Scarlet Begonias -> | 1977-05-08 | Grateful Dead

Bernie Worrell and the WOO Warriors

Playback	Listens	Hours
48h	25	2
7d	32	3
30d	59	6

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	1	11m
7d	6	56m
30d	56	8

Playback	Listens	Hours
48h	64	10
7d	105	16
30d	632	92

Playback	Listens	Hours
48h	126	17
7d	262	36
30d	1.8k	246

Playback	Listens	Hours
48h	5.4k	530
7d	15.2k	1.5k
30d	83.9k	8.4k

Playback	Listens	Hours
48h	116	9
7d	157	11
30d	1.4k	97

62 shows

76 tapes

Blueground Undergrass

125

Playback	Listens	Hours
48h	9	1
7d	21	3
30d	125	11

Playback	Listens	Hours
48h	245	29
7d	540	63
30d	2.6k	291

Playback	Listens	Hours
48h	413	47
7d	743	91
30d	4.5k	574

308 shows

512 tapes

Bobby Previte

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	53m

22 shows

28 tapes

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	13m

Playback	Listens	Hours
48h	52	7
7d	119	18
30d	700	116

451 shows

563 tapes

Buffalo Galaxy

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	45	5

Playback	Listens	Hours
48h	57	6
7d	66	7
30d	904	87

Playback	Listens	Hours
48h	50	6
7d	215	24
30d	1.6k	168

Playback	Listens	Hours
48h	1	2m
7d	42	2
30d	343	18

Playback	Listens	Hours
48h	11	2
7d	26	3
30d	205	27

Playback	Listens	Hours
48h	17	1
7d	92	6
30d	299	21

243 shows

272 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	17m

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	4	1

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	40	6

79 shows

93 tapes

Circles Around The Sun

1.8k

Playback	Listens	Hours
48h	151	33
7d	248	54
30d	1.8k	385

Playback	Listens	Hours
48h	10	2
7d	46	9
30d	178	32

Playback	Listens	Hours
48h	29	3
7d	87	8
30d	911	77

Playback	Listens	Hours
48h	26	4
7d	57	9
30d	538	83

Playback	Listens	Hours
48h	276	39
7d	825	109
30d	4.8k	657

Playback	Listens	Hours
48h	356	44
7d	902	118
30d	6.2k	835

799 shows

1,061 tapes

Dave Harrington

Playback	Listens	Hours
48h	5	46m
7d	5	46m
30d	28	6

Playback	Listens	Hours
48h	4	40m
7d	43	4
30d	209	21

Playback	Listens	Hours
48h	3.1k	487
7d	6.6k	1k
30d	40.7k	6.5k

Playback	Listens	Hours
48h	16	2
7d	37	4
30d	413	46

Playback	Listens	Hours
48h	132	9
7d	212	13
30d	1.4k	85

Playback	Listens	Hours
48h	128	16
7d	268	34
30d	1.4k	170

Playback	Listens	Hours
48h	765	170
7d	2.3k	494
30d	12.6k	2.6k

Playback	Listens	Hours
48h	10	1
7d	75	7
30d	284	29

60 shows

71 tapes

Dogs In A Pile

Playback	Listens	Hours
48h	167	22
7d	528	76
30d	3k	463

158 shows

213 tapes

Domocile

Playback	Listens	Hours
48h	15	3
7d	24	7
30d	91	23

Playback	Listens	Hours
48h	116	14
7d	355	38
30d	1.8k	194

Playback	Listens	Hours
48h	1	14m
7d	48	7
30d	207	34

Playback	Listens	Hours
48h	190	16
7d	416	36
30d	2.7k	239

Playback	Listens	Hours
48h	56	10
7d	71	12
30d	416	69

Playback	Listens	Hours
48h	0	0m
7d	28	4
30d	163	24

Playback	Listens	Hours
48h	142	23
7d	293	52
30d	1.7k	294

153 shows

294 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	8m

Playback	Listens	Hours
48h	138	19
7d	348	51
30d	1.8k	254

831 shows

1,050 tapes

Electric Beethoven

Playback	Listens	Hours
48h	0	0m
7d	8	2
30d	20	5

27 shows

44 tapes

Elliott Smith

Playback	Listens	Hours
48h	36	2
7d	224	12
30d	1k	56

156 shows

174 tapes

Eric Krasno

Playback	Listens	Hours
48h	2	18m
7d	10	1
30d	71	10

123 shows

182 tapes

Everyone Orchestra

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	14	2

182 shows

286 tapes

Forgotten Space

Playback	Listens	Hours
48h	22	2
7d	9	58m
30d	52	6

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	52m

Playback	Listens	Hours
48h	2	16m
7d	15	1
30d	244	22

Playback	Listens	Hours
48h	0	0m
7d	20	1
30d	110	8

Playback	Listens	Hours
48h	10	44m
7d	2	9m
30d	181	14

497 shows

753 tapes

Fugazi

Playback	Listens	Hours
48h	0	0m
7d	9	28m
30d	99	6

Playback	Listens	Hours
48h	747	125
7d	1.8k	273
30d	10.1k	1.6k

246 shows

1,223 tapes

G-Nome Project

Playback	Listens	Hours
48h	2	27m
7d	0	0m
30d	0	0m

14 shows

15 tapes

G. Love and Special Sauce

678

Playback	Listens	Hours
48h	30	3
7d	135	13
30d	678	61

Playback	Listens	Hours
48h	116	13
7d	303	36
30d	1.3k	150

Playback	Listens	Hours
48h	31	3
7d	45	6
30d	148	19

Playback	Listens	Hours
48h	10	2
7d	14	3
30d	174	34

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	5	33m
7d	4	29m
30d	16	2

51 shows

65 tapes

Ghost Light

Playback	Listens	Hours
48h	12	3
7d	23	5
30d	43	12

Playback	Listens	Hours
48h	195	22
7d	325	38
30d	1.4k	173

374 shows

509 tapes

Godspeed You Black Emperor!

352

Playback	Listens	Hours
48h	13	4
7d	74	16
30d	352	98

535 shows

800 tapes

Golden Gate Wingmen

Playback	Listens	Hours
48h	26	5
7d	0	0m
30d	77	9

Playback	Listens	Hours
48h	2.8k	615
7d	10.3k	2.3k
30d	57.7k	12.4k

Playback	Listens	Hours
48h	6	29m
7d	44	4
30d	328	29

363 shows

589 tapes

Grahame Lesh and Friends

Playback	Listens	Hours
48h	260	37
7d	558	76
30d	2k	294

Playback	Listens	Hours
48h	7	40m
7d	40	5
30d	164	22

Playback	Listens	Hours
48h	471	61
7d	1.1k	133
30d	5.9k	713

Playback	Listens	Hours
48h	7	54m
7d	149	15
30d	952	108

226 shows

313 tapes

GrooveSession

Playback	Listens	Hours
48h	1	7m
7d	0	0m
30d	23	4

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	0	0m
7d	1	2m
30d	39	2

53 shows

57 tapes

Guitarmageddon

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	8	1

Playback	Listens	Hours
48h	18	1
7d	112	8
30d	387	27

755 shows

1,036 tapes

Hard Working Americans

Playback	Listens	Hours
48h	1	6m
7d	5	39m
30d	79	8

Playback	Listens	Hours
48h	62	11
7d	90	14
30d	381	61

187 shows

226 tapes

Horseshoes and Hand Grenades

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	62	6

Playback	Listens	Hours
48h	1	6m
7d	46	5
30d	222	22

674 shows

846 tapes

Infamous Stringdusters

1.3k

Playback	Listens	Hours
48h	164	15
7d	387	36
30d	1.3k	121

629 shows

1,016 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	10	2

Playback	Listens	Hours
48h	397	28
7d	958	67
30d	5.1k	344

Playback	Listens	Hours
48h	20	2
7d	48	4
30d	306	30

365 shows

492 tapes

Jazz Mandolin Project

128

Playback	Listens	Hours
48h	2	30m
7d	26	4
30d	128	22

222 shows

280 tapes

Jeff Austin and Chris Castino

Playback	Listens	Hours
48h	3	13m
7d	0	0m
30d	69	6

12 shows

14 tapes

Jeff Austin And Friends

162

Playback	Listens	Hours
48h	0	0m
7d	18	1
30d	162	16

Playback	Listens	Hours
48h	47	5
7d	96	12
30d	1.2k	161

112 shows

162 tapes

Jerry Joseph and the Jackmormons

2.1k

Playback	Listens	Hours
48h	189	31
7d	361	62
30d	2.1k	366

1,124 shows

1,519 tapes

Jerry's Middle Finger

3.4k

Playback	Listens	Hours
48h	259	36
7d	491	66
30d	3.4k	463

260 shows

311 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	0	0m
7d	1	9m
30d	29	4

2 shows

Karl Denson's Tiny Universe

Joe Russo's Almost Dead

37.5k

Playback	Listens	Hours
48h	2k	367
7d	4.9k	885
30d	37.5k	7.1k

Playback	Listens	Hours
48h	39	5
7d	126	14
30d	795	88

Playback	Listens	Hours
48h	288	23
7d	438	37
30d	2.5k	216

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	1	8m
7d	0	0m
30d	41	5

79 shows

108 tapes

Josh Ritter

Playback	Listens	Hours
48h	14	1
7d	6	29m
30d	93	7

Playback	Listens	Hours
48h	9	39m
7d	19	2
30d	112	10

73 shows

109 tapes

120

Playback	Listens	Hours
48h	3	3
7d	5	2
30d	120	19

536 shows

745 tapes

Keller Williams

Playback	Listens	Hours
48h	226	22
7d	442	44
30d	4k	393

Playback	Listens	Hours
48h	21	3
7d	75	10
30d	135	20

43 shows

54 tapes

King Gizzard & the Lizard Wizard

15.7k

Playback	Listens	Hours
48h	961	131
7d	2.9k	399
30d	15.7k	2.1k

Playback	Listens	Hours
48h	98	13
7d	460	54
30d	2.2k	284

315 shows

401 tapes

Kung Fu

Playback	Listens	Hours
48h	1	7m
7d	1	11m
30d	40	6

Playback	Listens	Hours
48h	29	6
7d	103	23
30d	563	110

Playback	Listens	Hours
48h	52	6
7d	107	13
30d	693	81

Playback	Listens	Hours
48h	353	31
7d	752	67
30d	3.8k	349

979 shows

1,317 tapes

Lettuce

Playback	Listens	Hours
48h	197	33
7d	421	69
30d	3k	484

Playback	Listens	Hours
48h	347	31
7d	597	56
30d	4.9k	448

Playback	Listens	Hours
48h	83	6
7d	154	10
30d	1.3k	102

Playback	Listens	Hours
48h	115	21
7d	210	43
30d	1.7k	316

437 shows

623 tapes

Marco Benevento

Playback	Listens	Hours
48h	0	0m
7d	13	1
30d	66	5

Playback	Listens	Hours
48h	100	9
7d	418	37
30d	2.1k	191

Playback	Listens	Hours
48h	4	26m
7d	25	3
30d	201	21

349 shows

446 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	2	10m
30d	2	10m

Playback	Listens	Hours
48h	262	44
7d	418	78
30d	3.2k	523

Playback	Listens	Hours
48h	4	23m
7d	63	3
30d	315	21

Playback	Listens	Hours
48h	0	0m
7d	4	30m
30d	154	15

157 shows

172 tapes

Minutemen

Playback	Listens	Hours
48h	0	0m
7d	13	24m
30d	80	2

Playback	Listens	Hours
48h	16	1
7d	194	14
30d	781	54

Playback	Listens	Hours
48h	724	117
7d	1.9k	302
30d	10.5k	1.7k

1,990 shows

4,498 tapes

Mogwai

Playback	Listens	Hours
48h	1	6m
7d	14	1
30d	51	5

380 shows

481 tapes

Moon Taxi

Playback	Listens	Hours
48h	15	1
7d	12	52m
30d	95	9

Playback	Listens	Hours
48h	211	22
7d	477	50
30d	3.8k	397

412 shows

600 tapes

Nathan Moore

Playback	Listens	Hours
48h	2	9m
7d	55	5
30d	65	6

46 shows

51 tapes

Neal Francis

Playback	Listens	Hours
48h	8	29m
7d	0	0m
30d	39	3

Playback	Listens	Hours
48h	36	5
7d	115	17
30d	558	78

138 shows

251 tapes

Nels Cline

Playback	Listens	Hours
48h	1	12m
7d	1	12m
30d	39	7

62 shows

73 tapes

New Riders of the Purple Sage

1.7k

Playback	Listens	Hours
48h	93	8
7d	251	24
30d	1.7k	146

410 shows

598 tapes

North Mississippi Allstars

1.2k

Playback	Listens	Hours
48h	106	9
7d	182	15
30d	1.2k	115

Playback	Listens	Hours
48h	33	4
7d	203	23
30d	1.1k	115

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	2	19m
7d	23	4
30d	147	27

130 shows

260 tapes

Percy Hill

Playback	Listens	Hours
48h	0	0m
7d	32	5
30d	61	9

Playback	Listens	Hours
48h	40	7
7d	160	31
30d	1.2k	223

689 shows

920 tapes

Phil Lesh and Friends

15.6k

Playback	Listens	Hours
48h	1.1k	191
7d	3.1k	538
30d	15.6k	2.7k

788 shows

2,861 tapes

Pigeons Playing Ping Pong

Playback	Listens	Hours
48h	69	11
7d	308	48
30d	2k	308

Playback	Listens	Hours
48h	321	34
7d	653	87
30d	4.3k	542

293 shows

435 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

16 shows

16 tapes

Railroad Earth

Playback	Listens	Hours
48h	301	39
7d	711	92
30d	4k	527

1,236 shows

2,198 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	46	4

Playback	Listens	Hours
48h	23	4
7d	120	17
30d	529	72

Playback	Listens	Hours
48h	623	80
7d	1.6k	209
30d	7.6k	993

Playback	Listens	Hours
48h	39	4
7d	153	11
30d	1.4k	113

Playback	Listens	Hours
48h	58	5
7d	154	12
30d	1.9k	150

379 shows

444 tapes

Ryan Adams

Playback	Listens	Hours
48h	162	13
7d	259	22
30d	2k	174

581 shows

729 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	55m

10 shows

Ted Leo and the Pharmacists

Ryley Walker

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	9	1

Playback	Listens	Hours
48h	175	17
7d	515	49
30d	3.6k	342

128 shows

193 tapes

Scott Metzger

Playback	Listens	Hours
48h	7	51m
7d	27	3
30d	72	8

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	38	6

Playback	Listens	Hours
48h	21	2
7d	14	1
30d	125	14

Playback	Listens	Hours
48h	47	4
7d	150	13
30d	901	77

921 shows

1,619 tapes

Sound Tribe Sector 9

Playback	Listens	Hours
48h	220	36
7d	638	101
30d	3k	470

Playback	Listens	Hours
48h	53	13
7d	215	46
30d	1.3k	299

Playback	Listens	Hours
48h	20	1
7d	28	1
30d	281	16

87 shows

96 tapes

Stanton Moore

Playback	Listens	Hours
48h	0	0m
7d	14	2
30d	28	4

Playback	Listens	Hours
48h	17	3
7d	98	14
30d	694	111

Playback	Listens	Hours
48h	87	19
7d	280	64
30d	1.7k	394

Playback	Listens	Hours
48h	14	1
7d	175	21
30d	1.4k	177

667 shows

1,139 tapes

String Cheese Incident

19.8k

Playback	Listens	Hours
48h	1.4k	213
7d	3.3k	527
30d	19.8k	3.2k

1,285 shows

2,081 tapes

Surprise Me Mr. Davis

107

Playback	Listens	Hours
48h	0	0m
7d	18	2
30d	107	12

Playback	Listens	Hours
48h	0	0m
7d	6	1
30d	161	29

Playback	Listens	Hours
48h	8	1
7d	27	4
30d	141	18

Playback	Listens	Hours
48h	117	14
7d	268	30
30d	811	90

729 shows

1,116 tapes

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	12	58m

Playback	Listens	Hours
48h	891	102
7d	2.1k	232
30d	12.4k	1.4k

Playback	Listens	Hours
48h	3	13m
7d	45	2
30d	247	13

Playback	Listens	Hours
48h	83	10
7d	314	40
30d	1.5k	186

Playback	Listens	Hours
48h	26	5
7d	70	10
30d	306	43

473 shows

627 tapes

The California Honeydrops

441

Playback	Listens	Hours
48h	64	7
7d	93	12
30d	441	57

77 shows

84 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	7m

Playback	Listens	Hours
48h	290	39
7d	563	77
30d	3.6k	506

Playback	Listens	Hours
48h	4	6m
7d	45	4
30d	171	15

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	4	1
7d	11	2
30d	15	3

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	14	2

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	9	55m

Playback	Listens	Hours
48h	34	6
7d	30	4
30d	353	57

Playback	Listens	Hours
48h	32	4
7d	29	3
30d	116	15

Playback	Listens	Hours
48h	266	13
7d	973	52
30d	4.5k	241

Playback	Listens	Hours
48h	53	4
7d	131	10
30d	766	54

Playback	Listens	Hours
48h	41	12
7d	63	16
30d	270	54

Playback	Listens	Hours
48h	89	11
7d	170	15
30d	1.1k	111

Playback	Listens	Hours
48h	128	19
7d	299	45
30d	2.1k	309

Playback	Listens	Hours
48h	556	50
7d	885	87
30d	7.2k	702

Playback	Listens	Hours
48h	7	35m
7d	21	2
30d	172	13

18 shows

19 tapes

The War on Drugs

Playback	Listens	Hours
48h	82	10
7d	308	30
30d	1k	105

71 shows

91 tapes

The Werks

Playback	Listens	Hours
48h	0	0m
7d	6	49m
30d	41	8

Playback	Listens	Hours
48h	82	8
7d	148	13
30d	1.1k	108

Playback	Listens	Hours
48h	77	6
7d	147	10
30d	894	60

175 shows

210 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	273	37
7d	935	132
30d	5.8k	832

Playback	Listens	Hours
48h	32	3
7d	32	3
30d	126	12

Playback	Listens	Hours
48h	140	22
7d	310	48
30d	1.7k	263

Playback	Listens	Hours
48h	530	78
7d	1.6k	252
30d	5.8k	867

Playback	Listens	Hours
48h	6	31m
7d	49	3
30d	222	18

Playback	Listens	Hours
48h	80	6
7d	239	18
30d	1.3k	95

Playback	Listens	Hours
48h	1.2k	95
7d	2.8k	218
30d	14.3k	1.2k

623 shows

1,142 tapes

White Denim

Playback	Listens	Hours
48h	1	4m
7d	7	27m
30d	61	5

Playback	Listens	Hours
48h	15.2k	1.8k
7d	38k	4.6k
30d	183.5k	21.8k

2,540 shows

4,189 tapes

Yes

Playback	Listens	Hours
48h	28	5
7d	203	31
30d	1k	154

1,416 shows

2,242 tapes

Yonder Mountain String Band

11.8k

Playback	Listens	Hours
48h	810	75
7d	1.9k	180
30d	11.8k	1.1k

Playback	Listens	Hours
48h	85	14
7d	199	33
30d	1.5k	248

21 shows

29 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	91	17
7d	234	45
30d	1.4k	241

461 shows

668 tapes

Zoofunkyou

Playback	Listens	Hours
48h	1	6m
7d	0	0m
30d	11	1

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	1.9k	257
7d	11.5k	1.5k
30d	30.8k	4.1k

Playback	Listens	Hours
48h	562	81
7d	1.4k	195
30d	20.2k	2.9k

Playback	Listens	Hours
48h	942	126
7d	2.1k	282
30d	25.6k	3.4k

Playback	Listens	Hours
48h	497	61
7d	1.2k	153
30d	26.6k	3.3k

Playback	Listens	Hours
48h	1k	139
7d	3k	406
30d	37.3k	5k

Playback	Listens	Hours
48h	7k	872
7d	20.6k	2.8k
30d	72.7k	9.7k

Playback	Listens	Hours
48h	10k	1.3k
7d	27.8k	3.7k
30d	86.4k	11k

Playback	Listens	Hours
48h	1.9k	220
7d	3.6k	426
30d	46.5k	5.5k

Playback	Listens	Hours
48h	6.6k	715
7d	18k	2.1k
30d	68.9k	7.9k

Playback	Listens	Hours
48h	690	77
7d	4k	451
30d	23.2k	2.6k

Playback	Listens	Hours
48h	1.9k	224
7d	3.8k	445
30d	62.9k	7.3k

Playback	Listens	Hours
48h	1.1k	139
7d	9.2k	1.1k
30d	46.6k	5.8k

Playback	Listens	Hours
48h	1.2k	160
7d	3.5k	441
30d	33k	4.3k

Playback	Listens	Hours
48h	1.3k	165
7d	2.7k	342
30d	18.3k	2.3k

Playback	Listens	Hours
48h	10.8k	1.4k
7d	13.3k	1.6k
30d	45.4k	5.6k

Playback	Listens	Hours
48h	1.9k	218
7d	4.8k	554
30d	50.2k	5.9k

Playback	Listens	Hours
48h	2.1k	268
7d	3.3k	466
30d	24.9k	3.5k

Playback	Listens	Hours
48h	3.9k	530
7d	20.6k	2.7k
30d	56.2k	7.4k

Playback	Listens	Hours
48h	7k	988
7d	14.7k	2.1k
30d	102.6k	14.3k

Playback	Listens	Hours
48h	3.6k	485
7d	8.7k	1.2k
30d	114.9k	15.5k

Playback	Listens	Hours
48h	234	22
7d	518	52
30d	5.5k	577

Playback	Listens	Hours
48h	3.9k	508
7d	8.8k	1.1k
30d	96.7k	12.6k

Playback	Listens	Hours
48h	3.9k	505
7d	8.7k	1.1k
30d	74.8k	9.7k

Playback	Listens	Hours
48h	2.6k	329
7d	5.7k	701
30d	37.6k	4.7k

Playback	Listens	Hours
48h	1.3k	150
7d	4.2k	477
30d	31.3k	3.5k

Playback	Listens	Hours
48h	3.5k	336
7d	4.3k	452
30d	23.5k	2.6k

Playback	Listens	Hours
48h	2.3k	255
7d	3.8k	656
30d	21.6k	3.1k

Playback	Listens	Hours
48h	301	41
7d	1.1k	143
30d	5.9k	765

Playback	Listens	Hours
48h	69	10
7d	324	47
30d	2.1k	296

Playback	Listens	Hours
48h	317	17
7d	835	57
30d	5.4k	389

Playback	Listens	Hours
48h	22	1
7d	65	4
30d	437	26

1977

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	4	6

397

Playback	Listens	Hours
48h	20	3
7d	51	8
30d	397	60

356

Playback	Listens	Hours
48h	46	7
7d	47	8
30d	356	54

602

Playback	Listens	Hours
48h	58	7
7d	82	11
30d	602	74

392

Playback	Listens	Hours
48h	37	5
7d	67	8
30d	392	47

Playback	Listens	Hours
48h	144	17
7d	67	8
30d	654	78

2:52:12

Community War Memorial Auditorium

11/05SBD

Rochester, NY, USA

424

Playback	Listens	Hours
48h	36	4
7d	69	9
30d	424	55

2:57:39

6 tapes

11/04SBD

Cotterrell Gym, Colgate U.

Hamilton, NY, USA

748

Playback	Listens	Hours
48h	40	5
7d	96	12
30d	748	93

3:03:06

Field House, Seneca College

11/02SBD

Toronto, Ontario, Canada

285

Playback	Listens	Hours
48h	6	49m
7d	51	8
30d	285	39

Playback	Listens	Hours
48h	24	3
7d	47	6
30d	271	36

2:29:26

2 tapes

10/30SBD

Assembly Hall, Indiana U

Bloomington, IN, USA

272

Playback	Listens	Hours
48h	1	8m
7d	54	6
30d	272	35

2:37:00

Field House, Northern Illinois U.

10/29SBD

De Kalb, IL, USA

840

Playback	Listens	Hours
48h	78	10
7d	169	23
30d	840	116

3:20:06

Soldiers' and Sailors' Memorial Hall

10/28SBD

Kansas City, KS, USA

264

Playback	Listens	Hours
48h	23	3
7d	61	9
30d	264	37

3:00:28

6 tapes

10/16SBD

Assembly Center, Lousiana State U

Baton Rouge, LA, USA

397

Playback	Listens	Hours
48h	26	4
7d	62	9
30d	397	59

2:39:05

Lloyd Noble Center, U. of Oklahoma

10/15SBD

Moody Coliseum, S.M.U

Dallas, TX, USA

201

Playback	Listens	Hours
48h	16	2
7d	64	8
30d	201	25

Playback	Listens	Hours
48h	42	6
7d	80	11
30d	434	60

Playback	Listens	Hours
48h	5	40m
7d	93	10
30d	208	24

2:34:16

4 tapes

10/11SBD

Norman, OK, USA

400

Playback	Listens	Hours
48h	42	6
7d	121	18
30d	400	59

2:37:06

Activity Center. Arizona State U

10/09SBD

McNichols Sports Arena

Denver, CO, USA

481

Playback	Listens	Hours
48h	31	4
7d	92	12
30d	481	64

Playback	Listens	Hours
48h	25	4
7d	47	7
30d	139	22

1:26:51

4 tapes

10/06SBD

Tempe, AZ, USA

607

Playback	Listens	Hours
48h	28	4
7d	60	9
30d	607	87

Playback	Listens	Hours
48h	44	6
7d	141	19
30d	934	125

Playback	Listens	Hours
48h	56	7
7d	122	15
30d	481	58

2:43:45

Paramount Northwest Theater

9/29SBD

Seattle, WA, USA

430

Playback	Listens	Hours
48h	64	10
7d	125	19
30d	430	68

2:53:08

Paramount Northwest Theater

9/28SBD

Seattle, WA, USA

249

Playback	Listens	Hours
48h	23	3
7d	66	10
30d	249	34

Playback	Listens	Hours
48h	101	14
7d	269	40
30d	2.2k	304

8.9k

Playback	Listens	Hours
48h	374	48
7d	948	120
30d	8.9k	1.1k

2.1k

Playback	Listens	Hours
48h	88	14
7d	297	47
30d	2.1k	330

5.9k

Playback	Listens	Hours
48h	394	54
7d	600	82
30d	5.9k	804

Playback	Listens	Hours
48h	22	3
7d	81	10
30d	707	86

3:05:07

3 tapes

5/28SBD

Hartford Civic Center

Hartford, CT, USA

2.5k

Playback	Listens	Hours
48h	242	38
7d	456	67
30d	2.5k	366

3:19:35

5/26SBD

Baltimore Civic Center

Baltimore, MD, USA

1.9k

Playback	Listens	Hours
48h	50	7
7d	210	29
30d	1.9k	258

Playback	Listens	Hours
48h	124	16
7d	373	50
30d	3.4k	445

Pembroke Pines, FL, USA

7.2k

Playback	Listens	Hours
48h	410	57
7d	934	130
30d	7.2k	990

3:17:29

4nuyKoY91WKwR6HLq7Gzkl Lakeland, FL, USA

5/21SBD

Lakeland Civic Center

1.4k

Playback	Listens	Hours
48h	58	7
7d	159	20
30d	1.4k	181

Playback	Listens	Hours
48h	147	19
7d	199	26
30d	1.7k	246

Playback	Listens	Hours
48h	96	14
7d	146	21
30d	1.4k	205

2:56:45

3 tapes

5/17SBD

Memorial Coliseum, U. of Alabama

Tuscaloosa, AL, USA

3.5k

Playback	Listens	Hours
48h	399	53
7d	515	66
30d	3.5k	450

Playback	Listens	Hours
48h	77	10
7d	198	26
30d	1k	133

Playback	Listens	Hours
48h	54	7
7d	295	37
30d	1.1k	132

Playback	Listens	Hours
48h	16	2
7d	51	6
30d	129	16

2:29:28

2 tapes

5/11SBD

St. Paul Civic Center

St. Paul, MN, USA

3.4k

Playback	Listens	Hours
48h	154	20
7d	444	59
30d	3.4k	452

5:53:21

5/09SBD

War Memorial Auditorium

Buffalo, NY, USA

Playback	Listens	Hours
48h	523	77
7d	1.1k	167
30d	9k	1.3k

5:15:24

Barton Hall, Cornell University

5/08SBD

Ithaca, NY, USA

8.8k

Playback	Listens	Hours
48h	750	120
7d	1.3k	215
30d	8.8k	1.4k

Playback	Listens	Hours
48h	390	58
7d	668	97
30d	5.6k	827

3:15:28

9 tapes

5/05SBD

Veterans Memorial Coliseum

New Haven, CT, USA

2.8k

Playback	Listens	Hours
48h	181	28
7d	501	74
30d	2.8k	412

Playback	Listens	Hours
48h	96	16
7d	325	53
30d	1.8k	298

Playback	Listens	Hours
48h	16	2
7d	56	7
30d	614	74

Playback	Listens	Hours
48h	28	4
7d	61	8
30d	394	52

Playback	Listens	Hours
48h	48	6
7d	70	8
30d	357	41

Playback	Listens	Hours
48h	21	3
7d	69	10
30d	505	73

Playback	Listens	Hours
48h	82	13
7d	121	20
30d	792	122

Playback	Listens	Hours
48h	0	0m
7d	20	3
30d	154	20

Playback	Listens	Hours
48h	36	4
7d	30	3
30d	447	50

2:38:35

4/23SBD

Springfield Civic Center

Springfield, MA, USA

3.1k

Playback	Listens	Hours
48h	356	48
7d	580	79
30d	3.1k	422

Philadelphia, PA, USA

731

Playback	Listens	Hours
48h	61	9
7d	145	23
30d	731	116

885

Playback	Listens	Hours
48h	110	15
7d	232	31
30d	885	123

893

Playback	Listens	Hours
48h	32	5
7d	142	22
30d	893	138

Robertson Gym, UC Santa Barbara

1.4k

Playback	Listens	Hours
48h	135	20
7d	182	25
30d	1.4k	201

Playback	Listens	Hours
48h	1	4m
7d	0	0m
30d	46	10

3:10:50

1 tape

2/27SBD

Goleta, CA, USA

454

Playback	Listens	Hours
48h	17	1
7d	66	8
30d	454	56

San Bernardino, CA, USA

4.5k

Playback	Listens	Hours
48h	261	36
7d	789	107
30d	4.5k	608

5:39:22

Studio (Terrapin Station Outtakes)

2/20SBD

Novato, CA

108

Playback	Listens	Hours
48h	4	29m
7d	16	2
30d	108	14

Playback	Listens	Hours
48h	38	5
7d	42	5
30d	259	30

1:16:53

3 tapes

Sources

Taper: Betty Cantor

Source & Transfer by Anonymous;Edited & Mastered using Adobe Audition by Joe Noel

gd1977-05-08.148737.SBD.Betty.Anon.Noel.t-flac2448

Source: Betty Cantor's SBD Reel Master > PCM (undecoded) > DAT via spdif/Sony PCM601esd > wav file via spdif/RME multiface > Wave 24/48 (decoded) > Myteck Stereo DAC96 > DBX150X > Korg MR2000 > WAV 24/48

gd1977-05-08.mtx.seamons.97274.sbeok.flac16

View Notespatch info:
- shnid 137569 supplies
- s1t01; start - 01:00
- s1t08; 03:18 - end
- s1t09; start - 00:25
- s2t10; 04:36 - end

Notes:
- Thanks to anonymous, for sharing this source while hiding out away from the Bay Area
- Thanks to dusborne for his work on the matrix

Transferrer: Hunter Seamons

Matrix mix (SBD/AUD)

View Notes----------------------------------------------------
SBD (shnid=4982):

Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

----------------------------------------------------
AUD (shnid=29303):

Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC
MC>CDR>EAC>WAV>FLAC

Notes: 10 Feet From Stage = Great Instrument Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many, Tape Filp After Supplication,
Flip During NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's,
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
If Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!

Recording And Transfer: Jeff Stevenson

---------------------------------------------------
Thank you to Rob Eaton for the SBD transfer,
and to Jeff Stevenson for recording this all-time great show.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)

Source 3 of 23

1:03:29

SBD

gd1977-05-08.sbd.cube.87486.flac16

Transferrer: Dan Haugh

gd1977-05-08.mtx.dan.35086.flac24

DVD-A 24/96 SBD+AUD1+AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)

gd77-05-08.sbd.hicks.4982.sbeok.shnf

View Notes---------------------------------------------------------

Source Info

SBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 
7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital 
Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on 
Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 
Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > 
DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam 
CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) 

AUD1 
Jerry Moore's MAC > Reel > CD
Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, 
copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch 
Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob 
Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit 
mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > 
First Gen Reel > Played directly to hard drive > CDR > SHN 

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & both AUD sources.   CEP2.0 used to adjust 
the volume for the SBD & both AUDs. CEP was used to do the 
multitrack mixdown to 24/96.  This is a 60% SBD, 20% AUD1,
20% AUD2 mix.  DiscWelder was used to author and create the 
DVD-Audio in 24/96.  DVD Decryptor read and created the ISO 
image file.  This incorporates 2 channels of 24/96 wave files.     
- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double DVD case.

---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

This represents the 24 bit files that are the result of all 
my editing and the multitrack mixdown. It is unclear exactly 
what we have in the way of high resolution. However it seems 
there is agreement that what we have cannot be represented 
accurately in 16/44. What you are getting is the full result 
of the matrix mix process. How much different does this sound? 
is this better? A little and yes. This is more accurate and 
has more dynamic range.  24/96 resolution versus a 16/44 of 
the same material will usually result in very subtle but 
important differences.  Most of it relying on the quality of
the DVD-A player and the D to A conversion.  With that in 
mind, this 24 bit copy is no different.  Small but important 
gains over the same material in 16/44.  This is just one 
man's take.  Take it or leave it.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a 
fake AUD recording by mixing crowd cheer with the SBD. This 
was effective at creating patches for the rear channels in 
the 5.1 presentation but also maintained a smooth quality in 
the stereo matrix mix as well.  These patches are numerous 
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just 
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources 
to pull up the vocals and give the center channel a unique 
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single 
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo 
field moves.  The result, although not perfect, I think 
provides the listener with a more enjoyable and natural 
listening experience.  Maybe you disagree.  For those of you 
who would rather have a patch using a matrix mix of the 2 AUD 
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 
43:16.362.  This was patched using a matrix mix of the 2 AUD 
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is 
still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth 
and most likely undetectable.

---------------------------------------------------------

Burning Instructions A & B

A. Use DVD Decryptor or similar program to burn as an image 
file (ISO) onto a DVDR.  Enjoy.

B. This may also circulate as 2 channel FLAC files and will
require assembly.  Included is the discwelder file. If you 
use that program, decode all the FLAC file and stick them in 
a folder. Click on the DiscWelder file (which will open 
DiscWelder) and point it towards that folder with the wave 
files and VIOLA! DVD-A pre-assembled and ready to author.

---------------------------------------------------------

Taper: Steve Maizner

Matrix (see notes)

gd1977-05-08.sbd.cantor.sacks.266.shnf

View Notesfreshly remastered Betty Board with AUD splices, by Rob Eaton;

Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

Audience Portion -- Steve Maizner's Sony ECM-990>Sony TC-152 aud master>First Gen Reel>played directly to hard drive.  The excellent aud splices were normalized and patched using ProTools by Karen Hicks 

Taper: Betty Cantor

WBOTB Source -- 7" two track BBD reel encoded w/ DBX-1 noise reduction @ 7 1/2 ips > Sony PCM501ES @ 44.055 kHz. Sony PCM501ES analog out > DBX-1 decoder > analog in PCM501ES. PCM501ES analog out > Fostex D5 @ 48 kHz>DATs>ZA2>CDRs>EAC>SHN

Charlie Miller;Rob Berger

View NotesAudience Splices -- Teddy Goodbear's Panasonic AM/FM Stereo 'boom box' (w/condenser mics) > CM (Cassette Master) > various equalizers & editors > CD

Taper: Jerry Moore

gd1977-05-08.ecm33p.moore.berger.miller.117027.flac24

source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above); 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

Taper: Jerry Moore

Charlie Miller, Rob Berger

gd1977-05-08.ecm33p.moore.berger.miller.117026.flac16

source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac; encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

Taper: Recording by Rich Petrunis.

Recording by Rich Petrunis.

Transferrer:

Transferred by Andrew F. 04/2021

gd1977-05-08.152379.aud.petrunis.flac2448

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.

View NotesNote: Most of the stand-alone tracks clip-in abruptly with small
amounts missing. Noted flaws: The tape broke, causing drop-outs
at Lazy Lightning 4:01 and Brown Eyed Women 3:33. Supplication
cuts-out near the end. Taper got disrupted or lowered the mic in
Row Jimmy 8:41 > 9:01. Small gaps in Dancing in the Street mended
together at 0:18 & 14:32. Tape-flip start of Not Fade Away 0:33.
With thanks to John and Rich Petrunis for sharing their tapes!

Transferrer: Matrix by Dave Usborne

2:56:25

Transferrer:

gd1977-05-08.137572.mtx-2aud.dusborne.flac16

2 Source Matrix by Dusborne; Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011, mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

Transferrer: Matrix by Dave Usborne

gd1977-05-08.137571.mtx-2aud.dusborne.flac24

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC; MC>CDR>EAC>WAV>FLAC,Recording And Transfer: Jeff Stevenson

Transferrer: Matrix by Dave Usborne

gd1977-05-08.137570.mtx.dusborne.flac16

3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster);Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC, Recording And Transfer:Jeff Stevenson

Transferrer: Matrix by Dave Usborne

3:02:47

REMASTER

Transferrer:

gd1977-05-08.137569.mtx.dusborne.flac24

3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster); Audience 1 (shnid:117027)source: aud taped by Jerry Moore a) cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b) Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b) The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303)Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

Taper: Jim Cooper

gd1977-05-08.134093.aud.cooper.berger.flac24

source: aud cassette master; taped by Jim Cooper; sony ecm22p > hitachi trq232; nakamichi dragon > benchmark ADC1 24/96 > tascam hd-p2, compact flash > mac > adobe audition CC > xACT flac; transferred and seeded by Rob Berger

Transferrer: Hunter Seamons

gd1977-05-08.111493.mtx.seamons.sbeok.flac16

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC); this source fixes a flaw in d1t08 from <a href="http://db.etree.org/shn/97274">source ID 97274</a>

DTS and Matrixing by Dan Haugh

View Notes1) Warning: this might steal your face - the sound is impeccable, thanks to truly excellent sources for a matrix.


Jerry Garcia - Lead Guitar, Vocals
Donna Jean Godchaux - Vocals
Keith Godchaux - Keyboards
Mickey Hart - Drums
Bill Kreutzmann - Drums
Phil Lesh - Electric Bass, Vocals
Bob Weir - Rhythm Guitar, Vocals



*40th Matrix* 

----------------------------------------------------
SBD (shnid=4982):

Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

----------------------------------------------------
AUD (shnid=29303):

Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC
MC>CDR>EAC>WAV>FLAC

Notes: 10 Feet From Stage = Great Instrument Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many, Tape Filp After Supplication,
Flip During NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's,
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
If Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!

Recording And Transfer: Jeff Stevenson

---------------------------------------------------
Thank you to Rob Eaton for the SBD transfer,
and to Jeff Stevenson for recording this all-time great show.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 

I removed a "click" sound I mistakenly added to the AUD-only portion of Supplication at 0:06. I fixed this by patching in the unscathed AUD there, rather than using a de-clicker filter. This "click" had always driven me nuts and warranted a fixing.

Thank you for your continued patience and support.

-Hunter

February 14, 2010

Taper: See info file

gd1977-05-08.mtx.dts.dan.30756.flac16

View NotesTech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & both AUD sources.  CEP2.0 used to adjust the 
volume for both AUDs, matrix/CTR and LFE channels.  Surcode 
CD Pro DTS was used to encode to DTS. The center matrix track 
is a 60% SBD, 40% AUD2 mix.   
- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
---------------------------------------------------------

DTS-Audio-CD Info

Front  	
Left Channel SBD Reel 
Right Channel SBD Reel

Center 	
Mixed to mono -6db SBD+AUD2 Matrix 

Surround 
Left Channel -2db AUD1 (with some AUD2 patches)
Right Channel -2db AUD1 (with some AUD2 patches)

Sub/LFE
Mixed to mono -4db SBD Reel

---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a 
fake AUD recording by mixing crowd cheer with the SBD. This 
was effective at creating patches for the rear channels in 
the 5.1 presentation but also maintained a smooth quality in 
the stereo matrix mix as well.  These patches are numerous 
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just 
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources 
to pull up the vocals and give the center channel a unique 
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single 
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo 
field moves.  The result, although not perfect, I think 
provides the listener with a more enjoyable and natural 
listening experience.  Maybe you disagree.  For those of you 
who would rather have a patch using a matrix mix of the 2 AUD 
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 
43:16.362.  This was patched using a matrix mix of the 2 AUD 
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is 
still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth 
and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you 
didn't really read the text file, did you?  

---------------------------------------------------------

More On DTS

Today's audio standards are moving towards multi-channel 
sound, like DTS and Dolby Digital.  While the Audio-CD 
standard (Red Book) hasn't changed to accommodate these 
new sound formats, it is still possible to go around the 
specification and to put a 5.1 surround recording on a 
regular Audio-CD.  To play a DTS-Audio-CD you must connect 
your DVD/CD player via a digital cable (optical or coaxial) 
to your DTS Dolby-Digital receiver. It is not 100% sure 
that your receiver will recognize a DTS-Audio CD, so the 
first time you're trying to playback a DTS-Audio-CD you 
must do a test to determine if it can. Begin with the 
volume very low, start the disc and raise the volume 
gradually. NEVER listen to a DTS-Audio-CD through the 
analog audio outputs of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any 
normal Audio-CD from FLAC files.

Taper: See info file

Matrixing by Dan Haugh

gd1977-05-08.mtx.dan.29511.flac16

View NotesSBD + AUD1 + AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)

---------------------------------------------------------

Source Info

SBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @
7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital
Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on
Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22
Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) >
DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam
CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster)

AUD1
Jerry Moore's MAC > Reel > CD
Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B,
copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch
Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob
Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit
mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master >
First Gen Reel > Played directly to hard drive > CDR > SHN

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch the SBD & both AUD sources.   CEP2.0 used to adjust the
volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1,
20% AUD2 mix.  
- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a
fake AUD recording by mixing crowd cheer with the SBD. This
was effective at creating patches for the rear channels in
the 5.1 presentation but also maintained a smooth quality in
the stereo matrix mix as well.  These patches are numerous
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources
to pull up the vocals and give the center channel a unique
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo
field moves.  The result, although not perfect, I think
provides the listener with a more enjoyable and natural
listening experience.  Maybe you disagree.  For those of you
who would rather have a patch using a matrix mix of the 2 AUD
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 -
43:16.362.  This was patched using a matrix mix of the 2 AUD
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is
still pretty good.  The switch back to SBD is actually
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth
and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you
didn't really read the text file, did you?

Taper: Jeff Stevenson

gd1977-05-08.shure57.stevenson.29303.flac16

Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC

MC>CDR>EAC>WAV>FLAC

Rob Berger and Chris Larson

View NotesNotes:10 Feet From Stage=Great Instrement Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many,Tape Filp After D01T08,D03T03
Flip Durning NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's 
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
if Anyone Wants To  Matrix This Feel Free, I'd Love To Hear It!

Transferrer: Rob Berger and Chris Larson

gd1977-05-08.aud.moore.berger.28354.flac16

MAC>R>CD

Rob Berger and Sean Cribbs

View NotesJerry: "Lineage: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper>Tascam CD-Rw4U.

Just so, hopefully, nobody can misunderstand what they got: Came off my cassette master, except for Scarlet/Fire, on which my master had speed fluctuations. THAT part came off another cassette, that had been patched out of the 153 at the show. I took those two cassette masters, and made a 10 inch reel copy, 7.5 ips, Dolby B, this within a few days of the show itself. That reel, BTW, I would call a "2nd generation" copy, though most people would call it "1st" - rule of thumb, if you see one of my own old lineages, subtract a generation to translate to current taper-speak. That 10 inch reel copy is what Rob Berger transferred, and what a lot of you have, and are hopefully enjoying."

Taper: Jerry Moore

gd1977-05-08.aud.moore.cribbs.28301.shnf

MAC>R>CD

gd77-05-08.matrix.dan.26857.sbeok.flacf

View NotesMAC>R>CD
Audience Recording by Jerry Moore

Jerry: "Lineage: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper>Tascam CD-Rw4U.

Just so, hopefully, nobody can misunderstand what they got: Came off my cassette master, except for Scarlet/Fire, on which my master had speed fluctuations. THAT part came off another cassette, that had been patched out of the 153 at the show. I took those two cassette masters, and made a 10 inch reel copy, 7.5 ips, Dolby B, this within a few days of the show itself. That reel, BTW, I would call a "2nd generation" copy, though most people would call it "1st" - rule of thumb, if you see one of my own old lineages, subtract a generation to translate to current taper-speak. That 10 inch reel copy is what Rob Berger transferred, and what a lot of you have, and are hopefully enjoying."

EAC>WAV>SHN encoding by Sean Cribbs 2/19/2005.

Transferrer: Dan

Matrix - 3 Sources

gd77-05-08.dts.dan.26856.sbeok.flacf

View NotesSBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) 

AUD1 
Jerry Moore's MAC > Reel > CD Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN 

Tech Notes: 

SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave.  CEP2.0 was used to align & synch the SBD & both AUD sources.   CEP2.0 used to adjust the volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1, 20% AUD2 mix.  

- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case.

Notes: 

I looked at the 4 pages of notes I had on this project and it made me sick to think about typing them up.  So, although not complete, you will get a good idea of what was done to bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both AUD recordings suffered from btwn song pauses that not only cut the crowd cheer out but clipped the beginning of many songs. The 2 AUD source coverage allowed my to patch 1 with the other in some situations.  A couple spots I created a fake AUD recording by mixing crowd cheer with the SBD. This was effective at creating patches for the rear channels in the 5.1 presentation but also maintained a smooth quality in the stereo matrix mix as well.  These patches are numerous and I think completely smooth and most likely undetectable.

d1t01 The first 16.041 seconds of Minglewood blues was cut on the SBD.  Starting this monster project with an unrecoverable flaw was unacceptable to me.  I decided to patch that opening portion with a SBD and AUD recording from 5-7-77.  As this patch ends you will hear some slight phasing as the stereo field moves.  The result, although not perfect, I think provides the listener with a more enjoyable and natural listening experience.  Maybe you disagree.  For those of you who would rather have a patch using a matrix mix of the 2 AUD sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 43:16.362.  This was patched using a matrix mix of the 2 AUD sources and then EQ'ed to best match the sound spectrum of the SBD.  I also tried to match the volume on the SBD.  A switch in sources is obvious to the listener but this is still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418. This was fixed using a quick channel swap.   This is smooth and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you didn't really read the text file, did you?

Source 22 of 23

<b>DTS Audio 5.1</b>: Soundboard (Betty Board) > Master 7

gd77-05-08.maizner.hicks.5002.sbeok.shnf

View Notes<b>Lossies (including stream version) removed because 5.1 channel files do not properly encode to 2 channel MP3's - the result is static.</b>

<b>DTS Audio 5.1</b>: SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT> DAT> Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD (Steve Maizner) > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN; see pub comments re additional reflac version

Taper: Steve Maizner

Audience - Sony ECM-990

Sony ECM-990 > Sony TC-152 (aud master) > First Gen Reel > played directly to hard drive