback	Listens	Hours
48h	335	42
7d	869	118
30d	5.2k	684

308 shows

512 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

22 shows

28 tapes

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	48m

Playback	Listens	Hours
48h	80	15
7d	56	9
30d	932	158

451 shows

563 tapes

Buffalo Galaxy

Playback	Listens	Hours
48h	0	0m
7d	9	1
30d	66	8

Playback	Listens	Hours
48h	69	7
7d	264	25
30d	1.1k	112

Playback	Listens	Hours
48h	164	16
7d	372	39
30d	1.5k	151

Playback	Listens	Hours
48h	1	5m
7d	172	9
30d	349	19

Playback	Listens	Hours
48h	5	32m
7d	33	4
30d	224	30

Playback	Listens	Hours
48h	38	3
7d	66	5
30d	262	18

243 shows

272 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	1	17m
30d	4	1

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	1	37m
7d	0	0m
30d	4	41m

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	6	35m
7d	4	53m
30d	73	10

79 shows

93 tapes

Circles Around The Sun

1.7k

Playback	Listens	Hours
48h	114	24
7d	387	85
30d	1.7k	367

Playback	Listens	Hours
48h	14	3
7d	30	4
30d	200	38

Playback	Listens	Hours
48h	2	13m
7d	136	11
30d	853	72

Playback	Listens	Hours
48h	22	3
7d	188	29
30d	614	92

Playback	Listens	Hours
48h	425	62
7d	978	133
30d	4.4k	599

Playback	Listens	Hours
48h	427	59
7d	1.1k	141
30d	6.3k	871

799 shows

1,061 tapes

Dave Harrington

Playback	Listens	Hours
48h	0	0m
7d	1	17m
30d	20	5

Playback	Listens	Hours
48h	42	5
7d	5	27m
30d	189	17

Playback	Listens	Hours
48h	3.2k	501
7d	7k	1.1k
30d	39.8k	6.4k

Playback	Listens	Hours
48h	20	2
7d	79	8
30d	345	38

Playback	Listens	Hours
48h	153	9
7d	147	9
30d	1.2k	76

Playback	Listens	Hours
48h	127	14
7d	172	22
30d	1.4k	174

Playback	Listens	Hours
48h	981	182
7d	2.2k	447
30d	13.1k	2.7k

Playback	Listens	Hours
48h	4	27m
7d	31	3
30d	261	27

Playback	Listens	Hours
48h	196	29
7d	622	99
30d	3.4k	516

156 shows

211 tapes

Domocile

Playback	Listens	Hours
48h	0	0m
7d	1	43m
30d	93	21

Playback	Listens	Hours
48h	157	17
7d	292	33
30d	1.6k	172

Playback	Listens	Hours
48h	30	5
7d	45	8
30d	262	42

Playback	Listens	Hours
48h	251	22
7d	297	26
30d	2.9k	257

Playback	Listens	Hours
48h	6	1
7d	98	17
30d	420	71

Playback	Listens	Hours
48h	3	36m
7d	44	6
30d	186	26

Playback	Listens	Hours
48h	92	16
7d	171	30
30d	1.8k	299

152 shows

293 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	8m

Playback	Listens	Hours
48h	183	27
7d	251	33
30d	1.7k	235

831 shows

1,050 tapes

Electric Beethoven

Playback	Listens	Hours
48h	2	1
7d	1	38m
30d	13	5

Playback	Listens	Hours
48h	66	4
7d	256	13
30d	865	46

156 shows

174 tapes

Eric Krasno

Playback	Listens	Hours
48h	0	0m
7d	23	3
30d	99	14

123 shows

182 tapes

Everyone Orchestra

Playback	Listens	Hours
48h	5	43m
7d	2	25m
30d	25	6

182 shows

286 tapes

Forgotten Space

Playback	Listens	Hours
48h	0	0m
7d	1	8m
30d	68	8

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	7	2

Playback	Listens	Hours
48h	0	0m
7d	116	8
30d	321	31

Playback	Listens	Hours
48h	4	11m
7d	14	1
30d	122	8

Playback	Listens	Hours
48h	24	2
7d	11	40m
30d	182	14

Playback	Listens	Hours
48h	5	22m
7d	26	1
30d	111	7

Playback	Listens	Hours
48h	641	101
7d	1.8k	274
30d	9.8k	1.5k

246 shows

1,223 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

14 shows

15 tapes

G. Love and Special Sauce

695

Playback	Listens	Hours
48h	32	3
7d	148	12
30d	695	61

Playback	Listens	Hours
48h	70	8
7d	210	23
30d	1.1k	122

Playback	Listens	Hours
48h	2	42m
7d	36	4
30d	158	20

Playback	Listens	Hours
48h	15	3
7d	49	8
30d	253	52

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	0	0m
7d	1	7m
30d	17	2

51 shows

65 tapes

Ghost Light

Playback	Listens	Hours
48h	2	2
7d	8	1
30d	54	13

Playback	Listens	Hours
48h	112	13
7d	195	24
30d	1.1k	135

374 shows

509 tapes

Godspeed You Black Emperor!

419

Playback	Listens	Hours
48h	19	6
7d	44	14
30d	419	120

Playback	Listens	Hours
48h	0	0m
7d	8	59m
30d	109	13

Playback	Listens	Hours
48h	4.8k	1.1k
7d	12.2k	2.7k
30d	49.8k	10.5k

Playback	Listens	Hours
48h	1	4m
7d	103	10
30d	326	29

363 shows

589 tapes

Grahame Lesh and Friends

1.8k

Playback	Listens	Hours
48h	124	17
7d	306	48
30d	1.8k	260

Playback	Listens	Hours
48h	0	0m
7d	11	2
30d	126	17

Playback	Listens	Hours
48h	368	46
7d	1k	125
30d	6.2k	730

Playback	Listens	Hours
48h	26	4
7d	160	19
30d	978	111

226 shows

313 tapes

GrooveSession

Playback	Listens	Hours
48h	0	0m
7d	13	2
30d	31	6

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	0	0m
7d	1	3m
30d	53	3

53 shows

57 tapes

Guitarmageddon

Playback	Listens	Hours
48h	1	10m
7d	7	1
30d	18	3

Playback	Listens	Hours
48h	30	2
7d	81	6
30d	367	25

755 shows

1,036 tapes

Hard Working Americans

133

Playback	Listens	Hours
48h	1	6m
7d	19	2
30d	133	15

Playback	Listens	Hours
48h	18	2
7d	29	5
30d	379	64

187 shows

226 tapes

Horseshoes and Hand Grenades

Playback	Listens	Hours
48h	3	25m
7d	22	2
30d	57	5

Playback	Listens	Hours
48h	0	0m
7d	58	5
30d	251	24

674 shows

846 tapes

Infamous Stringdusters

1.5k

Playback	Listens	Hours
48h	61	5
7d	262	23
30d	1.5k	135

629 shows

1,016 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	11	2

Playback	Listens	Hours
48h	221	16
7d	754	53
30d	4.8k	318

Playback	Listens	Hours
48h	37	3
7d	55	5
30d	292	30

365 shows

492 tapes

Jazz Mandolin Project

105

Playback	Listens	Hours
48h	2	17m
7d	31	4
30d	105	17

222 shows

280 tapes

Jeff Austin and Chris Castino

Playback	Listens	Hours
48h	0	0m
7d	5	29m
30d	95	9

12 shows

14 tapes

Jeff Austin And Friends

155

Playback	Listens	Hours
48h	14	1
7d	15	1
30d	155	16

Playback	Listens	Hours
48h	118	12
7d	157	21
30d	1.3k	181

112 shows

162 tapes

Jerry Joseph and the Jackmormons

2.5k

Playback	Listens	Hours
48h	211	36
7d	252	49
30d	2.5k	413

1,124 shows

1,519 tapes

Jerry's Middle Finger

3.7k

Playback	Listens	Hours
48h	305	39
7d	710	95
30d	3.7k	514

259 shows

310 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	11	2
7d	3	23m
30d	15	2

2 shows

5 tapes

Joe Russo's Almost Dead

40.9k

Playback	Listens	Hours
48h	2.4k	432
7d	5.4k	1k
30d	40.9k	7.7k

Playback	Listens	Hours
48h	9	1
7d	141	15
30d	693	77

Playback	Listens	Hours
48h	192	16
7d	510	44
30d	2.6k	232

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	20	2
7d	4	48m
30d	33	4

Playback	Listens	Hours
48h	21	1
7d	2	13m
30d	113	8

Playback	Listens	Hours
48h	6	35m
7d	13	59m
30d	108	10

73 shows

109 tapes

Karl Denson's Tiny Universe

185

Playback	Listens	Hours
48h	14	2
7d	16	3
30d	185	27

Playback	Listens	Hours
48h	287	32
7d	734	75
30d	4.5k	428

1,056 shows

1,396 tapes

Kikagaku Moyo

Playback	Listens	Hours
48h	5	1
7d	15	2
30d	69	11

43 shows

54 tapes

King Gizzard & the Lizard Wizard

16.2k

Playback	Listens	Hours
48h	1.2k	151
7d	2.9k	399
30d	16.2k	2.2k

Playback	Listens	Hours
48h	181	25
7d	391	54
30d	1.9k	262

315 shows

400 tapes

Kung Fu

Playback	Listens	Hours
48h	0	0m
7d	2	11m
30d	59	9

Playback	Listens	Hours
48h	43	7
7d	116	23
30d	672	131

Playback	Listens	Hours
48h	13	2
7d	129	16
30d	855	101

71 shows

140 tapes

Leftover Salmon

Playback	Listens	Hours
48h	211	21
7d	713	64
30d	4k	366

Playback	Listens	Hours
48h	136	19
7d	591	91
30d	3.1k	524

Playback	Listens	Hours
48h	405	37
7d	927	81
30d	5.5k	504

Playback	Listens	Hours
48h	72	6
7d	342	26
30d	1.4k	113

Playback	Listens	Hours
48h	168	32
7d	248	48
30d	1.5k	285

437 shows

622 tapes

Marco Benevento

Playback	Listens	Hours
48h	0	0m
7d	14	55m
30d	82	7

Playback	Listens	Hours
48h	116	12
7d	263	24
30d	2.2k	204

Playback	Listens	Hours
48h	10	1
7d	32	3
30d	246	25

349 shows

446 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	227	41
7d	638	103
30d	3.9k	617

Playback	Listens	Hours
48h	2	8m
7d	61	4
30d	388	25

Playback	Listens	Hours
48h	21	2
7d	63	6
30d	219	22

157 shows

172 tapes

Minutemen

Playback	Listens	Hours
48h	7	16m
7d	7	13m
30d	77	2

Playback	Listens	Hours
48h	47	3
7d	133	9
30d	903	62

Playback	Listens	Hours
48h	672	117
7d	1.8k	295
30d	10.3k	1.7k

1,989 shows

4,490 tapes

Mogwai

Playback	Listens	Hours
48h	14	2
7d	5	28m
30d	24	2

Playback	Listens	Hours
48h	2	12m
7d	0	0m
30d	113	10

Playback	Listens	Hours
48h	304	31
7d	615	65
30d	4.6k	475

412 shows

599 tapes

Nathan Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	10	1

46 shows

51 tapes

Neal Francis

Playback	Listens	Hours
48h	2	10m
7d	5	28m
30d	57	5

Playback	Listens	Hours
48h	53	6
7d	118	16
30d	542	76

138 shows

251 tapes

Nels Cline

Playback	Listens	Hours
48h	0	0m
7d	11	2
30d	36	7

62 shows

73 tapes

New Riders of the Purple Sage

1.7k

Playback	Listens	Hours
48h	130	11
7d	270	24
30d	1.7k	147

410 shows

598 tapes

North Mississippi Allstars

1.4k

Playback	Listens	Hours
48h	45	5
7d	319	30
30d	1.4k	140

Playback	Listens	Hours
48h	115	12
7d	220	23
30d	965	101

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	15m

Playback	Listens	Hours
48h	25	4
7d	32	6
30d	144	27

130 shows

260 tapes

Percy Hill

Playback	Listens	Hours
48h	0	0m
7d	5	42m
30d	82	11

Playback	Listens	Hours
48h	56	12
7d	221	40
30d	1.4k	270

689 shows

920 tapes

Phil Lesh and Friends

15.1k

Playback	Listens	Hours
48h	1.2k	201
7d	3k	512
30d	15.1k	2.6k

788 shows

2,861 tapes

Pigeons Playing Ping Pong

2.2k

Playback	Listens	Hours
48h	141	23
7d	352	56
30d	2.2k	338

Playback	Listens	Hours
48h	237	31
7d	952	115
30d	4.4k	561

293 shows

435 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	284	36
7d	733	100
30d	4.2k	547

1,236 shows

2,197 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	46	4
30d	49	4

Playback	Listens	Hours
48h	31	4
7d	73	12
30d	505	68

Playback	Listens	Hours
48h	523	70
7d	1.3k	160
30d	7.2k	949

Playback	Listens	Hours
48h	97	10
7d	454	37
30d	1.6k	134

259 shows

390 tapes

Rumpke Mountain Boys

Playback	Listens	Hours
48h	92	7
7d	292	23
30d	2k	164

Playback	Listens	Hours
48h	130	11
7d	546	46
30d	2.4k	209

581 shows

729 tapes

Ryan Jewell

Playback	Listens	Hours
48h	1	26m
7d	0	0m
30d	2	29m

10 shows

11 tapes

Ryley Walker

Playback	Listens	Hours
48h	0	0m
7d	4	41m
30d	11	2

Playback	Listens	Hours
48h	145	15
7d	542	53
30d	3.8k	362

128 shows

193 tapes

Scott Metzger

Playback	Listens	Hours
48h	6	47m
7d	33	4
30d	44	5

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	1	0m
7d	1	9m
30d	80	11

Playback	Listens	Hours
48h	0	0m
7d	16	2
30d	110	13

Playback	Listens	Hours
48h	117	10
7d	86	8
30d	1.1k	91

921 shows

1,619 tapes

Sound Tribe Sector 9

Playback	Listens	Hours
48h	123	19
7d	559	80
30d	3k	457

Playback	Listens	Hours
48h	41	10
7d	232	56
30d	1.4k	329

Playback	Listens	Hours
48h	58	4
7d	27	2
30d	273	15

87 shows

96 tapes

Stanton Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	17	3

Playback	Listens	Hours
48h	53	9
7d	190	24
30d	757	122

Playback	Listens	Hours
48h	129	28
7d	347	74
30d	1.9k	416

Playback	Listens	Hours
48h	96	11
7d	237	33
30d	1.5k	204

667 shows

1,139 tapes

String Cheese Incident

20.8k

Playback	Listens	Hours
48h	1k	164
7d	3.4k	552
30d	20.8k	3.4k

1,285 shows

2,081 tapes

Surprise Me Mr. Davis

Playback	Listens	Hours
48h	16	2
7d	9	59m
30d	78	9

Playback	Listens	Hours
48h	2	42m
7d	10	2
30d	201	37

Playback	Listens	Hours
48h	20	2
7d	19	3
30d	152	20

Playback	Listens	Hours
48h	47	5
7d	92	10
30d	711	78

729 shows

1,116 tapes

Ted Leo and the Pharmacists

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	12	58m

Playback	Listens	Hours
48h	948	110
7d	2.3k	251
30d	12.7k	1.5k

Playback	Listens	Hours
48h	17	1
7d	30	1
30d	174	9

Playback	Listens	Hours
48h	135	16
7d	292	36
30d	1.6k	199

Playback	Listens	Hours
48h	22	3
7d	59	8
30d	360	54

473 shows

627 tapes

The California Honeydrops

357

Playback	Listens	Hours
48h	55	6
7d	55	7
30d	357	45

77 shows

84 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	1	7m
30d	1	7m

Playback	Listens	Hours
48h	317	43
7d	738	109
30d	2.9k	420

Playback	Listens	Hours
48h	11	45m
7d	65	6
30d	242	21

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	0	0m
7d	4	34m
30d	15	2

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	4	41m
7d	5	30m
30d	18	2

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	0	0m
7d	7	44m
30d	10	58m

Playback	Listens	Hours
48h	0	0m
7d	75	13
30d	399	66

Playback	Listens	Hours
48h	18	2
7d	9	1
30d	117	14

Playback	Listens	Hours
48h	304	16
7d	682	35
30d	3.6k	195

Playback	Listens	Hours
48h	33	3
7d	126	9
30d	819	58

Playback	Listens	Hours
48h	21	3
7d	17	4
30d	214	43

Playback	Listens	Hours
48h	60	7
7d	263	27
30d	1.1k	111

293 shows

454 tapes

The Other Ones

Playback	Listens	Hours
48h	211	29
7d	719	104
30d	2k	287

Playback	Listens	Hours
48h	567	56
7d	1.6k	154
30d	7.4k	721

Playback	Listens	Hours
48h	24	2
7d	102	7
30d	146	11

Playback	Listens	Hours
48h	61	8
7d	138	16
30d	878	92

71 shows

91 tapes

The Werks

Playback	Listens	Hours
48h	3	30m
7d	20	4
30d	38	8

Playback	Listens	Hours
48h	22	3
7d	266	26
30d	1.3k	138

223 shows

285 tapes

Trampled by Turtles

Playback	Listens	Hours
48h	12	45m
7d	185	13
30d	1k	69

175 shows

210 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	15	2

Playback	Listens	Hours
48h	400	57
7d	770	124
30d	6.8k	992

Playback	Listens	Hours
48h	0	0m
7d	23	2
30d	120	11

Playback	Listens	Hours
48h	75	12
7d	313	50
30d	1.7k	272

Playback	Listens	Hours
48h	309	46
7d	983	141
30d	5.3k	778

Playback	Listens	Hours
48h	39	3
7d	14	2
30d	223	20

Playback	Listens	Hours
48h	78	6
7d	170	13
30d	1.4k	106

Playback	Listens	Hours
48h	1.1k	84
7d	2.6k	209
30d	13.4k	1.1k

623 shows

1,140 tapes

White Denim

Playback	Listens	Hours
48h	0	0m
7d	2	9m
30d	61	5

Playback	Listens	Hours
48h	15.6k	1.9k
7d	40.9k	4.8k
30d	160.2k	19k

Playback	Listens	Hours
48h	123	16
7d	174	31
30d	857	128

1,416 shows

2,242 tapes

Yonder Mountain String Band

11.8k

Playback	Listens	Hours
48h	764	74
7d	2.1k	197
30d	11.8k	1.1k

Playback	Listens	Hours
48h	86	14
7d	377	60
30d	1.7k	258

21 shows

29 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	96	16
7d	135	24
30d	1.6k	279

461 shows

665 tapes

Zoofunkyou

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	12	1

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	1.7k	215
7d	4.5k	576
30d	21.7k	2.9k

Playback	Listens	Hours
48h	2.6k	360
7d	3.1k	426
30d	19.2k	2.7k

Playback	Listens	Hours
48h	859	113
7d	2.9k	387
30d	37.3k	4.9k

Playback	Listens	Hours
48h	1.1k	133
7d	7.7k	955
30d	35.7k	4.5k

Playback	Listens	Hours
48h	1.4k	190
7d	4.6k	604
30d	54.1k	7.2k

Playback	Listens	Hours
48h	2.5k	333
7d	7.8k	1k
30d	67.4k	8.8k

Playback	Listens	Hours
48h	8.2k	1k
7d	7k	884
30d	48.7k	6.1k

Playback	Listens	Hours
48h	7.5k	938
7d	9.3k	1.1k
30d	35.7k	4.1k

Playback	Listens	Hours
48h	3.7k	376
7d	12.9k	1.5k
30d	54.7k	6.3k

Playback	Listens	Hours
48h	1.9k	201
7d	6.1k	673
30d	18.8k	2.1k

Playback	Listens	Hours
48h	5.9k	723
7d	19.1k	2.2k
30d	60.2k	6.9k

Playback	Listens	Hours
48h	3.8k	465
7d	10.9k	1.4k
30d	40.8k	5k

Playback	Listens	Hours
48h	1.3k	164
7d	7.2k	932
30d	33.4k	4.4k

Playback	Listens	Hours
48h	1.1k	135
7d	3.3k	404
30d	19.8k	2.5k

Playback	Listens	Hours
48h	3.2k	384
7d	3.7k	467
30d	25.1k	3.2k

Playback	Listens	Hours
48h	1.9k	224
7d	9k	1.1k
30d	65.8k	7.6k

Playback	Listens	Hours
48h	2.6k	361
7d	7.1k	959
30d	24.7k	3.4k

Playback	Listens	Hours
48h	3.7k	501
7d	5.3k	710
30d	40.1k	5.3k

Playback	Listens	Hours
48h	6.7k	936
7d	17.5k	2.4k
30d	145.9k	20.2k

Playback	Listens	Hours
48h	4.2k	560
7d	22.8k	3k
30d	147.9k	20k

Playback	Listens	Hours
48h	119	12
7d	837	85
30d	7.2k	732

Playback	Listens	Hours
48h	3.9k	516
7d	21.5k	2.9k
30d	101.4k	13.2k

Playback	Listens	Hours
48h	6.4k	813
7d	17.7k	2.3k
30d	84.8k	11.1k

Playback	Listens	Hours
48h	2.4k	299
7d	6.2k	778
30d	39.6k	5k

Playback	Listens	Hours
48h	6.5k	720
7d	4.1k	461
30d	27.7k	3.1k

Playback	Listens	Hours
48h	1.1k	125
7d	4.1k	458
30d	38.4k	4.1k

Playback	Listens	Hours
48h	1.4k	175
7d	4.4k	566
30d	23k	3.4k

112 shows

326 tapes

1968

Playback	Listens	Hours
48h	298	38
7d	815	105
30d	7k	893

Playback	Listens	Hours
48h	160	20
7d	336	48
30d	2.1k	290

Playback	Listens	Hours
48h	944	72
7d	980	71
30d	4.8k	338

Playback	Listens	Hours
48h	36	2
7d	90	5
30d	503	30

1974

Playback	Listens	Hours
48h	0	0m
7d	2	9m
30d	20	2

San Francisco, CA, USA

1.1k

Playback	Listens	Hours
48h	46	5
7d	101	12
30d	1.1k	137

San Francisco, CA, USA

1.4k

Playback	Listens	Hours
48h	90	12
7d	164	18
30d	1.4k	162

San Francisco, CA, USA

1.3k

Playback	Listens	Hours
48h	47	7
7d	200	32
30d	1.3k	197

San Francisco, CA, USA

880

Playback	Listens	Hours
48h	5	36m
7d	136	15
30d	880	99

San Francisco, CA, USA

449

Playback	Listens	Hours
48h	53	11
7d	66	14
30d	449	81

Playback	Listens	Hours
48h	0	0m
7d	12	1
30d	140	20

Playback	Listens	Hours
48h	22	3
7d	58	8
30d	203	28

Playback	Listens	Hours
48h	37	6
7d	121	17
30d	574	79

Playback	Listens	Hours
48h	2	10m
7d	55	8
30d	136	20

Playback	Listens	Hours
48h	43	8
7d	203	37
30d	960	190

Playback	Listens	Hours
48h	12	3
7d	34	9
30d	310	56

Playback	Listens	Hours
48h	0	0m
7d	1	23m
30d	84	10

Playback	Listens	Hours
48h	94	14
7d	263	34
30d	1.3k	165

4:05:41

9 tapes

8/05SBD

Philadelphia Civic Arena

Philadelphia, PA, USA

617

Playback	Listens	Hours
48h	3	30m
7d	86	12
30d	617	80

3:48:28

6 tapes

8/04SBD

Philadelphia Civic Arena

Philadelphia, PA, USA

644

Playback	Listens	Hours
48h	10	2
7d	60	8
30d	644	91

Playback	Listens	Hours
48h	102	12
7d	68	10
30d	826	102

Playback	Listens	Hours
48h	72	9
7d	94	11
30d	410	52

Playback	Listens	Hours
48h	47	6
7d	70	10
30d	654	82

2:46:46

6 tapes

7/25SBD

International Amphitheatre

Chicago, IL, USA

634

Playback	Listens	Hours
48h	44	5
7d	39	4
30d	634	73

Playback	Listens	Hours
48h	10	2
7d	66	9
30d	319	40

Playback	Listens	Hours
48h	65	8
7d	140	22
30d	612	91

3:26:33

7 tapes

6/30SBD

Springfield Civic Center

Springfield, MA, USA

5.6k

Playback	Listens	Hours
48h	412	61
7d	5k	701
30d	5.6k	791

Playback	Listens	Hours
48h	246	38
7d	6k	826
30d	7.1k	985

3:52:49

7 tapes

6/26SBD

Providence Civic Center

Providence, RI, USA

Playback	Listens	Hours
48h	313	42
7d	3.3k	463
30d	9k	1.2k

Playback	Listens	Hours
48h	247	28
7d	769	86
30d	8.7k	995

Playback	Listens	Hours
48h	58	8
7d	332	39
30d	5.2k	575

Playback	Listens	Hours
48h	70	8
7d	91	10
30d	5.7k	657

Playback	Listens	Hours
48h	323	47
7d	613	90
30d	10k	1.4k

2:56:36

4 tapes

6/16SBD

Des Moines State Fair Grandstand

Des Moines, IA, USA

8.4k

Playback	Listens	Hours
48h	162	23
7d	208	30
30d	8.4k	1.2k

3:53:11

10 tapes

6/08SBD

Oakland-Alameda County Coliseum

Oakland, CA, USA

5.9k

Playback	Listens	Hours
48h	68	9
7d	158	22
30d	5.9k	799

3:04:18

8 tapes

5/25SBD

Campus Stadium, UC Santa Barbara

Goleta, CA, USA

1.3k

Playback	Listens	Hours
48h	11	1
7d	158	15
30d	1.3k	136

5:16:21

5 tapes

5/21SBD

Edmundson Pavilion, U. of Washington

Seattle, WA, USA

1.6k

Playback	Listens	Hours
48h	52	6
7d	131	16
30d	1.6k	234

6:06:27

13 tapes

5/19SBD

Portland Memorial Coliseum

Portland, OR, USA

8.4k

Playback	Listens	Hours
48h	380	42
7d	1.2k	130
30d	8.4k	929

Vancouver, British Columbia, Canada

903

Playback	Listens	Hours
48h	15	2
7d	111	12
30d	903	101

2:53:50

3 tapes

5/14SBD

Adams Field House, U. of Montana

Missoula, MT, USA

2.4k

Playback	Listens	Hours
48h	254	33
7d	252	33
30d	2.4k	316

Playback	Listens	Hours
48h	24	3
7d	47	6
30d	722	87

Playback	Listens	Hours
48h	64	7
7d	367	41
30d	2k	225

Playback	Listens	Hours
48h	9	43m
7d	15	1
30d	97	8

San Francisco, CA, USA

2.3k

Playback	Listens	Hours
48h	115	15
7d	244	40
30d	2.3k	325

San Francisco, CA, USA

1.1k

Playback	Listens	Hours
48h	108	12
7d	123	13
30d	1.1k	135

San Francisco, CA, USA

1.5k

Playback	Listens	Hours
48h	150	15
7d	327	34
30d	1.5k	159

4:11:15

10 tapes

Sources

Transferrer: Kevin Tobin

gd1974-06-23.122271.dts.tobin.flac16

Source:

<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shn id 116312) sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith + SBD2 (shn id 16780) MSR>DAT>CD w/ MAC>DAT patches + AUD2 (shnid = 105755) aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010 - dts mixing by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 04-OCT-2012 - Trader Little Helper
- Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

-----------------------------------------------------------
Front  
Left Channel -1db SBD
Right Channel -1db SBD

Center
Mixed to mono -1db Matrix

Surround
Left Channel -0db AUD
Right Channel -0db AUD

Sub/LFE
Mixed to mono -1db Matrix
--------------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Production

Transferrer: Kevin Tobin

gd1974-06-23.122270.mtx.tobin.flac16

Source:

Matrix 3 Source Mix - SBD1 (shn id 116312)sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith + SBD2 (shn id 16780) MSR>DAT>CD w/ MAC>DAT patches + AUD1 (shnid 105755) flac24; aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010 - matrix mixing by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 04-OCT-2012 - Trader Little Helper
- Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -1
AUD +1

SET TWO

Stereo Matrix
SBD -1
AUD +1
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

Brokedown House Production

Transferrer: Kevin Tobin

gd1974-06-23.122269.mtx.tobin.flac24

Source:

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 04-OCT-2012 - Trader Little Helper
-Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD -1
AUD +1

SET TWO

Stereo Matrix
SBD -1
AUD +1
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

Brokedown House Production

Transferrer: Matt Smith and Kevin Tobin

3:31:24

SBD

Transferrer:

Matt Smith and Kevin Tobin

SHNID:

gd1974-06-23.122255.upg-sbd.smith-tobin.flac16

Source:

sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith - Patched and speed corrected version of shnid 116312 by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 04-OCT-2012 - Trader Little Helper
- Tagged 04-OCT-2012 - Tag&Rename
---------------------------------------------------------
Audio Patches:
1) To start the show, 3 minutes and 15.442 of tuning was added to SBD1 from AUD1.

2) 3 minutes into Ramble On Rose, .145 seconds was missing from SBD1 and was added from SBD2.

3) 4 minutes into Ramble On Rose, .033 seconds was missing from SBD1 and was added from SBD2.

4) Between Ramble On Rose and Black Throated Wind, 52.409 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

5) Between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 51.573 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

6) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 50.052 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

7) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 10.368 seconds added to AUD1 soundtrack from SBD1 in order to match the soundboard soundtrack.

8) Also between Black Throated Wind and Mississippi Half-Step Uptown Toodeloo, 1 minute and 31.779 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

9) Between Mississippi Half-Step Uptown Toodeloo and Beat It On Down The Line, 31.343 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

10) Between Beat It On Down The Line and Row Jimmy, 1 minute and 01.994 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

11) About 4 minutes into Row Jimmy, 02.123 seconds was missing from SBD1 right channel and was added from SBD2.

12) About 4 minutes into Jack Straw, 04.277 seconds was missing from SBD1 right channel and was added from SBD2.

13) Between Jack Straw and Let It Rock, 44.364 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

14) Between Cumberland Blues and El Paso, 1 minute and 46.089 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

15) Between El Paso and To Lay Me Down, 3 minute and 07.722 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. This was left on the end of disk 1 with To Lay Me Down the first track on disk 2.

16) Between To Lay Me Down and Weather Report Suite (Prelude), 1 minute and 07.696 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

17) About 2 minutes from the end of Let It Grow, 00.007 seconds of digi-noise was present on AUD1 and was replaced with a patch from AUD2.

18) The audience copy of Seastones was just patched in as Matt used it in his version. There is no other version of this to my knowledge.

19) Between Ship Of Fools and Big River, 20.043 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

20) Between Big River and Black Peter, 1 minute and 01.367 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

21) Between Black Peter and Around And Around, 1 minute and 25.090 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

22) Between Around And Around and Dark Star, 53.668 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack.

23) About 10 minutes into Dark Star, 12.520 seconds was missing from SBD1 and was added from AUD1.

24) About 18 minutes into Dark Star, 01.020 seconds was duplicated - removed in order for AUD1 and SBD1 to match.

25) Between US Blues and Uncle John's Band, 2 minutes and 16.707 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

26) Between One More Saturday Night, 4 minutes and 22.966 seconds added to SBD1 soundtrack from AUD1 in order to match the audience soundtrack. 

27) NOTE: The Jerry Moore Audience came in 24/96 format while both Soundboard came as 16/44 format. Using R8brain Pro, the both Soundboard were expanded to 24/96 so as to facilitate ending up with 24/96 matrix. After matrix was mixed, R8Brain Pro was used to reduce matrix and soundboard to cd compatible 16/44.

28) Matrix\DTS were synced using the Moore Audience as a reference. The sources were well matched soundwise with the both soundboard ran slightly fast as compared with the Moore audience.

Brokedown House Production

Taper: Unknown

gd1974-06-23.sdb.smith.116312.flac16

Source:

sbd>?>cd</br>Mastered via the Apogee mini me>Mini DAC>FLAC</br>Transfer and Mastering by: Matt Smith

Transferrer: Chris Chappell

gd1974-06-23.sbd.matrix-sb21b.chappell.83489.flac16

Source:

Sick Bits Vol. 21b - SBD/AUD Matrix of 2 previously circulating sources: SBD (shnid=213) + AUD (shnid=14265)

Taper Notes:

View NotesSource: Matrix (SBD/AUD mix):

SBD: (shnid=213) - mastered by Josh Belkin

     Lineage: SBD>ReelM>DAT>CassetteM>DAT(3)>Prodif Plus card > 
     Samplitude 2496 > Plextor 820 burner  
     SBD Patch: "Phil's Tape" > ? > DAT(n) >Prodif Plus > Samp2496

AUD: (shnid=14265) - via Noah Weiner(encoding) via Mark Cohen(A/D xfer)
     AudMC > DAT > WAV > SHN

     Recorded by Jerry Moore about 15 rows from the stage on center axis
     with 2 hand held AKG D-1000E mics > Sony 152 deck.  Maxell UD-120
     cassettes, with Dolby B ON.

Transfer/Editing:
Both sources were converted to WAV > 
Sony Vegas 5 > WAV > CD Wave > FLAC 16 (level 8)

Matrixed by Chris Chappell
ScarFire@liquidcity.com
2-15-07
_____________________________
End disc 1 after To Lay Me Down and end disc 2 after Around & Around.  Seastones
is named s1t19 so as to keep in the order played, although there was a set break
before and after this track. Tracks are named by set as opposed to disc as there 
are many media options now for output.

____________________________________________________________
General Notes:

This show was probably one of those events for those who attended where the 
response afterwards was like "what the hell was that?" - in other words, not
your normal Dead show, festooned with wierd sound effects, in between song 
banter, a Tico Tico tuning, the only Let It Rock, and the first Seastones; all
of this before even the second set which starts with a Jam.  The Dark Star,
which is just a Dark Star jam (last one until 1991), lasts almost 18 minutes,
and is one of only 6 played in '74, and the only one in '74 without vocals.
Spanish Jam makes its first of 7 appearances in '74 after a 15 month hiatus.
The jam into US Blues is classic, and the Casey Jones encore is 1 of 10 in '74.
Two repeats from the night before, Jack Straw and Ship Of Fools, had different
feels, yet I still prefer the 22nd versions.

Sonically, the weird part is the beginning of the show which is a matrix from
the SBD source which finally goes to straight SBD in the middle of Ramble On Rose.
This first portion, which is quite phasey, was left alone and not matrixed with
the AUD source due to the fact it had already been matrixed (by Healy?, real time
at the show? - could this be the first matrix experiment at a Deadshow?).  Also,
Seastones is AUD only.

Thanks to Jerry Moore for recording the AUD at such a perfect FOB location
which picked up alot of Garcia's amp, thus making the matrix work well.  Thanks
to Noah Weiner and Mark Cohen for their conversion of Jerry Moore's masters.
Thanks to Josh Belkin for mastering the SBD source, and thanks to Phil for his
SBD source used as a patch in Belkin's source.

Thanks to Bill Zormeir (AKA Zman) for the excellent artwork.

-Enjoy!
Chappy

____________________________________________________________
Editing Notes:

- Pitch/Synch
Both sources were very close in pitch, the SBD being the closest to A=440.
I synched the AUD to the SBD and the AUD had to be pitched up only 2 to 6 cents. 
The alt. SBD "Phil's tape" which provides the patch in US Blues did not need
to be pitch adjusted, although some EQ was applied to match the regular SBD in
tone/timbre (high shelf starting at 1.5kHz +6dB).

- Sonic Quality/Matrix ratio
No EQ was applied to either of the two main sources. I applied very sparingly
Waves L2 (limiter) to the master 2 buss to keep things contained, the 
levels rarely hitting zero, thus the limiting is quite scarce. All I was 
trying to do here is to add some dimension to the SBD by using the 
ambience of the AUD. The result is a lively but clear recording, hopefully 
close to how it sounded at the show. If I had to guess the SBD/AUD ratio 
would be somewhere between 3:1 and 2:1.  Note that Jerry's presence in the
matrix mix is enhanced greatly from the AUD due to his loud stage volume.

- Edits
The following are places where the SBD and AUD had splices, holes or
incomplete coverage in reference to the final matrix timeline. 

SBD:

s1t01 (0:00 - 3:14) - missing (tuning)
s1t02 (6:18 - 6:51) - missing (tuning)
s1t04 (0:13 - 0:47) - missing (tuning)
s1t04 (1:11 - 1:43) - missing (tuning)
s1t04 (3:19 - 4:34) - missing (tuning)
s1t06>7 (7:43 - 0:02) - missing (tuning)
s1t07 (3:31 - 4:20) - missing (tuning)
s1t08 (7:55 - 9:12) - missing (tuning)
s1t09 (4:08 - 4:09) - missing
s1t09 (5:18 - 5:50) - missing (tuning)
s1t10 (3:26 - 4:09) - missing (tuning)
s1t11 (9:08 - 7:50) - missing (tuning)
s1t12 (4:22 - 5:45) - missing (tuning)
s1t13>14 (7:58 - 0:56) - missing (tuning)
s1t17 (5:21) - removed subsecond glitch
s1t18 (5:32 - 5:44) - missing (tuning)
s2t01 (0:00 - 2:21) - missing (tuning)
s2t03 (6:04 - 6:19) - missing (tuning)
s2t04 (4:44 - 5:39) - missing (tuning)
s2t05 (4:40 - 4:41) - missing (splice)
s2t05 (9:24 - 10:47) - missing (tuning)
s2t06 (5:17 - 6:03) - missing (tuning)
s2t07 (9:07 - 9:16) - missing (flip)
s2t09 (5:08 - 5:30) - supplied by alt. SBD "Phil's Tape"
s2t09 (8:14 - 10:25) - missing (tuning)
s2t11 (4:54 - 8:54) - missing (tuning)
s2t12 (6:40 - 6:50) - missing (tuning)

AUD:
s1t16 (4:17) - fixed sbe
s2t05 (10:50) - removed mic bump


Full coverage is achieved, and almost all the missing elements from the SBD
are tuning/crowd.

Source 7 of 18

gd1974-06-23.sbd.OBV.30846.shnf

Source:

Soundboard

Lineage:

Remaster of sbd w/ aud patches by Owens Brothers

Taper Notes:

View NotesRemaster of sbd w/ aud patches by Owens Brothers

Source 8 of 18

gd74-06-23.sbd.cribbs.16780.sbeok.shnf

Source:

Soundboard

Lineage:

MSR> DAT> CD w/ MAC> DAT patches

Taper Notes:

View NotesMSR>DAT>CD w/ MAC>DAT patches

Transferrer: Josh Belkin

gd1974-06-23.sbd.sacks.213.shnf

Source:

SBD>ReelM>DAT>CassetteM>DAT(3)>Prodif Plus card > Samplitude 2496 > Plextor 820 burner

Lineage:

See info file

Taper Notes:

View NotesSource Lineage:
SBD>ReelM>DAT>CassetteM>DAT(3)>Prodif Plus card > Samplitude 2496 > Plextor 820 burner
 * AUD >?>FM>cassette>A/D: Panasonic 3700>Prodif Plus>Samp2496
      (Broadcast by WHRB-FM during Grateful Dead Orgy, early 1980's.)
** "Phil's Tape" SBD? >?>DAT(n) >Prodif Plus > Samp2496

Sound processing: 
 AUD source:         
Dehum, Denoise, Timestretched to match SBD speed
 "Phil's Tape" SBD:  Timestretched to match SBD speed

The "Phil's Tape" source is probably the one mentioned in www.deadlists.com,
   "made by Phil with mikes onstage", since the tape has no cuts.
The AUD source is probably the one mentioned in Taper's Compendium  Vol. 1: 
   Jerry Moore & Les Kippel ,  AKG D-200 mikes > Sony 152 deck

Mastered Dec '99/Jan '00 by Josh Belkin   josh-b@mediaone.net


[Additional note on disc assembly from Josh (more details below)]:
 
"Two tracks,  D1T3 and D3T1, don't have song titles. In the case of D1T3,
it's there so that the previous AUD/SBD mixed Ramble On Rose track is the
same length  (well, nearly so, I goofed slightly I guess) as the
straight-SBD RoR at the end of Disk three, so that purists can take out
the mixed RoR and swap in the straight-SBD one if they want to rearrange
the tracks on Disk1.  It was that or else make the straight-SBD RoR about
:58 longer. D3T1 mini-track is there so that I can have a proper track
marker at the start of Dark Star."

--
additional comments from Darrin Sacks:
Date: Fri, 4 Feb 2000 09:29:19 -0700
From: "Darrin N. Sacks"
To: etree@etree.org
Subject: [etree] Grateful Dead 6.23.74 - Patched has NO noise reduction

Hi,

A newly circulating show has an erroneous info file attached to it --

Contrary to the statement in the info file accompanying the 6.23.74 patched
soundboard that is circulating, the primary soundboard source used for this
show (the SBD>ReelM>DAT>CassetteM>DAT(3)>) that was used for all but a few
short segments was NOT subject to noise reduction.  Although Josh, the guy
who performed the tremendous job of splicing in the cuts on the primary
soundboard from previously circulating audience and alternate soundboard
sources, did digitally process the alternate sources (he time aligned them
and denoised/dehummed them), he did not perform noise reduction on the
primary soundboard source that is circulating on the etree.

This misunderstanding occurred because Josh did perform noise reduction on
the primary soundboard source that he traded to a few of his friends.
However, we collectively decided that the version circulated on the etree &
on alt.binaries.gdead should not contain noise reduction -- and it does not.
Josh accidentally sent out cd covers to the etree and alt.binaries.gdead
seed sources for this show indicating that the primary soundboard source was
processed with noise reduction -- which it was not.

So, please disregard this annotation and don't pass up this gem of a show on
the mistaken understanding that it contains noise reduction.

While I'm on the topic, I should also point out that disk 3 of the show was
redone and re-seeded after its initial seeding to the etree.  The show
should not have been distributed prior to the updated disk 3's seeding, but
its easy to tell if you have the "correct" disk 3 -- it has ten tracks.
Disk 3 was reseeded because, after Josh initially distributed the show, we
discovered that there was a reel flip in the middle of US Blues.  On So Many
Roads, this reel flip was edited out by removing a chunk of the song (see
the liner notes).  On the re-seeded version, this 20 second gap (pretty
impressive timing for re-threading a reel-to-reel deck, imho), was spliced
in from what is believed to be a stage miced version recorded by Phil (the
prior version had a cut at this point).  This is the only difference.

That ought to do it -- given the recent thread regarding the "evils" of
noise reduction, I didn't want this amazing show & work of restoration to be
passed by.  My advice -- download and uncompress a track or 2 (Josh's
blending of the aud source with the sbd source on Ramble On Rose -- d1t1 --
is amazing, and the Dark Star -- d3t1 -- sounds fabulous and allows people
with SMR to compare this source's sound quality to the very same song on
SMR) and decide what to do from there.

Siteops hosting this show -- it would be nice if you modified the info file
to remove the erroneous noise reduction info.

Darrin

Taper: Jerry Moore

gd1974-06-23.148679.Moore.acetboy.flac1644

Source:

Remaster by acetboy

Taper Notes:

View NotesThis is a new master created from the original files from shn #105755.
Like the first night at this venue it seems like the drums could have been louder.
Maybe they do come through a bit better this night.

For this I worked on the hi-res files but only saved as cd ready.  44.1 16 bit

Work done in ProTools LE with final eq tweaks in ocenaudio.

The original files have the mids around 400 to 500 Hz louder than everything else.
Here I've brought out the low and high end more.

The flac files are tagged.

Much thanks to Jerry Moore and those who have worked to make this music available.

acetboy 2019-12-10

Taper: Jerry Moore

gd1974-06-23.145674.aud.akg-d1000e.moore.berger.flac16

Source:

source: aud cassette master taped by Jerry Moore lineage: aud>akg d1000e's>sony tc-152sd (3)maxell ud-120's, dolby b cassettes re-shelled

Lineage:

nak dragon>hd-p2 24/96>cd wave>flac transferred & seeded by Rob Berger 1/30/10

Taper Notes:

View Notesnotes: show promoted by Howard Stein

Transferrer: Hunter Seamons

gd1974-06-23.mtx.seamons.105983.flac16

Source:

Matrix By Hunter Seamons Using Final Cut Pro (flac24 & Shn>aiff>final Cut>wav>flac16)

Transferrer: Hunter Seamons

gd1974-06-23.mtx.seamons.105867.flac24

Source:

Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & SHN>AIFF>Final Cut>WAV>FLAC24)

Taper: Jerry Moore

gd1974-06-23.akgd1000e.moore.berger.105755.flac24

Source:

akg d1000e's>sony tc-152

Lineage:

cassette master > cassettes re-shelled > nak dragon>hd-p2 24/96>cd wave>flac

Taper: Jerry Moore

Owen Brothers remaster of Jerry Moore recording

SHNID:

gd1974-06-23.aud.obv.96890.sbeok.shnf

Source:

AudMC > DAT>CD>DC6>CD

Taper Notes:

View NotesEditing and Mastering by The Wizard - Owenbrothersvault@hotmail.com
Both the Audience and the Soundboard are available from The Owen Brothers Vault.

This was a nice AUD recording with only minor issues. A light Continuous Noise filter
was used to minimize tape hiss. Equalization was used to
adjust the sound a bit. Cuts were cleaned up.
Misc. loud handclaps, pops and other anomalies were corrected.
All editing done with Diamond Cut DC6 software.

Note: To burn to longer media (DVD-A), leave out "a" and "b" fade tracks.
Please trade freely, never sell. Please don't convert to MP3 and trade... Thanks, Wiz

Taper: Jerry Moore

Rob Berger and John Tallmadge

SHNID:

gd1974-06-23.aud.moore.berger.84615.flac16

Source:

akg d1000e's>Sony TC-152

Lineage:

aud c.m.>dat>cdr>eac>cd wave>flac

Taper: Jerry Moore

gd74-06-23.moore.weiner.gdADT.14265.sbeok.shnf

Source:

Audience Recording: AKG D-1000E

Lineage:

AudMC > DAT > WAV > SHN; about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120cassettes, with Dolby B ON.

Taper Notes:

View NotesAudMC > DAT > WAV > SHN

Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck.  Maxell UD-120
cassettes, with Dolby B ON.

Taper: Neil Merin

gd1974-06-23.aud-merin.weiner.7894.shnf

Lineage:

AUDMR>R>DAT/1>HD>SHN>CD

Taper Notes:

View NotesFrom comment posted by Noah at etree:
Hey all,

This currently circulating copy of this show attributed to the taper Neil Merin is a myth. That reel that I transferred was indeed made by Merin in the 70s for the person I got the reel from. The assumption was made that Merin had taped the show. At the time of the transfer, Merin (and his taping buddy, Jeff Siniawsky) was still missing in action from our community, thus I could only go on the information I was given. Last December, when Siniawsky contacted me for the first time (he and Merin are still quite close), the subject of 06/23/74 produced fuzzy memories that, at the time, couldn't really prove or disprove Merin's recording of the show. He very well could have been in Florida (it is where he and Jeff live now), and certainly could have taped the show, as he and Jeff taped everything else they could that summer. But, time had fogged the facts from being set one way or the other. Well, no longer. have finished the final CDs of Moore's 06/23/74 master, and sure enough, it's the very same recording (though the Merin reel is missing tons of in between song banter, etc...).

I'm sorry for my part in propagating myth. But, at least I wasn't claiming that the thing was taped by Phil with mics on stage. ;-)