Deal | 1977-05-08 | Grateful Dead

Bernie Worrell and the WOO Warriors

Playback	Listens	Hours
48h	0	0m
7d	1	20m
30d	27	4

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	0	0m
7d	1	6m
30d	51	8

Playback	Listens	Hours
48h	37	6
7d	54	8
30d	526	76

Playback	Listens	Hours
48h	106	15
7d	343	44
30d	1.9k	259

Playback	Listens	Hours
48h	4.9k	496
7d	12.1k	1.2k
30d	83.1k	8.3k

Playback	Listens	Hours
48h	65	4
7d	206	15
30d	1.4k	101

62 shows

76 tapes

Blueground Undergrass

113

Playback	Listens	Hours
48h	1	6m
7d	21	2
30d	113	10

Playback	Listens	Hours
48h	156	17
7d	396	44
30d	2.2k	253

1,226 shows

1,776 tapes

Bob Weir

Playback	Listens	Hours
48h	236	31
7d	657	84
30d	5k	652

308 shows

512 tapes

Bobby Previte

Playback	Listens	Hours
48h	1	53m
7d	0	0m
30d	0	0m

22 shows

28 tapes

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	48m

Playback	Listens	Hours
48h	50	7
7d	113	20
30d	840	142

451 shows

563 tapes

Buffalo Galaxy

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	53	6

Playback	Listens	Hours
48h	54	6
7d	209	19
30d	1.1k	102

Playback	Listens	Hours
48h	134	14
7d	419	43
30d	1.5k	151

Playback	Listens	Hours
48h	0	0m
7d	18	51m
30d	334	18

Playback	Listens	Hours
48h	3	36m
7d	10	1
30d	217	29

Playback	Listens	Hours
48h	17	1
7d	50	4
30d	241	17

243 shows

272 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	1	17m
30d	1	17m

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	1	7m
7d	1	37m
30d	5	1

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	0	0m
7d	27	2
30d	75	9

79 shows

93 tapes

Circles Around The Sun

1.7k

Playback	Listens	Hours
48h	88	21
7d	273	58
30d	1.7k	368

Playback	Listens	Hours
48h	0	0m
7d	23	4
30d	175	32

Playback	Listens	Hours
48h	64	5
7d	60	5
30d	801	68

Playback	Listens	Hours
48h	21	4
7d	151	23
30d	573	87

Playback	Listens	Hours
48h	404	60
7d	839	120
30d	4.4k	600

Playback	Listens	Hours
48h	428	58
7d	796	104
30d	6.1k	840

799 shows

1,061 tapes

Dave Harrington

Playback	Listens	Hours
48h	5	46m
7d	0	0m
30d	19	5

Playback	Listens	Hours
48h	28	3
7d	53	6
30d	202	19

Playback	Listens	Hours
48h	3.2k	495
7d	6.8k	1.1k
30d	39k	6.2k

Playback	Listens	Hours
48h	54	6
7d	30	3
30d	354	40

Playback	Listens	Hours
48h	56	3
7d	272	16
30d	1.3k	79

Playback	Listens	Hours
48h	72	9
7d	197	23
30d	1.4k	171

Playback	Listens	Hours
48h	652	134
7d	2k	375
30d	12.4k	2.5k

Playback	Listens	Hours
48h	11	1
7d	6	40m
30d	255	26

Playback	Listens	Hours
48h	172	25
7d	434	67
30d	3.2k	485

157 shows

212 tapes

Domocile

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	85	20

Playback	Listens	Hours
48h	193	18
7d	272	30
30d	1.6k	167

Playback	Listens	Hours
48h	5	1
7d	43	7
30d	224	36

Playback	Listens	Hours
48h	212	18
7d	436	38
30d	2.9k	259

Playback	Listens	Hours
48h	41	7
7d	16	3
30d	362	61

Playback	Listens	Hours
48h	5	39m
7d	31	4
30d	159	23

Playback	Listens	Hours
48h	111	20
7d	224	38
30d	1.7k	284

152 shows

293 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	8m

Playback	Listens	Hours
48h	158	20
7d	299	42
30d	1.7k	232

831 shows

1,050 tapes

Electric Beethoven

Playback	Listens	Hours
48h	0	0m
7d	2	1
30d	14	6

Playback	Listens	Hours
48h	75	4
7d	184	9
30d	889	47

156 shows

174 tapes

Eric Krasno

Playback	Listens	Hours
48h	0	0m
7d	17	2
30d	95	13

123 shows

182 tapes

Everyone Orchestra

Playback	Listens	Hours
48h	0	0m
7d	7	1
30d	20	4

182 shows

286 tapes

Forgotten Space

Playback	Listens	Hours
48h	0	0m
7d	1	8m
30d	59	7

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	52m

Playback	Listens	Hours
48h	12	1
7d	94	6
30d	289	27

Playback	Listens	Hours
48h	0	0m
7d	18	1
30d	100	7

Playback	Listens	Hours
48h	1	4m
7d	27	2
30d	192	15

Playback	Listens	Hours
48h	6	18m
7d	25	1
30d	115	7

Playback	Listens	Hours
48h	683	104
7d	1.4k	218
30d	9.2k	1.4k

246 shows

1,223 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

14 shows

15 tapes

G. Love and Special Sauce

601

Playback	Listens	Hours
48h	30	3
7d	93	8
30d	601	53

Playback	Listens	Hours
48h	106	11
7d	98	12
30d	1.1k	124

Playback	Listens	Hours
48h	4	47m
7d	11	2
30d	136	17

Playback	Listens	Hours
48h	3	33m
7d	30	5
30d	265	55

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	0	0m
7d	1	7m
30d	17	2

51 shows

65 tapes

Ghost Light

Playback	Listens	Hours
48h	2	1
7d	2	2
30d	35	11

Playback	Listens	Hours
48h	71	9
7d	191	23
30d	1.2k	143

374 shows

509 tapes

Godspeed You Black Emperor!

397

Playback	Listens	Hours
48h	19	4
7d	27	9
30d	397	115

535 shows

799 tapes

Golden Gate Wingmen

Playback	Listens	Hours
48h	7	54m
7d	2	9m
30d	93	11

Playback	Listens	Hours
48h	4.2k	919
7d	10.2k	2.3k
30d	50.4k	10.7k

Playback	Listens	Hours
48h	0	0m
7d	46	4
30d	306	27

363 shows

589 tapes

Grahame Lesh and Friends

1.7k

Playback	Listens	Hours
48h	150	23
7d	238	34
30d	1.7k	247

Playback	Listens	Hours
48h	10	1
7d	2	19m
30d	126	17

Playback	Listens	Hours
48h	348	41
7d	861	109
30d	6.1k	722

Playback	Listens	Hours
48h	47	6
7d	75	9
30d	917	105

226 shows

313 tapes

GrooveSession

Playback	Listens	Hours
48h	1	11m
7d	0	0m
30d	28	5

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	1	2m
7d	0	0m
30d	53	3

53 shows

57 tapes

Guitarmageddon

Playback	Listens	Hours
48h	0	0m
7d	4	50m
30d	18	3

Playback	Listens	Hours
48h	25	2
7d	77	6
30d	331	23

755 shows

1,036 tapes

Hard Working Americans

Playback	Listens	Hours
48h	6	20m
7d	18	2
30d	86	10

Playback	Listens	Hours
48h	35	5
7d	22	3
30d	360	59

187 shows

226 tapes

Horseshoes and Hand Grenades

Playback	Listens	Hours
48h	2	6m
7d	13	1
30d	60	6

Playback	Listens	Hours
48h	31	3
7d	45	4
30d	183	17

674 shows

846 tapes

Infamous Stringdusters

1.2k

Playback	Listens	Hours
48h	100	9
7d	206	18
30d	1.2k	108

629 shows

1,016 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	10	2

Playback	Listens	Hours
48h	437	29
7d	629	44
30d	4.6k	307

Playback	Listens	Hours
48h	6	35m
7d	59	5
30d	294	30

365 shows

492 tapes

Jazz Mandolin Project

106

Playback	Listens	Hours
48h	8	1
7d	30	5
30d	106	18

222 shows

280 tapes

Jeff Austin and Chris Castino

Playback	Listens	Hours
48h	0	0m
7d	2	15m
30d	95	9

12 shows

14 tapes

Jeff Austin And Friends

160

Playback	Listens	Hours
48h	14	2
7d	14	1
30d	160	16

Playback	Listens	Hours
48h	79	11
7d	168	18
30d	1.3k	179

112 shows

162 tapes

Jerry Joseph and the Jackmormons

2.4k

Playback	Listens	Hours
48h	82	14
7d	327	56
30d	2.4k	404

1,124 shows

1,519 tapes

Jerry's Middle Finger

3.6k

Playback	Listens	Hours
48h	265	35
7d	575	74
30d	3.6k	488

259 shows

310 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	0	0m
7d	15	2
30d	30	5

2 shows

Karl Denson's Tiny Universe

Joe Russo's Almost Dead

38.9k

Playback	Listens	Hours
48h	1.8k	328
7d	4.6k	844
30d	38.9k	7.4k

Playback	Listens	Hours
48h	67	6
7d	101	11
30d	687	77

Playback	Listens	Hours
48h	121	11
7d	489	41
30d	2.6k	225

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	0	0m
7d	23	3
30d	51	6

Playback	Listens	Hours
48h	0	0m
7d	21	1
30d	131	9

79 shows

98 tapes

Karina Rykman

Playback	Listens	Hours
48h	0	0m
7d	16	1
30d	98	9

73 shows

109 tapes

165

Playback	Listens	Hours
48h	0	0m
7d	20	3
30d	165	24

Playback	Listens	Hours
48h	195	19
7d	613	64
30d	4.3k	412

1,056 shows

1,396 tapes

Kikagaku Moyo

Playback	Listens	Hours
48h	3	38m
7d	11	2
30d	61	10

43 shows

54 tapes

King Gizzard & the Lizard Wizard

15.4k

Playback	Listens	Hours
48h	752	99
7d	2.5k	318
30d	15.4k	2k

Playback	Listens	Hours
48h	114	16
7d	327	44
30d	1.9k	265

315 shows

400 tapes

Kung Fu

Playback	Listens	Hours
48h	4	36m
7d	3	19m
30d	44	6

Playback	Listens	Hours
48h	31	6
7d	87	14
30d	680	131

Playback	Listens	Hours
48h	55	6
7d	32	4
30d	751	89

Playback	Listens	Hours
48h	211	20
7d	613	57
30d	3.7k	343

Playback	Listens	Hours
48h	175	26
7d	409	64
30d	2.9k	494

Playback	Listens	Hours
48h	363	35
7d	798	71
30d	5.2k	477

Playback	Listens	Hours
48h	96	6
7d	184	14
30d	1.3k	104

Playback	Listens	Hours
48h	67	14
7d	292	55
30d	1.6k	299

437 shows

622 tapes

Marco Benevento

Playback	Listens	Hours
48h	16	1
7d	8	29m
30d	54	4

214 shows

296 tapes

Marcus King Band

Playback	Listens	Hours
48h	137	12
7d	205	20
30d	2k	187

Playback	Listens	Hours
48h	12	2
7d	23	2
30d	239	24

349 shows

446 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	262	41
7d	474	80
30d	3.6k	563

Playback	Listens	Hours
48h	0	0m
7d	60	4
30d	367	24

Playback	Listens	Hours
48h	0	0m
7d	21	2
30d	183	18

157 shows

172 tapes

Minutemen

Playback	Listens	Hours
48h	0	0m
7d	8	18m
30d	83	3

Playback	Listens	Hours
48h	44	3
7d	111	7
30d	848	58

Playback	Listens	Hours
48h	541	91
7d	1.6k	271
30d	10k	1.6k

1,989 shows

4,493 tapes

Mogwai

Playback	Listens	Hours
48h	5	31m
7d	16	2
30d	34	4

380 shows

481 tapes

Moon Taxi

Playback	Listens	Hours
48h	0	0m
7d	2	12m
30d	88	8

Playback	Listens	Hours
48h	187	18
7d	681	71
30d	4.3k	444

412 shows

600 tapes

Nathan Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	10	1

46 shows

51 tapes

Neal Francis

Playback	Listens	Hours
48h	0	0m
7d	4	22m
30d	57	5

Playback	Listens	Hours
48h	50	6
7d	82	9
30d	553	77

138 shows

251 tapes

Nels Cline

Playback	Listens	Hours
48h	10	2
7d	5	46m
30d	36	7

62 shows

73 tapes

New Riders of the Purple Sage

1.6k

Playback	Listens	Hours
48h	143	14
7d	255	22
30d	1.6k	136

410 shows

598 tapes

North Mississippi Allstars

1.2k

Playback	Listens	Hours
48h	67	7
7d	162	14
30d	1.2k	118

964 shows

1,497 tapes

O.A.R.

Playback	Listens	Hours
48h	46	5
7d	265	28
30d	1k	106

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	2	28m
7d	36	6
30d	156	29

130 shows

260 tapes

Percy Hill

Playback	Listens	Hours
48h	3	24m
7d	0	0m
30d	55	8

Playback	Listens	Hours
48h	92	15
7d	156	28
30d	1.3k	247

689 shows

920 tapes

Phil Lesh and Friends

14.7k

Playback	Listens	Hours
48h	1.1k	195
7d	2.7k	476
30d	14.7k	2.6k

788 shows

2,861 tapes

Pigeons Playing Ping Pong

Playback	Listens	Hours
48h	76	14
7d	273	44
30d	2k	315

Playback	Listens	Hours
48h	192	23
7d	605	74
30d	4.3k	550

293 shows

435 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	168	22
7d	514	68
30d	3.9k	513

1,236 shows

2,198 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	41	3
30d	49	4

Playback	Listens	Hours
48h	4	28m
7d	79	12
30d	472	63

Playback	Listens	Hours
48h	479	62
7d	1.1k	137
30d	6.8k	896

Playback	Listens	Hours
48h	27	3
7d	246	21
30d	1.6k	135

259 shows

390 tapes

Rumpke Mountain Boys

Playback	Listens	Hours
48h	93	8
7d	251	20
30d	2k	155

Playback	Listens	Hours
48h	114	10
7d	319	27
30d	2.2k	193

581 shows

729 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	1	26m
30d	3	55m

10 shows

Ted Leo and the Pharmacists

Ryley Walker

Playback	Listens	Hours
48h	0	0m
7d	1	4m
30d	11	2

Playback	Listens	Hours
48h	320	29
7d	358	35
30d	3.6k	341

128 shows

193 tapes

Scott Metzger

Playback	Listens	Hours
48h	2	20m
7d	11	1
30d	43	5

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	0	0m
7d	1	0m
30d	81	11

Playback	Listens	Hours
48h	3	17m
7d	0	0m
30d	110	13

91 shows

96 tapes

Smashing Pumpkins

Playback	Listens	Hours
48h	30	3
7d	161	14
30d	1k	87

Playback	Listens	Hours
48h	217	33
7d	400	60
30d	2.7k	416

Playback	Listens	Hours
48h	46	10
7d	126	31
30d	1.3k	304

Playback	Listens	Hours
48h	3	12m
7d	75	5
30d	300	17

87 shows

96 tapes

Stanton Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	17	3

Playback	Listens	Hours
48h	30	5
7d	131	19
30d	719	114

Playback	Listens	Hours
48h	143	31
7d	240	52
30d	1.8k	395

Playback	Listens	Hours
48h	134	16
7d	137	16
30d	1.3k	175

667 shows

1,139 tapes

String Cheese Incident

19.6k

Playback	Listens	Hours
48h	1.1k	173
7d	2.4k	388
30d	19.6k	3.2k

1,285 shows

2,081 tapes

Surprise Me Mr. Davis

Playback	Listens	Hours
48h	0	0m
7d	16	2
30d	90	10

Playback	Listens	Hours
48h	17	2
7d	4	55m
30d	180	33

Playback	Listens	Hours
48h	8	59m
7d	23	3
30d	156	20

Playback	Listens	Hours
48h	38	4
7d	98	11
30d	692	76

729 shows

1,116 tapes

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	12	58m

Playback	Listens	Hours
48h	720	78
7d	1.9k	213
30d	12.3k	1.4k

Playback	Listens	Hours
48h	12	49m
7d	84	5
30d	223	11

Playback	Listens	Hours
48h	99	13
7d	253	31
30d	1.6k	197

Playback	Listens	Hours
48h	25	4
7d	38	5
30d	321	48

473 shows

627 tapes

The California Honeydrops

354

Playback	Listens	Hours
48h	70	10
7d	101	11
30d	354	44

77 shows

84 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	7m

Playback	Listens	Hours
48h	530	77
7d	547	75
30d	2.9k	418

Playback	Listens	Hours
48h	1	4m
7d	27	2
30d	203	18

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	15	2

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	0	0m
7d	4	41m
30d	19	2

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	9	55m

Playback	Listens	Hours
48h	50	9
7d	23	4
30d	352	59

Playback	Listens	Hours
48h	5	29m
7d	18	2
30d	125	16

Playback	Listens	Hours
48h	116	5
7d	644	33
30d	3.9k	208

Playback	Listens	Hours
48h	31	2
7d	77	6
30d	729	51

Playback	Listens	Hours
48h	7	1
7d	26	4
30d	222	42

247 shows

328 tapes

The New Mastersounds

Playback	Listens	Hours
48h	78	7
7d	98	11
30d	1k	110

293 shows

454 tapes

The Other Ones

Playback	Listens	Hours
48h	211	32
7d	721	101
30d	2k	279

Playback	Listens	Hours
48h	569	56
7d	1.2k	121
30d	7.2k	711

Playback	Listens	Hours
48h	8	37m
7d	88	6
30d	146	11

Playback	Listens	Hours
48h	87	8
7d	136	16
30d	814	86

71 shows

91 tapes

The Werks

Playback	Listens	Hours
48h	0	0m
7d	5	1
30d	38	8

Playback	Listens	Hours
48h	35	3
7d	142	14
30d	1.2k	128

Playback	Listens	Hours
48h	13	52m
7d	86	6
30d	957	65

175 shows

210 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	14	1

Playback	Listens	Hours
48h	312	47
7d	745	106
30d	6.4k	927

Playback	Listens	Hours
48h	0	0m
7d	1	6m
30d	114	11

Playback	Listens	Hours
48h	77	14
7d	260	42
30d	1.6k	259

438 shows

728 tapes

Umphrey's McGee

Playback	Listens	Hours
48h	192	26
7d	725	102
30d	5k	728

Playback	Listens	Hours
48h	11	59m
7d	49	4
30d	221	19

Playback	Listens	Hours
48h	83	6
7d	133	10
30d	1.4k	102

Playback	Listens	Hours
48h	1.1k	86
7d	2.2k	175
30d	13.1k	1.1k

623 shows

1,141 tapes

White Denim

Playback	Listens	Hours
48h	20	1
7d	1	3m
30d	36	3

Playback	Listens	Hours
48h	12k	1.4k
7d	34.4k	4.1k
30d	160.9k	19.1k

Playback	Listens	Hours
48h	44	6
7d	235	34
30d	908	134

1,416 shows

2,242 tapes

Yonder Mountain String Band

11.2k

Playback	Listens	Hours
48h	1.1k	103
7d	1.6k	154
30d	11.2k	1.1k

Playback	Listens	Hours
48h	103	18
7d	220	36
30d	1.7k	264

21 shows

29 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	33	6
7d	128	22
30d	1.5k	267

461 shows

665 tapes

Zoofunkyou

Playback	Listens	Hours
48h	1	7m
7d	0	0m
30d	11	1

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	1.6k	214
7d	4k	519
30d	19.9k	2.6k

Playback	Listens	Hours
48h	1.8k	163
7d	5k	702
30d	21.6k	3.1k

Playback	Listens	Hours
48h	871	114
7d	2.3k	301
30d	31.8k	4.2k

Playback	Listens	Hours
48h	500	66
7d	3.8k	463
30d	34k	4.3k

Playback	Listens	Hours
48h	1.1k	146
7d	3.3k	450
30d	49.9k	6.6k

Playback	Listens	Hours
48h	6.2k	795
7d	8.9k	1.2k
30d	69.6k	9.1k

Playback	Listens	Hours
48h	14.8k	1.8k
7d	21.6k	2.7k
30d	61.8k	7.7k

Playback	Listens	Hours
48h	1.9k	231
7d	17.1k	2.1k
30d	45.8k	5.4k

Playback	Listens	Hours
48h	4.7k	527
7d	10.7k	1.2k
30d	57.7k	6.6k

Playback	Listens	Hours
48h	2.6k	270
7d	5.5k	589
30d	20.9k	2.3k

Playback	Listens	Hours
48h	1.8k	209
7d	16.7k	2k
30d	63.5k	7.3k

Playback	Listens	Hours
48h	4k	509
7d	12.4k	1.5k
30d	46.4k	5.7k

Playback	Listens	Hours
48h	1.1k	143
7d	3.6k	468
30d	33.1k	4.3k

Playback	Listens	Hours
48h	1.5k	184
7d	3.3k	407
30d	19k	2.4k

Playback	Listens	Hours
48h	13.7k	1.7k
7d	10.5k	1.3k
30d	30.7k	3.8k

Playback	Listens	Hours
48h	1.6k	188
7d	6.3k	743
30d	61.2k	7.1k

Playback	Listens	Hours
48h	1.5k	208
7d	7.5k	1k
30d	25.5k	3.6k

Playback	Listens	Hours
48h	6.4k	814
7d	8.9k	1.2k
30d	36.6k	4.9k

Playback	Listens	Hours
48h	6.9k	960
7d	18.2k	2.6k
30d	135.2k	18.8k

Playback	Listens	Hours
48h	4.1k	546
7d	13.1k	1.7k
30d	141.7k	19.1k

Playback	Listens	Hours
48h	268	31
7d	689	72
30d	6.4k	664

Playback	Listens	Hours
48h	4.3k	548
7d	15.7k	2.1k
30d	101.5k	13.2k

Playback	Listens	Hours
48h	3.3k	414
7d	18k	2.3k
30d	85.9k	11.2k

Playback	Listens	Hours
48h	2.1k	262
7d	6.1k	775
30d	38.5k	4.8k

Playback	Listens	Hours
48h	1.4k	150
7d	8.9k	994
30d	31.6k	3.5k

Playback	Listens	Hours
48h	1k	120
7d	3.3k	373
30d	27.2k	3k

Playback	Listens	Hours
48h	2.5k	322
7d	4.2k	509
30d	21.8k	3k

Playback	Listens	Hours
48h	308	38
7d	804	108
30d	6.7k	856

Playback	Listens	Hours
48h	104	16
7d	360	49
30d	2.1k	290

Playback	Listens	Hours
48h	234	17
7d	1.9k	144
30d	5.5k	395

Playback	Listens	Hours
48h	30	2
7d	79	5
30d	493	30

1977

Playback	Listens	Hours
48h	0	0m
7d	1	2
30d	5	8

383

Playback	Listens	Hours
48h	10	2
7d	116	18
30d	383	58

359

Playback	Listens	Hours
48h	25	4
7d	73	11
30d	359	53

598

Playback	Listens	Hours
48h	84	10
7d	84	10
30d	598	72

382

Playback	Listens	Hours
48h	24	3
7d	56	7
30d	382	46

Playback	Listens	Hours
48h	65	8
7d	135	16
30d	758	90

2:52:12

Community War Memorial Auditorium

11/05SBD

Rochester, NY, USA

486

Playback	Listens	Hours
48h	2	27m
7d	77	11
30d	486	62

2:57:39

6 tapes

11/04SBD

Cotterrell Gym, Colgate U.

Hamilton, NY, USA

670

Playback	Listens	Hours
48h	48	6
7d	112	13
30d	670	84

3:03:06

Field House, Seneca College

11/02SBD

Toronto, Ontario, Canada

323

Playback	Listens	Hours
48h	17	2
7d	35	4
30d	323	43

Playback	Listens	Hours
48h	8	1
7d	74	10
30d	245	32

2:29:26

2 tapes

10/30SBD

Assembly Hall, Indiana U

Bloomington, IN, USA

280

Playback	Listens	Hours
48h	13	1
7d	48	6
30d	280	37

2:37:00

Field House, Northern Illinois U.

10/29SBD

De Kalb, IL, USA

778

Playback	Listens	Hours
48h	83	11
7d	135	19
30d	778	108

3:20:06

Soldiers' and Sailors' Memorial Hall

10/28SBD

Kansas City, KS, USA

209

Playback	Listens	Hours
48h	0	0m
7d	16	2
30d	209	29

3:00:28

6 tapes

10/16SBD

Assembly Center, Lousiana State U

Baton Rouge, LA, USA

480

Playback	Listens	Hours
48h	24	3
7d	66	10
30d	480	71

2:39:05

Lloyd Noble Center, U. of Oklahoma

10/15SBD

Moody Coliseum, S.M.U

Dallas, TX, USA

146

Playback	Listens	Hours
48h	9	56m
7d	34	4
30d	146	19

Playback	Listens	Hours
48h	67	9
7d	22	3
30d	448	63

Playback	Listens	Hours
48h	5	31m
7d	14	2
30d	131	15

2:34:16

4 tapes

10/11SBD

Norman, OK, USA

361

Playback	Listens	Hours
48h	7	1
7d	65	10
30d	361	53

2:37:06

Activity Center. Arizona State U

10/09SBD

McNichols Sports Arena

Denver, CO, USA

440

Playback	Listens	Hours
48h	52	7
7d	105	14
30d	440	58

Playback	Listens	Hours
48h	3	27m
7d	20	3
30d	104	17

1:26:51

4 tapes

10/06SBD

Tempe, AZ, USA

753

Playback	Listens	Hours
48h	33	5
7d	102	14
30d	753	107

Playback	Listens	Hours
48h	89	11
7d	174	24
30d	1.1k	141

Playback	Listens	Hours
48h	20	2
7d	42	5
30d	449	55

2:43:45

Paramount Northwest Theater

9/29SBD

Seattle, WA, USA

317

Playback	Listens	Hours
48h	35	5
7d	28	5
30d	317	51

2:53:08

Paramount Northwest Theater

9/28SBD

Seattle, WA, USA

188

Playback	Listens	Hours
48h	40	5
7d	27	4
30d	188	25

Playback	Listens	Hours
48h	115	16
7d	445	61
30d	2.3k	308

18.8k

Playback	Listens	Hours
48h	371	46
7d	1.1k	135
30d	18.8k	2.4k

8.1k

Playback	Listens	Hours
48h	105	16
7d	167	27
30d	8.1k	1.2k

17.1k

Playback	Listens	Hours
48h	317	42
7d	733	101
30d	17.1k	2.3k

Playback	Listens	Hours
48h	51	6
7d	80	10
30d	1.3k	158

3:05:07

3 tapes

5/28SBD

Hartford Civic Center

Hartford, CT, USA

2.6k

Playback	Listens	Hours
48h	76	12
7d	186	31
30d	2.6k	388

3:19:35

5/26SBD

Baltimore Civic Center

Baltimore, MD, USA

1.8k

Playback	Listens	Hours
48h	119	18
7d	286	38
30d	1.8k	249

Playback	Listens	Hours
48h	281	38
7d	562	74
30d	3.2k	423

Pembroke Pines, FL, USA

7.5k

Playback	Listens	Hours
48h	483	68
7d	1.1k	150
30d	7.5k	1k

3:17:29

4nuyKoY91WKwR6HLq7Gzkl Lakeland, FL, USA

5/21SBD

Lakeland Civic Center

1.4k

Playback	Listens	Hours
48h	145	18
7d	274	35
30d	1.4k	182

Playback	Listens	Hours
48h	65	9
7d	418	61
30d	1.9k	272

Playback	Listens	Hours
48h	85	12
7d	183	27
30d	1.3k	193

2:56:45

3 tapes

5/17SBD

Memorial Coliseum, U. of Alabama

Tuscaloosa, AL, USA

Playback	Listens	Hours
48h	122	15
7d	397	52
30d	4k	520

Playback	Listens	Hours
48h	91	13
7d	121	16
30d	852	110

Playback	Listens	Hours
48h	19	2
7d	144	18
30d	868	107

Playback	Listens	Hours
48h	3	18m
7d	16	2
30d	119	16

2:29:28

2 tapes

5/11SBD

St. Paul Civic Center

St. Paul, MN, USA

3.4k

Playback	Listens	Hours
48h	226	30
7d	462	61
30d	3.4k	455

5:53:21

5/09SBD

War Memorial Auditorium

Buffalo, NY, USA

9.7k

Playback	Listens	Hours
48h	746	107
7d	1.2k	177
30d	9.7k	1.4k

5:15:24

Barton Hall, Cornell University

5/08SBD

Ithaca, NY, USA

8.3k

Playback	Listens	Hours
48h	920	135
7d	1.4k	215
30d	8.3k	1.3k

Playback	Listens	Hours
48h	548	79
7d	685	102
30d	5.9k	870

3:15:28

9 tapes

5/05SBD

Veterans Memorial Coliseum

New Haven, CT, USA

2.5k

Playback	Listens	Hours
48h	113	19
7d	288	44
30d	2.5k	362

Playback	Listens	Hours
48h	86	13
7d	222	36
30d	1.9k	312

Playback	Listens	Hours
48h	24	3
7d	133	16
30d	610	74

Playback	Listens	Hours
48h	0	0m
7d	61	8
30d	435	58

Playback	Listens	Hours
48h	37	4
7d	17	2
30d	386	45

Playback	Listens	Hours
48h	10	1
7d	35	5
30d	616	89

Playback	Listens	Hours
48h	25	4
7d	109	18
30d	741	113

Playback	Listens	Hours
48h	15	2
7d	8	59m
30d	155	20

Playback	Listens	Hours
48h	4	28m
7d	57	6
30d	524	58

2:38:35

4/23SBD

Springfield Civic Center

Springfield, MA, USA

Playback	Listens	Hours
48h	218	30
7d	411	56
30d	3k	412

Philadelphia, PA, USA

777

Playback	Listens	Hours
48h	53	9
7d	160	26
30d	777	125

878

Playback	Listens	Hours
48h	42	5
7d	103	14
30d	878	122

864

Playback	Listens	Hours
48h	58	9
7d	126	20
30d	864	134

Robertson Gym, UC Santa Barbara

1.5k

Playback	Listens	Hours
48h	60	9
7d	175	25
30d	1.5k	213

Playback	Listens	Hours
48h	0	0m
7d	1	4m
30d	60	13

3:10:50

1 tape

2/27SBD

Goleta, CA, USA

432

Playback	Listens	Hours
48h	13	1
7d	39	4
30d	432	54

San Bernardino, CA, USA

4.5k

Playback	Listens	Hours
48h	357	49
7d	595	81
30d	4.5k	606

5:39:22

Studio (Terrapin Station Outtakes)

2/20SBD

Novato, CA

116

Playback	Listens	Hours
48h	0	0m
7d	10	2
30d	116	15

Playback	Listens	Hours
48h	13	2
7d	43	5
30d	266	31

1:16:53

3 tapes

Sources

Taper: Betty Cantor

Source & Transfer by Anonymous;Edited & Mastered using Adobe Audition by Joe Noel

gd1977-05-08.148737.SBD.Betty.Anon.Noel.t-flac2448

Source: Betty Cantor's SBD Reel Master > PCM (undecoded) > DAT via spdif/Sony PCM601esd > wav file via spdif/RME multiface > Wave 24/48 (decoded) > Myteck Stereo DAC96 > DBX150X > Korg MR2000 > WAV 24/48

gd1977-05-08.mtx.seamons.97274.sbeok.flac16

View Notespatch info:
- shnid 137569 supplies
- s1t01; start - 01:00
- s1t08; 03:18 - end
- s1t09; start - 00:25
- s2t10; 04:36 - end

Notes:
- Thanks to anonymous, for sharing this source while hiding out away from the Bay Area
- Thanks to dusborne for his work on the matrix

Transferrer: Hunter Seamons

Matrix mix (SBD/AUD)

View Notes----------------------------------------------------
SBD (shnid=4982):

Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

----------------------------------------------------
AUD (shnid=29303):

Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC
MC>CDR>EAC>WAV>FLAC

Notes: 10 Feet From Stage = Great Instrument Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many, Tape Filp After Supplication,
Flip During NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's,
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
If Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!

Recording And Transfer: Jeff Stevenson

---------------------------------------------------
Thank you to Rob Eaton for the SBD transfer,
and to Jeff Stevenson for recording this all-time great show.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)

Source 3 of 23

1:03:29

SBD

gd1977-05-08.sbd.cube.87486.flac16

Transferrer: Dan Haugh

gd1977-05-08.mtx.dan.35086.flac24

DVD-A 24/96 SBD+AUD1+AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)

gd77-05-08.sbd.hicks.4982.sbeok.shnf

View Notes---------------------------------------------------------

Source Info

SBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 
7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital 
Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on 
Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 
Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > 
DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam 
CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) 

AUD1 
Jerry Moore's MAC > Reel > CD
Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, 
copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch 
Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob 
Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit 
mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > 
First Gen Reel > Played directly to hard drive > CDR > SHN 

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & both AUD sources.   CEP2.0 used to adjust 
the volume for the SBD & both AUDs. CEP was used to do the 
multitrack mixdown to 24/96.  This is a 60% SBD, 20% AUD1,
20% AUD2 mix.  DiscWelder was used to author and create the 
DVD-Audio in 24/96.  DVD Decryptor read and created the ISO 
image file.  This incorporates 2 channels of 24/96 wave files.     
- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double DVD case.

---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

This represents the 24 bit files that are the result of all 
my editing and the multitrack mixdown. It is unclear exactly 
what we have in the way of high resolution. However it seems 
there is agreement that what we have cannot be represented 
accurately in 16/44. What you are getting is the full result 
of the matrix mix process. How much different does this sound? 
is this better? A little and yes. This is more accurate and 
has more dynamic range.  24/96 resolution versus a 16/44 of 
the same material will usually result in very subtle but 
important differences.  Most of it relying on the quality of
the DVD-A player and the D to A conversion.  With that in 
mind, this 24 bit copy is no different.  Small but important 
gains over the same material in 16/44.  This is just one 
man's take.  Take it or leave it.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a 
fake AUD recording by mixing crowd cheer with the SBD. This 
was effective at creating patches for the rear channels in 
the 5.1 presentation but also maintained a smooth quality in 
the stereo matrix mix as well.  These patches are numerous 
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just 
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources 
to pull up the vocals and give the center channel a unique 
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single 
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo 
field moves.  The result, although not perfect, I think 
provides the listener with a more enjoyable and natural 
listening experience.  Maybe you disagree.  For those of you 
who would rather have a patch using a matrix mix of the 2 AUD 
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 
43:16.362.  This was patched using a matrix mix of the 2 AUD 
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is 
still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth 
and most likely undetectable.

---------------------------------------------------------

Burning Instructions A & B

A. Use DVD Decryptor or similar program to burn as an image 
file (ISO) onto a DVDR.  Enjoy.

B. This may also circulate as 2 channel FLAC files and will
require assembly.  Included is the discwelder file. If you 
use that program, decode all the FLAC file and stick them in 
a folder. Click on the DiscWelder file (which will open 
DiscWelder) and point it towards that folder with the wave 
files and VIOLA! DVD-A pre-assembled and ready to author.

---------------------------------------------------------

Taper: Steve Maizner

Matrix (see notes)

gd1977-05-08.sbd.cantor.sacks.266.shnf

View Notesfreshly remastered Betty Board with AUD splices, by Rob Eaton;

Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

Audience Portion -- Steve Maizner's Sony ECM-990>Sony TC-152 aud master>First Gen Reel>played directly to hard drive.  The excellent aud splices were normalized and patched using ProTools by Karen Hicks 

Taper: Betty Cantor

WBOTB Source -- 7" two track BBD reel encoded w/ DBX-1 noise reduction @ 7 1/2 ips > Sony PCM501ES @ 44.055 kHz. Sony PCM501ES analog out > DBX-1 decoder > analog in PCM501ES. PCM501ES analog out > Fostex D5 @ 48 kHz>DATs>ZA2>CDRs>EAC>SHN

Charlie Miller;Rob Berger

View NotesAudience Splices -- Teddy Goodbear's Panasonic AM/FM Stereo 'boom box' (w/condenser mics) > CM (Cassette Master) > various equalizers & editors > CD

Taper: Jerry Moore

gd1977-05-08.ecm33p.moore.berger.miller.117027.flac24

source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above); 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

Taper: Jerry Moore

Charlie Miller, Rob Berger

gd1977-05-08.ecm33p.moore.berger.miller.117026.flac16

source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac; encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

Taper: Recording by Rich Petrunis.

Recording by Rich Petrunis.

Transferrer:

Transferred by Andrew F. 04/2021

gd1977-05-08.152379.aud.petrunis.flac2448

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.

View NotesNote: Most of the stand-alone tracks clip-in abruptly with small
amounts missing. Noted flaws: The tape broke, causing drop-outs
at Lazy Lightning 4:01 and Brown Eyed Women 3:33. Supplication
cuts-out near the end. Taper got disrupted or lowered the mic in
Row Jimmy 8:41 > 9:01. Small gaps in Dancing in the Street mended
together at 0:18 & 14:32. Tape-flip start of Not Fade Away 0:33.
With thanks to John and Rich Petrunis for sharing their tapes!

Transferrer: Matrix by Dave Usborne

2:56:25

Transferrer:

gd1977-05-08.137572.mtx-2aud.dusborne.flac16

2 Source Matrix by Dusborne; Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011, mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

Transferrer: Matrix by Dave Usborne

gd1977-05-08.137571.mtx-2aud.dusborne.flac24

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC; MC>CDR>EAC>WAV>FLAC,Recording And Transfer: Jeff Stevenson

Transferrer: Matrix by Dave Usborne

gd1977-05-08.137570.mtx.dusborne.flac16

3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster);Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC, Recording And Transfer:Jeff Stevenson

Transferrer: Matrix by Dave Usborne

3:02:47

REMASTER

Transferrer:

gd1977-05-08.137569.mtx.dusborne.flac24

3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster); Audience 1 (shnid:117027)source: aud taped by Jerry Moore a) cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b) Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b) The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303)Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

Taper: Jim Cooper

gd1977-05-08.134093.aud.cooper.berger.flac24

source: aud cassette master; taped by Jim Cooper; sony ecm22p > hitachi trq232; nakamichi dragon > benchmark ADC1 24/96 > tascam hd-p2, compact flash > mac > adobe audition CC > xACT flac; transferred and seeded by Rob Berger

Transferrer: Hunter Seamons

gd1977-05-08.111493.mtx.seamons.sbeok.flac16

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC); this source fixes a flaw in d1t08 from <a href="http://db.etree.org/shn/97274">source ID 97274</a>

DTS and Matrixing by Dan Haugh

View Notes1) Warning: this might steal your face - the sound is impeccable, thanks to truly excellent sources for a matrix.


Jerry Garcia - Lead Guitar, Vocals
Donna Jean Godchaux - Vocals
Keith Godchaux - Keyboards
Mickey Hart - Drums
Bill Kreutzmann - Drums
Phil Lesh - Electric Bass, Vocals
Bob Weir - Rhythm Guitar, Vocals



*40th Matrix* 

----------------------------------------------------
SBD (shnid=4982):

Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

----------------------------------------------------
AUD (shnid=29303):

Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC
MC>CDR>EAC>WAV>FLAC

Notes: 10 Feet From Stage = Great Instrument Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many, Tape Filp After Supplication,
Flip During NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's,
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
If Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!

Recording And Transfer: Jeff Stevenson

---------------------------------------------------
Thank you to Rob Eaton for the SBD transfer,
and to Jeff Stevenson for recording this all-time great show.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 

I removed a "click" sound I mistakenly added to the AUD-only portion of Supplication at 0:06. I fixed this by patching in the unscathed AUD there, rather than using a de-clicker filter. This "click" had always driven me nuts and warranted a fixing.

Thank you for your continued patience and support.

-Hunter

February 14, 2010

Taper: See info file

gd1977-05-08.mtx.dts.dan.30756.flac16

View NotesTech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & both AUD sources.  CEP2.0 used to adjust the 
volume for both AUDs, matrix/CTR and LFE channels.  Surcode 
CD Pro DTS was used to encode to DTS. The center matrix track 
is a 60% SBD, 40% AUD2 mix.   
- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
---------------------------------------------------------

DTS-Audio-CD Info

Front  	
Left Channel SBD Reel 
Right Channel SBD Reel

Center 	
Mixed to mono -6db SBD+AUD2 Matrix 

Surround 
Left Channel -2db AUD1 (with some AUD2 patches)
Right Channel -2db AUD1 (with some AUD2 patches)

Sub/LFE
Mixed to mono -4db SBD Reel

---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a 
fake AUD recording by mixing crowd cheer with the SBD. This 
was effective at creating patches for the rear channels in 
the 5.1 presentation but also maintained a smooth quality in 
the stereo matrix mix as well.  These patches are numerous 
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just 
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources 
to pull up the vocals and give the center channel a unique 
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single 
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo 
field moves.  The result, although not perfect, I think 
provides the listener with a more enjoyable and natural 
listening experience.  Maybe you disagree.  For those of you 
who would rather have a patch using a matrix mix of the 2 AUD 
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 
43:16.362.  This was patched using a matrix mix of the 2 AUD 
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is 
still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth 
and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you 
didn't really read the text file, did you?  

---------------------------------------------------------

More On DTS

Today's audio standards are moving towards multi-channel 
sound, like DTS and Dolby Digital.  While the Audio-CD 
standard (Red Book) hasn't changed to accommodate these 
new sound formats, it is still possible to go around the 
specification and to put a 5.1 surround recording on a 
regular Audio-CD.  To play a DTS-Audio-CD you must connect 
your DVD/CD player via a digital cable (optical or coaxial) 
to your DTS Dolby-Digital receiver. It is not 100% sure 
that your receiver will recognize a DTS-Audio CD, so the 
first time you're trying to playback a DTS-Audio-CD you 
must do a test to determine if it can. Begin with the 
volume very low, start the disc and raise the volume 
gradually. NEVER listen to a DTS-Audio-CD through the 
analog audio outputs of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any 
normal Audio-CD from FLAC files.

Taper: See info file

Matrixing by Dan Haugh

gd1977-05-08.mtx.dan.29511.flac16

View NotesSBD + AUD1 + AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)

---------------------------------------------------------

Source Info

SBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @
7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital
Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on
Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22
Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) >
DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam
CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster)

AUD1
Jerry Moore's MAC > Reel > CD
Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B,
copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch
Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob
Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit
mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master >
First Gen Reel > Played directly to hard drive > CDR > SHN

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch the SBD & both AUD sources.   CEP2.0 used to adjust the
volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1,
20% AUD2 mix.  
- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a
fake AUD recording by mixing crowd cheer with the SBD. This
was effective at creating patches for the rear channels in
the 5.1 presentation but also maintained a smooth quality in
the stereo matrix mix as well.  These patches are numerous
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources
to pull up the vocals and give the center channel a unique
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo
field moves.  The result, although not perfect, I think
provides the listener with a more enjoyable and natural
listening experience.  Maybe you disagree.  For those of you
who would rather have a patch using a matrix mix of the 2 AUD
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 -
43:16.362.  This was patched using a matrix mix of the 2 AUD
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is
still pretty good.  The switch back to SBD is actually
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth
and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you
didn't really read the text file, did you?

Taper: Jeff Stevenson

gd1977-05-08.shure57.stevenson.29303.flac16

Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC

MC>CDR>EAC>WAV>FLAC

Rob Berger and Chris Larson

View NotesNotes:10 Feet From Stage=Great Instrement Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many,Tape Filp After D01T08,D03T03
Flip Durning NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's 
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
if Anyone Wants To  Matrix This Feel Free, I'd Love To Hear It!

Transferrer: Rob Berger and Chris Larson

gd1977-05-08.aud.moore.berger.28354.flac16

MAC>R>CD

Rob Berger and Sean Cribbs

View NotesJerry: "Lineage: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper>Tascam CD-Rw4U.

Just so, hopefully, nobody can misunderstand what they got: Came off my cassette master, except for Scarlet/Fire, on which my master had speed fluctuations. THAT part came off another cassette, that had been patched out of the 153 at the show. I took those two cassette masters, and made a 10 inch reel copy, 7.5 ips, Dolby B, this within a few days of the show itself. That reel, BTW, I would call a "2nd generation" copy, though most people would call it "1st" - rule of thumb, if you see one of my own old lineages, subtract a generation to translate to current taper-speak. That 10 inch reel copy is what Rob Berger transferred, and what a lot of you have, and are hopefully enjoying."

Taper: Jerry Moore

gd1977-05-08.aud.moore.cribbs.28301.shnf

MAC>R>CD

gd77-05-08.matrix.dan.26857.sbeok.flacf

View NotesMAC>R>CD
Audience Recording by Jerry Moore

Jerry: "Lineage: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper>Tascam CD-Rw4U.

Just so, hopefully, nobody can misunderstand what they got: Came off my cassette master, except for Scarlet/Fire, on which my master had speed fluctuations. THAT part came off another cassette, that had been patched out of the 153 at the show. I took those two cassette masters, and made a 10 inch reel copy, 7.5 ips, Dolby B, this within a few days of the show itself. That reel, BTW, I would call a "2nd generation" copy, though most people would call it "1st" - rule of thumb, if you see one of my own old lineages, subtract a generation to translate to current taper-speak. That 10 inch reel copy is what Rob Berger transferred, and what a lot of you have, and are hopefully enjoying."

EAC>WAV>SHN encoding by Sean Cribbs 2/19/2005.

Transferrer: Dan

Matrix - 3 Sources

gd77-05-08.dts.dan.26856.sbeok.flacf

View NotesSBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) 

AUD1 
Jerry Moore's MAC > Reel > CD Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN 

Tech Notes: 

SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave.  CEP2.0 was used to align & synch the SBD & both AUD sources.   CEP2.0 used to adjust the volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1, 20% AUD2 mix.  

- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case.

Notes: 

I looked at the 4 pages of notes I had on this project and it made me sick to think about typing them up.  So, although not complete, you will get a good idea of what was done to bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both AUD recordings suffered from btwn song pauses that not only cut the crowd cheer out but clipped the beginning of many songs. The 2 AUD source coverage allowed my to patch 1 with the other in some situations.  A couple spots I created a fake AUD recording by mixing crowd cheer with the SBD. This was effective at creating patches for the rear channels in the 5.1 presentation but also maintained a smooth quality in the stereo matrix mix as well.  These patches are numerous and I think completely smooth and most likely undetectable.

d1t01 The first 16.041 seconds of Minglewood blues was cut on the SBD.  Starting this monster project with an unrecoverable flaw was unacceptable to me.  I decided to patch that opening portion with a SBD and AUD recording from 5-7-77.  As this patch ends you will hear some slight phasing as the stereo field moves.  The result, although not perfect, I think provides the listener with a more enjoyable and natural listening experience.  Maybe you disagree.  For those of you who would rather have a patch using a matrix mix of the 2 AUD sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 43:16.362.  This was patched using a matrix mix of the 2 AUD sources and then EQ'ed to best match the sound spectrum of the SBD.  I also tried to match the volume on the SBD.  A switch in sources is obvious to the listener but this is still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418. This was fixed using a quick channel swap.   This is smooth and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you didn't really read the text file, did you?

Source 22 of 23

<b>DTS Audio 5.1</b>: Soundboard (Betty Board) > Master 7

gd77-05-08.maizner.hicks.5002.sbeok.shnf

View Notes<b>Lossies (including stream version) removed because 5.1 channel files do not properly encode to 2 channel MP3's - the result is static.</b>

<b>DTS Audio 5.1</b>: SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT> DAT> Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD (Steve Maizner) > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN; see pub comments re additional reflac version

Taper: Steve Maizner

Audience - Sony ECM-990

Sony ECM-990 > Sony TC-152 (aud master) > First Gen Reel > played directly to hard drive