Take A Step Back/Tuning | 1977-05-08 | Grateful Dead

Bernie Worrell and the WOO Warriors

Playback	Listens	Hours
48h	0	0m
7d	1	20m
30d	27	4

27 shows

29 tapes

Bernie Worrell Orchestra

Playback	Listens	Hours
48h	0	0m
7d	1	6m
30d	51	8

Playback	Listens	Hours
48h	16	2
7d	76	11
30d	530	76

352 shows

523 tapes

Billy & the Kids

Playback	Listens	Hours
48h	117	15
7d	305	39
30d	2k	266

Playback	Listens	Hours
48h	5.6k	564
7d	11.5k	1.2k
30d	83.1k	8.3k

Playback	Listens	Hours
48h	95	6
7d	167	13
30d	1.4k	101

62 shows

76 tapes

Blueground Undergrass

112

Playback	Listens	Hours
48h	2	7m
7d	20	2
30d	112	10

Playback	Listens	Hours
48h	284	30
7d	286	31
30d	2.1k	239

1,226 shows

1,776 tapes

Bob Weir

Playback	Listens	Hours
48h	269	34
7d	686	90
30d	5k	660

308 shows

512 tapes

Bobby Previte

Playback	Listens	Hours
48h	1	53m
7d	0	0m
30d	0	0m

22 shows

28 tapes

Boyfriends

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	48m

Playback	Listens	Hours
48h	73	12
7d	88	16
30d	828	141

451 shows

563 tapes

Buffalo Galaxy

Playback	Listens	Hours
48h	0	0m
7d	5	30m
30d	61	7

110 shows

116 tapes

Built To Spill

Playback	Listens	Hours
48h	66	7
7d	230	21
30d	1k	102

Playback	Listens	Hours
48h	210	21
7d	358	37
30d	1.4k	140

Playback	Listens	Hours
48h	0	0m
7d	36	2
30d	338	18

Playback	Listens	Hours
48h	0	0m
7d	34	4
30d	215	28

Playback	Listens	Hours
48h	38	3
7d	27	2
30d	238	16

243 shows

272 tapes

Choice And Company

Playback	Listens	Hours
48h	0	0m
7d	1	17m
30d	1	17m

1 show

1 tape

Chris Forsyth

Playback	Listens	Hours
48h	0	0m
7d	1	37m
30d	5	1

42 shows

45 tapes

Chris Harford

Playback	Listens	Hours
48h	22	2
7d	5	31m
30d	54	7

79 shows

93 tapes

Circles Around The Sun

1.7k

Playback	Listens	Hours
48h	83	18
7d	284	62
30d	1.7k	365

Playback	Listens	Hours
48h	1	15m
7d	23	4
30d	186	34

Playback	Listens	Hours
48h	33	3
7d	97	8
30d	830	71

Playback	Listens	Hours
48h	17	3
7d	174	27
30d	583	88

Playback	Listens	Hours
48h	461	66
7d	869	123
30d	4.3k	592

Playback	Listens	Hours
48h	215	30
7d	875	114
30d	6.2k	846

799 shows

1,061 tapes

Dave Harrington

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	19	5

Playback	Listens	Hours
48h	37	4
7d	17	2
30d	191	17

Playback	Listens	Hours
48h	3.9k	586
7d	5.9k	933
30d	38.4k	6.2k

Playback	Listens	Hours
48h	33	4
7d	45	5
30d	332	37

Playback	Listens	Hours
48h	197	12
7d	189	11
30d	1.2k	75

Playback	Listens	Hours
48h	99	12
7d	150	18
30d	1.4k	168

Playback	Listens	Hours
48h	771	151
7d	1.9k	366
30d	12.3k	2.5k

Playback	Listens	Hours
48h	4	19m
7d	23	2
30d	252	26

Playback	Listens	Hours
48h	134	21
7d	437	68
30d	3.2k	488

156 shows

211 tapes

Domocile

Playback	Listens	Hours
48h	0	0m
7d	1	43m
30d	85	20

Playback	Listens	Hours
48h	132	15
7d	218	23
30d	1.5k	164

Playback	Listens	Hours
48h	16	2
7d	37	6
30d	235	38

358 shows

739 tapes

Drive-By Truckers

Playback	Listens	Hours
48h	150	12
7d	412	36
30d	3k	265

Playback	Listens	Hours
48h	21	3
7d	36	7
30d	377	64

Playback	Listens	Hours
48h	9	1
7d	32	5
30d	154	22

Playback	Listens	Hours
48h	132	27
7d	171	27
30d	1.7k	278

152 shows

293 tapes

EGi

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	8m

Playback	Listens	Hours
48h	204	27
7d	253	35
30d	1.6k	226

831 shows

1,050 tapes

Electric Beethoven

Playback	Listens	Hours
48h	0	0m
7d	2	1
30d	14	6

Playback	Listens	Hours
48h	91	5
7d	196	10
30d	846	45

156 shows

174 tapes

Eric Krasno

Playback	Listens	Hours
48h	0	0m
7d	17	2
30d	95	13

123 shows

182 tapes

Everyone Orchestra

Playback	Listens	Hours
48h	5	43m
7d	2	25m
30d	17	3

182 shows

286 tapes

Forgotten Space

Playback	Listens	Hours
48h	0	0m
7d	1	8m
30d	68	8

161 shows

181 tapes

Formula 5

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	5	1

Playback	Listens	Hours
48h	2	11m
7d	95	6
30d	304	29

103 shows

118 tapes

Fruit Bats

Playback	Listens	Hours
48h	4	11m
7d	14	1
30d	96	7

Playback	Listens	Hours
48h	5	25m
7d	23	2
30d	197	15

Playback	Listens	Hours
48h	11	40m
7d	24	1
30d	110	7

Playback	Listens	Hours
48h	704	109
7d	1.3k	201
30d	9.1k	1.4k

246 shows

1,223 tapes

G-Nome Project

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

14 shows

15 tapes

G. Love and Special Sauce

665

Playback	Listens	Hours
48h	37	3
7d	106	9
30d	665	58

Playback	Listens	Hours
48h	85	9
7d	113	13
30d	1.1k	122

Playback	Listens	Hours
48h	6	1
7d	22	3
30d	135	17

Playback	Listens	Hours
48h	6	1
7d	35	6
30d	262	54

311 shows

408 tapes

Garcia Peoples

Playback	Listens	Hours
48h	0	0m
7d	1	7m
30d	17	2

51 shows

65 tapes

Ghost Light

Playback	Listens	Hours
48h	2	1
7d	9	3
30d	42	12

Playback	Listens	Hours
48h	66	8
7d	188	23
30d	1.2k	139

374 shows

509 tapes

Godspeed You Black Emperor!

402

Playback	Listens	Hours
48h	18	5
7d	20	7
30d	402	116

535 shows

799 tapes

Golden Gate Wingmen

Playback	Listens	Hours
48h	7	54m
7d	3	18m
30d	93	11

Playback	Listens	Hours
48h	4.3k	943
7d	10.2k	2.3k
30d	49.3k	10.4k

Playback	Listens	Hours
48h	20	1
7d	35	3
30d	313	28

363 shows

589 tapes

Grahame Lesh and Friends

1.7k

Playback	Listens	Hours
48h	133	17
7d	183	27
30d	1.7k	250

Playback	Listens	Hours
48h	0	0m
7d	2	19m
30d	126	17

58 shows

69 tapes

Greensky Bluegrass

Playback	Listens	Hours
48h	315	38
7d	841	106
30d	6k	714

Playback	Listens	Hours
48h	46	5
7d	80	10
30d	928	107

226 shows

313 tapes

GrooveSession

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	28	5

121 shows

147 tapes

Guerilla Toss

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	53	3

53 shows

57 tapes

Guitarmageddon

Playback	Listens	Hours
48h	1	10m
7d	3	40m
30d	17	3

Playback	Listens	Hours
48h	16	1
7d	107	8
30d	388	27

755 shows

1,036 tapes

Hard Working Americans

101

Playback	Listens	Hours
48h	8	33m
7d	17	2
30d	101	11

Playback	Listens	Hours
48h	39	5
7d	26	4
30d	359	60

187 shows

226 tapes

Horseshoes and Hand Grenades

Playback	Listens	Hours
48h	5	31m
7d	10	1
30d	57	5

Playback	Listens	Hours
48h	30	3
7d	56	5
30d	182	17

674 shows

846 tapes

Infamous Stringdusters

1.2k

Playback	Listens	Hours
48h	40	4
7d	221	19
30d	1.2k	109

629 shows

1,016 tapes

J.Wail

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	10	2

Playback	Listens	Hours
48h	393	25
7d	504	36
30d	4.6k	305

Playback	Listens	Hours
48h	23	2
7d	42	4
30d	283	28

365 shows

492 tapes

Jazz Mandolin Project

Playback	Listens	Hours
48h	23	4
7d	26	3
30d	95	16

222 shows

280 tapes

Jeff Austin and Chris Castino

Playback	Listens	Hours
48h	0	0m
7d	2	15m
30d	95	9

12 shows

14 tapes

Jeff Austin And Friends

164

Playback	Listens	Hours
48h	11	1
7d	22	2
30d	164	17

Playback	Listens	Hours
48h	94	10
7d	152	17
30d	1.3k	179

112 shows

162 tapes

Jerry Joseph and the Jackmormons

2.4k

Playback	Listens	Hours
48h	121	22
7d	287	51
30d	2.4k	403

1,124 shows

1,519 tapes

Jerry's Middle Finger

3.5k

Playback	Listens	Hours
48h	299	43
7d	563	72
30d	3.5k	488

259 shows

310 tapes

Joe Russo Presents: Hooteroll? + Plus

Playback	Listens	Hours
48h	10	1
7d	8	1
30d	20	3

2 shows

Karl Denson's Tiny Universe

Joe Russo's Almost Dead

39.2k

Playback	Listens	Hours
48h	2k	373
7d	4.3k	806
30d	39.2k	7.4k

Playback	Listens	Hours
48h	67	7
7d	105	10
30d	659	74

Playback	Listens	Hours
48h	119	11
7d	511	42
30d	2.6k	224

373 shows

453 tapes

John Popper

Playback	Listens	Hours
48h	0	0m
7d	23	3
30d	51	6

Playback	Listens	Hours
48h	0	0m
7d	21	1
30d	131	9

79 shows

98 tapes

Karina Rykman

Playback	Listens	Hours
48h	0	0m
7d	19	2
30d	98	9

73 shows

109 tapes

173

Playback	Listens	Hours
48h	1	5m
7d	20	3
30d	173	25

Playback	Listens	Hours
48h	230	24
7d	533	56
30d	4.3k	414

1,056 shows

1,396 tapes

Kikagaku Moyo

Playback	Listens	Hours
48h	2	21m
7d	9	2
30d	59	10

43 shows

54 tapes

King Gizzard & the Lizard Wizard

15.3k

Playback	Listens	Hours
48h	1k	132
7d	2.3k	316
30d	15.3k	2k

Playback	Listens	Hours
48h	163	22
7d	347	45
30d	1.9k	261

315 shows

400 tapes

Kung Fu

Playback	Listens	Hours
48h	3	25m
7d	1	1m
30d	44	6

Playback	Listens	Hours
48h	25	4
7d	90	16
30d	691	133

Playback	Listens	Hours
48h	40	5
7d	55	7
30d	814	97

Playback	Listens	Hours
48h	180	19
7d	569	51
30d	3.7k	338

Playback	Listens	Hours
48h	222	32
7d	397	61
30d	2.9k	490

Playback	Listens	Hours
48h	483	45
7d	722	64
30d	5.2k	481

Playback	Listens	Hours
48h	51	4
7d	247	19
30d	1.4k	108

Playback	Listens	Hours
48h	182	35
7d	177	33
30d	1.5k	274

437 shows

622 tapes

Marco Benevento

Playback	Listens	Hours
48h	11	47m
7d	14	55m
30d	75	7

Playback	Listens	Hours
48h	153	14
7d	197	18
30d	2.1k	195

Playback	Listens	Hours
48h	10	1
7d	20	2
30d	235	24

349 shows

446 tapes

Matt Pond PA

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	225	38
7d	452	75
30d	3.6k	566

Playback	Listens	Hours
48h	3	22m
7d	57	4
30d	367	24

Playback	Listens	Hours
48h	15	1
7d	14	2
30d	191	19

157 shows

172 tapes

Minutemen

Playback	Listens	Hours
48h	7	16m
7d	1	2m
30d	77	2

Playback	Listens	Hours
48h	70	5
7d	94	6
30d	862	59

Playback	Listens	Hours
48h	602	106
7d	1.4k	246
30d	10k	1.6k

1,989 shows

4,490 tapes

Mogwai

Playback	Listens	Hours
48h	0	0m
7d	19	2
30d	34	4

380 shows

481 tapes

Moon Taxi

Playback	Listens	Hours
48h	2	12m
7d	0	0m
30d	86	8

Playback	Listens	Hours
48h	295	30
7d	518	55
30d	4.3k	446

412 shows

599 tapes

Nathan Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	10	1

46 shows

51 tapes

Neal Francis

Playback	Listens	Hours
48h	0	0m
7d	4	22m
30d	57	5

Playback	Listens	Hours
48h	49	6
7d	64	8
30d	528	73

138 shows

251 tapes

Nels Cline

Playback	Listens	Hours
48h	0	0m
7d	9	2
30d	36	7

62 shows

73 tapes

New Riders of the Purple Sage

1.6k

Playback	Listens	Hours
48h	154	13
7d	192	17
30d	1.6k	137

410 shows

598 tapes

North Mississippi Allstars

1.3k

Playback	Listens	Hours
48h	56	6
7d	236	21
30d	1.3k	122

Playback	Listens	Hours
48h	136	15
7d	196	20
30d	919	97

544 shows

680 tapes

Pachyderm

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	3	15m

Playback	Listens	Hours
48h	0	0m
7d	36	6
30d	157	29

130 shows

260 tapes

Percy Hill

Playback	Listens	Hours
48h	4	30m
7d	5	42m
30d	69	9

Playback	Listens	Hours
48h	39	7
7d	178	34
30d	1.3k	251

689 shows

920 tapes

Phil Lesh and Friends

14.4k

Playback	Listens	Hours
48h	1.1k	191
7d	2.6k	451
30d	14.4k	2.5k

788 shows

2,861 tapes

Pigeons Playing Ping Pong

2.1k

Playback	Listens	Hours
48h	61	9
7d	331	54
30d	2.1k	334

Playback	Listens	Hours
48h	295	37
7d	647	77
30d	4.3k	541

293 shows

435 tapes

Quality Cinema Band

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	0	0m

Playback	Listens	Hours
48h	196	26
7d	612	83
30d	3.9k	513

1,236 shows

2,198 tapes

RANA

Playback	Listens	Hours
48h	0	0m
7d	46	4
30d	49	4

Playback	Listens	Hours
48h	11	1
7d	90	14
30d	474	64

Playback	Listens	Hours
48h	360	49
7d	1.1k	137
30d	6.9k	898

Playback	Listens	Hours
48h	62	6
7d	323	27
30d	1.6k	132

Playback	Listens	Hours
48h	57	5
7d	283	22
30d	1.9k	152

Playback	Listens	Hours
48h	134	13
7d	339	29
30d	2.3k	196

581 shows

729 tapes

Ryan Jewell

Playback	Listens	Hours
48h	0	0m
7d	1	26m
30d	3	55m

10 shows

Ted Leo and the Pharmacists

Ryley Walker

Playback	Listens	Hours
48h	0	0m
7d	1	4m
30d	11	2

Playback	Listens	Hours
48h	304	29
7d	290	28
30d	3.6k	341

128 shows

193 tapes

Scott Metzger

Playback	Listens	Hours
48h	0	0m
7d	22	3
30d	43	5

136 shows

254 tapes

Shafty

Playback	Listens	Hours
48h	1	0m
7d	0	0m
30d	80	11

Playback	Listens	Hours
48h	0	0m
7d	10	1
30d	110	13

91 shows

96 tapes

Smashing Pumpkins

Playback	Listens	Hours
48h	30	3
7d	153	13
30d	1k	87

Playback	Listens	Hours
48h	177	29
7d	382	54
30d	2.7k	411

Playback	Listens	Hours
48h	58	14
7d	126	32
30d	1.3k	302

Playback	Listens	Hours
48h	28	2
7d	48	3
30d	304	17

87 shows

96 tapes

Stanton Moore

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	17	3

Playback	Listens	Hours
48h	31	7
7d	128	18
30d	720	114

Playback	Listens	Hours
48h	103	23
7d	265	56
30d	1.8k	395

Playback	Listens	Hours
48h	78	11
7d	144	17
30d	1.3k	178

667 shows

1,139 tapes

String Cheese Incident

19.8k

Playback	Listens	Hours
48h	1.1k	174
7d	2.5k	404
30d	19.8k	3.2k

1,285 shows

2,081 tapes

Surprise Me Mr. Davis

Playback	Listens	Hours
48h	16	2
7d	0	0m
30d	74	8

Playback	Listens	Hours
48h	4	57m
7d	2	13m
30d	198	36

Playback	Listens	Hours
48h	1	0m
7d	30	4
30d	159	21

Playback	Listens	Hours
48h	30	4
7d	93	10
30d	703	77

729 shows

1,116 tapes

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	12	58m

Playback	Listens	Hours
48h	753	83
7d	1.8k	200
30d	12.3k	1.4k

Playback	Listens	Hours
48h	69	4
7d	28	1
30d	168	8

Playback	Listens	Hours
48h	163	20
7d	225	28
30d	1.5k	187

Playback	Listens	Hours
48h	16	2
7d	36	5
30d	336	50

473 shows

627 tapes

The California Honeydrops

361

Playback	Listens	Hours
48h	51	7
7d	79	9
30d	361	46

77 shows

84 tapes

The Clock Reads

Playback	Listens	Hours
48h	0	0m
7d	1	7m
30d	1	7m

Playback	Listens	Hours
48h	504	69
7d	521	77
30d	2.9k	419

Playback	Listens	Hours
48h	2	7m
7d	33	3
30d	231	21

94 shows

111 tapes

The Heavy Pets

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	15	2

159 shows

218 tapes

The Higgs

Playback	Listens	Hours
48h	0	0m
7d	4	41m
30d	19	2

158 shows

189 tapes

The HippoCampus

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	9	55m

Playback	Listens	Hours
48h	34	6
7d	40	7
30d	394	65

Playback	Listens	Hours
48h	5	29m
7d	27	3
30d	125	16

Playback	Listens	Hours
48h	136	7
7d	764	39
30d	3.8k	202

Playback	Listens	Hours
48h	61	4
7d	60	5
30d	737	51

Playback	Listens	Hours
48h	26	4
7d	10	2
30d	203	40

Playback	Listens	Hours
48h	24	2
7d	179	19
30d	1.1k	111

Playback	Listens	Hours
48h	265	39
7d	675	96
30d	1.9k	275

Playback	Listens	Hours
48h	628	64
7d	1.1k	108
30d	7.2k	699

Playback	Listens	Hours
48h	35	3
7d	75	6
30d	147	11

Playback	Listens	Hours
48h	66	7
7d	155	18
30d	870	91

71 shows

91 tapes

The Werks

Playback	Listens	Hours
48h	0	0m
7d	8	2
30d	38	8

Playback	Listens	Hours
48h	24	2
7d	154	16
30d	1.2k	132

Playback	Listens	Hours
48h	26	2
7d	85	6
30d	965	65

175 shows

210 tapes

Trevor Garrod

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	14	1

Playback	Listens	Hours
48h	439	64
7d	622	97
30d	6.3k	917

Playback	Listens	Hours
48h	0	0m
7d	1	6m
30d	118	11

Playback	Listens	Hours
48h	105	18
7d	211	36
30d	1.6k	258

Playback	Listens	Hours
48h	197	29
7d	747	105
30d	5.1k	743

Playback	Listens	Hours
48h	12	53m
7d	42	4
30d	216	19

Playback	Listens	Hours
48h	85	7
7d	89	7
30d	1.3k	101

Playback	Listens	Hours
48h	1.1k	87
7d	2.2k	172
30d	12.9k	1.1k

623 shows

1,141 tapes

White Denim

Playback	Listens	Hours
48h	20	1
7d	1	3m
30d	36	3

Playback	Listens	Hours
48h	14k	1.7k
7d	34.5k	4.1k
30d	158.2k	18.8k

Playback	Listens	Hours
48h	115	15
7d	172	26
30d	876	130

1,416 shows

2,242 tapes

Yonder Mountain String Band

11.3k

Playback	Listens	Hours
48h	808	76
7d	1.7k	159
30d	11.3k	1.1k

Playback	Listens	Hours
48h	66	12
7d	271	43
30d	1.7k	259

21 shows

29 tapes

Zebu

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	1	3m

Playback	Listens	Hours
48h	88	15
7d	73	13
30d	1.5k	263

461 shows

665 tapes

Zoofunkyou

Playback	Listens	Hours
48h	0	0m
7d	0	0m
30d	11	1

37 shows

39 tapes

Grateful Dead

Recent Top Venues Songs Tours

Years

Playback	Listens	Hours
48h	675	91
7d	3.8k	487
30d	19.7k	2.6k

Playback	Listens	Hours
48h	2.1k	311
7d	3.2k	437
30d	19.7k	2.8k

Playback	Listens	Hours
48h	814	107
7d	1.9k	248
30d	34k	4.5k

Playback	Listens	Hours
48h	541	68
7d	6k	751
30d	35.3k	4.5k

Playback	Listens	Hours
48h	1.3k	173
7d	2.9k	388
30d	53.1k	7.1k

Playback	Listens	Hours
48h	5k	640
7d	5k	670
30d	65.9k	8.7k

Playback	Listens	Hours
48h	12.5k	1.5k
7d	9.2k	1.2k
30d	49.9k	6.3k

Playback	Listens	Hours
48h	8.7k	1.1k
7d	9.3k	1.1k
30d	37.6k	4.4k

Playback	Listens	Hours
48h	4.4k	487
7d	7.3k	798
30d	54.3k	6.2k

Playback	Listens	Hours
48h	2.2k	228
7d	5.8k	629
30d	19.1k	2.1k

Playback	Listens	Hours
48h	2.5k	291
7d	15.4k	1.9k
30d	62k	7.2k

Playback	Listens	Hours
48h	6.4k	802
7d	7.4k	923
30d	40.3k	5k

Playback	Listens	Hours
48h	1.2k	156
7d	3.3k	437
30d	32.6k	4.3k

Playback	Listens	Hours
48h	1.2k	157
7d	2.5k	305
30d	18.6k	2.3k

Playback	Listens	Hours
48h	6.6k	811
7d	4.1k	500
30d	25k	3.1k

Playback	Listens	Hours
48h	1.6k	186
7d	6.5k	778
30d	61.3k	7.1k

Playback	Listens	Hours
48h	1.4k	197
7d	6.7k	904
30d	24.6k	3.4k

Playback	Listens	Hours
48h	5k	669
7d	4.5k	609
30d	32.9k	4.4k

Playback	Listens	Hours
48h	7.6k	1.1k
7d	13k	1.8k
30d	133.2k	18.5k

Playback	Listens	Hours
48h	4.4k	584
7d	16.5k	2.1k
30d	139.4k	18.8k

Playback	Listens	Hours
48h	225	25
7d	594	59
30d	6.4k	662

Playback	Listens	Hours
48h	4.6k	599
7d	13.5k	1.8k
30d	99k	12.9k

Playback	Listens	Hours
48h	4.4k	558
7d	16.5k	2.1k
30d	83.8k	11k

Playback	Listens	Hours
48h	2.8k	339
7d	4.5k	568
30d	37.7k	4.7k

Playback	Listens	Hours
48h	2.2k	242
7d	7.2k	807
30d	30.3k	3.4k

Playback	Listens	Hours
48h	1.1k	128
7d	2.7k	307
30d	32k	3.4k

Playback	Listens	Hours
48h	2.8k	309
7d	2k	277
30d	20.1k	2.9k

Playback	Listens	Hours
48h	313	39
7d	613	84
30d	6.6k	844

Playback	Listens	Hours
48h	183	21
7d	283	41
30d	1.9k	275

Playback	Listens	Hours
48h	970	69
7d	1k	81
30d	4.6k	330

Playback	Listens	Hours
48h	32	2
7d	58	3
30d	485	29

1977

Playback	Listens	Hours
48h	0	0m
7d	1	2
30d	5	8

390

Playback	Listens	Hours
48h	20	4
7d	106	15
30d	390	58

356

Playback	Listens	Hours
48h	50	7
7d	51	7
30d	356	53

656

Playback	Listens	Hours
48h	29	4
7d	85	11
30d	656	79

371

Playback	Listens	Hours
48h	17	2
7d	65	7
30d	371	44

Playback	Listens	Hours
48h	49	6
7d	145	17
30d	758	90

2:52:12

Community War Memorial Auditorium

11/05SBD

Rochester, NY, USA

491

Playback	Listens	Hours
48h	2	18m
7d	103	14
30d	491	62

2:57:39

6 tapes

11/04SBD

Cotterrell Gym, Colgate U.

Hamilton, NY, USA

671

Playback	Listens	Hours
48h	51	6
7d	137	17
30d	671	85

3:03:06

Field House, Seneca College

11/02SBD

Toronto, Ontario, Canada

307

Playback	Listens	Hours
48h	22	2
7d	18	3
30d	307	42

Playback	Listens	Hours
48h	3	25m
7d	73	9
30d	244	32

2:29:26

2 tapes

10/30SBD

Assembly Hall, Indiana U

Bloomington, IN, USA

270

Playback	Listens	Hours
48h	26	3
7d	40	6
30d	270	36

2:37:00

Field House, Northern Illinois U.

10/29SBD

De Kalb, IL, USA

759

Playback	Listens	Hours
48h	38	5
7d	142	20
30d	759	106

3:20:06

Soldiers' and Sailors' Memorial Hall

10/28SBD

Kansas City, KS, USA

205

Playback	Listens	Hours
48h	5	39m
7d	12	2
30d	205	28

3:00:28

6 tapes

10/16SBD

Assembly Center, Lousiana State U

Baton Rouge, LA, USA

503

Playback	Listens	Hours
48h	32	4
7d	69	10
30d	503	74

2:39:05

Lloyd Noble Center, U. of Oklahoma

10/15SBD

Moody Coliseum, S.M.U

Dallas, TX, USA

134

Playback	Listens	Hours
48h	19	2
7d	22	3
30d	134	17

Playback	Listens	Hours
48h	34	5
7d	7	53m
30d	433	61

Playback	Listens	Hours
48h	22	2
7d	5	44m
30d	122	14

2:34:16

4 tapes

10/11SBD

Norman, OK, USA

351

Playback	Listens	Hours
48h	29	4
7d	83	13
30d	351	52

2:37:06

Activity Center. Arizona State U

10/09SBD

McNichols Sports Arena

Denver, CO, USA

447

Playback	Listens	Hours
48h	40	5
7d	112	15
30d	447	59

Playback	Listens	Hours
48h	8	1
7d	12	2
30d	99	17

1:26:51

4 tapes

10/06SBD

Tempe, AZ, USA

748

Playback	Listens	Hours
48h	40	6
7d	121	17
30d	748	107

Playback	Listens	Hours
48h	43	6
7d	179	24
30d	1.1k	142

Playback	Listens	Hours
48h	18	2
7d	30	4
30d	463	57

2:43:45

Paramount Northwest Theater

9/29SBD

Seattle, WA, USA

314

Playback	Listens	Hours
48h	15	2
7d	25	4
30d	314	50

2:53:08

Paramount Northwest Theater

9/28SBD

Seattle, WA, USA

186

Playback	Listens	Hours
48h	11	1
7d	43	6
30d	186	25

Playback	Listens	Hours
48h	148	22
7d	478	63
30d	2.4k	315

18.5k

Playback	Listens	Hours
48h	581	73
7d	992	127
30d	18.5k	2.4k

8.2k

Playback	Listens	Hours
48h	97	15
7d	175	28
30d	8.2k	1.2k

17.3k

Playback	Listens	Hours
48h	362	49
7d	657	90
30d	17.3k	2.4k

Playback	Listens	Hours
48h	91	11
7d	27	3
30d	1.7k	209

3:05:07

3 tapes

5/28SBD

Hartford Civic Center

Hartford, CT, USA

2.7k

Playback	Listens	Hours
48h	119	18
7d	121	20
30d	2.7k	408

3:19:35

5/26SBD

Baltimore Civic Center

Baltimore, MD, USA

1.8k

Playback	Listens	Hours
48h	154	20
7d	205	29
30d	1.8k	247

Playback	Listens	Hours
48h	370	49
7d	458	60
30d	3.3k	428

Pembroke Pines, FL, USA

7.5k

Playback	Listens	Hours
48h	506	72
7d	960	133
30d	7.5k	1k

3:17:29

4nuyKoY91WKwR6HLq7Gzkl Lakeland, FL, USA

5/21SBD

Lakeland Civic Center

1.6k

Playback	Listens	Hours
48h	99	12
7d	269	34
30d	1.6k	201

Playback	Listens	Hours
48h	144	22
7d	395	56
30d	1.9k	272

Playback	Listens	Hours
48h	45	7
7d	226	32
30d	1.3k	194

2:56:45

3 tapes

5/17SBD

Memorial Coliseum, U. of Alabama

Tuscaloosa, AL, USA

4.2k

Playback	Listens	Hours
48h	214	28
7d	423	54
30d	4.2k	551

Playback	Listens	Hours
48h	113	15
7d	112	15
30d	839	108

Playback	Listens	Hours
48h	50	6
7d	118	15
30d	874	108

Playback	Listens	Hours
48h	0	0m
7d	16	2
30d	124	16

2:29:28

2 tapes

5/11SBD

St. Paul Civic Center

St. Paul, MN, USA

3.4k

Playback	Listens	Hours
48h	181	24
7d	510	68
30d	3.4k	460

5:53:21

5/09SBD

War Memorial Auditorium

Buffalo, NY, USA

10.1k

Playback	Listens	Hours
48h	789	112
7d	1.1k	160
30d	10.1k	1.5k

5:15:24

Barton Hall, Cornell University

5/08SBD

Ithaca, NY, USA

8.5k

Playback	Listens	Hours
48h	912	139
7d	1.2k	189
30d	8.5k	1.3k

Playback	Listens	Hours
48h	486	72
7d	602	90
30d	6k	886

3:15:28

9 tapes

5/05SBD

Veterans Memorial Coliseum

New Haven, CT, USA

2.6k

Playback	Listens	Hours
48h	74	12
7d	320	49
30d	2.6k	379

Playback	Listens	Hours
48h	83	14
7d	269	43
30d	2k	330

Playback	Listens	Hours
48h	85	10
7d	92	12
30d	618	76

Playback	Listens	Hours
48h	29	4
7d	39	5
30d	413	55

Playback	Listens	Hours
48h	20	2
7d	22	2
30d	391	46

Playback	Listens	Hours
48h	8	1
7d	45	6
30d	626	91

Playback	Listens	Hours
48h	58	9
7d	57	10
30d	732	112

Playback	Listens	Hours
48h	0	0m
7d	8	59m
30d	155	20

Playback	Listens	Hours
48h	33	4
7d	27	3
30d	513	57

2:38:35

4/23SBD

Springfield Civic Center

Springfield, MA, USA

3.1k

Playback	Listens	Hours
48h	187	27
7d	368	49
30d	3.1k	425

Philadelphia, PA, USA

785

Playback	Listens	Hours
48h	83	14
7d	129	21
30d	785	126

864

Playback	Listens	Hours
48h	94	13
7d	58	8
30d	864	120

890

Playback	Listens	Hours
48h	66	11
7d	111	17
30d	890	138

Robertson Gym, UC Santa Barbara

1.5k

Playback	Listens	Hours
48h	73	11
7d	175	25
30d	1.5k	217

Playback	Listens	Hours
48h	0	0m
7d	1	4m
30d	64	13

3:10:50

1 tape

2/27SBD

Goleta, CA, USA

428

Playback	Listens	Hours
48h	9	1
7d	47	6
30d	428	53

San Bernardino, CA, USA

4.4k

Playback	Listens	Hours
48h	344	47
7d	479	65
30d	4.4k	598

5:39:22

Studio (Terrapin Station Outtakes)

2/20SBD

Novato, CA

120

Playback	Listens	Hours
48h	0	0m
7d	10	2
30d	120	16

Playback	Listens	Hours
48h	8	47m
7d	35	4
30d	268	31

1:16:53

3 tapes

Sources

Taper: Betty Cantor

Source & Transfer by Anonymous;Edited & Mastered using Adobe Audition by Joe Noel

gd1977-05-08.148737.SBD.Betty.Anon.Noel.t-flac2448

Source: Betty Cantor's SBD Reel Master > PCM (undecoded) > DAT via spdif/Sony PCM601esd > wav file via spdif/RME multiface > Wave 24/48 (decoded) > Myteck Stereo DAC96 > DBX150X > Korg MR2000 > WAV 24/48

gd1977-05-08.mtx.seamons.97274.sbeok.flac16

View Notespatch info:
- shnid 137569 supplies
- s1t01; start - 01:00
- s1t08; 03:18 - end
- s1t09; start - 00:25
- s2t10; 04:36 - end

Notes:
- Thanks to anonymous, for sharing this source while hiding out away from the Bay Area
- Thanks to dusborne for his work on the matrix

Transferrer: Hunter Seamons

Matrix mix (SBD/AUD)

View Notes----------------------------------------------------
SBD (shnid=4982):

Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

----------------------------------------------------
AUD (shnid=29303):

Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC
MC>CDR>EAC>WAV>FLAC

Notes: 10 Feet From Stage = Great Instrument Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many, Tape Filp After Supplication,
Flip During NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's,
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
If Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!

Recording And Transfer: Jeff Stevenson

---------------------------------------------------
Thank you to Rob Eaton for the SBD transfer,
and to Jeff Stevenson for recording this all-time great show.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)

Source 3 of 23

1:03:29

SBD

gd1977-05-08.sbd.cube.87486.flac16

Transferrer: Dan Haugh

gd1977-05-08.mtx.dan.35086.flac24

DVD-A 24/96 SBD+AUD1+AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)

gd77-05-08.sbd.hicks.4982.sbeok.shnf

View Notes---------------------------------------------------------

Source Info

SBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 
7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital 
Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on 
Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 
Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > 
DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam 
CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) 

AUD1 
Jerry Moore's MAC > Reel > CD
Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, 
copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch 
Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob 
Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit 
mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > 
First Gen Reel > Played directly to hard drive > CDR > SHN 

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & both AUD sources.   CEP2.0 used to adjust 
the volume for the SBD & both AUDs. CEP was used to do the 
multitrack mixdown to 24/96.  This is a 60% SBD, 20% AUD1,
20% AUD2 mix.  DiscWelder was used to author and create the 
DVD-Audio in 24/96.  DVD Decryptor read and created the ISO 
image file.  This incorporates 2 channels of 24/96 wave files.     
- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double DVD case.

---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

This represents the 24 bit files that are the result of all 
my editing and the multitrack mixdown. It is unclear exactly 
what we have in the way of high resolution. However it seems 
there is agreement that what we have cannot be represented 
accurately in 16/44. What you are getting is the full result 
of the matrix mix process. How much different does this sound? 
is this better? A little and yes. This is more accurate and 
has more dynamic range.  24/96 resolution versus a 16/44 of 
the same material will usually result in very subtle but 
important differences.  Most of it relying on the quality of
the DVD-A player and the D to A conversion.  With that in 
mind, this 24 bit copy is no different.  Small but important 
gains over the same material in 16/44.  This is just one 
man's take.  Take it or leave it.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a 
fake AUD recording by mixing crowd cheer with the SBD. This 
was effective at creating patches for the rear channels in 
the 5.1 presentation but also maintained a smooth quality in 
the stereo matrix mix as well.  These patches are numerous 
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just 
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources 
to pull up the vocals and give the center channel a unique 
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single 
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo 
field moves.  The result, although not perfect, I think 
provides the listener with a more enjoyable and natural 
listening experience.  Maybe you disagree.  For those of you 
who would rather have a patch using a matrix mix of the 2 AUD 
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 
43:16.362.  This was patched using a matrix mix of the 2 AUD 
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is 
still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth 
and most likely undetectable.

---------------------------------------------------------

Burning Instructions A & B

A. Use DVD Decryptor or similar program to burn as an image 
file (ISO) onto a DVDR.  Enjoy.

B. This may also circulate as 2 channel FLAC files and will
require assembly.  Included is the discwelder file. If you 
use that program, decode all the FLAC file and stick them in 
a folder. Click on the DiscWelder file (which will open 
DiscWelder) and point it towards that folder with the wave 
files and VIOLA! DVD-A pre-assembled and ready to author.

---------------------------------------------------------

Taper: Steve Maizner

Matrix (see notes)

gd1977-05-08.sbd.cantor.sacks.266.shnf

View Notesfreshly remastered Betty Board with AUD splices, by Rob Eaton;

Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

Audience Portion -- Steve Maizner's Sony ECM-990>Sony TC-152 aud master>First Gen Reel>played directly to hard drive.  The excellent aud splices were normalized and patched using ProTools by Karen Hicks 

Taper: Betty Cantor

WBOTB Source -- 7" two track BBD reel encoded w/ DBX-1 noise reduction @ 7 1/2 ips > Sony PCM501ES @ 44.055 kHz. Sony PCM501ES analog out > DBX-1 decoder > analog in PCM501ES. PCM501ES analog out > Fostex D5 @ 48 kHz>DATs>ZA2>CDRs>EAC>SHN

Charlie Miller;Rob Berger

View NotesAudience Splices -- Teddy Goodbear's Panasonic AM/FM Stereo 'boom box' (w/condenser mics) > CM (Cassette Master) > various equalizers & editors > CD

Taper: Jerry Moore

gd1977-05-08.ecm33p.moore.berger.miller.117027.flac24

source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above); 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

Taper: Jerry Moore

Charlie Miller, Rob Berger

gd1977-05-08.ecm33p.moore.berger.miller.117026.flac16

source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac; encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller

Taper: Recording by Rich Petrunis.

Recording by Rich Petrunis.

Transferrer:

Transferred by Andrew F. 04/2021

gd1977-05-08.152379.aud.petrunis.flac2448

MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.

View NotesNote: Most of the stand-alone tracks clip-in abruptly with small
amounts missing. Noted flaws: The tape broke, causing drop-outs
at Lazy Lightning 4:01 and Brown Eyed Women 3:33. Supplication
cuts-out near the end. Taper got disrupted or lowered the mic in
Row Jimmy 8:41 > 9:01. Small gaps in Dancing in the Street mended
together at 0:18 & 14:32. Tape-flip start of Not Fade Away 0:33.
With thanks to John and Rich Petrunis for sharing their tapes!

Transferrer: Matrix by Dave Usborne

2:56:25

Transferrer:

gd1977-05-08.137572.mtx-2aud.dusborne.flac16

2 Source Matrix by Dusborne; Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011, mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

Transferrer: Matrix by Dave Usborne

gd1977-05-08.137571.mtx-2aud.dusborne.flac24

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC; MC>CDR>EAC>WAV>FLAC,Recording And Transfer: Jeff Stevenson

Transferrer: Matrix by Dave Usborne

gd1977-05-08.137570.mtx.dusborne.flac16

3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster);Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303) Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC, Recording And Transfer:Jeff Stevenson

Transferrer: Matrix by Dave Usborne

3:02:47

REMASTER

Transferrer:

gd1977-05-08.137569.mtx.dusborne.flac24

3 Source Matrix by Dusborne; Soundboard (shnid:4982) Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster); Audience 1 (shnid:117027)source: aud taped by Jerry Moore a) cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b) Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b) The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels

technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac new transfers by Rob Berger spring 2011,mastering, pitch correction, and seeded by Charlie Miller; Audience 2 (shnid:29303)Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC,MC>CDR>EAC>WAV>FLAC,Recording And Transfer:Jeff Stevenson

Taper: Jim Cooper

gd1977-05-08.134093.aud.cooper.berger.flac24

source: aud cassette master; taped by Jim Cooper; sony ecm22p > hitachi trq232; nakamichi dragon > benchmark ADC1 24/96 > tascam hd-p2, compact flash > mac > adobe audition CC > xACT flac; transferred and seeded by Rob Berger

Transferrer: Hunter Seamons

gd1977-05-08.111493.mtx.seamons.sbeok.flac16

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC); this source fixes a flaw in d1t08 from <a href="http://db.etree.org/shn/97274">source ID 97274</a>

DTS and Matrixing by Dan Haugh

View Notes1) Warning: this might steal your face - the sound is impeccable, thanks to truly excellent sources for a matrix.


Jerry Garcia - Lead Guitar, Vocals
Donna Jean Godchaux - Vocals
Keith Godchaux - Keyboards
Mickey Hart - Drums
Bill Kreutzmann - Drums
Phil Lesh - Electric Bass, Vocals
Bob Weir - Rhythm Guitar, Vocals



*40th Matrix* 

----------------------------------------------------
SBD (shnid=4982):

Betty Board -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster)

----------------------------------------------------
AUD (shnid=29303):

Handheld Shure 57's, 10 Feet From Stage, DFC>TC152>MC
MC>CDR>EAC>WAV>FLAC

Notes: 10 Feet From Stage = Great Instrument Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many, Tape Filp After Supplication,
Flip During NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's,
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
If Anyone Wants To Matrix This Feel Free, I'd Love To Hear It!

Recording And Transfer: Jeff Stevenson

---------------------------------------------------
Thank you to Rob Eaton for the SBD transfer,
and to Jeff Stevenson for recording this all-time great show.

Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 

I removed a "click" sound I mistakenly added to the AUD-only portion of Supplication at 0:06. I fixed this by patching in the unscathed AUD there, rather than using a de-clicker filter. This "click" had always driven me nuts and warranted a fixing.

Thank you for your continued patience and support.

-Hunter

February 14, 2010

Taper: See info file

gd1977-05-08.mtx.dts.dan.30756.flac16

View NotesTech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble 
the tracks back to 1 long wave.  CEP2.0 was used to align & 
synch the SBD & both AUD sources.  CEP2.0 used to adjust the 
volume for both AUDs, matrix/CTR and LFE channels.  Surcode 
CD Pro DTS was used to encode to DTS. The center matrix track 
is a 60% SBD, 40% AUD2 mix.   
- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
---------------------------------------------------------

DTS-Audio-CD Info

Front  	
Left Channel SBD Reel 
Right Channel SBD Reel

Center 	
Mixed to mono -6db SBD+AUD2 Matrix 

Surround 
Left Channel -2db AUD1 (with some AUD2 patches)
Right Channel -2db AUD1 (with some AUD2 patches)

Sub/LFE
Mixed to mono -4db SBD Reel

---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a 
fake AUD recording by mixing crowd cheer with the SBD. This 
was effective at creating patches for the rear channels in 
the 5.1 presentation but also maintained a smooth quality in 
the stereo matrix mix as well.  These patches are numerous 
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just 
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources 
to pull up the vocals and give the center channel a unique 
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single 
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo 
field moves.  The result, although not perfect, I think 
provides the listener with a more enjoyable and natural 
listening experience.  Maybe you disagree.  For those of you 
who would rather have a patch using a matrix mix of the 2 AUD 
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 
43:16.362.  This was patched using a matrix mix of the 2 AUD 
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is 
still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth 
and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you 
didn't really read the text file, did you?  

---------------------------------------------------------

More On DTS

Today's audio standards are moving towards multi-channel 
sound, like DTS and Dolby Digital.  While the Audio-CD 
standard (Red Book) hasn't changed to accommodate these 
new sound formats, it is still possible to go around the 
specification and to put a 5.1 surround recording on a 
regular Audio-CD.  To play a DTS-Audio-CD you must connect 
your DVD/CD player via a digital cable (optical or coaxial) 
to your DTS Dolby-Digital receiver. It is not 100% sure 
that your receiver will recognize a DTS-Audio CD, so the 
first time you're trying to playback a DTS-Audio-CD you 
must do a test to determine if it can. Begin with the 
volume very low, start the disc and raise the volume 
gradually. NEVER listen to a DTS-Audio-CD through the 
analog audio outputs of your CD/DVD player.

Burning Instructions
Burn them the absolute same way as you would burn any 
normal Audio-CD from FLAC files.

Taper: See info file

Matrixing by Dan Haugh

gd1977-05-08.mtx.dan.29511.flac16

View NotesSBD + AUD1 + AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)

---------------------------------------------------------

Source Info

SBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @
7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital
Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on
Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22
Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) >
DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam
CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster)

AUD1
Jerry Moore's MAC > Reel > CD
Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B,
copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch
Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob
Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit
mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master >
First Gen Reel > Played directly to hard drive > CDR > SHN

---------------------------------------------------------

Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch the SBD & both AUD sources.   CEP2.0 used to adjust the
volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1,
20% AUD2 mix.  
- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
---------------------------------------------------------

Notes

I looked at the 4 pages of notes I had on this project and
it made me sick to think about typing them up.  So, although
not complete, you will get a good idea of what was done to
bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both
AUD recordings suffered from btwn song pauses that not only
cut the crowd cheer out but clipped the beginning of many
songs. The 2 AUD source coverage allowed my to patch 1 with
the other in some situations.  A couple spots I created a
fake AUD recording by mixing crowd cheer with the SBD. This
was effective at creating patches for the rear channels in
the 5.1 presentation but also maintained a smooth quality in
the stereo matrix mix as well.  These patches are numerous
and I think completely smooth and most likely undetectable.

The SBD+AUD matrix details.  The stereo matrix it is approx
60% SBD, 20% Jerry Moore's AUD and 20% Steve Maizner's AUD.
The matrix mix on the center channel is a 50/50 with just
the SBD and Steve Maizner's AUD.  I also D'EQ'd both sources
to pull up the vocals and give the center channel a unique
sound as not to detract from the front stereo imaging or the
rear surround effect. You will also note that the rear channels
are just Jerry's AUD and not a matrix of the 2 AUD sources.  I
did give that configuration a listen but opted for the single
rear source.  It was clearer and had more definition on its own.

d1t01 The first 16.041 seconds of Minglewood blues was cut on
the SBD.  Starting this monster project with an unrecoverable
flaw was unacceptable to me.  I decided to patch that opening
portion with a SBD and AUD recording from 5-7-77.  As this
patch ends you will hear some slight phasing as the stereo
field moves.  The result, although not perfect, I think
provides the listener with a more enjoyable and natural
listening experience.  Maybe you disagree.  For those of you
who would rather have a patch using a matrix mix of the 2 AUD
sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 -
43:16.362.  This was patched using a matrix mix of the 2 AUD
sources and then EQ'ed to best match the sound spectrum of
the SBD.  I also tried to match the volume on the SBD.  A
switch in sources is obvious to the listener but this is
still pretty good.  The switch back to SBD is actually
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418.
This was fixed using a quick channel swap.   This is smooth
and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you
didn't really read the text file, did you?

Taper: Jeff Stevenson

gd1977-05-08.shure57.stevenson.29303.flac16

Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC

MC>CDR>EAC>WAV>FLAC

Rob Berger and Chris Larson

View NotesNotes:10 Feet From Stage=Great Instrement Pickup,
Vocals A Bit Lower Than Moore's Copy.
A Few Pauses But Not Many,Tape Filp After D01T08,D03T03
Flip Durning NFA Crossfaded And Is Barely Noticeable,
Probably Lost 3-4 Sec's 
Minimal Crowd Chatter, But With Handheld Mic's, Up Front,
There Are A Few Spots Where In An Ideal World, A Few People
Would Have Been Standing Somewhere Else.
if Anyone Wants To  Matrix This Feel Free, I'd Love To Hear It!

Transferrer: Rob Berger and Chris Larson

gd1977-05-08.aud.moore.berger.28354.flac16

MAC>R>CD

Rob Berger and Sean Cribbs

View NotesJerry: "Lineage: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper>Tascam CD-Rw4U.

Just so, hopefully, nobody can misunderstand what they got: Came off my cassette master, except for Scarlet/Fire, on which my master had speed fluctuations. THAT part came off another cassette, that had been patched out of the 153 at the show. I took those two cassette masters, and made a 10 inch reel copy, 7.5 ips, Dolby B, this within a few days of the show itself. That reel, BTW, I would call a "2nd generation" copy, though most people would call it "1st" - rule of thumb, if you see one of my own old lineages, subtract a generation to translate to current taper-speak. That 10 inch reel copy is what Rob Berger transferred, and what a lot of you have, and are hopefully enjoying."

Taper: Jerry Moore

gd1977-05-08.aud.moore.cribbs.28301.shnf

MAC>R>CD

gd77-05-08.matrix.dan.26857.sbeok.flacf

View NotesMAC>R>CD
Audience Recording by Jerry Moore

Jerry: "Lineage: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper>Tascam CD-Rw4U.

Just so, hopefully, nobody can misunderstand what they got: Came off my cassette master, except for Scarlet/Fire, on which my master had speed fluctuations. THAT part came off another cassette, that had been patched out of the 153 at the show. I took those two cassette masters, and made a 10 inch reel copy, 7.5 ips, Dolby B, this within a few days of the show itself. That reel, BTW, I would call a "2nd generation" copy, though most people would call it "1st" - rule of thumb, if you see one of my own old lineages, subtract a generation to translate to current taper-speak. That 10 inch reel copy is what Rob Berger transferred, and what a lot of you have, and are hopefully enjoying."

EAC>WAV>SHN encoding by Sean Cribbs 2/19/2005.

Transferrer: Dan

Matrix - 3 Sources

gd77-05-08.dts.dan.26856.sbeok.flacf

View NotesSBD
SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) 

AUD1 
Jerry Moore's MAC > Reel > CD Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B - Transfer by Rob Berger (1/05), Sony TC 850>Teac AN-180>Sony SBM1 super bit mapper > Tascam CD-Rw4U > SHN

AUD2
Steve Maizner > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN 

Tech Notes: 

SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave.  CEP2.0 was used to align & synch the SBD & both AUD sources.   CEP2.0 used to adjust the volume for the SBD & both AUDs. This is a 60% SBD, 20% AUD1, 20% AUD2 mix.  

- Mixed by dan@am-dig.com
- FLAC conversion 08-MAY-2005  
- Artwork by dan@am-dig.com 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case.

Notes: 

I looked at the 4 pages of notes I had on this project and it made me sick to think about typing them up.  So, although not complete, you will get a good idea of what was done to bring these recordings to this point.

ALLOT of editing was done to keep the flow btwn songs.  Both AUD recordings suffered from btwn song pauses that not only cut the crowd cheer out but clipped the beginning of many songs. The 2 AUD source coverage allowed my to patch 1 with the other in some situations.  A couple spots I created a fake AUD recording by mixing crowd cheer with the SBD. This was effective at creating patches for the rear channels in the 5.1 presentation but also maintained a smooth quality in the stereo matrix mix as well.  These patches are numerous and I think completely smooth and most likely undetectable.

d1t01 The first 16.041 seconds of Minglewood blues was cut on the SBD.  Starting this monster project with an unrecoverable flaw was unacceptable to me.  I decided to patch that opening portion with a SBD and AUD recording from 5-7-77.  As this patch ends you will hear some slight phasing as the stereo field moves.  The result, although not perfect, I think provides the listener with a more enjoyable and natural listening experience.  Maybe you disagree.  For those of you who would rather have a patch using a matrix mix of the 2 AUD sources please feel free to do it yourself :^)

d1t07-08 The SBD is missing approx 34.361 from 42:47.001 - 43:16.362.  This was patched using a matrix mix of the 2 AUD sources and then EQ'ed to best match the sound spectrum of the SBD.  I also tried to match the volume on the SBD.  A switch in sources is obvious to the listener but this is still pretty good.  The switch back to SBD is actually 
really good as there are no vocals at that point.

d2t02 A tiny right channel digital sizzle at 12:18.418. This was fixed using a quick channel swap.   This is smooth and most likely undetectable.

If you play this DTS-Audio-CD and hear static it is b/c you didn't really read the text file, did you?

Source 22 of 23

<b>DTS Audio 5.1</b>: Soundboard (Betty Board) > Master 7

gd77-05-08.maizner.hicks.5002.sbeok.shnf

View Notes<b>Lossies (including stream version) removed because 5.1 channel files do not properly encode to 2 channel MP3's - the result is static.</b>

<b>DTS Audio 5.1</b>: SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT> DAT> Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD (Steve Maizner) > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN; see pub comments re additional reflac version

Taper: Steve Maizner

Audience - Sony ECM-990

Sony ECM-990 > Sony TC-152 (aud master) > First Gen Reel > played directly to hard drive